I feel ya :) I do make exceptions, though. For example, bring an old deck to the pub/bar and perform a trick, like this one, to a person of interest. Tell your story well, (I'm sure you know how since you're a badass magician, right? ^^) and get them to write their phone number on the card. For example: "So this is your personal card? Well, to me this is just a regular [queen of hearts]. So, milady, my dear queen of hearts, why don't you make this card your own and write down your number on it? And we can make sure it won't be ambiguous if I'm tricking you." They might react like 'I see what you did there, you smooth bastard! Well, I won't fall for it!', just agree smugly and don't pressure them. If you nail the trick, you can ask again afterwards. If they still say no, they're not interested ;) (but that's fine because you're not interested in every person you meet at a bar either, right?) anyway, you'll both have had a good time during the trick.
+Jassa Singh I was just joking about actually having 37 phases. My ACR changes almost weekly. So frustrating. I do love the idea of each phase becoming more convincing. But the other part of me just wants each phase as impossible as possible.
Incredible routine, thanks again 52kards! Just as a note for anyone else who struggled with this like I did, in the phase 3 where you have to get a pinky break under the bottom two cards, it looks a bit unnatural spreading the cards out (I think) so instead what I do is get a pinky break under JUST the bottom card (much easier than under two cards) then do all the same moves, but if you want to do the whole "it only works when you snap your fingers *gets someone else to snap their fingers*" then just do a double life at the end when someone else snaps their fingers, and a single lift when they snap their fingers thus revealing the right card. Just a note, but awesome tutorial! Just thought I'd share something I struggled with :-)
Your double-lift is hard to do but its the best looking double-lift I've seen. Many lifts look way to complex, and you want to lift it the way people usually do when lifting a top card.
Nivesh Proag agreed, one of the nicest double lits I'd say. It's taken me a solid week of regular practice but I'd say the effect is worth it, so just stick with it :-)
Great routine! ACR is by far, alongside Invisible Deck (or something similar), one of the greatest card tricks of all time. And by the way, the move at 5:00 is called the Vernon Add On used in conjunction with the Allerton Alignment Move (where the middle finger pushes the card forward until the thumb hits the back of the deck) Hope that helps!
You know, I tend to like having the selected card blank. I do this for the express reason of having them ask if the whole deck is that one card. I say "Wow! You fugured out my trick! Good job!" And then cut the deck at random places, showing them that the entire deck is a duplicate of their card. And then I say "Actually, I just realized something. Thare arent any (their card) in this deck" as I palm their card into my pocket and spread the deck on the table. Puts a good twist on the trick.
additional idea: (approxinately the same level as other phases) get a second deck with a different back from the one you're already using. You need the spectator's card in second position fron the top, with the spectator thinking it is in first position. First, pick up the upper card and put it somewhere in the middle of the deck. Then double lift to show that what they think is the upper card is not their card, and put both cards on top of the second deck (still as though it is one card). Undercut about half the cards fron the second deck. Say something like: "I took the top card and put it in the other deck, so now, when your card jumps to the top of the deck, it should jump to right above the card we just put in that deck." Then, when they snap their fingers, you magically reveal that there's a second card in the second deck, and that it is the spectator's card.
The movement minute 5:00 for the ambitious card was created in 1968 by James Wesley, it is decribed in his book "Enchantments" page 178. He call it "Load-Up Move". Also talk about the history he then showed it to Frank Garcia and Ed Marlo, he gives all the credits to the other similar moves like one Tom Ellis published in 1971, he also says in the book that other similar movements has been published without credits since it is too old to trace.
very cool, especially like the popping up of the bent card...visual and movement at the same time...they will really think that sucker just popped up to the top of the deck. nice.
this is awesome!!!!!! this is great because ive been looking for a card trick to show my friends at school and this one is perfect because every single time they say oh well you just shuffled it in a spacific manner a defy them thanks 52Kards
hey asad like to add that instead of the double lift to show the spectators card when they snap, perform a color change since its the second card down. You can say the top card isnt yours but let me change it and perform the color change routine..Just thought that i would add that but gotta say i watched alot of your vids and you do a great job with explaining the tricks,keep up the good work!
this trick is amazing i show my family and afterwards their stunned i just wanted to say thank you to 52 kards since this channel has helped become the magician i am today, thank you. :)
AFAIK You can do a turned over version as well. You wave your hand over with a control to the top and when you switch back angles, it happens before they even know it. And you get them more attentive and more engaged because of the sudden speed that you operated at. And then you build up tension with other phases.
