Finally get to see my charming Hero ChengYi again soon. It has been a long wait, but worth it. This clip itself is already awesome, whatmore the whole drama later on. 🎉
Hey, Cheng Yi looked so fine in all those previous dramas, he doesn't need any superfluous make-up to ruin his good looks; all those nice costumes and hair pieces are spectacular enough. As a matter of fact, he is more "beautiful" than any of those actresses who had parts in the dramas with him. His acting and martial arts performance are excellent. Hope those films makers/directors will treasure him. Don't forget he can sing better than a lot of those so-called professional singers. He harmonizes with those female singers so well. If there is going to be some songs in this drama, don't forget to let Cheng Yi sing! Can't wait!
我真的最喜歡看成毅他的演技真的很好，🥰😍😍🥰💯💋
Finally get to see my charming Hero ChengYi again soon. It has been a long wait, but worth it. This clip itself is already awesome, whatmore the whole drama later on. 🎉
Обожаю Чен И он великолепен ! Смотреть на него и на его игру огромное удовольствие ! 🥰🥰🥰❤️❤️❤️🔥🔥🔥
Hey, Cheng Yi looked so fine in all those previous dramas, he doesn't need any superfluous make-up to ruin his good looks; all those nice costumes and hair pieces are spectacular enough. As a matter of fact, he is more "beautiful" than any of those actresses who had parts in the dramas with him. His acting and martial arts performance are excellent. Hope those films makers/directors will treasure him. Don't forget he can sing better than a lot of those so-called professional singers. He harmonizes with those female singers so well. If there is going to be some songs in this drama, don't forget to let Cheng Yi sing! Can't wait!
審判下《赴山海》先導短片，先說結論實驗性很強。其實從劇作本身來看，能在正式開拍前單獨劃撥出一部分時間、精力與資金去籌劃和打造一個先導片，這絕對是給這部劇的觀眾群非常大的誠意了。
既然是先導片，那麼無論是畫面色彩的運用或是人物概念的突顯都很具有概念感（先導片和劇最後呈現的效果沒有直接關係）。成毅分飾的兩個角色透過水的意象，展現了強烈的衝突感。一個執筆時水花飛濺變化無常，小到雨絲綿密的迸濺，大到排山倒海的釋放； 另一個仗劍時魔氣森森，蘊含著重生與毀滅的強大力量。這種衝突感不僅在視覺上呈現出鮮明的對比，也在角色性格和命運的塑造上增添了層次感。
然而在水意象的籠罩之下，儘管兩者呈現出一黑一白的色彩反差，一個執筆，一個仗劍，但二者皆是運用武器在擊碎“書頁文字”的特效。且成毅在這兩個角色的表現上，都有一種來自強者輕蔑、桀騁和率性。大膽猜測，這兩個角色底下的靈魂，也許是同一個。而他所要完成的事情也是同一個：即穿書者對書中內容的一種反抗。
因此，雖然有原著武俠經典做依托，但《赴山海》的先導短片仍是極具突破性的。短片摒棄了古功夫片那種僅限於純粹硬橋硬馬的傳統表現形式，不再只是單純地著眼於寫實的搏擊與對抗，而是極具創意地巧妙融入了新武俠所獨具奇幻詭譎的畫面奇觀以及的“中國式表達”的傳奇色彩。 （給我的感覺有點像1982年的《新蜀山劍俠》對武俠邊界的拓展。）
同時，這種畫面奇觀和傳奇色彩，也巧妙地將武俠中原本充斥著的以暴制暴的“動作敘事”進行了詩意化的處理，使其在最大程度上消解bao力，而這也恰是“新武俠”在中國式表達上所展現出的又一大顯著特色。
忘了說，這次的《赴山海》先導片和成毅以往的角色又完全不一樣，強大，驕傲，不羈，無畏。判官筆和單手劍也展現了成毅在武俠這個領域的可塑性和表現力。天選武俠大男主，你e神不僅是掌管綠幕/藍幕直出的神，還是掌管武俠的神。
該說不說，們ie果然是內娛吃最好的。
❤Cheng Yi ❤❤❤❤❤❤❤❤❤❤❤❤❤