Michael Tilson Thomas Teaches Haydn: Symphony #60

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  • เผยแพร่เมื่อ 13 ส.ค. 2017
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ความคิดเห็น • 12

  • @capezyo
    @capezyo 4 ปีที่แล้ว +3

    Excelent Master Class...thank you Maestro

  • @plonplon243
    @plonplon243 4 ปีที่แล้ว +6

    this is incredibly awesome

  • @geoffreynoble
    @geoffreynoble 6 ปีที่แล้ว +2

    Another excellent lesson - that you

  • @fritzbasset8645
    @fritzbasset8645 6 ปีที่แล้ว

    Ahh, a friendly maestro that's a superb teacher and pianist! Always enjoyed his concerts in SF, including the first after which he had been appointed music director of the Symphony. First item played was the Coronation March for Alexander III by Pyotr Tchaikovsky. I pray and trust that he will stay with the SF Symphony for many more years.

  • @jacks5kids
    @jacks5kids 9 หลายเดือนก่อน

    25:19 or 25:43 : It's remarkable how a musician like this sings as though he is almost tone deaf.

  • @miguelsuarez8010
    @miguelsuarez8010 3 ปีที่แล้ว +2

    Excellent masterclass. One observation: why there are some conductors that adapt an extremely fast tempo? I can't stand it. It destroys the music.

  • @geoffreynoble
    @geoffreynoble 6 ปีที่แล้ว +2

    should be thank you - my brain is trying to absorb too much

    • @TheNeilsolaris
      @TheNeilsolaris 5 ปีที่แล้ว +2

      You can edit your posts by clicking on the three dots to the right of your post.

  • @davidjacobson9907
    @davidjacobson9907 4 ปีที่แล้ว

    Do you really believe this needs a conductor at all? It's not apparent from this video that any of the cuing is necessary.

    • @liltchaik5240
      @liltchaik5240 4 ปีที่แล้ว +6

      Bro u sound like a butthurt chamber musician

    • @neil7137
      @neil7137 3 ปีที่แล้ว

      Do you really believe that all conductor's job is just to analyse the piece, beat time, and cue?

    • @miguelsuarez8010
      @miguelsuarez8010 3 ปีที่แล้ว +5

      Well, if you play in an orquestra or sing in a chorus you'll notice how easier it is for the player or singer to have precise information from the conductor. Some pieces you can play without conductor, provided that you all agree in the rehearsals how to play, but how are you going to play Pines of Rome, Alpine Simphony, Death and Transfiguration, Rites of Spring, etc. without a conductor?