Hey Asad, i just wanna let you know real quick, that you have awesome tutorials and you are a very skilled person. You are my favorite TH-camr because when you do a tutorial, you show that you care because you explain in depth. So i just wanna say thanks for the videos bro and keep up the great work (:
At the third move, when you put their card in the half of the packet and that packet in the half of the other packet, it's also very nice to do a fan in your right hand and then put "their card" in the fan and then close the fan and put it on the bottom of the deck.
I prefer to allow the audience to suspect initially that there are duplicate cards. As the routine goes along that explanation seems more and more unlikely. Finally, when I finish, I put the deck on the table and just look at it. Eventually someone will pick it up and look through it. No duplicates.
Hi Asad, I was wondering if you could do a deck review, top decks, or go over your deck collection. I enjoy those videos. Thanks, your channel is the best magic resource on TH-cam :)
This is a fairly practical routine, but its principle limitation is that it's built around double turnovers almost exclusively. The closest thing to a throwoff is the Wesley James "Coming Up In the World" sequence. So much greater conviction can be created with alternatives like the Top Change, Marlo's "KM Move with Reverse Fingering", Second Dealing, etc.
ive always used the popup for the end but i used a different method ive always personally thought was dodgy (though no one has ever said anything) after putting the 2 cards bent on top, i then just take the very top card as i flatten the and say "ill bend it a little bit more" having done this i slide it into the middle, i never liked this due to placing them on top then taking them off again never felt comfortable but i am defiantly going to work on the method you used, much cleaner thank you
Hey Asad! Great video, and very good tutorial. You should make a video performing that entire scene, which I think is the only thing missing. Keep up the good work! Btw. You've caught interest from Denmark!
I usually control the card to the top and leave it there and make the audience select a card and say "what would you think if you managed to select your own deck?" So ask them to select a card,place it on top of the deck,do a double lift and boom.
On the trick where you pinky break two cards on the bottom by spreading the deck, I usually say (as their card is on the top) "And now every card in the deck is like your card!" as a joke/excuse to spread the deck.
Hey Asad, I would really appreciate it if you added my Marlo Tilt tutorial to your description, as I think it's another great way to control the card to the second position for the first phase. Thanks!!
thanks so much😄😄🤗, i hav a talent show at school in a few days and this is the easiest but still awsome routine i've seen. how do you clean up at the end of it tho🤔, coz i wanna move on to some other tricks after but i'll have that bent card in the middle😬😕😩😓😓😩😫
What? At 4:00 u took the top card ( which is their card ) and said it was another card,isn't the double lift suppose to maintain the card in the same place?
Double lift means you lift 2 cards but you act like it is 1 card so you have: Random card Selected card Rest of deck And when you flip the random card and the selected card you see the selected card but when you turn them both back you can place the random card in the middle
YOUR DOUBLE LIFT IS SOOOOOOOO SICKKKKKK!!!! I know who it's done and all, but I find my hands to be too small (an excuse I use all the time) and reverting back to my double lift (don't know what it's called) and the "David Blaine" SSread/Push-off double lift.
I do this routine pretty much except I like to finish it by palming their card and making it appear somewhere unexpected, like I've 'messed up'. The most common one I've seen people do is get people focusing hard on the deck then make the card appear hanging out your mouth. You turn over the top card and say 'oh, I think I did it wrong' and they instantly notice that you're mumbling, look up, and their card is hanging out your mouth when they think they just saw it get put into the deck.
I haven't been using an bicycle deck or a magician deck yet. I use a normal deck with pasteboards. Are your cards made from carton or plastic? because i can't do a riffle shuffle with mines. Are too rigid and when i bend them, a nasty sign remains on their back...thank you!
Great explanation! I'm really not much into practicing a lot of slight of hand...I just know a couple mathematical "auto-pilot" card tricks that require zero skill. lol But I do enjoy watching vids like this and seeing how more complex tricks are done. Great job!
I have a small stage program consisting of 40 people as audience. And if I bring in one of them to the stage....can I perform the same with the audience viewing from their seats.
