To me, I think it's like disappointment. I expect a full step or an up, and just like climbing a flight of stairs and the last step is lower than it should be, my heart drops. Without context and just sound it hits the feeling of being let down.
I think I'm missing something. I don't feel sad from this sound. I like music, and the music is beautiful, but I don't feel so overwhelmingly emotional that I'm going to burst with tears any second.
C418, the man behind the Minecraft music, uses these half-steps a *lot*, especially in Volume Alpha, and to me it's no surprise that album is considered one of the most heart-wrenchingly nostalgic soundtracks of all time.
Something that was not particularly singled out is the “longing” that duration of the notes achieves. The fact we stay on that half step for some time is also something that keeps us trapped in that feeling.
Right? Because in “Joy to the World”, the pitches on the words “joy” and “to” create a descending half-step, but really not nearly so filled with pathos!
I’m surprised no one’s brought this up yet but Rachmaninoff’s Piano Concerto No. 2, Mvt. 2. From the melody to the middle voices, they use that half step down to a subtle effect. It’s not one you notice right away but it still hit you all the same. No wonder it was interpolated into one of the biggest songs about heartbreak, a.k.a All By Myself.
Rachmaninoff is one of my go to examples of emotionally eloquent music! I love to listen to his stuff. You can literally tell how he was feeling when he wrote it. It's awesome.
I am convinced that music is a near universal language based in emotion. I've looked at a lot of music, a lot of cultures, languages, use of tone in communication, stories, dreams, even animals and the sounds they make, and the language of music seems constant across the board once you strip it down to that core emotion. It's absolutely fascinating.
We kind of do the same pitch movement when are sad, when we cry is a deceding pitch. When we are happy we do the opposite. Harmony is different depending the culture and not that universal. (he talked about that in the video later, I notice it now)
@@augusto7681 The differences I've noticed between culture seem tied into the psychology of the culture itself - they reflect each other, the emotion of the music and the culture that made it. But it's all still human psychology. When the culture changes, the preferred music changes too.
I think it’s even more of a language than the people who agree that it’s a language think; I think it is just as effective of a language as spoken language, but it accomplishes similar things as spoken language in different ways, just as spoken languages accomplish similar things in different ways. This is also why I think people who play or listen to a lot of diverse or complex music “develop an ear” and “learn how to interpret” the music; they learn the language by exposure, just as children learn spoken languages. The best (classical and jazz) composers may have been able to improvise so effectively because they spoke the language that fluently. Music theory is just an understanding of syntax and semantics: grammar.
Charles just casually dropped us a free playlist for heart rending sad music to listen to at night. Also, a starkly missing but quintessential example of the heartbreaking half step is obviously Chopin's 'Suffocation' prelude in E minor, whose melody and accompaniment is literally descending half steps almost throughout. Can't blame him for missing it though cause I've played this prelude my entire life but never stopped to question what exactly makes that piece so sad. Beautiful stuff.
Seriously. I need these songs immediately, especially the Barber piece. That Bernstein conducted it makes it even more necessary. My heart is completely broken.
So glad you pointed out UP. I was literally typing it out as you mentioned it. Still, to me, Pixar’s greatest theme in any movie. Just so moving and perfectly used throughout the movie with different instrumentation.
The background vocals in Radiohead's Weird Fishes is a great example of this descending half step. Has always been an incredibly impactful and emotion moment of the song for me.
"Music mimics life." - Charles Cornell That was the most deep, thought provoking, and unique quote I have yet heard, this quote pretty much sums it all
I was surprised to see no ones mentioned On the Nature of Daylight by Max Richter; has the same descending half step as Jacob and the Stone, absolutely devastating piece
It has been 8 years TO THE DAY since I've heard Barber's Adagio for Strings. I know this, because it was performed, at his request, during my father's memorial service in 2015. It was as gut wrenching today as it was then. I thought I had passed this. Guess I'll try again in 2031.
We played it in my high school marching band when I was in 9th grade. It was the third movement in our set. It wasn't something I particularly cared to play back then as a trumpet player, but I always remembered it.
Christopher Nolan's Interstellar has such spectacular music, it's astronomical. Hans Zimmer has such an amazing talent. The scene that characterizes this descending half step is when Cooper leaves Murph to go into outer galactic worlds in search for humanity's new home. However later in the film, the docking scene, sent chills down my spine just because of how immense the music was.
I played the violin in first chair for 12 years. I came in here thinking "surely not", then the notes were played and I started tearing up lol. It's the flats. Every time we played a melancholy piece it was just full of flats and slow tempo. It almost evokes a sense of nostalgia. It can either be a wonderful memory, or a horrible one. It can also evoke a feeling of loss, present or future. So yeah, absolutely a heart wrenching masterpiece.
For those that aren't up on their classical music, Shostakovich wrote this piece to represent the attrocities of the Soviet Union and how full of despair the people of Russia were during that time. Shostakovich's life was threatened, along with all of his family, if he didn't write that particular Symphony correctly. That moment in the Symphony is supposed to represent darkness, the deepest depression, anger, and loss of hope.
@@AytCH12Urmomissohot This is the third movement of Shostakovich's Fifth Symphony. The best performance of it is by Bernstein and the New York Philharmonic Orchestra. The album is on TH-cam. Bernstein is wearing a turtleneck. Each movement of the symphony has its own video but all the movements are there to listen to. I bought the album back in the early seventies and, as luck would have it, this is considered one of the best recordings of this work. For fun and giggles check out Shostakovich's Leningrad Symphony. It's amazing!
I have my own theory as to why some of these songs come off as more heartbreaking, and others sound more traditionally sad. A lot of these songs hit so hard because that descending half-step tends to revolve around the tonic of the piece. 0:58 - The heartbreaking note is a C, in the key of D-flat, a “Ti” to the “Do.” We expect to resolve back to the tonic of D and instead the composer holds the melody at that C, to let us sit in the discomfort. We feel that as heartbreak. 2:55 - That heartbreaking note of F, is the “Ti” to the “Do” of G. It’s arguably more heartbreaking, not only due to the context of the song, but because the melody originally climbs up the scale to a major third, before descending and HOLDING on that F#, really emphasizing that heartbreaking dissonance. 4:31 - This example may come off as more traditional sadness rather than heartbreak because that descent into E isn’t on “Ti” compared to the other two. We’ve established D minor as our tonic. E is the “Re,” and our brain expects a resolution back to the D tonic, but that note is held to emphasis the distress of the piece. In other pieces, we hit the tonic and descend into the dissonant “Ti,” showing that we had “comfort” and then lost it, like heartbreak. In this piece, the previous note wasn’t the tonic of D, but we descending to a point that was just ever so close to tonic without hitting it. It’s still sad, but in a different way. 7:28 - This descending note, lands on the “Sol” of the tonic. We hit a B-flat, and the next chord established is an E-flat tonic base; Our ears expect to resolve to this tonic, but the composer holds this note, leaning into the dissonance. Earlier in the piece, 6:31 , some of those descending half-steps landed on the “Ti” of the expected B-flat tonic “Do” but when they resolved to the “Do” of B-flat, the artist doesn’t let us linger on the tonic, instead moving rapidly and not allowing us to properly relax in that new tonic. It’s beautiful. My own favorite example is in Bear McCreary’s “The Summit” from God of War 2018. The vocalist when she sings “lysis um nótt,” descends into the “Ti” of B from the established tonic of C, since we’re in C minor, and it just breaks my heart. (Though the entire context of this piece in the story proper doesn’t help to make the piece less heartbreaking.) Truly these composers are masters at their craft, playing with these descending tones to dance around the tonic and play with our musical expectations in ways that emphasis that longing. God, I love music.
