Haters...man . Why do you comment. Analog you're the man , dude! Thanks a lot for what you do. Thanks for taking the time to make your productions. peace!
Dear Lucien, I stumbled upon your channel in a perfect timing. I just started producing tracks and performing live, all dawless from the beginning, and your channel has been accompanying me with great advice. Thanks for all the wisdom shared, all the best!
Hey Lucien, what I would find really interesting is how you preproduce your stuff like all the earcandy that's going on and where exactly you place the oneshots and atmospheres in a song. Is struggle with that a lot.
Thanks so much for this! We noobish dawless producers need more practical hands-on videos to help us understand how to intelligently and successfully proceed through a live set.... Any further and follow-up videos on this topic will be greatly, greatly appreciated by myself and many others 😍🙏🙏
I like your videos, I think I found your channel by luck. I'm watching your new videos and the ones from the past, like this one. Are you still using this technique today?
Very cool, also here by aglo-accident 🎉 awesome stuff thanks for sharing, I have started building my rig. Would a Digitakt 2 be comparable to the Octatrack?
Are you welcome, 24 years I play 12" records ,buy some staff live set for and than find you ,you give to me right way man ,I wont some more play live computer less!! thanks a lot....keep going what you do
Well, I offer a direct one-on-one at certain Patreon tier stages as I do get a lot of people asking me different things. So perhaps something you might consider if you hit a wall or just want another view on things! Thanks for checking and supporting!
A question for you Lucien. When I do midi learn with MPC for the faders uiding volume on the midi mix. Kick, OHH, CHH, SHAKER... I have an issue with the maximum range of the fader. IT Make the sound always go over 0 DB. When I push it to max range from zero. I cannot find the average setting for my track sound to keep my setting volume. I’m not sure my inglish level makes this very clear :-(
I know. You have to make sure you level the pads out as well. And check which volume you map out. There are 2 different levels. I think (of the top of my head) the pads of the tracks are different. I use the midi volume. I will check
Really honest and authentic demonstration that I found really helpful to watch. Well done. As an aside . . . where did you get the red knobs for the ERM? I like those too!
@@AnalogKitchen Cheers. I thought it likely that you got them from there. Is there a particular size? Also - I'm reassured by your use of 8 patterns per track. I try to do the same with my live set with an Octatrack and Rytm. Do you have a particular designated breakdown pattern? I have bounced between doing it manually live or having a designated pattern that drops. Still unsure what is the best way to go.
It’s easier than that. Your breakdown pattern is either your first pattern without the kick and a lead line or a lead separately. I make my first pattern full with all I need and dilute and filter everything out that I need later on. On Patreon I give out AMA’s or personal t&t’s if you want to take things up to the next level
I'm extremely fussy whom I subscribe too,I have subscribed to you because you make great sense ,logical ,very similar gear to me, I love the idea of the foam round the gear - that's awesome ,and this video in particular - No pissing around ,it's good 👍
@@AnalogKitchen Discord page ? Another Digital media? Hahahaha Lucien I did Patreon just for you. You deserve it for all the knowledge you’re sharing and for your mixer research. I which I can do more but unfortunately like a lot of people right now, i have some issues. I have been arrested last week cause to a corrupted judge and because i’m fighting to have my kids back. But it’s another subject. Doing music and learning just help me to free my mind. I started dawless a year ago. Before I just played the bass. Any way i’m learning and you help me on the process. The vid from today was exactly the point I was working on. Not satisfied by my transitions and the balance of my song parts. You can check my SoundCloud when you have time: soundcloud.app.goo.gl/nRP7rcrHxzaAxg2D6 I don’t know what’s Discord is !! But i’ll check.