Hey love your magic and your tutorials!!! Just wondering, for phase 1 how did you get the card into the second position after the Hindu shuffle??? Plz help
I usually put one more phase by doing a simple pass (not the regular one). And when I decide to end, I've always ended by cutting the deck and keeping the selected card on the top of the bottom half (by a method totally similar to the riffle force). The top deck, wich the spectator think that has their card is shown and put forward when the bottom half is given no attention at all, since all of them saw the card been put i the top. Then, I use my finger tips to put the top card halfway in the middle of the top deck and ask them to help me pushing it all the way to the end, until no one see it anymore. As they are all focused in the top card of the top half I simply (no sleight of hands, no special moves, no sign of any suspect movement) put the top card of the half deck in my mouth and bite it. When I reveal the next top card of the top half, wich isnt their card, they think that I've missed the trick, but when they look at my face to make fun of me, their card is there, been holding by my lips. Its ASTONISHING how none of them follow my other hand.
Performance idea: use a one-way force deck. One card will be different. Force that one card. Don't sign the card. Usually someone will say something like:"All the cards all the same!" This is good. Ask the audience to let you finish the trick and tell them that you will reaveal the truth at the end. Finish your routine. At the end say something like:"Well someon acctualy guessed how i did the trick...You see, all the cards are the same!" Wait as the audience signs with understanding and relief. Then spread your cards. Boom. Best reactions ever.
Love the tutorial but I'm having a difficult time figuring out how to do both the forth and fifth parts of the routine I can't seem to find a seemingly natural way of getting the card to second position again... I'm stuck with it turned over top stock and want to transition into the bent card effect. Any ideas sorry kinda a noob only half way through the royal road. Thanks again for all the tutorials your my hero !
Great video with lots of really good tips! Personally I always end with card to mouth. It's not really part of the ACR, but It blows everyone away. And I also try to incorporate a pass, just because it looks sweet :P
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BICYCLE David
I just keep signed cards in the deck. I think it gives my deck character :)
i dont get how signing them ruins them, there is 1 of every card, itt just makes it look cooler
Sometimes the cool magic tricks don't come cheap...
That's cool
I feel ya :) I do make exceptions, though. For example, bring an old deck to the pub/bar and perform a trick, like this one, to a person of interest. Tell your story well, (I'm sure you know how since you're a badass magician, right? ^^) and get them to write their phone number on the card. For example: "So this is your personal card? Well, to me this is just a regular [queen of hearts]. So, milady, my dear queen of hearts, why don't you make this card your own and write down your number on it? And we can make sure it won't be ambiguous if I'm tricking you." They might react like 'I see what you did there, you smooth bastard! Well, I won't fall for it!', just agree smugly and don't pressure them. If you nail the trick, you can ask again afterwards. If they still say no, they're not interested ;) (but that's fine because you're not interested in every person you meet at a bar either, right?) anyway, you'll both have had a good time during the trick.
***** Whoah, post is long. Must. Read. It...
Hardest part of ACR? Getting it down to 4 or 5 phases. I've narrowed mine down to a solid 37.
lol...
i know the feel...
make a performance video XD
+deanmat wanna share ur moves or show us ur routine??? make a video of ur 37 phases please!!! i wanna learn more phases
+Jassa Singh I was just joking about actually having 37 phases. My ACR changes almost weekly. So frustrating. I do love the idea of each phase becoming more convincing. But the other part of me just wants each phase as impossible as possible.
Incredible routine, thanks again 52kards! Just as a note for anyone else who struggled with this like I did, in the phase 3 where you have to get a pinky break under the bottom two cards, it looks a bit unnatural spreading the cards out (I think) so instead what I do is get a pinky break under JUST the bottom card (much easier than under two cards) then do all the same moves, but if you want to do the whole "it only works when you snap your fingers *gets someone else to snap their fingers*" then just do a double life at the end when someone else snaps their fingers, and a single lift when they snap their fingers thus revealing the right card. Just a note, but awesome tutorial! Just thought I'd share something I struggled with :-)
Your double-lift is hard to do but its the best looking double-lift I've seen. Many lifts look way to complex, and you want to lift it the way people usually do when lifting a top card.
Nivesh Proag agreed, one of the nicest double lits I'd say. It's taken me a solid week of regular practice but I'd say the effect is worth it, so just stick with it :-)
Great routine! ACR is by far, alongside Invisible Deck (or something similar), one of the greatest card tricks of all time. And by the way, the move at 5:00 is called the Vernon Add On used in conjunction with the Allerton Alignment Move (where the middle finger pushes the card forward until the thumb hits the back of the deck) Hope that helps!
