This song and my life are exactly the same: 0:00 Takes a while to get going in the morning, 0:09 erupts into frantic, off-kilter confusion immediately, 0:34 falls into various self-defeating patterns which contradict their own rhythm while trying to maintain forward motion, 1:29 takes a pause halfway through to try to fuse confused neurosis into a basis for something remotely pleasant to anyone and fails 2:22 gives up completely and has breakdown, 2:31 tries to keep calm during breakdown, 2:40 fails... 3:00 Tries to start back up but erratic thoughts unravel and mutate in spite of the need to continue existing properly, 3:25 tries to keep calm during arrhythmic chaos again, 3:46 takes another break to devise own rhythm based on nothing measurable by human standards, 4:01 then grooves with it, suddenly quite content with self after realizing not every song is a top 40 hit, 4:32 while riding off into the sunset, knowing only about 10 people ever understood me or would ever want to listen to me again.
I mean considering everything it’s not that hard of a song, it’s mainly the memorization of the which thing to hit at what time. The time signatures aren’t that odd so once you listen to the song enough it’s pretty easy to get down. I can play a decent cover of it and I barely play drums, I’m just a guitarist. Not to say that the drummer isn’t good because he’s actually insane just this song isn’t the greatest example.
That riffy section at 1:29 is fucking unbelievable. It just sounds like it's melting. I'm not entirely convinced it isn't just the same chord played repeatedly while being pitch shifted.
They're playing notes that are located between the twelve ones we are used to. That's why you have that "out of tune" or melting feeling. I love how it feels haha
I saw The Locust play and people tried to start moshing and hardcore dancing and then they were like "what the fuck is going on?!" And literally everyone just stopped and started watching the show... Side note: Dillinger headlined that night... sickest show I ever seent.
@@atrocious_pr0xy I SAW THAT TOUR IN TALLAHASSEE! My friends and I knew nothing about The Locust and our jaws remained on the floor throughout their set. There was no movement. Everyone was just gawking at the stage. One of my favorite memories from going to shows in high school.
The Meta album, for me, is like Meshuggah's Destroy Erase Improve but for this decade. If Meshuggah had continued on that wave they started in 1995, this would have been the result! Happy to have found this album.
I always tell people Carbomb is the best band they've never heard of. Which is a shame because these guys should get WAY more recognition than they currently do.
I think the last bit is seven. Either way, you win just for making me aware of that ...rhythm? [Edit]: Ooh, I'm noticing other stuff too. There's what I think is a 1 123 123456 after the first 1 12 123 1234 1234567
@@HoopyFroodood no, is the same pattern (12346), but the last pattern only have the 1. So it's like this 1 12 123 1234 12346 1 (finish) That's why you say is a 7 :P
@@NicolasPL_ Well there's no space after that 6, it's just a steady string of notes. But I can see that last one possibly being the first 1 of the next set. So maybe that's what's going on. Either way, when it gets to this point I think its kind of subjective. Like how time signatures can be read differently depending on how you divide them.
Most people probably can't listen to this band but they definitely need way more exposure. The fact that they dare to make such music in this day and age and at this level of technicality deserves respect. But they are also not doing a very grad job of using their social media stuff :)
They have regular jobs (all members are involved in STEM jobs). They can't manage full time, but on the brighter side, this gives them freedom to experiment as much as they want. Also, these guys build their own gears from scratch.
The mix on this album is amazing. Sounds great with a beefy sub and reasonably good component speakers. Nothing is muddy, everything sounds tight and precise, incredible tone and ofcourse those unmistakable lyrics.
You guys created something special. A style from the future for metal, I just call it metal for all the subgenres in the scene This is way beyond this current time... With the influence from bands. This continues to last And destroy.
EthT big crossover since it's aggressive high energy electronically-distorted music, but I can see why some fans of one wouldn't be fans of the other. i was big into the Lifted Music podcast and dnbradio.com IRC chat before getting into metal. and recently I found the label Methlab who have a bunch of cool stuff.
prosthesis_ Definitely, but I think DnB is very repetition based and is based on pure groove, if you know what I mean. It was a bit hard for me to appreciate metal at first because of the long, complex patterns.
0:54 and 2:22 .. it always takes me so long to listen to one of y'all's songs because I keep having to rewind while trying to keep my face from melting..
Your team usage of everything musical production wise is fucking awsome. I swear you guys will be world famous legends in the next 30 years max have to be.
