Poulenc - Sinfonietta (complete/full) / Nathalie Stutzmann

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  • เผยแพร่เมื่อ 29 ก.ย. 2024
  • Francis Poulenc: Sinfonietta / Nathalie Stutzmann, conductor · Swedish Chamber Orchestra / Recorded at Örebro Konserthus, Sweden, 7 November, 2013. Video by Tord Martinsson from Powerec Studio.
    Website of Nathalie Stutzmann:
    www.nathaliestu...
    Facebook page of Nathalie Stutzmann: / nathalie.stutzmann
    Website of Powerec Studio:
    www.powerecstud...

ความคิดเห็น • 74

  • @joaquimaragao1324
    @joaquimaragao1324 8 ปีที่แล้ว

    Every eighth bar a new melodic landscape! One of my favorite pieces!

  • @jimstokes6742
    @jimstokes6742 9 ปีที่แล้ว

    Rather good performance. Thanks for sharing!

  • @hashmeil42
    @hashmeil42 4 ปีที่แล้ว +21

    I. 0:16
    II. 8:40
    III. 14:45
    IV. 21:45

  • @jackhousman6637
    @jackhousman6637 6 ปีที่แล้ว +1

    The colors on her cuffs are a nice touch. Who but the French......? Fine performance of a fine work, too.

  • @どーも島国野郎です
    @どーも島国野郎です 6 ปีที่แล้ว

    I like this music!

  • @yowzephyr
    @yowzephyr 3 ปีที่แล้ว

    0:18 is a good place to start.

  • @ronaldmartin4664
    @ronaldmartin4664 4 ปีที่แล้ว +24

    This may well be my favorite symphonic work by Poulenc. I've always found Poulenc & Gershwin to be kindred spirits. They both raised the indigenous popular musics of their time & place to the level of high art. While Gershwin worked in musical theatre, with popular song, alongside Kern & Berlin, Poulenc was influenced by French music hall & street song (I think of Edith Piaf, a soulmate of his). But both Gershwin & Poulenc lived & breathed in the air of this music. It was in their blood, so when they wrote their extended, "serious" compositions, they did not sound at all contrived, as did many of their "classical" colleagues who worked with "jazz" & other popular, vernacular forms. Just some thoughts. Thank you sharing this great work. And it is such a fine performance.

    • @dabedwards
      @dabedwards 4 ปีที่แล้ว +4

      I absolutely agree with you.. Because of his empathy with popular music, there is a kind of natural warmth and wit in his serious work. I would add Copland, and even Walton to your list, but definitely not Stravinsky. Much as I love him, his attempts feel like your dad dancing at a disco!

  • @miguelsaizgarcia3722
    @miguelsaizgarcia3722 7 ปีที่แล้ว +31

    It is a pity that Poulenc has so few symphonic Works. The Sinfonietta is a real gem!

    • @jimstokes6742
      @jimstokes6742 4 ปีที่แล้ว +2

      He has several. Look up.

  • @dabedwards
    @dabedwards 9 ปีที่แล้ว +23

    A great performance of a remarkable work. Poulenc seems to be able to throw in any number of musical cliches into the pot, and what emerges is fresh, surprising and delightful. Do I hear pastiche and allusions to other works? (Tchaikovsky's March from his 6th Symphony in the 2nd movement, Brahms in the 3rd movement), but it is all part of the joyous unpretentious outpouring of music. And as always with Poulenc, there is more to it than meets the ear at first.

    • @Glinkaism1
      @Glinkaism1 9 ปีที่แล้ว +4

      A LOT more. I detect snippets of childhood songs, which is consistent with Poulenc's subtitle to the work, "Goodbye to Youth." Sort of bittersweet. Allusions to Brahms' Cradle Song, is just one. I recalled them all at one time.

    • @Glinkaism1
      @Glinkaism1 9 ปีที่แล้ว +2

      Roger Wilco Natalie is quite fetching in addition to be faithful to the score and doing a superb job of conducting.

    • @jimstokes6742
      @jimstokes6742 8 ปีที่แล้ว

      AHA! You noticed too, Roger.

