My fave Miyazaki film would have to go to howls moving castle. It was my introduction to his work growing up as a teen. Watched most of his films ever since growing up. It would be amazing if MasterClass got Miyazaki on teaching a medium form of a animation lecture/class. One can only hope. :)
@@AnimationHustle Please yess. Fully supporting Maxwell in that request!! I'm a heavy sketcher...my animations tend to wobble all over the place and lose volume and I don't know how to fix it 😭
I used to struggle a lot with this. I’ve learned that for me personally I just needed my own style. With animators, though they may draw in a style that’s not their own, they use character sheets that detail the character in different moods, perspectives and so on (that’s one of if not the main reasons for a character sheet). I worked on my own anime in high school and couldn’t keep my characters the same, especially watching different anime’s and wanting to incorporate inspiration from them. I’ve been drawing since I was about 6, I graduated in 2017 at the age of 18 yet, I didn’t get my style until 2022 when I was 23…😅 hopefully, whether you’re older or younger you or anyone else has to take the long way as I did.
Well Japanese animation isn’t as fluid as American animation. I’ll stick the fluidity of my goofy movies and iron giants over the stiffness of dragonblalls and narutos. (Yes I know some animated movies are outsourced to other studios in different countries but it still has that feel of American animation cuz if the use of animation principles)
@@roccobrandicoco well most of those are outsourced to Korea or Japan or China, anyway so the animation is usually shit for that and the fact they were on an extremely tight budget. Ren and stimpy wasn’t outsourced (at least when John K was involved) and the animation is very fluid.
I’m an animation student and I must say putting down one entire type of medium because you prefer one over the other is not a good look on you. You choosing those specific examples is like someone comparing Land of the Lustrous to… Family Guy. Yes anime is cheaper because outsourced AND in-house workers are paid in peanuts. Anime series nowadays pour a third of the budget into “sakuga” scenes (usually action scenes) which usually only lasts for less than 3 minutes each. Theyre done really well; I suggest you look them up here on youtube.
@@marioboi323 korean and chinese animators are the absolute goats, thing is, when anime studios have a tught deadline, they outsource to those animators because they are unfortunately paid way less, when they give them time and appropriate scenes we get bangers like One Piece episodes. Naruto and DB are not a good measure since they were weekly continuous series and not seasonal, they used to make very stiff animation in lesser important episodes and go all out in the fight scenes (like the gorgeous Naruto vs Sasuke of the first Naruto), you'd very well served with an anime like chainsaw man, with gorgeous drawing and consistent fluidity. aside from that, it's very stupid to compare weekly episodes to a movie that takes 5 years to make, watch ghost in the shell and you'll see all jp studios need is time. and western animation outside of movies isn't going any different, they have more consistent fluidity, but less consistency in general, and are highly simplified to make the production faster, along with the fact that 2d is dying as mainstream in the western side of the world
Link to RUN DOC: animationobsessive.substack.com/p/hayao-miyazaki-on-running
thanks!
My fave Miyazaki film would have to go to howls moving castle. It was my introduction to his work growing up as a teen. Watched most of his films ever since growing up. It would be amazing if MasterClass got Miyazaki on teaching a medium form of a animation lecture/class. One can only hope. :)
Hey can you do a video on how to draw the same character consistently?
Ill look into it!
@@AnimationHustle thank you, that's always been my biggest struggle
@@AnimationHustle Please yess. Fully supporting Maxwell in that request!! I'm a heavy sketcher...my animations tend to wobble all over the place and lose volume and I don't know how to fix it 😭
I used to struggle a lot with this. I’ve learned that for me personally I just needed my own style. With animators, though they may draw in a style that’s not their own, they use character sheets that detail the character in different moods, perspectives and so on (that’s one of if not the main reasons for a character sheet). I worked on my own anime in high school and couldn’t keep my characters the same, especially watching different anime’s and wanting to incorporate inspiration from them. I’ve been drawing since I was about 6, I graduated in 2017 at the age of 18 yet, I didn’t get my style until 2022 when I was 23…😅 hopefully, whether you’re older or younger you or anyone else has to take the long way as I did.
😂
Boy and the Heron.
I completely didn't recognize him without his beard and was genuinely confused for a while 😅
Where can i found the full doc?
I’m not completely sure if this is his but there was a movie I watched recently Mary and the witches flower
how to apply in ghibli😢
he won't make you a better father though
Jibli
Well Japanese animation isn’t as fluid as American animation. I’ll stick the fluidity of my goofy movies and iron giants over the stiffness of dragonblalls and narutos. (Yes I know some animated movies are outsourced to other studios in different countries but it still has that feel of American animation cuz if the use of animation principles)
It's odd to compare a full feature film with weekly episodic Shows to be fair.
@@roccobrandicoco well most of those are outsourced to Korea or Japan or China, anyway so the animation is usually shit for that and the fact they were on an extremely tight budget. Ren and stimpy wasn’t outsourced (at least when John K was involved) and the animation is very fluid.
I’m an animation student and I must say putting down one entire type of medium because you prefer one over the other is not a good look on you. You choosing those specific examples is like someone comparing Land of the Lustrous to… Family Guy.
Yes anime is cheaper because outsourced AND in-house workers are paid in peanuts. Anime series nowadays pour a third of the budget into “sakuga” scenes (usually action scenes) which usually only lasts for less than 3 minutes each. Theyre done really well; I suggest you look them up here on youtube.
@@marioboi323 korean and chinese animators are the absolute goats, thing is, when anime studios have a tught deadline, they outsource to those animators because they are unfortunately paid way less, when they give them time and appropriate scenes we get bangers like One Piece episodes. Naruto and DB are not a good measure since they were weekly continuous series and not seasonal, they used to make very stiff animation in lesser important episodes and go all out in the fight scenes (like the gorgeous Naruto vs Sasuke of the first Naruto), you'd very well served with an anime like chainsaw man, with gorgeous drawing and consistent fluidity.
aside from that, it's very stupid to compare weekly episodes to a movie that takes 5 years to make, watch ghost in the shell and you'll see all jp studios need is time.
and western animation outside of movies isn't going any different, they have more consistent fluidity, but less consistency in general, and are highly simplified to make the production faster, along with the fact that 2d is dying as mainstream in the western side of the world
You do know this guys a troll, right?
He's pfp is mario