I dont necessarily think its clear and slow enough that its meant for you to hear the 4 on 3, but more to create a sense of metric tension and separation between the oboe and strings. This mozart kid was pretty ahead of his time.
The quartet plays a significant, joyful and then sad, role in Patrick O'Brian's Aubrey-Maturin novel, The Yellow Admiral. These great novels refer to many chamber music compositions of the day, the very early 19th Century, and it's a pleasure to find them on TH-cam as well as on several CDs devoted to the music of the series, twenty-one books in all.
@UCRawxImBUtJ7kD5vrLoR2iw That High F in the Solo Oboe part is the Same High F in the Soprano part of Mozart's Queen of the Night Aria so it's possible to play that Soprano Aria on the Oboe in that time.
Sharp* but they can't naturally adapt their intonation with their fingers as we can so that's a bit unfair. Also, the oboe part is incredibly difficult, far greater in virtuosity than any of the string parts.
@@kushgroover54 they can adapt intonation with embouchure, breath, fingerings. But this performance doesn't use a modern oboe (it's 430hz as well) so it has a way different sound that is closer to how it sounded in Mozart's time (and, admittedly, is way harder to intonate correctly than a modern oboe)
![Mozart - Symphony No. 25 in G minor, K. 183 [complete]](/img/n.gif)
That 4/4 vs 6/8 in the third movement, Mozart going for that ultimate polyrhythm
I dont necessarily think its clear and slow enough that its meant for you to hear the 4 on 3, but more to create a sense of metric tension and separation between the oboe and strings. This mozart kid was pretty ahead of his time.
@@kushgroover54 I agree with you. Mozart was a genius
as an adult beginner, it's exciting for me to be able to follow along w/the sheet music, as I'm still developing proficiency even in reading music
The quartet plays a significant, joyful and then sad, role in Patrick O'Brian's Aubrey-Maturin novel, The Yellow Admiral. These great novels refer to many chamber music compositions of the day, the very early 19th Century, and it's a pleasure to find them on TH-cam as well as on several CDs devoted to the music of the series, twenty-one books in all.
What a nice performance, love the measured rubato. People be thinking Mozart can't be played rubato which just makes for boring performances
Thanks for sharing. Finally some 430 performance of this Quartet.
12:15
4/4 over 6/8
4:11 Violin.exe stopped working.
no u
Great work, thanks for the upload!
13:53
@UCRawxImBUtJ7kD5vrLoR2iw
That High F in the Solo Oboe part is the Same High F in the Soprano part of Mozart's Queen of the Night Aria so it's possible to play that Soprano Aria on the Oboe in that time.
Anyone else have this as their solo for a competition?
Capolavoro assoluto!!!
The third movement is allegro.
14:19
11:26
Fun fact: This piece is a nightmare for oboists to play.
Why? Can you explain?
The first movement is lovely, though. It sounds amazing, and it's so fun to play.
Actually I'd rather play this than many other works, including the concerto.
@@RonFordMusic same
Animated graphical score of this piece: th-cam.com/play/PLtj_HurkS7Zy3fVTh5MF19SqeXni_isYT.html
Strings are pretty good. Oboe is flat duck.
Sharp* but they can't naturally adapt their intonation with their fingers as we can so that's a bit unfair. Also, the oboe part is incredibly difficult, far greater in virtuosity than any of the string parts.
@@kushgroover54 they can adapt intonation with embouchure, breath, fingerings. But this performance doesn't use a modern oboe (it's 430hz as well) so it has a way different sound that is closer to how it sounded in Mozart's time (and, admittedly, is way harder to intonate correctly than a modern oboe)
This recording have no place in TH-cam. The oboeplayer sound terrible…..
Dommage que le hautbois joue si faux....
6:53