Well, I’m glad I can be of some inspiration bro. I hope you’re keeping safe regardless of the personal situation you’re in right now. I hope you can take away some positive vibes from the vids bro! Peace
Hey @-VitaminX. I’ve got a love hate relationship with the thing. And since it’s a bit digital sounding, I prefer to have it run ‘earcandy’ like pads and arps for which I don’t want to sacrifice heavier machinery. Also it’s polyphonic which is handy. I didn’t manage to get it to play sounds that could ‘carry’ a track. Not like the tetra or moogs can
@@AnalogKitchen Interesting. Mk2 came out just recently, I wonder if they improved on it. Looks cool, small, plenty of polyphony and it’s cheap, that’s what’s drawing me in🙂
Hey Lucien! You mention setting up a MIDI message on the MPC that allows you to make sure the Octatrack doesn't get the program change right at the bar, because it will cycle through again before changing. I'm having the same issue with sending PC to Elektron gear, can you give a bit more detail on the technique you're using? Are you just sending the program change right before the bar change and trying to have the OT change patterns at the same time?
It only works on the Octatrack though, it doesn't work on the Digitakt/Digitone. Check the Octatrack manual page 137 and look for cc msgs: 33, 34 and 35. In the MPC you have to place both notes on the Midi note page. If your sequence runs for 4 bars, place note 35 on measure 1.1.0 and place note 34 on 1.5.0. That way you're tricking the Octatrack to stop and restart at the same time, hence it jumping to whatever program cc you have set the MPC sequence to.
"without further ado" is correct. i like your editing and presenting style - be yourself! Your enthusiasm is fun to watch, and this video is really helpful. Are you still using the Allen & Heath Xone 92 Mixer here? - it looks like Presonus AR12?
From your name alone I’m almost inclined to request abduction:) Thanks for watching. I’m using a L12zoom mixer as I wrecked my Xone psu. So since I have more inputs, I’m using them (as it always goes). The setup is however aimed at using a Xone for live shows. I’m in the process of developing and building my own mixer though..
Bro this is very cool. I don't want to think about how many hours you spend to get that system to work like it does. Kudos! Question: where can i listen to your music? I like your musical style, there are some similarities to mine ✌️
@@AnalogKitchen will immediately check it out 🙂 I dont release my stuff, you can only hear it here on TH-cam. Feel free to check it, that would be a pleasure 🤜🤛
its not clear for me the way you change patterns. Do you change it all using the akai as a brain to send program change to all gear at same time or octatrack? Learning a lot with your content. Really great!
Thanks for the video, good stuff! I subscribed. I'm not understanding the advantage of using the multiclock in your setup. Does it allows different tempo on devices or is it just for precisely syncing clocks?
Thanks for the sub! I have the clock as a means of safety. If everything was routed to say my MPC and it acted up, it would mean that the whole set would stop. As with a regular dj set, if one cdj broke down it wouldn't be the end of the music. So yes, it's a safety measure. But also, if you work with different midi boxes from different time zones, you just can't rely on them. You WILL encounter timing issues and that... We don't want!
Well, I do not want things to go out of sync. It's the other way around. If things are off beat, the multiclock get them in time. Similar to the pitch on a cdj if you will
@@AnalogKitchen ok, thanks. For me the question is: Do I need a multiclock? What you described is the masterclock, isn't it? Could the MPC not be the masterclock? Or are sequencers, as well as the MPC too little stable?
@@stefan3112 hi Stefan. I don’t know if you need need. A multiclock. I mean of course the mpc, Octatrack or whatever you choose can be a master. I just don’t like that some machines have midi lag. So I want to have control over how midi behaves. An mpc has a digital processor to calculate sync. A TR909 works differently so they don’t align 100% tight. So if you can spare the cash, go for it. If you only have 3 boxes, then probably no. Anything that needs to lead, I’ll stich on another midi stream. Check out my other videos on syncing and workflow. I think they’ll help you out
pls explain your program changes man ?, you mention using them at the end ? how does that work with your loops though ? i`ve seen separate tracks used in DAW`s for program changes to ext synths for convenience. but how is it done with mpc properly, none of it makes sense unless its not fully developed yet or im really missing the way to use it.
@@AnalogKitchen ok i will have a look at that but i dont have an octo per say. i remember once you said you had to deep dive that shit to work it out etc so i figure this is the octo`s control changes abbility. just trying to get them to work with a deepmind 6, i know i can list edit insert them at the start of a track. but its bad man, having at the end interests me, but having to make space as a limitation in the track to cover the program change and then start the midi doesnt. i dont presently use song or sequence function as ive not enough content to mix in that way maybe the key is only allowing a sequence change to invoke a program change. sorry for lots of words, but it needs it.