There aren't many people that are devoted to music like this. I really love your theory, the way how you understood the songs/pieces in this video, I truly admire that. Of course, I enjoyed this video as much as I did reading this comment. Hope to see more content like this in the future!
@@cowflick1180 In music theory, each note of a scale is given a designation so we can better identify how the pitches relate to each other. You’ve probably heard of Do-Re-Mi, those are the first three syllables we use to describe the first three notes in a major scale. Do-Re-Me-Fa-Sol-La-Ti-Do is the whole sequence. The “Ti” is the final note in the scale before we repeat back to Do. It’s the closest note to Do on the scale and often we expect Ti to resolve to Do when we hear it.
The song "Johanna" from Sweeney Todd is a great example of a descending half step around the tonic. It expresses the deepest romantic longing for as-yet unrequited love.
I was a teenager the first time that I heard Barber's Adagio for Strings. I was alone, driving in my car listening to Minnesota Public Radio. I had to pull over the moment that I heard that descending half step. It was agonizingly, painfully beautiful to my young ears and couldn't afford to be distracted by the road.
Surprised not to see this already, but Black Parade has this in its intro melody that carries throughout the beginning part of the song, both the piano and the vocal line. The infamous G note is immediately followed by a note a half step down, and these half steps continue on down the line.
I'm not a musician or have extensive knowledge of music like this (but it's still incredible to listen to and learn about) but as a writer who uses music A LOT for inspiration for scenes, dialogue, and characters - the half-step sort of has the same effect as an "Oh!...oh..." like happiness coming to an abrupt but also an oddly soft stop. It's like a simple event or thought that makes you go "oh..." after otherwise feeling happy, and your heart just drops.
One Summer’s Day from Spirited Away, specifically the scene after Chihiro goes with Haku to see her parents. Right after the piano does that descent from A minor to the resolution in C (first inversion I think? Not sure about the correct term) and then the orchestra’s strings and wind take over, swelling just as the tears well up in her eyes. Of course, the part that hit for me was the descending half step you’re talking about! Every time I watch it I can’t help but cry. Joe Hisaishi is a master of heartfelt composition
Joe Hisaishi is the first composer I thought about. There's a lot of those half-step heart-wrenching bits in the soundtracks he's made for Studio Ghibli.
I love that I thought of Adagio for Strings as soon as I saw this video's thumbnail. That piece of music almost always makes me want to cry. Who knew that a half step could kill me every time?
Adagio for Strings is probably my most favorite example of this, it’s utterly heartbreaking! I played an arrangement of it with my university’s tuba-euphonium consort in college and it was so amazing
@@breqbs i read a bunch of different translations more or less meaning the same thing. I saw it translated as 'tears', 'tearful', 'the day of tears', 'the crying' ect... I went with the simplest term
I'm so grateful to Charles and people like Adam Neely and Rick Beato for helping me to put vocabulary to the things I've always felt intuitively about music. I didn't know about "music theory" until my 20's, but it's so nice to see people feeling the way I feel about chords and scales and songs and knowing that it's been happening and understood, documented, and used for hundreds of years. It's endlessly fascinating and gives me a whole new level of appreciation for the craftsmanship of great music.
likewise!! i’m such a huge music fanatic, and while i’ve never committed to learning music theory, there’s always been parts of musics that i absolutely adore or just make me feel a certain way, and it’s through videos like these that help me find the proper term for them! it’s always so fun learning that’s there’s a proper reasoning behind this thing you’ve been picking up on in music :)
I think Omori’s “Final Duet” does this as well!! and It’s perfect that it sounds like crying, as it represents Sunny finally letting go of his beloved sister and the guilt he feels, it’s so cathartic because like us, he has spent the whole game repressing his feelings, and so we get to cry by his side for a moment, before he gets the courage to say what he needs to and end the game;;;
i have always wanted to research this, like the one time in music that nobody other than me noticed that i call the "sentimental part" of the song. now i can finally understand and i am super grateful!
If I'd had a music theory teacher as excited and invested as you I might not have given up piano or spent so much focus on using TABs. My sense of composition has vastly improved since watching your channel.
The Land Before Time utilizes this in its soundtrack (Whispering Winds & If We Hold On Together) and it always made me feel pain in my chest as a kid and I didn't know why
YES I HAVE EXAMPLES!!! This kind of thing has totally been my roman empire, if you will, because while most people usually get a little emotional from some music, I find that effect to be amplified and I can get extremely emotional- so I have always wondered why. I feel so validated that the first examples you use, not just "Jacob and the Stone" ( it makes me sob relentlessly), but also "Married Life", have been on my mind every since I first heard them. For the longest time, I just figured the sad story and lone instrumental piece of "Married Life” was what made me so incredibly emotional (and attached) to the song, but I realized that the situation was actually reversed. This effect, totally amplified my emotions and empathy FOR the STORY in “Up” and I didn’t even know how it did that for the longest time. I came to the same conclusion you did (without all of the music theory, I have no where near the knowledge that you do lol) through compiling the list of songs that gave me the specific phenomemon that "my emotions were so abundant and heavy and heartbreaking, it created a hole in my chest". The list is not limited to: "Space song" by Beach House (even the synthesizers they use give the sounds a certain vowel- to make it sound even MORE like a cry in my opinion), “Pluto Projector” by Rex Orange County, obviously "jacob and the stone", and ***Scott Street by Phoebe Bridgers.*** ------>>>**** If you haven’t listened to this song PLEASE do!!!!*****. Without even paying attention to the songs lyrics (heartbreaking, DUH), this song’s background vocals and instrumentals starting from 2:50 to the end single-handedly bring you to a state of paralyzing nostalgia, regret, and somehow grief for your younger self?? I SWEAR, it’s the EXACT effect that you talk about here!! Please give it a listen!! I feel so validated with your video because this theory- coming from you and your amount of knowledge- matching what I’ve been thinking for the longest time makes me feel like I’m not crazy for thinking this!! So me and my emotional self thank you!! 💗💗
Honestly have been looking to find a playlist full of this on spotify and came back to this video to remember what this uh two step was called lol. I’m not very musically knowledgeable but I love this stuff
The entire Tristan Und Isolde, by Wagner, is based on the descending #4th to 3rd in the lydian harmony. It's the climax to the piece and it represents a non resolved love
@@mikepro500 e flat-a flat-a-flat-g natural are the first 4 notes of the Liebestod so indeed has the descending half tone...5th note is yet another descending half tone to g flat
This is so interesting - I have a similar thing with descending P4s when it’s mi down to ti/3 down to 7 in a major key. I don’t know why but I’ve always found that sound so poignant, it really tugs on my heart strings! I made a highlight of all the ones I’ve found so far on my Instagram !