You know, I tend to like having the selected card blank. I do this for the express reason of having them ask if the whole deck is that one card. I say "Wow! You fugured out my trick! Good job!" And then cut the deck at random places, showing them that the entire deck is a duplicate of their card. And then I say "Actually, I just realized something. Thare arent any (their card) in this deck" as I palm their card into my pocket and spread the deck on the table. Puts a good twist on the trick.
They must be some dumb spectators to be thinking that
i really like the way you costruct the video and the sort of videography in the description!
This make this teching so complete! A lot of compliments!
additional idea:
(approxinately the same level as other phases) get a second deck with a different back from the one you're already using. You need the spectator's card in second position fron the top, with the spectator thinking it is in first position. First, pick up the upper card and put it somewhere in the middle of the deck. Then double lift to show that what they think is the upper card is not their card, and put both cards on top of the second deck (still as though it is one card). Undercut about half the cards fron the second deck. Say something like: "I took the top card and put it in the other deck, so now, when your card jumps to the top of the deck, it should jump to right above the card we just put in that deck." Then, when they snap their fingers, you magically reveal that there's a second card in the second deck, and that it is the spectator's card.
The movement minute 5:00 for the ambitious card was created in 1968 by James Wesley, it is decribed in his book "Enchantments" page 178. He call it "Load-Up Move". Also talk about the history he then showed it to Frank Garcia and Ed Marlo, he gives all the credits to the other similar moves like one Tom Ellis published in 1971, he also says in the book that other similar movements has been published without credits since it is too old to trace.
What happened at 4:25?? I missed it, how did you put the signed underneath??
Good Video. I like the long videos where you explain a lot.
very cool, especially like the popping up of the bent card...visual and movement at the same time...they will really think that sucker just popped up to the top of the deck. nice.
This is great! Much simpler than some of the other ones I've tried
Cheers for sharing your passion on such a comprehensive level. You've an admirable amount of developed skill.
this is awesome!!!!!! this is great because ive been looking for a card trick to show my friends at school and this one is perfect because every single time they say oh well you just shuffled it in a spacific manner a defy them thanks 52Kards
hey asad like to add that instead of the double lift to show the spectators card when they snap, perform a color change since its the second card down. You can say the top card isnt yours but let me change it and perform the color change routine..Just thought that i would add that but gotta say i watched alot of your vids and you do a great job with explaining the tricks,keep up the good work!
this trick is amazing i show my family and afterwards their stunned i just wanted to say thank you to 52 kards since this channel has helped become the magician i am today, thank you. :)
Asad you're really great magician! Proud of you brother!
I was looking forward to seeing your Marlo Tilt.
Haha same :)
AFAIK You can do a turned over version as well. You wave your hand over with a control to the top and when you switch back angles, it happens before they even know it. And you get them more attentive and more engaged because of the sudden speed that you operated at. And then you build up tension with other phases.
Thanks to you I learned Sybil cut.
I was trying watching other videos but I couldn't make it.
Thanks soo much .
Hey Asad, i just wanna let you know real quick, that you have awesome tutorials and you are a very skilled person. You are my favorite TH-camr because when you do a tutorial, you show that you care because you explain in depth. So i just wanna say thanks for the videos bro and keep up the great work (:
That move that you don't know the name of is called: The Jimmy Ellis loading move. It was from an Ed Marlo idea (I don't know the Marlo idea though)
At the third move, when you put their card in the half of the packet and that packet in the half of the other packet, it's also very nice to do a fan in your right hand and then put "their card" in the fan and then close the fan and put it on the bottom of the deck.
dude, you're amazing! thank you for all videos and tutorials
Marlo tilt is the perfect for phase 1
Raja Jinnah yeah, but the bluff pass gives an extra interaction with the spectator
School of Magic Oh okay :) Thank you
Absolutly amazing! Thanks so much.
Such an awesome video! Definitely going to be using this!!! Keep up the AMAZING work! :D
I prefer to allow the audience to suspect initially that there are duplicate cards. As the routine goes along that explanation seems more and more unlikely. Finally, when I finish, I put the deck on the table and just look at it. Eventually someone will pick it up and look through it. No duplicates.
JiveDadson yeah, that's better
This routine is so awesome. Thanks 52Kards!
Brilliant instructional video. Great moves and good references. Hope you make it to the top 52.
gosh i love the way he does the double lift...i want to learn it but it's pretty difficult..good job!
The bent card springing free and flying out of the deck totally looked incredible!
I did it from the 1st try ❤🔥 it has a great effect
You are a great help, thanks for doing this.
