I remember back in the late 90's watching this same concert on EWTN (the Catholic tv network) in the U.S. that was such a long time ago, but it seems like yesterday.
it's not the first time i see that. also in Neville Marriner's edition Felicity Palmer (Soprano II) sings the opening part and not Margaret Marshall (Soprano I)
any heredatary properties from the SuedDeutches Kammerorchesterm of the deceased lamented Wolfgang Gonnenwein " With the Sueddeutsches Madrigal Chor. ?? Excepting they're Suttgarters.
К сожаленью у солистов сильно страдает техника пения, они скорее орут, там где необходимо просто красиво петь. В целом исполнение на троечку. Кстати и хор то же довольно резко орет. Что то не то, не так😮.
Blatant Germanification, slurry slow tempos and affected syrupy strings and perfume all from confused affected personal ego and outlandish ideas about the music instead of trying to find it with any honest; this is the outdated ignorant undifferentiated application of Germanic stoicism, here to lyrical Mozart to again destroy and anonymize the music. Rilling has no idea what he’s doing; a few mins of this benighted silliness is enough.
Дуже дякую! Молодці!
That's spectacular! Thank you and bravo to all of you.
I remember back in the late 90's watching this same concert on EWTN (the Catholic tv network) in the U.S. that was such a long time ago, but it seems like yesterday.
Andrea Rost is the soprano I (although she doesn't sing the opening soprano part) and Ibolya Verebics is the soprano II
Music from Heaven!!!
Wunderbar!
Funny Andrea Rost didn't sing the opening soprano part.
it's not the first time i see that. also in Neville Marriner's edition Felicity Palmer (Soprano II) sings the opening part and not Margaret Marshall (Soprano I)
♥️🎼♥️
Lovely performance. Sadly today the recording no longer remains as it once was; not even with excellent BlueTooth. A pity.
Should one say magnificent?.No,it’s infinitely more.
Young Andrea Rost :)
Der Obergenannte mstro. Gonnenweinhat den ffff Paukenschlag um 2.49 respektiert.
Et incarnatus @38:25 ❤
any heredatary properties from the SuedDeutches Kammerorchesterm of the deceased lamented Wolfgang Gonnenwein " With the Sueddeutsches Madrigal Chor. ?? Excepting they're Suttgarters.
21:25
Nichtmal Mahler ist so Schwer
Vivaldi likes!
So Romantisch !!! Der Bachsinterpret hat keine Ahnung
C minor - how would you describe it?
White, with a touch of pale purple.
Lust/Luv und Tot. No doubt with Pale Purple Taittinger after.
Keine Richtung der Phrasierung!! Tod Langweilig!!
К сожаленью у солистов сильно страдает техника пения, они скорее орут, там где необходимо просто красиво петь. В целом исполнение на троечку. Кстати и хор то же довольно резко орет. Что то не то, не так😮.
Nach den ersten Takten bereits wieder weggeklickt. Zu breit, zu dick, zu zäh. Zieht sich wie dickflüssiger Brei.
Blatant Germanification, slurry slow tempos and affected syrupy strings and perfume all from confused affected personal ego and outlandish ideas about the music instead of trying to find it with any honest; this is the outdated ignorant undifferentiated application of Germanic stoicism, here to lyrical Mozart to again destroy and anonymize the music. Rilling has no idea what he’s doing; a few mins of this benighted silliness is enough.