The soundtrack for UP plays with that sound throughout and kinda builds a narrative around it. It goes from happy, to sad, to depression, to finding new purpose and then happy again.
This is fabulous. The clearest example that occurs to me is in Vesti la Giubba from Pagliacci. The character sings a descending half step on the word "ridi"(laugh). He is crying over his lost love while lamenting that his work as a clown means he must continue to laugh. This one definitely mimics crying, as you suggest. A couple of others that I thought of are Joanna in Sweeney Todd, and at the end of Maria in West Side Story. My own recent go-to heartbreak piece is Four Notes by Paul Harvey (the orchestrated version), but half of that is the story behind the composition.
And, of course, Lacrimosa from Mozart's requiem - the very word for weeping has a descending half step at the end of it. What you describe also makes me think of that phrase "a dying fall" from Twelfth Night. I've always been told it just means the music gets quieter, but it would make more sense to me if it means a descending interval of some sort, perhaps this one!
Yes, I immediately thought of Vesti la Giubba, though I wanted to check the score to confirm it's a descending half step as I don't fully trust my ears. It's the prototypical "sad operatic music".
In pop music, I immediately thought of "Drive" by The Cars. The descending half step (B to A#) in the introduction, as well as the underlying accompaniment in the verses, illustrate the melancholy of the song. Such a hauntingly beautiful classic.
“Out here on my own” has that descending half step when Irene Cara sings “”where I’ve been” than again “who we are” and also “sun appears” sooo beautiful that whole melody but those areas within that song specifically are even moreso. 😢
Chopin - Nocturne No. 20 in C# minor One of his most hauntily beautiful pieces. Uses this half step often but in the style of Chopin. Beautiful longing runs on the piano. "Bach is an astronomer, discovering the most marvellous stars. Beethoven challenges the universe. I only try to express the soul and the heart of man." ~ Frederic Chopin
That half step relationship is part of the reason why I adore a major four to a minor four chord. (And then if you resolve to the one there’s another half step in there.) Keep up the good work!
Oh lord I knew in the first few mins that we were gonna talk about Barber’s Adagio for Strings. This song is chock full of defending half steps and tears descending down my face!
the third movement of sibelius' fourth symphony has a very strong sense of melancholy at its climax. the melody doesnt as prominently feature a descending semitone but its absolutely beautiful and crushing at once
I really didn't expect my eyes to actually get teary, but as soon as I heard each one of them, even though I wasn't feeling sad, I started to tear up. Also, I had never heard Barber's Adagio for strings before, but I'm very glad I just did. It sounds just like what I feel on most days and it's so beautiful.
I visualize the feeling of this descent as resignation and acceptance. Like receiving heavy news and physically slumping in your chair knowing you can't change what happened or your mood shifting downward when you remember something bittersweet.
I’ve always loved the descending half step interval, it has the power to deliver so much emotion and nostalgia to the listener. My favorite example is playing the b6 scale degree and then falling back into the 5th scale degree while in a major key, it just has such a beautiful resolution! (Especially in progressions like IV-iv-I). Great video!
The vocal line in "Feast of Starlight" from The Hobbit: The Desolation of Smaug has the same descending half-step. It kind of reminds me of Jacob and the Stone.
At the very end of the movement, the basses below move first to create a sus4 chord, which the upper strings resolve to the third by descending the half step. Extra beautiful. Great example.
Totally agree. One of my favorite moments is during the first play through of the theme at the beginning in f major. The orchestra goes to a G7 chord with the violins hanging on to a C for a beat before descending the half step. The violins then descend another half step to B flat, briefly go to a D with a gorgeous minor ninth with the violas (who are also descending in half steps) before returning to the B flat to descend yet another half step.
I’ve seen it live twice! It’s totally awesome from the beginning solo (CSO brass definitely helps) to the very end (CSO also brass helps a lot there). Mahler uses every trick in the book to pull out emotion. The 4 mvt of the ninth makes extensive use of half steps.
There's this scene in the movie "Pleasantville", where the sodashop guy looks at a Van Gogh painting while a song with that type of transition starts to play. One of the most beautiful scenes in a movie, because he's also seeing colors for the first time 😢 Thank you for explaining what that is 😊
Adagio for Strings holds a powerful place in my heart, ever since I heard the version (rearranged for choir singing Agnus Dei) in the game Homeworld. It really helps set the sadness and desperation of the storyline, and then the despair that happens... not too long after the start at the game.
The first time I heard Adagio it was the Agnus Dei choral rendition, and it was used in the 1999 video game Homeworld. Its first appearance is the opening cinematic depicting the launch of a colony starship, and it’s timed to the music so beautifully that it just makes you ache with this deeply sorrowful but hopeful longing. It’s triumphant, but still tinged with sadness somehow. The woman voicing Fleet Command also does a marvelous job of playing into that sadness with her dispassionate recitation of the launch proceedings. It’s just beautiful. Then 2 missions later, it comes back in a completely different context as you return home from your shakedown cruise to find your entire planet has been firebombed by the game’s big bad. What was a beautiful but pained sense of hope has been transformed into a feeling of absolute despair and devastation, even though it’s the *exact same music*. It is hands down one of the best uses of music in video games to this day. If you haven’t played Homeworld, I encourage you to do so or at least seek out playthroughs of the first 3 missions to hear it. Absolutely masterful, and I just can’t hear Adagio without being snapped back to those two scenes. Legit they never fail to make me tear up.
There's this song by Ben Folds, "The Luckiest" which I don't think is really meant to be as sad as it sounds. It's actually a sweet romantic song, but it always makes me cry so I rarely listen to it, though I love the composition. And in the very beginning of the song's chorus, the melody in the first "I am" is that descending half-step.
The theme song (written by Gustavo Santaolalla) for the movie Brokeback Mountain starts off with this half-step dissonance, and sounds so pure and happy with its gentle, soft classical guitar, and then it just... devastates... the musical equivalent to an empty ribcage left behind because the heart was too big for its body.
Chopin's Prelude Opus 28, No. 4 in E Minor This is one of the saddest pieces of music I know. It's very subdued, but absolutely gut-wrenching. Its melody has mostly descending whole steps and some half steps as well.
I think it's more about the beauty behind the suspension - - that dissonance >> consonance resolution which elicits this 'sighing' or 'whimpering' feeling. It's absolutely lovely
I love how he was able to put into words the feeling I get when I listen to some music. The feeling where it's so painful but there's beauty in it and the notes help you find that feeling by guiding your emotion.
A fine example of this is the song “Watashi no Uso (My Lie)” from the anime series Your lie in April. The piece utilizes the descending half step multiple times throughout the piece and is most-assuredly heart crushing the entire way through.
I remember watching that one scene in Up, and I didn’t really understand it when I watched it as a kid but I was still sad because of the soundtrack. Rewatching it as an adult though… Brought tears to my eyes, it’s so heartwrenching
I remember playing Adagio for Strings in a concert orchestra, and it brought me to tears midway through the piece. Such a beautiful and timeless work of art
IVE THOUGHT ABOUT THIS FOR SO LONG I’m so glad I finally found something on it! I’ve always thought to myself certain notes I hear always leave a weight in my chest and I cant help but feel the tears rising. Especially with that piece Jacob in the stone, I always listen to it.
