My goodness, Sam...it really is another world. Who would have thought all this was going on the other side of the harpsichord/fortepiano. Really interesting and informative!
Thank you so much, Sam, for a series of really wonderful videos. It's great to go back and review the fundamentals, as I often find myself developing bad habits, consciously or otherwise. I look forward to future videos and will definitely see you on Patreon. All the best ...
Definitely a master class here! Getting the left hand so practiced it can be virtually forgotten during play so attention can be on articulation and phrasing via the bow. Keep fingers down on strings for resonance and ringing through reverse of bow strokes. You make it all look so easy! Feels challenging that hopefully even just a few more years will make such fluidity seem natural, but right now this fast stuff seems beyond my ability.
Hello. I am a young composer from Armenia. Thank you for your lessons. They are very useful. It is very nice, how you present the lessons. Can I ask you some questions? I am going to write a new work for tenor and bass Viola da gamba, and can you tell about extended technique for contemporary classic music for violdg. Or may be the cello's (strings) articulations can be the same for viols. Thank you very much!!!
Hi Nune, I'd be glad to talk to you about this. Maybe you could send me an email via my website? Just google my name and it'll come up. That way we can have a more extended conversation.
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Immensely helpful. Thank you.
My goodness, Sam...it really is another world. Who would have thought all this was going on the other side of the harpsichord/fortepiano. Really interesting and informative!
Cheers mate! If you keep watching these, next time I'm over there you'll be playing the gamba parts! hahaha
Hi Sam, thanks for all your great videos!
It’s been very helpful to see and hear your sound and relaxed technique
Thanks! Glad you like them!
Thank you so much, Sam, for a series of really wonderful videos. It's great to go back and review the fundamentals, as I often find myself developing bad habits, consciously or otherwise. I look forward to future videos and will definitely see you on Patreon. All the best ...
You're very welcome! Glad you're finding them helpful!
Thank you for the clear demonstration
Definitely a master class here! Getting the left hand so practiced it can be virtually forgotten during play so attention can be on articulation and phrasing via the bow. Keep fingers down on strings for resonance and ringing through reverse of bow strokes. You make it all look so easy! Feels challenging that hopefully even just a few more years will make such fluidity seem natural, but right now this fast stuff seems beyond my ability.
Thanks, Sam! This very helpful.
Glad it was helpful!
Hello. Thanks for the great video.
Could you please tell me what the book that you see in the video is called?
Amazing tutorial 🙌
Peter studios thanks so much! I hope it was helpful
Thanks Sam your lessons are very helpful. The arm info and relaxing is especially helpful.
Good teacher!!!!!
Thanks so much, Alexandre!
Hello. I am a young composer from Armenia. Thank you for your lessons. They are very useful.
It is very nice, how you present the lessons.
Can I ask you some questions? I am going to write a new work for tenor and bass Viola da gamba, and can you tell about extended technique for contemporary classic music for violdg. Or may be the cello's (strings) articulations can be the same for viols. Thank you very much!!!
Hi Nune, I'd be glad to talk to you about this. Maybe you could send me an email via my website? Just google my name and it'll come up. That way we can have a more extended conversation.
@@samstadlen2960 ok)) thank you so much!!!
Kindly you can show me how tremolo on the viola da gamba? Thanks
Hi Andrew, by tremolo, do you mean moving the bow very fast?
@@samstadlen2960 yes!