    • @thethikboy
      @thethikboy 4 ปีที่แล้ว

      Plagiarism is pretentious by definition. I don't agree that this piece is full of cliches. One call always find similarities. It's in the neo-classical style and everything that implies. Distinguish influence from imitation please.

    • @jimstokes6742
      @jimstokes6742 4 ปีที่แล้ว

      Many allusions to childhood. Hence nursery rhyme tunes. Subtitle of the work, therefore, is "Farewell To Youth."

  • @MichaelConwayBaker
    @MichaelConwayBaker 4 ปีที่แล้ว +4

    What a pleasure to hear this piece performed so well. I love the wonderful interaction between Nathalie Stutzmann and the musicians. They obviously love performing with her. I think Poulenc would have been delighted.

  • @gerardbegni2806
    @gerardbegni2806 6 ปีที่แล้ว +4

    The most active supporters of Poulenc are usually quite reluctant about this sinfonietta. Nevertheless, some specific features of the composer(s inspiration can be found here.

  • @EugeneDepart
    @EugeneDepart 10 ปีที่แล้ว +3

    Dear Ms. Stutzmann,
    Very sensitive and charming. As usede say my professor of conduncting, Eleazar De Carvalho: "Chapeau!".

  • @philzmusic8098
    @philzmusic8098 ปีที่แล้ว

    I love Nathalie Stutzmann, but to my ears this performance is much too romantic. The piece should be played as if it were Stravinky--which it almost is. As with so much French music, the correct expression is no expression.

  • @artetnaturevideos6997
    @artetnaturevideos6997 5 ปีที่แล้ว +2

    Hello,
    What a beautiful concert !
    Merci infiniment !
    Chaleureuses salutations !
    Jean-Charles Bourquin, in France

  • @missahsee
    @missahsee 4 ปีที่แล้ว +2

    Re-discovered this piece months ago... it has been along time since I had studied it. It is my favorite of Poulenc's orchestral works. Oh, how many of us wish he had composed a few symphonies! But, he is a master at creating moods and celebrating them as well. Poulenc's music is well-concentrated... not one measure is superfluous.

  • @christopher60s
    @christopher60s 9 ปีที่แล้ว +3

    Masterful orchestration of Poulenc's. A wonderful conductor - precisely selected gesticularions.

  • @louismarie92
    @louismarie92 5 ปีที่แล้ว +1

    Une parfaite réussite ! Tout Poulenc est là ! Nathalie Stutzmann aussi bonne Chef que Cantatrice !

  • @Luca-gj9xn
    @Luca-gj9xn 3 ปีที่แล้ว +1

    You are very good and Poulenc is really brilliant. My choir sang "Les Tisserands" in quarantine style. Write this down in the research. You will love it for sure:
    Corale Novarmonia - Les Tisserands (F. Poulenc)

  • @charlesflett2818
    @charlesflett2818 3 หลายเดือนก่อน

    I often listen to this work whilst abstracting reality.

  • @alexkije
    @alexkije 7 ปีที่แล้ว +1

    French horns sound a bit shy at times. Otherwise, quite good. I am used to George Pretre conducting the ORTF.

  • @pilouetmissiou
    @pilouetmissiou 9 ปีที่แล้ว +2

    bravissima...bellissima interpretazione di questa bel pezzo

  • @donaldmccormack7580
    @donaldmccormack7580 3 ปีที่แล้ว +1

    Love the rapport that´s so evident between the orchestra and Nathalie. It really helps to understand the music on a deeper level. Thank you all,

  • @sonicsnap1173
    @sonicsnap1173 8 ปีที่แล้ว +1

    Very good performance! Congratulations! Poulenc's music is not a revolution, but always lovely, delicate and refined. Thank you for this very nice moment.

  • @alexkipper63
    @alexkipper63 10 ปีที่แล้ว +4

    Bravissima Maestra!!!

  • @MartineMaillard
    @MartineMaillard 8 ปีที่แล้ว +2

    Bravo Nathalie ! Quelle musicienne !!