I see a lot of bands on instagram promoting themselves and that is from where I also found many underground and underrated bands. They can promote themselves their. They need more fucking exposure dammit tell everyone about these monsters
This song and my life are exactly the same:
0:00 Takes a while to get going in the morning,
0:09 erupts into frantic, off-kilter confusion immediately,
0:34 falls into various self-defeating patterns which contradict their own rhythm while trying to maintain forward motion,
1:29 takes a pause halfway through to try to fuse confused neurosis into a basis for something remotely pleasant to anyone and fails
2:22 gives up completely and has breakdown,
2:31 tries to keep calm during breakdown,
2:40 fails...
3:00 Tries to start back up but erratic thoughts unravel and mutate in spite of the need to continue existing properly,
3:25 tries to keep calm during arrhythmic chaos again,
3:46 takes another break to devise own rhythm based on nothing measurable by human standards,
4:01 then grooves with it, suddenly quite content with self after realizing not every song is a top 40 hit,
4:32 while riding off into the sunset, knowing only about 10 people ever understood me or would ever want to listen to me again.
That's actually very accurate. And to be honest, i'm getting same feelings listening to this song.
why the fuck aint this top comment tho
cus my other comment is lol
master of top comments
This is the secret that the song has hidden within itself 😱😱😱🔥🔥🔥
0:00 They're tryin to build a prison......
I thought that too.. it's so similar
for you and me?
Another prison system?
Connor Arbiter i know huh
Nah, knowing the guys, Self Bias Resistor.
imagine waking up every day knowing you can make music like this..
Few can though. Definitely need an innate sense of rhythm.
That drummer must definitely have a brain for each limb...
Elliot Hoffman
@@cookedrums1044 you mean Morgan Agren! Ah! Thought so!
Watch meshugga- bleed drummer then. Took him 9 month to get it down for that one song.
I mean considering everything it’s not that hard of a song, it’s mainly the memorization of the which thing to hit at what time. The time signatures aren’t that odd so once you listen to the song enough it’s pretty easy to get down. I can play a decent cover of it and I barely play drums, I’m just a guitarist. Not to say that the drummer isn’t good because he’s actually insane just this song isn’t the greatest example.
@@robdubent ??
That riffy section at 1:29 is fucking unbelievable. It just sounds like it's melting. I'm not entirely convinced it isn't just the same chord played repeatedly while being pitch shifted.
Matthew Mohr definitely one of the best bits of the song. So nasty and tasty.
They're playing notes that are located between the twelve ones we are used to. That's why you have that "out of tune" or melting feeling. I love how it feels haha
That’s what dragged me into loving this band
It sounds like the math rock machine malfunctioning, I fucking love it
Sounds like a shoegazey tone. It feels like some phaser-chorus fuckery. Also, the the part that comes after it sounds like alice in chains
If the grammy's were up to me this album would definitely get some nominations
Can we have a separate Grammy award event strictly for extreme metal bands?
@@metal882 awesome idea!
It surprises me how you are cataloging Car Bomb as humans.
give em an Oscar and a purple heart while you are at it.
I love watching people TRY to headbang for these guys.
Yeah, that's a battle you're not going to win, hah.
I saw The Locust play and people tried to start moshing and hardcore dancing and then they were like "what the fuck is going on?!" And literally everyone just stopped and started watching the show... Side note: Dillinger headlined that night... sickest show I ever seent.
I just pay attention to the drum rhythm. I have to actively think about the time signature when I headbang to Car Bomb lol.
@@atrocious_pr0xy I SAW THAT TOUR IN TALLAHASSEE! My friends and I knew nothing about The Locust and our jaws remained on the floor throughout their set. There was no movement. Everyone was just gawking at the stage. One of my favorite memories from going to shows in high school.
@@skinblanketed ..eh, wasn't there this 2-piece band; drummer and guitarist.. can't remember their names. They were amazing. No singing, just metal.
I was lucky enough to see Car Bomb live with Gojira. Easily one of my favourite warm-up bands ever! Heavy, tight and fucking amazing!
Gojira should have been the warm-up lmao
I bet car bomb rehearse with gojira songs
Two phenomenal drummers.
Car bomb, tesseract, and gojira. Best show I've ever seen. Only out of body experience I've had without the use of psychedelics.
@@Animals_As_Leaders Joseph Duplantier from Gojira produced this album, so uh, maybe.
1:28 sounds so beautiful... I did not expect it, I think it gives a cool flavour to the song
I keep replaying that bit over and over again hahah
The Meta album, for me, is like Meshuggah's Destroy Erase Improve but for this decade. If Meshuggah had continued on that wave they started in 1995, this would have been the result! Happy to have found this album.