It’s also in John Mayer’s Slow Dancing In A Burning Room, another slow sad song, in the main riff. During the C#minor in the beginning he goes up from D# ( c# natural minor) to E and then drops back down from the E of C#minor to a D#
Wow, I couldn’t have imagined two notes could be so absolutely heartrending! Absolutely fascinating to me how something so simple could elicit such a strong emotional response.
"Clair de Lune," by Claude Debussy is one that never fails, at some point, to wring tears from me. Maybe not in such an immediate way as Barber's "Adagio for Strings," but the tears do fall. I don't have the piano score in front of me, but I do hear the descending minor notes in my head. There are even some descending half-steps in "Can You Read My Mind‽" from "Superman" that, while not specifically heartbreaking in the usual way, they're evocative of the wistful hope Lois has of being with Clark/Superman, and maybe pain of past rejection which she's hoping won't happen with him. (What can I say? I'm in tune with romantic stuff like that. 😅) There's also the wistful music which accompanies the scenes in "Harry Potter" where he's first discovered the Mirror of Erised, and he's seeing his deceased parents for the first time. That really got to me the first time I saw that scene. 😢 And then if you want more "orphan-centric" wistful hope amongst the heartache, there's "Maybe," from "Annie," especially the way Aileen Quinn sang it way back in the 1982 movie. That never fails to get my heart crying. 😭😭
Shostakovich’s 5th symphony 3rd no event is so well written and knowing the history behind it makes it even more heart wrenching. It was almost like a goodbye to the victims. A funeral song. It’s so powerful.
As soon as I heard the first note I knew what was coming next. The half step down always carries beautiful heartfelt feeling at least to a minimal extent despite whatever is going on with the other harmonies. I use that interval a lot in my music, it's very emotional.
I think one thing so beautiful about the Minari piece is that it contrasts with the pain you see on screen and you're forced to feel hopeful because of a major key in the music. So it makes a content vibe to something sad - in other words, you know it's the end because all this bad stuff is happening at once, but you gotta feel faithful because it's the end of something.
Hey I've been watching your videos because I'm going to go into musical education, and I love your content, how it's educational and entertaining, you give such great examples. You rock!!
the decending half step has beend used for this exact purpose for hundreds of years. you can find countless examples of this interval in the melody in pices by almost every composer ever. i was taught this as being a "musikalischer seufzer" a musical sigh. its such a powerful way of conveying emotion and i think its really cool to still being able to find it used for the same effect even today
What are your favorite "painfully beautiful" pieces or themes?
Oh man, Debussys “Girl With the Flaxen Hair” got me cryin 😭😭
Diving Bell or Perfect Mahine by Starset, it's, they both give off an ethereal feeling when i hear it, makes wanna just float away
Infinite Love by Emile Mosseri is another one that hits hard, Emile knows his stuff
Summer of ‘42 is a favorite.
Clair de Lune is always a classic and amazing
Charles is the only person to be able to make a whole video on a half step and make it so interesting. I love how passionate he is
Makes me so happy to see people who are passionate af about music
Yo , comments Inspire a lot , and specially in an intelligent musical talks section ...My God , Bless us all.@@feelsunbreeze
was that…. a JOKE?!
@@ThatHorribleMusiciandork7 no I’m being dead serious😂😂
real
For me this half step sounds like a person breaking down, falling to the knees and just crying. It’s absolutely beautiful
This. Great explanation
To me the half step just sounds like the jaws soundtrack 😂
That’s exactly it. Like someone trying to hold back tears but breaking.
To me, I think it's like disappointment. I expect a full step or an up, and just like climbing a flight of stairs and the last step is lower than it should be, my heart drops. Without context and just sound it hits the feeling of being let down.
I think I'm missing something. I don't feel sad from this sound. I like music, and the music is beautiful, but I don't feel so overwhelmingly emotional that I'm going to burst with tears any second.
C418, the man behind the Minecraft music, uses these half-steps a *lot*, especially in Volume Alpha, and to me it's no surprise that album is considered one of the most heart-wrenchingly nostalgic soundtracks of all time.
He's a genius. Lena Raine is a genius too. I don't think Minecraft would be nearly as ubiquitous as it is without the music.
amen@@RemixedVoice
Something that was not particularly singled out is the “longing” that duration of the notes achieves. The fact we stay on that half step for some time is also something that keeps us trapped in that feeling.
Right? Because in “Joy to the World”, the pitches on the words “joy” and “to” create a descending half-step, but really not nearly so filled with pathos!
I’m surprised no one’s brought this up yet but Rachmaninoff’s Piano Concerto No. 2, Mvt. 2. From the melody to the middle voices, they use that half step down to a subtle effect. It’s not one you notice right away but it still hit you all the same. No wonder it was interpolated into one of the biggest songs about heartbreak, a.k.a All By Myself.
I was thinking just the same...one of the most sad yet beautiful melodies ever written ...
Very well put and pointed out! My favorite symphony of them all
- Rachmaninoff's Piano Concerto No. 2 is my favorite classical piece.
My favourite ❤️
Rachmaninoff is one of my go to examples of emotionally eloquent music! I love to listen to his stuff. You can literally tell how he was feeling when he wrote it. It's awesome.
I am convinced that music is a near universal language based in emotion. I've looked at a lot of music, a lot of cultures, languages, use of tone in communication, stories, dreams, even animals and the sounds they make, and the language of music seems constant across the board once you strip it down to that core emotion. It's absolutely fascinating.
“Music is a world within itself, with a language we all understand”
-Stevie Wonder in ‘Sir Duke’
True words!
We kind of do the same pitch movement when are sad, when we cry is a deceding pitch. When we are happy we do the opposite. Harmony is different depending the culture and not that universal. (he talked about that in the video later, I notice it now)
@@augusto7681 The differences I've noticed between culture seem tied into the psychology of the culture itself - they reflect each other, the emotion of the music and the culture that made it. But it's all still human psychology. When the culture changes, the preferred music changes too.
I think it’s even more of a language than the people who agree that it’s a language think; I think it is just as effective of a language as spoken language, but it accomplishes similar things as spoken language in different ways, just as spoken languages accomplish similar things in different ways. This is also why I think people who play or listen to a lot of diverse or complex music “develop an ear” and “learn how to interpret” the music; they learn the language by exposure, just as children learn spoken languages. The best (classical and jazz) composers may have been able to improvise so effectively because they spoke the language that fluently. Music theory is just an understanding of syntax and semantics: grammar.
Adagio for Strings always gets me every time. It's one of the most heartbreaking pieces ever written.
Charles just casually dropped us a free playlist for heart rending sad music to listen to at night. Also, a starkly missing but quintessential example of the heartbreaking half step is obviously Chopin's 'Suffocation' prelude in E minor, whose melody and accompaniment is literally descending half steps almost throughout. Can't blame him for missing it though cause I've played this prelude my entire life but never stopped to question what exactly makes that piece so sad. Beautiful stuff.
