ALTERED SCALE: The GREATEST Jazz Guitar Scale, EXPLAINED...

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  • เผยแพร่เมื่อ 24 ธ.ค. 2024

ความคิดเห็น • 97

  • @beneunson
    @beneunson  9 หลายเดือนก่อน +2

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  • @tonepoet
    @tonepoet 9 หลายเดือนก่อน +45

    I had a blues teacher that showed me this and made it simple by taking a pentatonic minor scale within the scale and basically playing that pentatonic minor a minor 3rd above the dominant chord. He also derived an altered pentatonic scale of 1, b3, 4, b5, b7 a whole step below the dominant chord, and a minor 9 arpeggio a half step above the dominant chord. Made it simpler to be musical in the beginning.

    • @LofiandChilloutMusic
      @LofiandChilloutMusic 9 หลายเดือนก่อน +1

      I’m going to try that now , wow

    • @Gregorypeckory
      @Gregorypeckory 9 หลายเดือนก่อน +1

      That's an interesting approach and makes great sense from a blues guitar perspective, and a teaching perspective, letting you use a scale that's very basic, often the first scale guitar players learn, to create enough tensions to sound quite sophisticated.
      It's a really great concept, arguably the most important jazz musicians' hack, using just a couple of simple elements (a chord in one key with a scale in a different key which creates interesting tensions) that are greater than the sum of their parts, to create musical complexity just using an existing vocabulary in a different way.
      It's perfectly valid and might even be preferable if you don't care about referencing the root, and don't mind doing without the flat 9th, the two notes that would turn the minor pentatonic into the second mode of the jazz minor scale, or third mode of the altered dominant scale.
      Another name for the mode is the Dorian flat 9th scale, since the only difference between the second mode of the jazz minor scale and the second (Dorian) mode of the basic major scale is the 9th is flatted.
      It's got the sharp 9th, the sharp 4th, and the sharp 5th, 75% of the possibilities for adding tension to a 7th chord.
      I prefer the altered scale, but it's good to explore all approaches including just trying every possible minor pentatonic over the chord, since there are 11 possibilities; not all sound good, but you only know by trying them out, and it's fun to explore.

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +2

      Thanks so much for sharing! Great approach 💯

    • @tonepoet
      @tonepoet 9 หลายเดือนก่อน +8

      To expound on this, this is how the teacher played these concepts over a ii, V, I.
      PENTATONIC MINOR IDEA: For the ii chord, he would play a pentatonic minor on the 5 of the ii chord. For instance, in Am, that's an Em pentatonic which gives you the 5, b7, 1, 9, and 11. On the V chord (which would be D7), he moved the pentatonic up a half step to Fm. Over the D7, that Fm pentatonic scale gives you the #9, #11, b13, b7, and b9 (those notes come from the Eb melodic minor scale). On the I (GMaj7) chord, he would move the pentatonic up another half step and play F#m pentatonic giving you the 7, 9, 3, #11, and 13 (very tasty). Also, if you played the VI7 turnaround chord (E7 in this case, to go back to the ii chord [Am]), you could move that pentatonic up yet another half step, as it would be Gm pentatonic over the E7 (same idea and scale tones as the Fm pentatonic over the D7 noted before).
      ALTERED BLUES SCALE OR ALTERED PENTATONIC SCALE: I favor this as a normal thing, it's just a bit bluesier than either the blues scale or minor pentatonic scale and has been my go to for the longest time. It's essentially 1, b3, 4, b5, and b7. Played 1 whole step below the dominant chord (C altered blues scale [C, Eb, F, Gb, Bb] over a D7) gives you the b7, b9, #9, 3, and b13. So, my teacher would play an altered blues scale over the ii chord (Am chord, playing A, C, D, Eb, and G) and playing the exact same lick a minor 3rd higher (the C altered blues over the D7 I mentioned) and resolving on the I chord.
      Sorry for being long winded, just wanted to give a thorough explanation. Once you do it, a light bulb goes off, it's really, really simple to see and understand.

    • @sixmillionaccountssilenced6721
      @sixmillionaccountssilenced6721 9 หลายเดือนก่อน

      I'm pretty sure pentatonic scale can't have semitones (4 - b5). That's the point of pentatonic, it's all just major seconds and minor thirds, that's why it sounds so melodic and it's easy to use...

  • @andreasjonsson5823
    @andreasjonsson5823 9 หลายเดือนก่อน +3

    This is the best video I've seen on the altered scale!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      So glad you liked it Andreas!