Man, that track is already a classic! 🙌 And i have a question about the reset of the Minitaur when you change the pattern on the MPC: When you sculpt the sound on the Minitaur turning knobs to certain values, are those values stored on the MPC? Thanks!!
It can be if you Midi map it via USB as well. However, when a sequence starts, it tells the Moog where it needs to go and what to play. So everything starts over again. So if you build a filter up. You need to be smart about it. I have multiple instances of the same sound saved so that if I go up with a sound. The next sequence will nog screw up my flavor
@@AnalogKitchen That’s very cleaver! I’m asking you this because when i play with the JX-03 mapped on the Digitakt, every time I switch from one pattern to another the sound on the JX resets or it takes the values i stored for the last time on the DT. Thanks brother!!
@@AnalogKitchen Fixed filter is a great help. But I think I still have not understood :( Usually the sequenzer sends note value and gate value. Some send velocity (Beatstep). How do you send the filter value to the moog? Via velocity? I solved this with a second track and cv out -> cutoff cv in. But you did it via midi. This is more comfotable. But how????
The background is amazing.. I would try a bit other camera angle, for example pov or straight... Its more "realistic" for the viewer.. But really nice!
Dawless live here too... and yeah, the big struggle is transition beteween patterns... as i understand from your demo, you use multiple sequences for a "song" (not song mode, just.. song) and have "transition sequences" on the mpc and the gear with sequencers.. but doesn't it forces you to prepare by advance the order you want to chain your live ? For a more DJ approch i treat a "block" of many songs in an unique sequence, using a main track with clip engine, and the others tracks as midi to synth or one shot samples. so yeah I have a ton of tracks to manage, as i have a separate track for each midi pattern, and i have to be careful to ony have one track playing one synth at the time. But it permit me to change tracks on the fly depending on the atmosphere and inspiration. Is probably not the best way, i'll dig your method to see, but i don't have an octatrack, only an mpc, so maybe it's what's lacking for better transitions.
It’s never the gear though, it’s the approach. If you leave room for stuff you may add like drum rolls, lead lines that you can play or empty tracks that you can arm and record stuff into, it’ll be a lot more interactive. The drops need to be spot on the bollox though. There I make sure all you hear is punching u on the chin
Too bad hardware is so expensive. I've gotten some equipment but the prices are just too much even for simple needs. I'm almost regretting my hardware purchases .
Is it though? I think 300 bucks for a Model D opposed to a vintage Moog Model D for 8999,- or a vintage Jup-8 for 21.600,- I really think you can get a decent working setup for a reasonable price Eric.
@@AnalogKitchen As a counterpoint, I've got over 10 synths I use in my DAW and they were all free, as was the DAW. I do have hardware synths, but it's undeniable that softsynths are a better value, even if they aren't nearly as fun to play with.
I guess it’s just my style of editing. And like I said it won’t be for everyone. What I hope is that you found it helpful and you can take something away from it other than heart rhythm disturbance. Thanks for checking
Subscribe to find out more live set tips: th-cam.com/users/analogkitchen
Haters...man . Why do you comment. Analog you're the man , dude! Thanks a lot for what you do. Thanks for taking the time to make your productions. peace!
Thanks Milo.
You really are like a chef in a kitchen. Just with synths instead of food. I love it!
Glad you enjoy it! Welcome aboard! Dinner's served!
Dear Lucien, I stumbled upon your channel in a perfect timing. I just started producing tracks and performing live, all dawless from the beginning, and your channel has been accompanying me with great advice. Thanks for all the wisdom shared, all the best!
Thanks for being here and enjoy!
Hey Lucien, what I would find really interesting is how you preproduce your stuff like all the earcandy that's going on and where exactly you place the oneshots and atmospheres in a song. Is struggle with that a lot.
I will keep that in mind for a future video. It has been asked before so I'll work it in. Thanks for the suggestion
Such a good vibe! Keep up the great work, man!
Thank you!
This is way above my current level but good to know I can find detailed information on dawless when I grow. Great content!