Definitely one of the best album covers I’ve ever seen
very memorable
Definitely one of the best albums ever
@@Alexander-rz4zw true
@Milton Arbogast not to hate on meshuggah but their album covers are far more edgy than this one lol, I rly don't understand your point
@Milton Arbogast i like car bomb and meshuggah btw, so looks like we have the same tastes lmfao
that groove starting at 2:22 is absolutely crushing
LLLIIIIIIIIIIIIIEEEEEEEEEEEEESSSSS
this is straight from bland street bloom from Sikth....
kamal kanwadia way more interesting and immersive than that poppy band!!!
Anyone know bands that do something similar to this? Best groove ever
@@lanidrac Textures!
I always tell people Carbomb is the best band they've never heard of. Which is a shame because these guys should get WAY more recognition than they currently do.
3:11 This scratches that particular spot in my brain soooo goooood
the outro crushes - so much confidence to put a groove that sick on the fadeout
That rhythm though..2:21
1
12
123
1234
123456
LOL
I think the last bit is seven. Either way, you win just for making me aware of that ...rhythm?
[Edit]: Ooh, I'm noticing other stuff too. There's what I think is a
1
123
123456
after the first
1
12
123
1234
1234567
@@HoopyFroodood no, is the same pattern (12346), but the last pattern only have the 1. So it's like this
1
12
123
1234
12346
1 (finish)
That's why you say is a 7 :P
@@NicolasPL_ Well there's no space after that 6, it's just a steady string of notes. But I can see that last one possibly being the first 1 of the next set. So maybe that's what's going on.
Either way, when it gets to this point I think its kind of subjective. Like how time signatures can be read differently depending on how you divide them.
Aphex twin had a similar track. I think it was called the bouncing ball. As that’s what it sounds like.
Most people probably can't listen to this band but they definitely need way more exposure. The fact that they dare to make such music in this day and age and at this level of technicality deserves respect. But they are also not doing a very grad job of using their social media stuff :)
This day and age? Car bomb have been going for liek 15 years.
I found these guys through myspace back in the days. Same thing with I wish they would self-promote more.
@@jonajon91 20 years. Formed in 2000
And Neck...........
They have regular jobs (all members are involved in STEM jobs). They can't manage full time, but on the brighter side, this gives them freedom to experiment as much as they want.
Also, these guys build their own gears from scratch.
The mix on this album is amazing. Sounds great with a beefy sub and reasonably good component speakers. Nothing is muddy, everything sounds tight and precise, incredible tone and ofcourse those unmistakable lyrics.
You guys created something special.
A style from the future for metal,
I just call it metal for all the subgenres in the scene
This is way beyond this current time...
With the influence from bands.
This continues to last
And destroy.
Preach
2:22 is one of the sickest parts ive ever heard, fucks me up everytime
0:48 That guitar tone, sounds like Neurofunk.
oh fuck yeah gimme that grimy diystopian VSN records/methlab records dystopian DNB shit
Bob_Dole Didn't know there was ANYONE out there who listened to Dnb and metal. I think Noisia was heavily influenced by metal, probably Meshuggah.
EthT big crossover since it's aggressive high energy electronically-distorted music, but I can see why some fans of one wouldn't be fans of the other.
i was big into the Lifted Music podcast and dnbradio.com IRC chat before getting into metal. and recently I found the label Methlab who have a bunch of cool stuff.
prosthesis_ Definitely, but I think DnB is very repetition based and is based on pure groove, if you know what I mean. It was a bit hard for me to appreciate metal at first because of the long, complex patterns.
Big noisia fan here! or any hevy dnb track for that matter. Even saw noisia invites with camo and crooked. Good shit man
0:54 and 2:22 .. it always takes me so long to listen to one of y'all's songs because I keep having to rewind while trying to keep my face from melting..
I love how they rntirely change the feel of the final riff by changing the backbeat only
Such a dope fade out, I can actually visualize the action of zooming out and getting further away, but there's nothing there to zoom away from.
1:29 hits and I think to myself "welp, there go the headphones". Fucking crazy.
No idea what i've just listened to. And i like it.
Mordial is widely regarded as their best album, but I feel this one is WAY better
this one is my favorite
They should have played this for the aliens in Arrival. They'd have flown home immediately in fear and awe.
+1
This band is the bomb
the part starting at 1:28 is a fucking drug to me wtf I listened to the song at least 15 times since yesterday because of it
Car Bomb=life is good
Artists doing painting, sculptures, animation, music... the new generation of artists, scared of no expression
If sickness was the cure... Car Bomb is a doctor...
Your team usage of everything musical production wise is fucking awsome. I swear you guys will be world famous legends in the next 30 years max have to be.