    • @plantdemic3935
      @plantdemic3935 8 หลายเดือนก่อน

      😂😂😂

  • @tdang9528
    @tdang9528 9 หลายเดือนก่อน

    You are a good teacher. I actually found this very useful after watching many on alter scales, as you provide us the material into how to use it which helps get me into the sound of it and interested in progressing further

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      So glad you liked it! Thanks for watching

  • @itaileopold
    @itaileopold 9 หลายเดือนก่อน +1

    Hey Ben, maybe I missed it but I didn't hear you speaking about a crucial element which is how do you think about it in term of chord tones you emphasize (by your examples it sound to me like you are superimposing C minor melodic minor and not thinking B alt which would mean either thinking of it as Bm7b5 or B7#5 as the tonic )

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +1

      Thanks so much for watching! I address this at 7:05, where we look at the degrees of the B Altered Scale (rather than purely deriving it as a mode from C Melodic Minor), specifically highlighting the four altered tensions present in the Altered Scale. Hope that helps and thanks again 😀

  • @heeramalla4187
    @heeramalla4187 23 วันที่ผ่านมา

    You are awesome man

    • @beneunson
      @beneunson  22 วันที่ผ่านมา

      Thank you so much for watching!

  • @claytronico
    @claytronico 29 วันที่ผ่านมา

    There are three unique permutations of a scale that has 7 notes with two half steps. Half of the possibilities are degenerate, due to symmetries, or are covered by a mode of another if you want to think of it that way. First family is Diatonic, Second is melodic minor family, and the third is two consecutive half tones with whole tones everywhere else. 1 b2 b3 4 5 6 7. Its a whole tone scale with an extra note. Not sure if that one has a name, or if its worth knowing about. Things exist, what else can you say?

    • @beneunson
      @beneunson  28 วันที่ผ่านมา

      Thanks so much for sharing!

  • @ddpphoto
    @ddpphoto 9 หลายเดือนก่อน

    Another great lesson Ben! Thanks.

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks so much for watching, David!

  • @javin7134
    @javin7134 9 หลายเดือนก่อน

    My jazz band conductor was teaching me about using the altered scale over dominant chords just the other day! He was teaching me how to solo over the bridge of Charles Mingus’ tune Moanin’

    • @beneunson
      @beneunson  8 หลายเดือนก่อน

      That's fantastic! Thanks for watching!

  • @richardroskell3452
    @richardroskell3452 9 หลายเดือนก่อน

    Great lesson Ben, thanks!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks for watching, Richard!

  • @orson7572
    @orson7572 9 หลายเดือนก่อน

    Great explanation of the Altered scale!! I never understood how it worked with the b5 b9 etc

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      I really appreciate it! So glad it was useful

  • @lacloche649
    @lacloche649 9 หลายเดือนก่อน

    Thanks a lot!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks for watching!

  • @bobjanetmart506
    @bobjanetmart506 9 หลายเดือนก่อน

    Brilliant playing mate, and great to hear you talk about this

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks so much!

  • @bannanapancake
    @bannanapancake 9 หลายเดือนก่อน +3

    Man, I love altered scales, I voted for this! Noice!!!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +1

      You voted and I made the video! 😀 Haha thanks so much for watching

  • @dananthony6258
    @dananthony6258 9 หลายเดือนก่อน

    You really encouraged me to start and keep practicing reading the other day. I ordered the real book and reading a lot of music scores online. Thanks for these videos 🙏

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      So glad to hear it, Dan - that's fantastic! Keep on enjoying your practice, it's a musical journey we're all on 😀

  • @grenciamars4876
    @grenciamars4876 9 หลายเดือนก่อน

    What a great way to wake up -- new Ben lesson! 🎉 Cheers!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thank you so much for checking it out, I really appreciate it! 😀

  • @kerber5258
    @kerber5258 หลายเดือนก่อน

    I need this scale on my bag. that's why i discover this Vid. Now I'm a new Subscriber. 🖤

    • @beneunson
      @beneunson  หลายเดือนก่อน

      Thanks so much for joining me, I hope you enjoy my videos! 😀

  • @DougErapps
    @DougErapps 8 หลายเดือนก่อน

    Great Ben!! THANK YOU! I have used that scale! Mainly to trick people into thinking im a good musician! Lydian Dominant is also a favorite of mine.