We all have to start somewhere so don’t worry too much! Stay tuned for more and reach out if you’re ready to dive into it!
Brilliant presentation. Cheers!
Thanks Dimitris!
Thanks so much for this! We noobish dawless producers need more practical hands-on videos to help us understand how to intelligently and successfully proceed through a live set.... Any further and follow-up videos on this topic will be greatly, greatly appreciated by myself and many others 😍🙏🙏
Thanks TDU, glad you dig it! Much more ahead!
You are a brilliant artist and teacher! Thanks for sharing!
Thank you Adreno! I'm happy it's helpful! Thanks for watching!
Great video - straight to the point no waste of time!
Thank you!
Thank you for considering this subject.
You are the best!
My pleasure! Spread the word! And thanks for watching!!
Man this was informative AND entertained. Thank you y can really use this information
Good for you! Hope you can improve your tracks with it
Geweldig! Thanks for taking us through your setup, equipment and transitions! Very informative and entertaining.
Hee tof dat je kijkt! Thanks for watching!
Another cracking video, man. Thanks for sharing this. The soundscapes you create are awesome. I'd love to see you playing live!
Thanks for checking this my friend!
Something like this but with more synths is what I want to do one day, I’m only a beginner but baby steps, nice vid 👍🏾
Thanks! Yes I hear ya. I also used to bring a lot of stuff. But recently I’m trying to do more with less. Tough battle though, trying to conquer GAS
Cheers handy tips n tricks 😁
Glad you dig it!
Te gek dit, vanaf 18-19 minuten als de tetra erin komt en dan die buildup is heel lekker.
Thanks!!! Glad you like it!
I like your videos, I think I found your channel by luck.
I'm watching your new videos and the ones from the past, like this one.
Are you still using this technique today?
Welcome aboard! It's evolved a bit but the jist is much the same. Develop your hearing, create a skillset. Work on muscle memory and kick ass
I go back and forth between techniques and the way I use my gear. Depends on my mood mostly
Very cool, also here by aglo-accident 🎉 awesome stuff thanks for sharing, I have started building my rig. Would a Digitakt 2 be comparable to the Octatrack?
Absolutely awesome performance and track. Thanks so much for sharing
Thank you for viewing!
You're a groove machine! 🙂 New camera setup looks good also
Yes! Thank you! Trying to work in different modes! Now saving up for a new camera
Hi bro , very positive energy keep going man
Thanks! All about the vibe and the flow! Glad you like it
Are you welcome, 24 years I play 12" records ,buy some staff live set for and than find you ,you give to me right way man ,I wont some more play live computer less!! thanks a lot....keep going what you do
Amazing content As usual. My setup is very different so it's difficult to get everything, but I'm trying 😄
Well, I offer a direct one-on-one at certain Patreon tier stages as I do get a lot of people asking me different things. So perhaps something you might consider if you hit a wall or just want another view on things! Thanks for checking and supporting!
A question for you Lucien. When I do midi learn with MPC for the faders uiding volume on the midi mix. Kick, OHH, CHH, SHAKER... I have an issue with the maximum range of the fader. IT Make the sound always go over 0 DB. When I push it to max range from zero. I cannot find the average setting for my track sound to keep my setting volume. I’m not sure my inglish level makes this very clear :-(
I know. You have to make sure you level the pads out as well. And check which volume you map out. There are 2 different levels. I think (of the top of my head) the pads of the tracks are different. I use the midi volume. I will check
Really honest and authentic demonstration that I found really helpful to watch. Well done.
As an aside . . . where did you get the red knobs for the ERM? I like those too!
Hey Adam. Thanks for viewing! Look for chroma caps!
@@AnalogKitchen Cheers. I thought it likely that you got them from there. Is there a particular size?
Also - I'm reassured by your use of 8 patterns per track. I try to do the same with my live set with an Octatrack and Rytm. Do you have a particular designated breakdown pattern? I have bounced between doing it manually live or having a designated pattern that drops. Still unsure what is the best way to go.