Seriously. I need these songs immediately, especially the Barber piece. That Bernstein conducted it makes it even more necessary. My heart is completely broken.
So glad you pointed out UP. I was literally typing it out as you mentioned it.
Still, to me, Pixar’s greatest theme in any movie. Just so moving and perfectly used throughout the movie with different instrumentation.
th-cam.com/video/V30f7fPwLGA/w-d-xo.html this theme in up also uses the same interval with the same chord as the one in the video
I was literally humming it to myself as I scrolled down to see if anyone else mentioned it, then found this comment right as HE mentioned it lol
Same lol
Just those four notes... 😭
I felt the same but immediately thought of Barber Adagio 😅
The background vocals in Radiohead's Weird Fishes is a great example of this descending half step. Has always been an incredibly impactful and emotion moment of the song for me.
wait no i've always noticed that, 2:16 in weird fishes, always made me feel some type of way
Another example by Radiohead could be the first notes of Knives Out.
Videotape always makes me really want to cry.
this vocal pattern can also be found in swing lynn after the verse, it goes goes up and down, but everytime it goes down, it's something else man.
I was told that Ed's background vocals there sound like him singing his name and I can't unhear it now.
"Music mimics life." - Charles Cornell
That was the most deep, thought provoking, and unique quote I have yet heard, this quote pretty much sums it all
I was surprised to see no ones mentioned On the Nature of Daylight by Max Richter; has the same descending half step as Jacob and the Stone, absolutely devastating piece
This one absolutely destroys me
It has been 8 years TO THE DAY since I've heard Barber's Adagio for Strings. I know this, because it was performed, at his request, during my father's memorial service in 2015. It was as gut wrenching today as it was then. I thought I had passed this. Guess I'll try again in 2031.
Man, asking for Barber's Adagio at your own memorial service is like salting the emotional wound of your death.
Man, Barber's Adagio for Strings has to be one of the best pieces I ever played in high school orchestra. What a work of art.
There's a reason it's so famous. It's one of the most evocative pieces in all of music.
I love to play it on the organ. There has long been a bit of a contest among organists for who can deliver maximum agony.
We played it in my high school marching band when I was in 9th grade. It was the third movement in our set. It wasn't something I particularly cared to play back then as a trumpet player, but I always remembered it.
The way Bernstein just lingered on that high note before allowing the resolution... the suspense is delicious.
I'm a bigger fan of the choral version of it. Check it out!
Christopher Nolan's Interstellar has such spectacular music, it's astronomical. Hans Zimmer has such an amazing talent. The scene that characterizes this descending half step is when Cooper leaves Murph to go into outer galactic worlds in search for humanity's new home. However later in the film, the docking scene, sent chills down my spine just because of how immense the music was.
I was thinking of this music as well! 😢❤
Astronomical... that's a clever one.
But for real tho, Interstellar soundtrack is truly beautiful, personally it's my favorite work from Hans Zimmer.
@@Kennedy00Louis Agreed 👍🏽
Absolutely
“detach” from the interstellar soundtrack, makes me want to cry every time
I played the violin in first chair for 12 years. I came in here thinking "surely not", then the notes were played and I started tearing up lol. It's the flats. Every time we played a melancholy piece it was just full of flats and slow tempo.
It almost evokes a sense of nostalgia.
It can either be a wonderful memory, or a horrible one. It can also evoke a feeling of loss, present or future.
So yeah, absolutely a heart wrenching masterpiece.
For those that aren't up on their classical music, Shostakovich wrote this piece to represent the attrocities of the Soviet Union and how full of despair the people of Russia were during that time. Shostakovich's life was threatened, along with all of his family, if he didn't write that particular Symphony correctly. That moment in the Symphony is supposed to represent darkness, the deepest depression, anger, and loss of hope.
Thank you very much! I didn't know that, I will try to read more about it now. Cheers!
What’s the name of the piece? I really like it
@@AytCH12Urmomissohot This is the third movement of Shostakovich's Fifth Symphony. The best performance of it is by Bernstein and the New York Philharmonic Orchestra. The album is on TH-cam. Bernstein is wearing a turtleneck. Each movement of the symphony has its own video but all the movements are there to listen to. I bought the album back in the early seventies and, as luck would have it, this is considered one of the best recordings of this work. For fun and giggles check out Shostakovich's Leningrad Symphony. It's amazing!
@@AytCH12Urmomissohot Shostakovich: Symphony No.5, Dmin, Op.47: III. Largo
Make so much sense, man!
I have my own theory as to why some of these songs come off as more heartbreaking, and others sound more traditionally sad. A lot of these songs hit so hard because that descending half-step tends to revolve around the tonic of the piece.
0:58 - The heartbreaking note is a C, in the key of D-flat, a “Ti” to the “Do.”
We expect to resolve back to the tonic of D and instead the composer holds the melody at that C, to let us sit in the discomfort. We feel that as heartbreak.
2:55 - That heartbreaking note of F, is the “Ti” to the “Do” of G. It’s arguably more heartbreaking, not only due to the context of the song, but because the melody originally climbs up the scale to a major third, before descending and HOLDING on that F#, really emphasizing that heartbreaking dissonance.
4:31 - This example may come off as more traditional sadness rather than heartbreak because that descent into E isn’t on “Ti” compared to the other two.
We’ve established D minor as our tonic. E is the “Re,” and our brain expects a resolution back to the D tonic, but that note is held to emphasis the distress of the piece. In other pieces, we hit the tonic and descend into the dissonant “Ti,” showing that we had “comfort” and then lost it, like heartbreak.
In this piece, the previous note wasn’t the tonic of D, but we descending to a point that was just ever so close to tonic without hitting it. It’s still sad, but in a different way.
7:28 - This descending note, lands on the “Sol” of the tonic. We hit a B-flat, and the next chord established is an E-flat tonic base; Our ears expect to resolve to this tonic, but the composer holds this note, leaning into the dissonance.
Earlier in the piece, 6:31 , some of those descending half-steps landed on the “Ti” of the expected B-flat tonic “Do” but when they resolved to the “Do” of B-flat, the artist doesn’t let us linger on the tonic, instead moving rapidly and not allowing us to properly relax in that new tonic. It’s beautiful.
My own favorite example is in Bear McCreary’s “The Summit” from God of War 2018.
The vocalist when she sings “lysis um nótt,” descends into the “Ti” of B from the established tonic of C, since we’re in C minor, and it just breaks my heart.
(Though the entire context of this piece in the story proper doesn’t help to make the piece less heartbreaking.)
Truly these composers are masters at their craft, playing with these descending tones to dance around the tonic and play with our musical expectations in ways that emphasis that longing.
God, I love music.
You are literally brilliant
There aren't many people that are devoted to music like this. I really love your theory, the way how you understood the songs/pieces in this video, I truly admire that.
Of course, I enjoyed this video as much as I did reading this comment. Hope to see more content like this in the future!
What is a “Ti”?
@@cowflick1180
In music theory, each note of a scale is given a designation so we can better identify how the pitches relate to each other.
You’ve probably heard of Do-Re-Mi, those are the first three syllables we use to describe the first three notes in a major scale.
Do-Re-Me-Fa-Sol-La-Ti-Do is the whole sequence.