    • @beneunson
      @beneunson  8 หลายเดือนก่อน

      Hey Doug, thank you so much for checking this out!! I really appreciate it, and I hope you're doing well!

  • @drewdunn2066
    @drewdunn2066 9 หลายเดือนก่อน

    Thank you for this lesson, Ben.

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks for watching, Drew!

  • @ArturAtroshchenko
    @ArturAtroshchenko 3 หลายเดือนก่อน

    thank you for your lessons

    • @beneunson
      @beneunson  3 หลายเดือนก่อน

      Thanks for watching, Artur!

  • @tomaszklimkiewicz9273
    @tomaszklimkiewicz9273 6 หลายเดือนก่อน

    Excellent!... Very well explained. What I need now is practice, practice and... more practice! ;)

    • @beneunson
      @beneunson  6 หลายเดือนก่อน

      Thanks so much for watching!

  • @OrganicFaithFactory
    @OrganicFaithFactory 9 หลายเดือนก่อน

    I love the sound of Altered scale. I need more exercises against chords that can be utilized in real situations

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +1

      Thanks so much for watching!

  • @matthiasscheffler548
    @matthiasscheffler548 9 หลายเดือนก่อน

    Very well explained, Ben!

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks so much for checking it out, Matthias!

  • @richfrommitch
    @richfrommitch 2 หลายเดือนก่อน

    Say I'm playing a 2-5-1 progression (Dm7, G7, Cmaj7). What altered scales (what root notes) could I use on each one to sound TASTY and JAZZY?

    • @beneunson
      @beneunson  2 หลายเดือนก่อน

      You would focus on the G Altered Scale (Ab Melodic Minor) over G7. Thanks for watching!

    • @richfrommitch
      @richfrommitch 2 หลายเดือนก่อน

      @@beneunson thanks for the reply what can I do on the 2 and 1 (besides Dorian and Major) to get some cool sounds too?

    • @Hitsko
      @Hitsko 2 หลายเดือนก่อน

      @@richfrommitchyou dont play altered on 2 and 1. dorian and major is more than enough

  • @NickGranville
    @NickGranville 9 หลายเดือนก่อน

    Timing! I just released a video today on altered scale (aka super Locrian). Great video mate

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +2

      Nick! I just saw your video as well - it must have been in the air! Watching yours right now!

    • @NickGranville
      @NickGranville 9 หลายเดือนก่อน +1

      @@beneunsonthanks man, Apprecaite you tuning in. Cheers

  • @MrArudark
    @MrArudark หลายเดือนก่อน

    Fine, fine. I subbed

    • @beneunson
      @beneunson  หลายเดือนก่อน

      Thanks for subscribing!

  • @Gramps714
    @Gramps714 9 หลายเดือนก่อน +1

    Your vocal cadence reminds me of that guy on River Monsters. There’s something possibly scary and unknown going on..
    I like your lessons!
    Nobody answered my question about why the guitar sounds an octave lower than what’s written on the staff. Why didn’t you just use the bass clef as opposed to so many upper ledger lines. It would be perfect for reading piano music…what am I missing?

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +1

      Haha River Monsters...You raise an interesting question! If the guitar was notated in treble clef at the exact same pitch as middle C on a piano (without a 1-octave displacement), it would likely create too many lower ledger lines. Similarly - if the guitar was notated only in bass clef, it would accomodate some of the lower pitches, but the vast majority of notes in the instrument's range would be forced into upper ledger lines... Perhaps guitar should be notated over both bass clef & treble clef, just like piano. It's possible that this would present a valid (if only partial) solution to the widespread reading issues experienced by guitarists - just an idea! Thanks again for watching 😎

  • @guitarttimman
    @guitarttimman 4 วันที่ผ่านมา

    Watch me playing the jazz standard - A Night In Tunisia 😁

  • @Pepsax
    @Pepsax 9 หลายเดือนก่อน

    Some talk about b13 and not #5. How is it more correct?

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +3

      The answers can be varied, however I would say it often comes down to exactly how a chord is voiced. For example, let's take the two variations of B7#5#9 presented at 5:53 - the second voicing of this chord (played at 5:58) could certainly be classified as B7#9b13 due to the #5 (G) being voiced up the octave (and thus serving as a b13), but one could also argue that the #5 is simply being voiced as the highest voice within our B7#5#9 voicing. In my opinion, either argument is acceptable but it can also depend upon the musical context at hand. Thanks for watching 😀

    • @Pepsax
      @Pepsax 9 หลายเดือนก่อน

      @@beneunson Many thanks for the precise and detailed answer! 🙏🏼🤗

    • @beneunson
      @beneunson  9 หลายเดือนก่อน +1

      Thanks so much for watching!

