Mozart: Divertimento No. 7 in D major, K. 205/167A (with Score)
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- เผยแพร่เมื่อ 1 มิ.ย. 2024
- Wolfgang Amadeus Mozart:
Divertimento No. 7 for 2 horns, bassoon & strings in D major, K. 205/167A (with Score)
Composed: 1773
Performance: Camerata Salzburg
00:00 1. Largo - Allegro (D major)
05:15 2. Menuetto - Trio (D major - G major)
08:06 3. Adagio (A major)
12:34 4. Menuetto (D major)
15:13 5. Finale: Presto (D major)
Along with the serenade and cassation, the divertimento played a major part among the works Mozart composed during his earlier years in Salzburg. Relaxed and easy going, divertimentos are generally multi-movement pieces introduced by a march played by the musicians as they entered to take up their places. The Divertimento in D, K. 205 was probably composed in Salzburg during the summer of 1773, and is possibly associated with the March in D, K. 290. Works such as K. 205 were invariably composed to fulfill a particular occasion, such as a name-day, although no particular purpose has been established in this instance. Unlike the serenade, nearly always designed for outdoor performance, it seems likely that divertimentos were also played inside. The scoring of K. 205 is violin, viola, bassoon, "basso" and two horns, the "basso" line being for double bass, not cello. Strings were played one per part, another difference from serenades, which were customarily given by larger forces. The divertimento thus had a chamber-like intimacy making it suitable for small domestic celebrations. The present work is unusual in prefacing the Allegro, the first of its five movements, with a slow Largo of unusual seriousness for such relaxed music making. - เพลง
Wow The Largo its very Beautiful.
Heavenly
Me encanta
The concertone written before this is so much more inventive and fun . Iadore Hadyn and would have thought with the slow intro 9something H does often was Hadyn also its boxy. The playing is so observant of classicist propriety it could be a false manuscript and one could never tell . After the second subject is delightful but I'd still not guess this was Mozart .K.365 and some of the early symphonies and divertimento have Mozart in every note I guess the very playful minuet is like much of his serenade music : Mozart writing by the numbers . If I read in one of my books that this is a highly regarded work or one where he shows considerable personality I'll be doubly surprised . The Adagio is fine . Remember the most played violin concerti come from around this time but that felicity and invention is found nowhere here ! The 2nd minuet is the best thing here .I would love to hear this with one player to a part .I think the music would gain in a less decorous ensemble sound . DMajor is usually a great key for WaM .This is forgettable like the first two violin concerti .The 18th minute is lively and a bit more inventive the coda of course !
What is WaM?
@@waldstein6443 Wolfgang Amadeus Mozart, I suppose
I must say: The music itself is marvelous, even if a bit predictable from Mozart at the time. What bugs me is that the recording doesn't match the articulations in a lot of places. It does take away from the cohesion of the whole piece, even if it's still gorgeous to listen to.
Does anyone know if it's a later correction to the score, and the recording is just mismatched; or if this was a stylistic choice of the ensemble?
Thank you @symphony7526 for posting this!
The score shown here is from the 19th century Breitkopf and Hartel editions of Mozart's works, which are notorious for modifying Mozart's articulations and phrase-markings and peppering the score with whatever the 19th century editor felt was appropriate. To add to that confusion, articulations and phrase-markings as used in Mozart's time also had different meanings to what they mean today, so they have to be read in the context of their time.
He was only 17 😱
Starfish
literally all major
what's the problem?
good but not my favorite