It’s easier than that. Your breakdown pattern is either your first pattern without the kick and a lead line or a lead separately. I make my first pattern full with all I need and dilute and filter everything out that I need later on. On Patreon I give out AMA’s or personal t&t’s if you want to take things up to the next level
I’m new to your channel and finding it most knowledgeable! Love to know your thoughts on using sequences over clip launching on the MPC live.
Welcome aboard!
Awesome talent! Thank you for sharing you knowledge.
My pleasure! Better to have more answer than questions I think.
Jet another superb video!
Could you please explain how you send the program change to the octatrack?
I’m trying the same thing.
Thanks!
I did a vid on it a while back: th-cam.com/video/FcJ-EynyMVY/w-d-xo.html enjoy!
Yoo bedankt man!
How did I miss this one?
Looking forward to your mixer! I’ll be checking your patreon! Thanks
Man, that was sweet!
Hey Brother, thanks for watching! Hope you are well!!
I'm extremely fussy whom I subscribe too,I have subscribed to you because you make great sense ,logical ,very similar gear to me, I love the idea of the foam round the gear - that's awesome ,and this video in particular - No pissing around ,it's good 👍
So then I'm even more happy you've enjoyed the vibe I'm trying to lay down here. Thanks for watching. happy to hear suggestions if any!
Nice video Lucien. Very informative.
Glad it was helpful brother! Did you find the Discord page also? I saw you come in via Patreon and the boys are also chatting there.
@@AnalogKitchen Discord page ? Another Digital media? Hahahaha Lucien I did Patreon just for you. You deserve it for all the knowledge you’re sharing and for your mixer research. I which I can do more but unfortunately like a lot of people right now, i have some issues. I have been arrested last week cause to a corrupted judge and because i’m fighting to have my kids back. But it’s another subject. Doing music and learning just help me to free my mind. I started dawless a year ago. Before I just played the bass.
Any way i’m learning and you help me on the process.
The vid from today was exactly the point I was working on.
Not satisfied by my transitions and the balance of my song parts.
You can check my SoundCloud when you have time: soundcloud.app.goo.gl/nRP7rcrHxzaAxg2D6
I don’t know what’s Discord is !! But i’ll check.
Well, I’m glad I can be of some inspiration bro. I hope you’re keeping safe regardless of the personal situation you’re in right now. I hope you can take away some positive vibes from the vids bro! Peace
Seems so easy! Nice grooves!
Thanks for checking!
What do you like about the Micromonsta? Thinking about getting it.
Hey @-VitaminX. I’ve got a love hate relationship with the thing. And since it’s a bit digital sounding, I prefer to have it run ‘earcandy’ like pads and arps for which I don’t want to sacrifice heavier machinery. Also it’s polyphonic which is handy. I didn’t manage to get it to play sounds that could ‘carry’ a track. Not like the tetra or moogs can
@@AnalogKitchen Interesting. Mk2 came out just recently, I wonder if they improved on it. Looks cool, small, plenty of polyphony and it’s cheap, that’s what’s drawing me in🙂
There’s much to like, I know. They do some mean Detroit Basses and Chords
Hey Lucien! You mention setting up a MIDI message on the MPC that allows you to make sure the Octatrack doesn't get the program change right at the bar, because it will cycle through again before changing. I'm having the same issue with sending PC to Elektron gear, can you give a bit more detail on the technique you're using? Are you just sending the program change right before the bar change and trying to have the OT change patterns at the same time?
It only works on the Octatrack though, it doesn't work on the Digitakt/Digitone. Check the Octatrack manual page 137 and look for cc msgs: 33, 34 and 35. In the MPC you have to place both notes on the Midi note page. If your sequence runs for 4 bars, place note 35 on measure 1.1.0 and place note 34 on 1.5.0. That way you're tricking the Octatrack to stop and restart at the same time, hence it jumping to whatever program cc you have set the MPC sequence to.
"without further ado" is correct. i like your editing and presenting style - be yourself! Your enthusiasm is fun to watch, and this video is really helpful. Are you still using the Allen & Heath Xone 92 Mixer here? - it looks like Presonus AR12?