Hi Asad, I was wondering if you could do a deck review, top decks, or go over your deck collection. I enjoy those videos. Thanks, your channel is the best magic resource on TH-cam :)
This is a fairly practical routine, but its principle limitation is that it's built around double turnovers almost exclusively. The closest thing to a throwoff is the Wesley James "Coming Up In the World" sequence. So much greater conviction can be created with alternatives like the Top Change, Marlo's "KM Move with Reverse Fingering", Second Dealing, etc.
Not true, can substitute any and all double lifts with the Venus trap move by Chris brown or a paintbrush top change. Get creative!
Finally I see you using a standard bicycle deck :D
Asad, Wonderful teaching. Much appreciated.
Very in depth tutorial.
Liked and subscribed.
ive always used the popup for the end but i used a different method ive always personally thought was dodgy (though no one has ever said anything) after putting the 2 cards bent on top, i then just take the very top card as i flatten the and say "ill bend it a little bit more" having done this i slide it into the middle, i never liked this due to placing them on top then taking them off again never felt comfortable but i am defiantly going to work on the method you used, much cleaner thank you
Hey Asad! Great video, and very good tutorial.
You should make a video performing that entire scene, which I think is the only thing missing.
Keep up the good work!
Btw. You've caught interest from Denmark!
You teach with such elegance and clarity- I'm always partial to your methods. Great tutorial!
Can someone explain to me, how to get the card to the second from the top? I really don't get that part... Thanks!
9 years later I am here for the same question 😂
Awesome tutorial.. just started back in magic after taking some time off
This is awesome! Definetly going to try this out! Thank you!
I usually control the card to the top and leave it there and make the audience select a card and say "what would you think if you managed to select your own deck?" So ask them to select a card,place it on top of the deck,do a double lift and boom.
Great stuff !! was a great fan of jarek's work, but i even prefer your videos which allow me to learn so much !!!
Great video Asad :)
On the trick where you pinky break two cards on the bottom by spreading the deck, I usually say (as their card is on the top) "And now every card in the deck is like your card!" as a joke/excuse to spread the deck.
Nice tutorial! BTW, your double lifts are so natural that I can't even tell if you are doing one!
Hey Asad, I would really appreciate it if you added my Marlo Tilt tutorial to your description, as I think it's another great way to control the card to the second position for the first phase. Thanks!!
i love this tutorial of the ambitious card trick it,s so cool.
Bro your so smooth with these cards ♥️
HOLLY SHIT!!!!! WHAT DID YOU DO AT 8:08 THAT WAS AWESOME MAN!!
you pointed at something and BOOOMMM!!!!
Haha you caught the little Easter egg... Have a cookie.
Cheers dude. I now use this routine with card to mouth on the end.
thanks so much😄😄🤗, i hav a talent show at school in a few days and this is the easiest but still awsome routine i've seen.
how do you clean up at the end of it tho🤔, coz i wanna move on to some other tricks after but i'll have that bent card in the middle😬😕😩😓😓😩😫
Thank you for very nice tutorials.
Hey Asad, could you make a updated video of your deck collection? Great vids btw
i
52Kards u r a great magician
Oz Pearlman does a beautiful version of this routine on his DVD "Born to perform".
What? At 4:00 u took the top card ( which is their card ) and said it was another card,isn't the double lift suppose to maintain the card in the same place?
Double lift means you lift 2 cards but you act like it is 1 card so you have:
Random card
Selected card
Rest of deck
And when you flip the random card and the selected card you see the selected card but when you turn them both back you can place the random card in the middle
Your double lift is next level, I have tried learning your method just can't do it that smoothly
YOUR DOUBLE LIFT IS SOOOOOOOO SICKKKKKK!!!! I know who it's done and all, but I find my hands to be too small (an excuse I use all the time) and reverting back to my double lift (don't know what it's called) and the "David Blaine" SSread/Push-off double lift.
I do this routine pretty much except I like to finish it by palming their card and making it appear somewhere unexpected, like I've 'messed up'. The most common one I've seen people do is get people focusing hard on the deck then make the card appear hanging out your mouth. You turn over the top card and say 'oh, I think I did it wrong' and they instantly notice that you're mumbling, look up, and their card is hanging out your mouth when they think they just saw it get put into the deck.
i sometimes like to do this routine but then use jay sankeys paperclip reveal at the end as well as add some of Jarek 1:20's aspects of the routine
I haven't been using an bicycle deck or a magician deck yet. I use a normal deck with pasteboards. Are your cards made from carton or plastic? because i can't do a riffle shuffle with mines. Are too rigid and when i bend them, a nasty sign remains on their back...thank you!