  • @barbaralevay2273
    @barbaralevay2273 7 ปีที่แล้ว +3

    there are moments of such longing that i want to cry

    • @Radiatoron88
      @Radiatoron88 4 ปีที่แล้ว

      That's Poulenc for you! The opening measures of his "Melancolie" have the same effect on me!

  • @gnarbeljo8980
    @gnarbeljo8980 2 ปีที่แล้ว +1

    Wonderful, thank you! ❤️

  • @Glinkaism1
    @Glinkaism1 10 ปีที่แล้ว +2

    Nathalie, this was an outstanding performance. I also like the camera work. Thanks for sharing.

    • @heterosectional
      @heterosectional 8 ปีที่แล้ว

      +Roger Wilco Indeed. From one Roger to another.

  • @ipekavenk
    @ipekavenk 6 ปีที่แล้ว +1

    Bravo!J’apprécie toujours les talents multiples :)

  • @mmpalha
    @mmpalha 9 ปีที่แล้ว +2

    At 25:44 Poulenc cites himself from Les animaux modeles!

  • @maritesalvat
    @maritesalvat 10 ปีที่แล้ว +4

    Excelente dirección. Para mi ella es única.

    • @pilouetmissiou
      @pilouetmissiou 9 ปีที่แล้ว

      me gusta mucho a mi tambien.... no sé nada pero me parece que su direcciòn es muy clara, precisa

  • @dad9447
    @dad9447 10 ปีที่แล้ว +2

    Su frescura no tiene fin!!!

  • @PauloCesarMaiadeAguiar
    @PauloCesarMaiadeAguiar 5 ปีที่แล้ว +1

    TOTALLY AMAZING . MANY THANKS

  • @jimstokes6742
    @jimstokes6742 8 ปีที่แล้ว

    I caught a brief motif that sounded like from the pop song of yesteryear, "GIGI." Could be that the song was "borrowed" from some other French song. HUMM?

  • @sergiogerardovicogimena271
    @sergiogerardovicogimena271 7 ปีที่แล้ว

    NATHALIE ADEMÁS DE TENER UNA VOZ EXCEPCIONAL , ES UNA CONDUCTORA EXTRAORDINARIA., EXQUISITA Y SUTIL...ÉSTA INTERPRETACIÓN ES UN POULENC SOBERBIO. ¡BRAVO !!!...

  • @李雨珂-o9u
    @李雨珂-o9u ปีที่แล้ว

    I like female conductor! Powerful and delicate❤

  • @JRH1954
    @JRH1954 9 ปีที่แล้ว +5

    Any composition professor would have given Poulenc an F for the unsmooth transitions at 7:07 but I love it! Poulenc is a master of pure heartfelt, yet drunken, whimsical nostalgia, with impulsive moments of sheer beauty. Probably my favorite piece of his. Thank you for publishing this performance! Previously I had it only on a 3rd generation cassette copy. Do you know where I could buy the score to study it?

    • @easyaspi1177
      @easyaspi1177 9 ปีที่แล้ว +1

      John Hedger ROFL! You are an ignorant uncreative ass. A composition teacher is a flunky who doesn't compose for a living. Otherwise, note that Poulenc's music is being performed whilst the composition teacher hasn't a creative clue.
      And, oh yes, my music is heard in feature movies.

    • @JRH1954
      @JRH1954 9 ปีที่แล้ว +1

      Easy Aspi, At least I am an uncreative ass who posts with my true name. You obviously don't understand the humor of my post. So, All composition professors are dilettantes? Does this include Paul Hindemith? And, no great composers ever benefited by taking composition lessons in their early stages? Ravel learned nothing studying composition under Gabriel Faure? I would be curious to hear all of these wonderful movie scores you are bragging about Mr. Anonymous! :)

