Мария Каласс - это Богиня спустившаяся с небес с ее фактурной внешностью и внеземным голосом в котором заключены все человеческие эмоции: любовь и ненависть и тоска и нежность и радость и отчаяние и все во вселенском масштабе. Она не могла прожить заурядную жизнь обычного человека и стареющего одинокого артиста. Она ушла молодой, красивой и несравненной. Любим тебя Мария и ждем! Ты устала и просто ушла отдохнуть в отчий дом к Творцу, набраться сил и вернуться в еще больше гениальности и счастливой женщиной, счастливой матерью!
The 1965 recording is an example of the struggle to achieve the requirements of one of the most complicated arias, and more so in the high notes part. It s true that there is a lot left: air, strength, but always taking risks and trying to perform at the highest level. The 1956 recording is absolut perfection! Bravo Callas
Grazie Gaston❤ Nel 1952 la voce di Maria è intatta nell’estensione è aderente perfettamente alle ansie e alle speranze di Leonora. Nel 1965 la voce è più profonda e ancora più espressiva. Insomma, in qualunque anno (o quasi) Maria resta in cima a tutte: inarrivabile 👏🏻👏🏻
@@antoniomartinazzo5847 Hardly very early. She sang her first staged opera performance in 1943 so the second [1965] version is at the 22 year mark in her career;
@@user-gt7xs1fc6g yes but with all due respect she was one of the best Leonoras in the early stage of her career. Later she was still expressive of course.
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Мария Каласс - это Богиня спустившаяся с небес с ее фактурной внешностью и внеземным голосом в котором заключены все человеческие эмоции: любовь и ненависть и тоска и нежность и радость и отчаяние и все во вселенском масштабе. Она не могла прожить заурядную жизнь обычного человека и стареющего одинокого артиста. Она ушла молодой, красивой и несравненной. Любим тебя Мария и ждем! Ты устала и просто ушла отдохнуть в отчий дом к Творцу, набраться сил и вернуться в еще больше гениальности и счастливой женщиной, счастливой матерью!
Maria, quanto ci manchi.....nessuna come te....
Sentire la Grande in ogni momento della sua carriera Significa "la terra il cielo sembrò " Grazie d'essere esistita!
The 1965 recording is an example of the struggle to achieve the requirements of one of the most complicated arias, and more so in the high notes part. It s true that there is a lot left: air, strength, but always taking risks and trying to perform at the highest level.
The 1956 recording is absolut perfection! Bravo Callas
She gives meaning to every word no matter the version or the year or the voice... 😍😍😍😍😍😍😍😍
🌺💕🌹💯
😊😊😊🎉🎉🎉❤❤❤
😢😢😢😢❤❤❤❤
In the early part of her career she was one of the best Leonoras.
Grazie Gaston❤ Nel 1952 la voce di Maria è intatta nell’estensione è aderente perfettamente alle ansie e alle speranze di Leonora. Nel 1965 la voce è più profonda e ancora più espressiva. Insomma, in qualunque anno (o quasi) Maria resta in cima a tutte: inarrivabile 👏🏻👏🏻
😉👌
Weird vowel distortions in the later recording. And the wobble above the staff is very obtrusive.
I agree. She started having trouble with the "a"s and the "e"s very soon in her career.
@@antoniomartinazzo5847 Hardly very early. She sang her first staged opera performance in 1943 so the second [1965] version is at the 22 year mark in her career;
@@user-gt7xs1fc6g yes but with all due respect she was one of the best Leonoras in the early stage of her career. Later she was still expressive of course.