  • @HagamosLoImposible
    @HagamosLoImposible 9 หลายเดือนก่อน

    Hi Ben! Should I use also de Altered scale over any dominant chords? For instance, going II V I (Minor), thanks

    • @beneunson
      @beneunson  8 หลายเดือนก่อน +1

      Absolutely! Altered Scale works on almost any Dominant 7 Chord (except for maybe a 7sus4 chord - depends on the exact context). Altered Scale definitely works over the V chord in a Minor ii-V-i progression 😀

    • @HagamosLoImposible
      @HagamosLoImposible 8 หลายเดือนก่อน

      @@beneunson Great!!! Thanks Ben

  • @OscarWILD-mq1jv
    @OscarWILD-mq1jv 9 หลายเดือนก่อน

    Perfect. Beautiful sounds, what is that guitar?

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      Thanks for listening! It's a Frank Brothers guitar: www.frankbrothersguitars.com/

  • @stevieboi61
    @stevieboi61 6 หลายเดือนก่อน

    👌

    • @beneunson
      @beneunson  6 หลายเดือนก่อน

      Thanks for watching!

  • @jacksonvalad8012
    @jacksonvalad8012 9 หลายเดือนก่อน

    Yo Ben! What brand of guitar is that?

    • @beneunson
      @beneunson  9 หลายเดือนก่อน

      It's Frank Brothers guitar: www.frankbrothersguitars.com/

  • @colmcq
    @colmcq 6 หลายเดือนก่อน

    crazy to think that just changing one note of C major makes it sound so different

    • @beneunson
      @beneunson  5 หลายเดือนก่อน

      Absolutely, it's remarkable isn't it?

    • @colmcq
      @colmcq 5 หลายเดือนก่อน

      @@beneunson its amazing

  • @indrabirgill2174
    @indrabirgill2174 8 หลายเดือนก่อน

    I have never even heard of it, so listening intently.

    • @beneunson
      @beneunson  8 หลายเดือนก่อน

      Thanks so much for checking this out!

  • @kerber5258
    @kerber5258 หลายเดือนก่อน

    the more i watch this video. the more i need to learn more theories 😭

  • @DrTWG
    @DrTWG 9 หลายเดือนก่อน

    Am I right in thinking it is *not* a diatonic scale .

    • @hazenclough4212
      @hazenclough4212 9 หลายเดือนก่อน

      You're right - based on the proper definition.
      This term also gets thrown around to mean 'within the scale' when referring to individual notes: For example C# is not diatonic to C major; or C# is not diatonic to B altered; C is diatonic to both C major and B altered; etc. I personally use it this way constantly.
      The textbook definition - of having 7 notes with 2 semitones and 5 tones with max distance between the 2 semitones (which creates a Major Scale mode) - isn't very useful to me. I just call them whatever modes they happen to be: Phrygian, Lydian, etc. It's to the point - the textbook definition is an extra step for no reason.
      So if it's not a major scale mode, then I call it Harmonic Minor, or Harmonic Minor III (meaning the 3rd mode of Harmonic Minor), or Melodic Minor or Melodic Minor IV (4th mode of that), etc. I call it what it is.
      If they have common names that people use, then I use those. So I wouldn't say Melodic Minor VII - I'd say Altered.

  • @wastrel09
    @wastrel09 หลายเดือนก่อน

    rock on you magnificent Irish son of a gun

    • @beneunson
      @beneunson  หลายเดือนก่อน

      Haha thanks for watching! I'm not Irish, but I appreciate it nonetheless! 😂

  • @color33d
    @color33d 8 หลายเดือนก่อน

    For me the easiest way to play this scale ist to play ionian whith a raised one .

    • @beneunson
      @beneunson  8 หลายเดือนก่อน

      Interesting approach, thanks for sharing!

  • @louis-philippesmith335
    @louis-philippesmith335 9 หลายเดือนก่อน +1

    7th mode of melodic minor...

  • @TheMFactor-xx7cl
    @TheMFactor-xx7cl 7 หลายเดือนก่อน

    I am guilty of not using this wonderful scale. Shame on me 🙂

    • @beneunson
      @beneunson  7 หลายเดือนก่อน

      Thanks so much for watching!