    • @easyaspi1177
      @easyaspi1177 9 ปีที่แล้ว +1

      +John Hedger John, I re-read your post, above. And you are right. I didn't read your entire post the first time. Sorry. Fortunately, YT has provided us with several performances. I have a mono LP of it with George Pretre conducting. Glad to hear this on YT because my analog disc skips. The performances here have the strings sound like real strings and not a distorted digitized version.
      Tchaikovsky comes to mind, among others, as also having a sense of humor. His Nutcracker has a snatch of Sweet Rosy O'Grady (pun intended). And the pas de deux is a run up and own the scales. It became a pop hit song called "Here."
      I have one notable (HAW!) example of a film score clever black humor. It's the title music from "Boys from Brazil" by Jerry Goldsmith. It's the Blue Danube Waltz by J. Strauss in the style of R. Strauss. The connection is that J. was Jewish and Richard was anti-Jewish. And the premise of the movie had to do with cloning Hitler in 95 boys. Rather stupid movie except for the clever title music.

    • @heterosectional
      @heterosectional 8 ปีที่แล้ว

      +John Hedger That's why this turkey is teaching and not composing. Those that CAN, do. Those who can't teach.

    • @daviddelpuerto
      @daviddelpuerto 8 ปีที่แล้ว +4

      +Roger Regor --- Schütz, Bach, Haydn, Schumann, Liszt, Schoenberg, Ligeti... do you know them? All of them were teachers... ;)

  • @pamelakeightley3472
    @pamelakeightley3472 7 ปีที่แล้ว

    The combination of music,orchestra and the conducting by this wonderful woman is outstanding and very inspiring,they go together so well!

  • @reuvenal
    @reuvenal 6 ปีที่แล้ว +1

    Great performance !!

  • @_rstcm
    @_rstcm 2 ปีที่แล้ว

    15:00 Holst's Venus anyone????

  • @mikenicholls1621
    @mikenicholls1621 4 ปีที่แล้ว

    Beautiful performance, wonderfully conducted.

  • @frogmouth
    @frogmouth 3 ปีที่แล้ว

    great fun. a delight from start to finish

  • @WetaMantis
    @WetaMantis 5 ปีที่แล้ว

    21:57 reminds me of the cartoon Hectors Hectic Life.

  • @woworock95
    @woworock95 6 ปีที่แล้ว

    Hello Sone!

  • @gerardbegni2806
    @gerardbegni2806 6 ปีที่แล้ว +1

    This sinfonietta is not very well rated even by the critics the most favourable to Poulenc. Its inspiration and its orchestration are criticized. We ca judge here the merits and the limits of the score thanks to the perfect conducting of N; Stuzmann.

  • @andrewstanton3234
    @andrewstanton3234 6 ปีที่แล้ว

    What drugs has that lass on bass taken ?

    • @charlesflett2818
      @charlesflett2818 3 หลายเดือนก่อน

      None she simply has passion for this wonderful music.

  • @markokassenaar4387
    @markokassenaar4387 7 ปีที่แล้ว +3

    Nope, too messy, out-of-tune, too little colour shades. Not together lots of times. It's the music that survives, not the performance.

    • @fatamorgana1236
      @fatamorgana1236 6 ปีที่แล้ว +1

      Definitely right.

    • @robinsnell2231
      @robinsnell2231 6 ปีที่แล้ว +1

      But Poulenc typically uses discords to break the illusion of classicism. Honestly I can't tell if they're out of tune accidentally or deliberately

  • @heterosectional
    @heterosectional 8 ปีที่แล้ว

    Natalie can take me out for drinks, dining and dancing any old time. :)

  • @TalliferUpplands
    @TalliferUpplands 6 ปีที่แล้ว

    Music starts at 0:19

  • @Marcel_Audubon
    @Marcel_Audubon 6 ปีที่แล้ว

    as MIss Swan would say, "she ... look-a like-a man"

    • @dudeforcaster8630
      @dudeforcaster8630 5 ปีที่แล้ว +3

      And you look like (and are, judging from your unimaginative and juvenile comment) a douchebag.

  • @MrBohuslav
    @MrBohuslav 6 ปีที่แล้ว

    Much, much overrated composer and, even more, overrated work

    • @guscor9225
      @guscor9225 4 ปีที่แล้ว +4

      Are you kidding?