The “Ti” is the final note in the scale before we repeat back to Do.
It’s the closest note to Do on the scale and often we expect Ti to resolve to Do when we hear it.
I literally have goosebumps, wow!
The song "Johanna" from Sweeney Todd is a great example of a descending half step around the tonic. It expresses the deepest romantic longing for as-yet unrequited love.
That’s what I was hoping I wouldn’t be the first to say
I came to the comments to see if my ears were correct. During his explanations I felt like I could hear the song on a couple different occasions.
I was a teenager the first time that I heard Barber's Adagio for Strings. I was alone, driving in my car listening to Minnesota Public Radio. I had to pull over the moment that I heard that descending half step. It was agonizingly, painfully beautiful to my young ears and couldn't afford to be distracted by the road.
Surprised not to see this already, but Black Parade has this in its intro melody that carries throughout the beginning part of the song, both the piano and the vocal line. The infamous G note is immediately followed by a note a half step down, and these half steps continue on down the line.
Omg! You’re so right!! 🤩🤯
When i understood the subject of the video I "CTRL F" immediatly Balck parade. good job :))
Was looking for this comment!!
Yes!!! I was thinking the exact same thing when he was breaking down the piece from Up. They both share most of the same notes.
I was about to say this! Super deliberate on MCRs part and good God it works
I CANNOT EXPLAIN HOW GRATEFUL I AM FOR SOMEONE TO FINALLY TALK ABOUT THE MINARI SOUNDTRACK AND SCORE OH MY GOSH-
Every descending half-step gives me goosebumps. They sound so majestic
I'm not a musician or have extensive knowledge of music like this (but it's still incredible to listen to and learn about) but as a writer who uses music A LOT for inspiration for scenes, dialogue, and characters - the half-step sort of has the same effect as an "Oh!...oh..." like happiness coming to an abrupt but also an oddly soft stop. It's like a simple event or thought that makes you go "oh..." after otherwise feeling happy, and your heart just drops.
The theme when Edward Scissorhands is making snow has the descending half step and it’s hauntingly beautiful and gut wrenchingly sad.
One Summer’s Day from Spirited Away, specifically the scene after Chihiro goes with Haku to see her parents. Right after the piano does that descent from A minor to the resolution in C (first inversion I think? Not sure about the correct term) and then the orchestra’s strings and wind take over, swelling just as the tears well up in her eyes. Of course, the part that hit for me was the descending half step you’re talking about! Every time I watch it I can’t help but cry. Joe Hisaishi is a master of heartfelt composition
Joe Hisaishi is the first composer I thought about. There's a lot of those half-step heart-wrenching bits in the soundtracks he's made for Studio Ghibli.
I knew it sounded familiar!
Beautiful song :)
I love that I thought of Adagio for Strings as soon as I saw this video's thumbnail.
That piece of music almost always makes me want to cry.
Who knew that a half step could kill me every time?
Adagio for Strings is probably my most favorite example of this, it’s utterly heartbreaking! I played an arrangement of it with my university’s tuba-euphonium consort in college and it was so amazing
My mind immediately went to Mozart's Lacrimosa, which definitely fits into the emotional category!
same here
That’s exactly the first song I thought of as well. I came to the comments to see if someone mentioned it
Funny that he said that the half step down mimics the sound of crying, and Lacrimosa means tears
@@Lv-nq9qz lacrimosa actually means tearful
@@breqbs i read a bunch of different translations more or less meaning the same thing. I saw it translated as 'tears', 'tearful', 'the day of tears', 'the crying' ect... I went with the simplest term
I'm so grateful to Charles and people like Adam Neely and Rick Beato for helping me to put vocabulary to the things I've always felt intuitively about music. I didn't know about "music theory" until my 20's, but it's so nice to see people feeling the way I feel about chords and scales and songs and knowing that it's been happening and understood, documented, and used for hundreds of years. It's endlessly fascinating and gives me a whole new level of appreciation for the craftsmanship of great music.
Here, here! Hooray for the ones who love and teach others how to love.
I feel the exact same way
likewise!! i’m such a huge music fanatic, and while i’ve never committed to learning music theory, there’s always been parts of musics that i absolutely adore or just make me feel a certain way, and it’s through videos like these that help me find the proper term for them! it’s always so fun learning that’s there’s a proper reasoning behind this thing you’ve been picking up on in music :)
I think Omori’s “Final Duet” does this as well!! and It’s perfect that it sounds like crying, as it represents Sunny finally letting go of his beloved sister and the guilt he feels, it’s so cathartic because like us, he has spent the whole game repressing his feelings, and so we get to cry by his side for a moment, before he gets the courage to say what he needs to and end the game;;;
ugh i was thinking about duet based on the title and thumbnail. my beloved 💜
Yes thank you exactly!!! I cant hear this song without crying 🥲
HUH
OMORI SPOTTED
i have always wanted to research this, like the one time in music that nobody other than me noticed that i call the "sentimental part" of the song. now i can finally understand and i am super grateful!
If I'd had a music theory teacher as excited and invested as you I might not have given up piano or spent so much focus on using TABs. My sense of composition has vastly improved since watching your channel.
The Land Before Time utilizes this in its soundtrack (Whispering Winds & If We Hold On Together) and it always made me feel pain in my chest as a kid and I didn't know why
YES I HAVE EXAMPLES!!!
This kind of thing has totally been my roman empire, if you will, because while most people usually get a little emotional from some music, I find that effect to be amplified and I can get extremely emotional- so I have always wondered why. I feel so validated that the first examples you use, not just "Jacob and the Stone" ( it makes me sob relentlessly), but also "Married Life", have been on my mind every since I first heard them. For the longest time, I just figured the sad story and lone instrumental piece of "Married Life” was what made me so incredibly emotional (and attached) to the song, but I realized that the situation was actually reversed. This effect, totally amplified my emotions and empathy FOR the STORY in “Up” and I didn’t even know how it did that for the longest time.
I came to the same conclusion you did (without all of the music theory, I have no where near the knowledge that you do lol) through compiling the list of songs that gave me the specific phenomemon that "my emotions were so abundant and heavy and heartbreaking, it created a hole in my chest". The list is not limited to: "Space song" by Beach House (even the synthesizers they use give the sounds a certain vowel- to make it sound even MORE like a cry in my opinion), “Pluto Projector” by Rex Orange County, obviously "jacob and the stone", and ***Scott Street by Phoebe Bridgers.***
------>>>**** If you haven’t listened to this song PLEASE do!!!!*****. Without even paying attention to the songs lyrics (heartbreaking, DUH), this song’s background vocals and instrumentals starting from 2:50 to the end single-handedly bring you to a state of paralyzing nostalgia, regret, and somehow grief for your younger self?? I SWEAR, it’s the EXACT effect that you talk about here!!
Please give it a listen!!
I feel so validated with your video because this theory- coming from you and your amount of knowledge- matching what I’ve been thinking for the longest time makes me feel like I’m not crazy for thinking this!! So me and my emotional self thank you!! 💗💗
MY GOD SCOTT STREET MY PHOEBE BRIDGERS HITS ME LIKE A TRUCK, im so glad you included this example oml 🫶🫶🫶
Honestly have been looking to find a playlist full of this on spotify and came back to this video to remember what this uh two step was called lol. I’m not very musically knowledgeable but I love this stuff
EXACTLY!!!