From your name alone I’m almost inclined to request abduction:)
Thanks for watching. I’m using a L12zoom mixer as I wrecked my Xone psu. So since I have more inputs, I’m using them (as it always goes). The setup is however aimed at using a Xone for live shows. I’m in the process of developing and building my own mixer though..
the real adventure is here on earth. Will be interesting to follow the mixer build. Did you overload the inputs of the Xone?
Nah, it appears to be a classic psu problem. The give out from time to time. And with the corona bullcrap, parts are hard to come by
so u might be able to get it working again? at some point i will invest in a good DJ mixer as they are more fun than a regular mixer
I hope to see you live one day after the covid is finally over
I’m also looking for that day and heb the Covid veil lifts. I’m ready to start gigging again
Mad man, sipping coffee above his gear
I know, it used to be wodka...
@@AnalogKitchen bring on the milk and you're the Dude with the Octatrack that really ties the room together
Bro this is very cool. I don't want to think about how many hours you spend to get that system to work like it does. Kudos! Question: where can i listen to your music? I like your musical style, there are some similarities to mine ✌️
Thanks! 👍On Analogkitchen.Bandcamp.com, spotify and my soundcloud page. Links are all in the description, I think. Want to hear your tracks as well
@@AnalogKitchen will immediately check it out 🙂 I dont release my stuff, you can only hear it here on TH-cam. Feel free to check it, that would be a pleasure 🤜🤛
I will check it out!
its not clear for me the way you change patterns. Do you change it all using the akai as a brain to send program change to all gear at same time or octatrack? Learning a lot with your content. Really great!
Thanks for watching. The MPC is the brain and the octa switches by getting program change ;)
Thanks for the video, good stuff! I subscribed. I'm not understanding the advantage of using the multiclock in your setup. Does it allows different tempo on devices or is it just for precisely syncing clocks?
Thanks for the sub! I have the clock as a means of safety. If everything was routed to say my MPC and it acted up, it would mean that the whole set would stop. As with a regular dj set, if one cdj broke down it wouldn't be the end of the music. So yes, it's a safety measure. But also, if you work with different midi boxes from different time zones, you just can't rely on them. You WILL encounter timing issues and that... We don't want!
You use the multiclock to start a certain group of instruments (midi devices), right? And for different speed, for example slow down TD 03 ?
Well, I do not want things to go out of sync. It's the other way around. If things are off beat, the multiclock get them in time. Similar to the pitch on a cdj if you will
@@AnalogKitchen ok, thanks. For me the question is: Do I need a multiclock? What you described is the masterclock, isn't it? Could the MPC not be the masterclock? Or are sequencers, as well as the MPC too little stable?
@@stefan3112 hi Stefan. I don’t know if you need need. A multiclock. I mean of course the mpc, Octatrack or whatever you choose can be a master. I just don’t like that some machines have midi lag. So I want to have control over how midi behaves. An mpc has a digital processor to calculate sync. A TR909 works differently so they don’t align 100% tight. So if you can spare the cash, go for it. If you only have 3 boxes, then probably no. Anything that needs to lead, I’ll stich on another midi stream. Check out my other videos on syncing and workflow. I think they’ll help you out
@@AnalogKitchen Yes, I will do so, thanks!
Can you with this setup record everything to separate channels in a Daw?
You can if you use an L12 Livetrack
@@AnalogKitchen Cool, thanks! Really nice setup and instructional video. You got yourself a sub dude :)
@@motoboy6666 thanks and welcome aboard!
pls explain your program changes man ?, you mention using them at the end ? how does that work with your loops though ? i`ve seen separate tracks used in DAW`s for program changes to ext synths for convenience. but how is it done with mpc properly, none of it makes sense unless its not fully developed yet or im really missing the way to use it.
Look up midi cc 34 and 35 in the Octa manual Alistar, you'll be surprised! ;)
@@AnalogKitchen ok i will have a look at that but i dont have an octo per say. i remember once you said you had to deep dive that shit to work it out etc so i figure this is the octo`s control changes abbility. just trying to get them to work with a deepmind 6, i know i can list edit insert them at the start of a track. but its bad man, having at the end interests me, but having to make space as a limitation in the track to cover the program change and then start the midi doesnt. i dont presently use song or sequence function as ive not enough content to mix in that way maybe the key is only allowing a sequence change to invoke a program change. sorry for lots of words, but it needs it.
