One of my favourite pieces of music of all time. I keep imagining what a brilliant choreographer like Rafael Bonachella of the Sydney Dance Company could create with this. In fact I might find a way to send it to him.
oh my god... finally have this version uploaded on net!! I still remember the feeling I heard it played on radio... just like the falling of tender snow, and then turn into little pieces of snowflakes... beautiful...
Great to finally have this peace on TH-cam. Makes is accessible for one's who haven't encountered it and might like it. Thank you for uploading, paldies!
I am so grateful for this brilliant and yet very simple piece which has been performed when my mother passed away. It allowed me to better accept the mystery of our existence... Existence which is (nevertheless...) worth to be lived!
So beautiful -- and at the same time so sad that so few people know the joy of this beatiful piece and/or know Georgs Pelecis... that part from 25:50 onwards... Like in a dream
Beautiful... I need more music like this in my life. I`m trying to educate myself on the lesser heard classical music and this is exactly why. I shall purchase!
just marvelous, this is my first time of Georgs Pelecis, second music, the first one was Concertino Bianco and now this little gem, great composer, very sensitive.
+SpaceWalkTraveller This gem is not so little. In fact, it is huge. However, I had hard time to understand inclusion of some pieces, especially close to the end. This is very much like with Dvorak who sometimes could write one part sublime while other quite ugly in the same piece of music. Wagner never allowed himself to do so
Ouvi pela primeira vez num programa da rádio Cultura FM em 2003 este belíssimo som e foi paixão à primeira audição. Depois de quase dez anos sem nunca mais ter ouvido, eis aqui ouvindooo... Uau!!! Obrigado pela postagem Skaydesign...
"música da nova consonância" é o nome do estilo com o qual rotularam o trabalho deste compositor. Está certo, diz algo sobre o ambiente sonoro geral da música, mas é apenas um rótulo. Trata-se de uma música muito extática, que exige introspecção na audição. Para quem consegue ficar quieto e sabe colher os frutos dessa quietude. Note-se a predileção do compositor por escalas diatônicas, sem nenhum cromatismo, propositalmente obtendo como resultado uma música emocionalmente tranquilizante.
One of my favourite pieces of music of all time. I keep imagining what a brilliant choreographer like Rafael Bonachella of the Sydney Dance Company could create with this. In fact I might find a way to send it to him.
Cette interprétation est tout simplement PARFAITE .
The beginning , the opening of the strings , it's just heartbreaking 😭 I just can't
The music like this one can heal the human spirit in our cruel time.
oh my god... finally have this version uploaded on net!!
I still remember the feeling I heard it played on radio...
just like the falling of tender snow, and then turn into
little pieces of snowflakes... beautiful...
Que música estupenda.Bella.
Misteriosa.Grandiosa.Sin palabras.Jorge. From Argentina
Great to finally have this peace on TH-cam. Makes is accessible for one's who haven't encountered it and might like it. Thank you for uploading, paldies!
I am so grateful for this brilliant and yet very simple piece which has been performed when my mother passed away. It allowed me to better accept the mystery of our existence... Existence which is (nevertheless...) worth to be lived!
So beautiful -- and at the same time so sad that so few people know the joy of this beatiful piece and/or know Georgs Pelecis... that part from 25:50 onwards... Like in a dream
Wonderful. My heart is full of happiness
This is one of my favorite piece.
Marvellous! So gentle and so simple...
I've been loving this piece since I found the CD bychance 12 years ago. So happy to have it available here, and sharing it with everyone!
Beautiful... I need more music like this in my life. I`m trying to educate myself on the lesser heard classical music and this is exactly why. I shall purchase!
I think of janacek s melodic phrasing, that slavic rythmic thing, lovely new romantic music that speaks to the heart. thank you
just marvelous, this is my first time of Georgs Pelecis, second music, the first one was Concertino Bianco and now this little gem, great composer, very sensitive.
This is a real little gem.
+SpaceWalkTraveller This gem is not so little. In fact, it is huge. However, I had hard time to understand inclusion of some pieces, especially close to the end. This is very much like with Dvorak who sometimes could write one part sublime while other quite ugly in the same piece of music. Wagner never allowed himself to do so
@@SuperArkleo allegation, subjective
Ever so incrementally evolving to Joy
Tks for sharing...
Cultura FM Radio in Brazil brought me here!
Gourgeous!
This is my favourite.
thanks... really thank you. i've heard this many times
i love gidon kremer
lovely piece
love it
love it
love it !
Para mim uma das mais belas peças contemporâneas. Thank you Georgs Pelecis !!!!!
Ouvi pela primeira vez num programa da rádio Cultura FM em 2003 este belíssimo som e foi paixão à primeira audição. Depois de quase dez anos sem nunca mais ter ouvido, eis aqui ouvindooo... Uau!!! Obrigado pela postagem Skaydesign...
divine
@stephanieesabel i totally agree with you, I FINALLY FOUND THE MUSIC!!! i am so happy!!!
Our world is in chaos, nevertheless.......................................
Tocaram esta composição novamente na Cultura FM, no último sábado, dia 20-4-13, no programa Espirais!
So ist meine Heimweh...
"música da nova consonância" é o nome do estilo com o qual rotularam o trabalho deste compositor. Está certo, diz algo sobre o ambiente sonoro geral da música, mas é apenas um rótulo. Trata-se de uma música muito extática, que exige introspecção na audição. Para quem consegue ficar quieto e sabe colher os frutos dessa quietude. Note-se a predileção do compositor por escalas diatônicas, sem nenhum cromatismo, propositalmente obtendo como resultado uma música emocionalmente tranquilizante.
The piano is almost solo through most of the piece, as if the composer had not figured out how to properly counterpoint it into the ensemble.
from 20:00...transcendental
Without those 20 minutes the piece aren't complete, so, everything is transcendental. You are not listening; just hearing.
25:08 goddamn
Lol,he messed up on 24:48