The entire Tristan Und Isolde, by Wagner, is based on the descending #4th to 3rd in the lydian harmony. It's the climax to the piece and it represents a non resolved love
yup surprised it wasn't featured.
It isn't #4th to 3rd a whole-tone?
@@mikepro500 Yes it is
@@roderickmckinley4738wagner isn’t very en vogue
@@mikepro500 e flat-a flat-a-flat-g natural are the first 4 notes of the Liebestod so indeed has the descending half tone...5th note is yet another descending half tone to g flat
I would say John Williams' "Anakin's Betrayal (Lament for the Jedi)" from Revenge of the Sith is a painfully beautiful piece of music.
This is so interesting - I have a similar thing with descending P4s when it’s mi down to ti/3 down to 7 in a major key.
I don’t know why but I’ve always found that sound so poignant, it really tugs on my heart strings!
I made a highlight of all the ones I’ve found so far on my Instagram !
Adagio for Strings most emotional piece of music ever written. Always gets to me 😞
The soundtrack for UP plays with that sound throughout and kinda builds a narrative around it. It goes from happy, to sad, to depression, to finding new purpose and then happy again.
This is fabulous. The clearest example that occurs to me is in Vesti la Giubba from Pagliacci. The character sings a descending half step on the word "ridi"(laugh). He is crying over his lost love while lamenting that his work as a clown means he must continue to laugh. This one definitely mimics crying, as you suggest. A couple of others that I thought of are Joanna in Sweeney Todd, and at the end of Maria in West Side Story. My own recent go-to heartbreak piece is Four Notes by Paul Harvey (the orchestrated version), but half of that is the story behind the composition.
And, of course, Lacrimosa from Mozart's requiem - the very word for weeping has a descending half step at the end of it. What you describe also makes me think of that phrase "a dying fall" from Twelfth Night. I've always been told it just means the music gets quieter, but it would make more sense to me if it means a descending interval of some sort, perhaps this one!
Came to my mind as well!
Yes, I immediately thought of Vesti la Giubba, though I wanted to check the score to confirm it's a descending half step as I don't fully trust my ears. It's the prototypical "sad operatic music".
Also the song "Hymne à l'amour" made famous by Édith Piaf is a great example of this, which is probably why this song always gives me the feels. ❤️
threw my head back in pain when you brought out the adagio for strings😭
In pop music, I immediately thought of "Drive" by The Cars. The descending half step (B to A#) in the introduction, as well as the underlying accompaniment in the verses, illustrate the melancholy of the song. Such a hauntingly beautiful classic.
Yasssss
Great example! ❤
I LOVE that song. It pulls at you and you can't break free until it's over.
My favorite descending halfstep is the end of the melody for “Flying” from E.T. It’s just so beautiful.
Oh hey I thought about this
“Out here on my own” has that descending half step when Irene Cara sings “”where I’ve been” than again “who we are” and also “sun appears” sooo beautiful that whole melody but those areas within that song specifically are even moreso. 😢
Adagio for Strings hits hard especially when the first time i heard it was in the movie Platoon near the end.
Chopin - Nocturne No. 20 in C# minor
One of his most hauntily beautiful pieces. Uses this half step often but in the style of Chopin. Beautiful longing runs on the piano.
"Bach is an astronomer, discovering the most marvellous stars. Beethoven challenges the universe. I only try to express the soul and the heart of man."
~ Frederic Chopin
That and his e minor prelude are the first things I thought of.
That half step relationship is part of the reason why I adore a major four to a minor four chord. (And then if you resolve to the one there’s another half step in there.)
Keep up the good work!
This is the comment I was looking for. This movement is the basic melancholy inducing effect in any pop song 101.
nice addition, even though the mystery dampens a little bit the melancholy/sadness feeling in that case imo
I explain this to my students all the time! How the 3rd of the IV walks chromatically to the 5th of the I chord is so nice!
very beatle-esque too!@@JPBrooksLive
OML why am I tearing up at nearly 9am?! Darn it, Mr. Cornell!!😭💗
Oh lord I knew in the first few mins that we were gonna talk about Barber’s Adagio for Strings. This song is chock full of defending half steps and tears descending down my face!
the third movement of sibelius' fourth symphony has a very strong sense of melancholy at its climax. the melody doesnt as prominently feature a descending semitone but its absolutely beautiful and crushing at once
I really didn't expect my eyes to actually get teary, but as soon as I heard each one of them, even though I wasn't feeling sad, I started to tear up. Also, I had never heard Barber's Adagio for strings before, but I'm very glad I just did. It sounds just like what I feel on most days and it's so beautiful.
I visualize the feeling of this descent as resignation and acceptance. Like receiving heavy news and physically slumping in your chair knowing you can't change what happened or your mood shifting downward when you remember something bittersweet.
Omg that section from Adagio for the Strings gave me such Tony’s Funeral vibes. I literally had tears.
I’ve always loved the descending half step interval, it has the power to deliver so much emotion and nostalgia to the listener. My favorite example is playing the b6 scale degree and then falling back into the 5th scale degree while in a major key, it just has such a beautiful resolution! (Especially in progressions like IV-iv-I). Great video!
I immediately thought of the intro to believe from the polar express 😊
The vocal line in "Feast of Starlight" from The Hobbit: The Desolation of Smaug has the same descending half-step. It kind of reminds me of Jacob and the Stone.
Minari has to be one of my most favorite movies, and as a Korean, that movie really hit home.
I dont particularly get emotional with the other examples, but adagio for strings always gives me chills
The Adagietto from Mahler’s 5th does a lot of this. It’s absolutely heart wrenching.
At the very end of the movement, the basses below move first to create a sus4 chord, which the upper strings resolve to the third by descending the half step. Extra beautiful. Great example.
Totally agree. One of my favorite moments is during the first play through of the theme at the beginning in f major. The orchestra goes to a G7 chord with the violins hanging on to a C for a beat before descending the half step. The violins then descend another half step to B flat, briefly go to a D with a gorgeous minor ninth with the violas (who are also descending in half steps) before returning to the B flat to descend yet another half step.
@@aaroncrnkovic1398I watched that symphony live last night, it was unbelievably beautiful.
@@aaroncrnkovic1398 Mahler also does this in his second symphony, especially that low brass chorale during the last movement.
I’ve seen it live twice! It’s totally awesome from the beginning solo (CSO brass definitely helps) to the very end (CSO also brass helps a lot there). Mahler uses every trick in the book to pull out emotion. The 4 mvt of the ninth makes extensive use of half steps.
The perfect example of the sad descending half step has to be Chopin’s E minor prelude
There's this scene in the movie "Pleasantville", where the sodashop guy looks at a Van Gogh painting while a song with that type of transition starts to play. One of the most beautiful scenes in a movie, because he's also seeing colors for the first time 😢 Thank you for explaining what that is 😊
Thank you! I could totally hear and whistle the music but couldn’t place it for the life of me!