The question came up somewhere up the comment ladder Ali. I’ve posted a vid that I’ve done on the subject
Man, that track is already a classic! 🙌
And i have a question about the reset of the Minitaur when you change the pattern on the MPC: When you sculpt the sound on the Minitaur turning knobs to certain values, are those values stored on the MPC? Thanks!!
It can be if you Midi map it via USB as well. However, when a sequence starts, it tells the Moog where it needs to go and what to play. So everything starts over again. So if you build a filter up. You need to be smart about it. I have multiple instances of the same sound saved so that if I go up with a sound. The next sequence will nog screw up my flavor
@@AnalogKitchen That’s very cleaver! I’m asking you this because when i play with the JX-03 mapped on the Digitakt, every time I switch from one pattern to another the sound on the JX resets or it takes the values i stored for the last time on the DT. Thanks brother!!
@@AnalogKitchen Fixed filter is a great help. But I think I still have not understood :( Usually the sequenzer sends note value and gate value. Some send velocity (Beatstep). How do you send the filter value to the moog? Via velocity? I solved this with a second track and cv out -> cutoff cv in. But you did it via midi. This is more comfotable. But how????
Where do you get that flight case?
Look for Zomo dj case! X
top as usual ;-) thks
Enjoy!
👏🏽👏🏽 Altijd leuk!
Yooooo Carlos, alles lekker maatje?
The background is amazing.. I would try a bit other camera angle, for example pov or straight... Its more "realistic" for the viewer.. But really nice!
I’m looking at a decent b-roll cam so thanks for the feedback. I thought to try some stuff out
finally more black techno youtubers bruh
We're here brother!
DOPE!
Cheers!!!!!
great stuff, subbd!
Much appreciated! Welcome Gary
Dawless live here too... and yeah, the big struggle is transition beteween patterns... as i understand from your demo, you use multiple sequences for a "song" (not song mode, just.. song) and have "transition sequences" on the mpc and the gear with sequencers.. but doesn't it forces you to prepare by advance the order you want to chain your live ? For a more DJ approch i treat a "block" of many songs in an unique sequence, using a main track with clip engine, and the others tracks as midi to synth or one shot samples. so yeah I have a ton of tracks to manage, as i have a separate track for each midi pattern, and i have to be careful to ony have one track playing one synth at the time. But it permit me to change tracks on the fly depending on the atmosphere and inspiration. Is probably not the best way, i'll dig your method to see, but i don't have an octatrack, only an mpc, so maybe it's what's lacking for better transitions.
It’s never the gear though, it’s the approach. If you leave room for stuff you may add like drum rolls, lead lines that you can play or empty tracks that you can arm and record stuff into, it’ll be a lot more interactive. The drops need to be spot on the bollox though. There I make sure all you hear is punching u on the chin
🙌🙏🔥🇧🇷🇳🇱
Too bad hardware is so expensive. I've gotten some equipment but the prices are just too much even for simple needs. I'm almost regretting my hardware purchases .
Is it though? I think 300 bucks for a Model D opposed to a vintage Moog Model D for 8999,- or a vintage Jup-8 for 21.600,-
I really think you can get a decent working setup for a reasonable price Eric.
@@AnalogKitchen As a counterpoint, I've got over 10 synths I use in my DAW and they were all free, as was the DAW. I do have hardware synths, but it's undeniable that softsynths are a better value, even if they aren't nearly as fun to play with.
@UCOOLuyiyx5mgGwYiJx_P0GQ N1 !!!
All of the jump cuts between each word in just one sentence. Too many. Like you should post a warning too many.
Like an epilepsy warning you mean? I guess it’s not for everyone but thanks for watching anyway Ronin
That's the first thing I thought too. Way too many cuts, almost gives me heart palpitations
I guess it’s just my style of editing. And like I said it won’t be for everyone. What I hope is that you found it helpful and you can take something away from it other than heart rhythm disturbance. Thanks for checking
🤣🤣🤣🤣🤣. Sounds so extreme like shit.
Thank you for watching!
choppy editing style gives me a headache.