Such a breath of fresh air 🤘🏻hail car bomb. Also can't help but throw out some NY love. Great album dudes!
My name is Jaffar....I come from afar....I listen to this music in my car...Allahuackbar!
Is it weird that I find this relaxing?
Not really, in fact metal can sometimes make you sleep.
I sleep with this kind of albums because of the 0 dynamics xD all album same volume and intensity
3:46 onwards rules
Also what is that effect on the guitar? The tone is rad
Ringmod
Using ring modulation on down-tune as fuck guitars, why haven't I thought of that.
@@depthsofabjection downtuned*
@@tfwnoyandere ok
@@depthsofabjection ok
3:45 to the end is the sickest fucking breakdown recorded in recent music
Man. This shit is way ahead. They in future of metal lol
If you like breakdowns, check the breakdown in Cryptopsy's "Benedictine Convulsions", very different style but sick as fuck breakdown.
CIGARETTES WITH ME
CIGARETTES WITH ME
CIGARETTES WITH ME
CIGARETTES WITH ME
There’s something about the outro riff that’s so addictive
I see a lot of bands on instagram promoting themselves and that is from where I also found many underground and underrated bands. They can promote themselves their. They need more fucking exposure dammit tell everyone about these monsters
This is some experimental shit that I can fuck with. 10/10 shit right here
1:29 When my beta blockers kick in:
The production on this album is amazing IMO. Sounds SO good through my car's (probably overpriced) sound system.
It's Strapping Young Lad meets Gojira, and I am in love.
For me, it was Meshuggah/Gojira.
His vocals do sound a bit like Devin Townsend, though.
Meshuggah+Dillinger Escape Plan
@@1bgrant exactly
Hey check out A Life Once Lost! Similar tones to these awesome bands
found out about this when I was flipping through channels and I put it on the metal channel pretty awesome find to say
There should be a way to love this. I would love this so hard
you can go ahead
Still one of the heaviest Breakdowns ever!!
"they're tryna build a prison"
Meshuggah walked so these guys could run.
This song still fucking gets the job done so well!
1:30 is so fucking NECK like. I wish that band were still together
Well alright, alright, alright
Awesomeness
1:44
_VICTORY SCREECH_
3:59 imagine the pit at this part... would be fucking insane
can vouch that it definitely is
I literally got to that part of the song the moment I read ur comment. nasty
HOLY FUCK, THIS IS AMAZING
that last riff is sooooooooo nasty
This comes out of the gate like Soilent Green.
I like this
"They're trying to build a prison"
Oh wait wrong song
Lmaooooooo🤣
Hurt my neck headbanging to this shit.. that was unexpected
Guitar tone at the end sounds like a fucking Lazer beam
lol, I assume you’ve heard Dissect Yourself.
PVC pipe
2:22 - reminds me of Aphex Twin - Bucephalus Bouncing Ball
10/10 wfw everyday for months, years.
i thought that was about to be Prison Song lol
4:32 should have lasted 4 minutes and 58 sec
Some gets me LOL
This is how stochastic differential equations sound like.
Take this day and realizeeeeeeeeee
Agreed!
FUAAARRRCCK!
My upper back and lower neck was hurting a lot today. Headbanging to this song and just letting my body get loose actually helped a fuck of a lot.
1:04 keep dad rock beats OUT of my weird hardcore
Hell of a groove tho
Dad rock? The fuck are you on about.
ask phil rudd
I always come back here because of this: 4:27
0 dislikes, as it should be
Well this is a gut punch
LIIIIIIIIIIIIEEEEEEEEEEEESSSS!
1:04 am i the only one who loves this part?
Wow!
doesnt get much better than this
Fucking hell! That middle to ending section is nuts.
2:22
Who else checked to see if a new song started at 3:01?
Fuck that 4:30 moment... Is AMAZING. FUCK.
Really good band very underrated this band better then bands that Ben out with 5 or more albums.
I have difficulty breathing while listening to this
good music like acid without eating it, but ive eaten acid and it didnt do this to me
This shit is tight af
2:06 lyrics sound like Handsome .. anyone heard of that band?
Praise the Omnissiah!
Any music nerds attempted/know know the chords in the progression at 1:29? It's like a wet dream but I'm awake
Young Reapers! :D
I love Euclide...
Can compare it's just it's own
Ok, so I heard Fear Factory near the beginning, Meshuggah all throughout, a smattering of other bands, and it all made sense on this track.
10 PERFECT
Soon, every other metal genre will have random time signatures.
I dont come to this song often. But for a purpose.
1:40ish is fuckin confusing