THIS VIDEO!!! you just put all the songs that ever made me cry together and now i understand WHYYYY
Adagio for Strings holds a powerful place in my heart, ever since I heard the version (rearranged for choir singing Agnus Dei) in the game Homeworld. It really helps set the sadness and desperation of the storyline, and then the despair that happens... not too long after the start at the game.
The first time I heard Adagio it was the Agnus Dei choral rendition, and it was used in the 1999 video game Homeworld. Its first appearance is the opening cinematic depicting the launch of a colony starship, and it’s timed to the music so beautifully that it just makes you ache with this deeply sorrowful but hopeful longing. It’s triumphant, but still tinged with sadness somehow. The woman voicing Fleet Command also does a marvelous job of playing into that sadness with her dispassionate recitation of the launch proceedings. It’s just beautiful.
Then 2 missions later, it comes back in a completely different context as you return home from your shakedown cruise to find your entire planet has been firebombed by the game’s big bad. What was a beautiful but pained sense of hope has been transformed into a feeling of absolute despair and devastation, even though it’s the *exact same music*. It is hands down one of the best uses of music in video games to this day. If you haven’t played Homeworld, I encourage you to do so or at least seek out playthroughs of the first 3 missions to hear it. Absolutely masterful, and I just can’t hear Adagio without being snapped back to those two scenes. Legit they never fail to make me tear up.
Such a creative way of using a fantastic song
There's this song by Ben Folds, "The Luckiest" which I don't think is really meant to be as sad as it sounds. It's actually a sweet romantic song, but it always makes me cry so I rarely listen to it, though I love the composition. And in the very beginning of the song's chorus, the melody in the first "I am" is that descending half-step.
The theme song (written by Gustavo Santaolalla) for the movie Brokeback Mountain starts off with this half-step dissonance, and sounds so pure and happy with its gentle, soft classical guitar, and then it just... devastates... the musical equivalent to an empty ribcage left behind because the heart was too big for its body.
I think Adagio by Albinoni as performed by Hauser is one of the most painfully beautiful things I’ve ever heard.
Chopin's Prelude Opus 28, No. 4 in E Minor
This is one of the saddest pieces of music I know. It's very subdued, but absolutely gut-wrenching. Its melody has mostly descending whole steps and some half steps as well.
My favorite example of the half-step drop is found all throughout Mahler's quartet for piano and strings in a minor. So beautiful
I think it's more about the beauty behind the suspension - - that dissonance >> consonance resolution which elicits this 'sighing' or 'whimpering' feeling. It's absolutely lovely
I don't know if this is an example but Willy Wonkas Pure Imagination has always made me tear up.
I'm pretty sure this channel has a video on that song
I knew Married Life from UP would be mentioned when I heard the first melody. Such a simple song but so much emotion.
Adagio for Strings always gives me the goosebumps. Such a beautiful piece.
"Vesti la Giubba" by Leoncavallo comes to my mind. The climax of this aria is so powerful and the lyrics make all that much more.
The beginning of Stevie Wonder's melody in Lately is also a descending half step. Heartbreaking as well.
I love how he was able to put into words the feeling I get when I listen to some music. The feeling where it's so painful but there's beauty in it and the notes help you find that feeling by guiding your emotion.
It feels like the beginning of the end. The last little bit of happiness before the drop. That's why it has the duality of bittersweet feelings.
A fine example of this is the song “Watashi no Uso (My Lie)” from the anime series Your lie in April. The piece utilizes the descending half step multiple times throughout the piece and is most-assuredly heart crushing the entire way through.
omg I love that song so MUCH
I remember watching that one scene in Up, and I didn’t really understand it when I watched it as a kid but I was still sad because of the soundtrack. Rewatching it as an adult though…
Brought tears to my eyes, it’s so heartwrenching
I remember playing Adagio for Strings in a concert orchestra, and it brought me to tears midway through the piece. Such a beautiful and timeless work of art
IVE THOUGHT ABOUT THIS FOR SO LONG I’m so glad I finally found something on it! I’ve always thought to myself certain notes I hear always leave a weight in my chest and I cant help but feel the tears rising. Especially with that piece Jacob in the stone, I always listen to it.
It’s also in John Mayer’s Slow Dancing In A Burning Room, another slow sad song, in the main riff. During the C#minor in the beginning he goes up from D# ( c# natural minor) to E and then drops back down from the E of C#minor to a D#
Minari is such a great movie and has a phenomenal score
Wow, I couldn’t have imagined two notes could be so absolutely heartrending! Absolutely fascinating to me how something so simple could elicit such a strong emotional response.
From the first note in this video on I was expecting Adagio for Strings as an example. That song never fails to give me chills down my spine.
"Clair de Lune," by Claude Debussy is one that never fails, at some point, to wring tears from me. Maybe not in such an immediate way as Barber's "Adagio for Strings," but the tears do fall. I don't have the piano score in front of me, but I do hear the descending minor notes in my head.
There are even some descending half-steps in "Can You Read My Mind‽" from "Superman" that, while not specifically heartbreaking in the usual way, they're evocative of the wistful hope Lois has of being with Clark/Superman, and maybe pain of past rejection which she's hoping won't happen with him. (What can I say? I'm in tune with romantic stuff like that. 😅)
There's also the wistful music which accompanies the scenes in "Harry Potter" where he's first discovered the Mirror of Erised, and he's seeing his deceased parents for the first time. That really got to me the first time I saw that scene. 😢
And then if you want more "orphan-centric" wistful hope amongst the heartache, there's "Maybe," from "Annie," especially the way Aileen Quinn sang it way back in the 1982 movie. That never fails to get my heart crying. 😭😭
Shostakovich’s 5th symphony 3rd no event is so well written and knowing the history behind it makes it even more heart wrenching. It was almost like a goodbye to the victims. A funeral song. It’s so powerful.
As soon as I heard the first note I knew what was coming next. The half step down always carries beautiful heartfelt feeling at least to a minimal extent despite whatever is going on with the other harmonies. I use that interval a lot in my music, it's very emotional.
Jacob and the stone is such a magical song. Thank you for guiding us through this
Dude you can't bring in UP and not give us a warning! That opening is just crushingly heart breaking.
I think one thing so beautiful about the Minari piece is that it contrasts with the pain you see on screen and you're forced to feel hopeful because of a major key in the music. So it makes a content vibe to something sad - in other words, you know it's the end because all this bad stuff is happening at once, but you gotta feel faithful because it's the end of something.
I’ve always felt this way about this interval! I’m glad someone made a video about it.
Thank you for this video! 😀🌺
Hey I've been watching your videos because I'm going to go into musical education, and I love your content, how it's educational and entertaining, you give such great examples. You rock!!
the decending half step has beend used for this exact purpose for hundreds of years. you can find countless examples of this interval in the melody in pices by almost every composer ever.
i was taught this as being a "musikalischer seufzer" a musical sigh.
its such a powerful way of conveying emotion and i think its really cool to still being able to find it used for the same effect even today
‘This Woman’s Work’ - Kate Bush. I cry every single time…
Dang, you hit all the bittersweet examples that get me every time! Thank you for your video!
Amazing and painfully beautiful as you said! Bravo👏🏻 your analysis was so great Charles!