Can you do an in depth tutorial on the dai vernon cups and balls???
Amazing channel and an amazing video! Thank you so much!
Thank you for this tutorial 👍🏼
Great tutorial man. Thanks!
Great explanation! I'm really not much into practicing a lot of slight of hand...I just know a couple mathematical "auto-pilot" card tricks that require zero skill. lol But I do enjoy watching vids like this and seeing how more complex tricks are done. Great job!
Can you do a tutorial on how to snap your fingers, I'm one of the few people who can't, just kidding...
Some people are not able to.
Muhammed Abdullah then don't snap your fingers just have them tap the top of the deck
Mate can you make a 'POP' sound with your mouth...that works to...
That would be weired
th-cam.com/video/N0c3gS8fybQ/w-d-xo.html
Hi.. I just want to know how often do you upload your videos?? Please respond to my question..
Great Tutorial!!
hi, what is the justification to spread the deck and get the 2 cards break. greetings from south america
Hi.. I just want to know how often do you post your videos?? You're one of my favorite Magician.. Please respond to my question..
Could you a few advanced or intermediate tutorials? GREAT VIDEO!
I have a small stage program consisting of 40 people as audience. And if I bring in one of them to the stage....can I perform the same with the audience viewing from their seats.
wow.. i literally woke up and thought of this trick now you made a tutorial in depth lmfao
wow., amazing i cant see anything descripition below or above., thats pretty cool., how did you do that.
Just want to say that I have subbed right before you have been given some help
Hey love your magic and your tutorials!!! Just wondering, for phase 1 how did you get the card into the second position after the Hindu shuffle??? Plz help
Your dubbellift is genius.
Awesome tutorial
Aside from the trick you've got a nice signature man, had to tell you :D
It's nice to see a fellow Bulgarian here. :)
+BicycleRow Мараба :D
I just picked up my deck of cards to start the trick and the top card was the 4 of clubs,I just did a trick for myself.
That's a really cool moment there
Is the size of the cards you use 63x88mm? Cuz i bought a pair of these standard Bicycle decks and they look bigger then in the videos
I usually put one more phase by doing a simple pass (not the regular one). And when I decide to end, I've always ended by cutting the deck and keeping the selected card on the top of the bottom half (by a method totally similar to the riffle force). The top deck, wich the spectator think that has their card is shown and put forward when the bottom half is given no attention at all, since all of them saw the card been put i the top. Then, I use my finger tips to put the top card halfway in the middle of the top deck and ask them to help me pushing it all the way to the end, until no one see it anymore. As they are all focused in the top card of the top half I simply (no sleight of hands, no special moves, no sign of any suspect movement) put the top card of the half deck in my mouth and bite it. When I reveal the next top card of the top half, wich isnt their card, they think that I've missed the trick, but when they look at my face to make fun of me, their card is there, been holding by my lips. Its ASTONISHING how none of them follow my other hand.
I was going to learn the elmsley count and I noticed that you have two tutorials. Do you recommend the first one ore the one you uploaded with Jarek?
Do you think a erdnase change is a good idea for this routine?
Performance idea:
use a one-way force deck. One card will be different. Force that one card. Don't sign the card. Usually someone will say something like:"All the cards all the same!" This is good. Ask the audience to let you finish the trick and tell them that you will reaveal the truth at the end. Finish your routine. At the end say something like:"Well someon acctualy guessed how i did the trick...You see, all the cards are the same!" Wait as the audience signs with understanding and relief. Then spread your cards. Boom. Best reactions ever.
Stupid idea imo.
Love the tutorial but I'm having a difficult time figuring out how to do both the forth and fifth parts of the routine I can't seem to find a seemingly natural way of getting the card to second position again... I'm stuck with it turned over top stock and want to transition into the bent card effect. Any ideas sorry kinda a noob only half way through the royal road. Thanks again for all the tutorials your my hero !
This DL is insanely good.
Pocket the deck at the end to prevent the spectator spotting the other bent card?
Great video with lots of really good tips!
Personally I always end with card to mouth. It's not really part of the ACR, but It blows everyone away. And I also try to incorporate a pass, just because it looks sweet :P
Excellent job thanks
have u thought about doing the jay sankey paper clipped ending that's really good ending