Alex Sipiagin - Clean Cut
ฝัง
- เผยแพร่เมื่อ 6 ก.ย. 2024
- Provided to TH-cam by Blue Room Music
Composed and arranged by Alex Sipiagin
Alex Sipiagin, Trumpet and flugelhorn
Chris Potter, Saxophones
John Escreet, Piano and keyboards
Eric Harland, Drums
Matt Brewer, Bass
Recorded by Mike Marciano at The Samurai Hotel Recording Studio in Astoria, New York, on May 29-30, 2023. Assistant engineers David Stoller and Grady Bajorek. Video by Simon Yu.
Mixed by Mike Marciano at Systems Two Studios in New York/PA, on November 6-8, 2023.
Mastered by Mike Marciano at Systems Two Studios in New York/PA, on January 2-3, 2024.
Produced by Alex Sipiagin and Chan Jung
Alex Sipiagin [Horizons] released on May 24, 2024
ⓟ&ⓒ Blue Room Music. All Rights Reserved. BRM1014
I met Alex about seven years ago, in a small jazz club in the vicinity of Moscow. He was on tour in Moscow, and at the same time performed in this club. He left for America in the early 90s, but I followed him when he studied at the Gnesin Institute as a young man. Even then he showed great promise. Today I am glad that our musician has become one of the symbols of modern American jazz. I listened with great pleasure to this difficult but understandable music.
"difficult but understandable" - the sign of genius. I don't know anything about music theory, but a grand design behind this work obvious.
RIP Alex i am a sorong pilot
It seems like tasting a good whiskey, flavors of Kenny Wheeler, Woody Shaw, Freddie Hubbard, and above all an exceptional trumpeter who was unknown until now, Alex Sipiagin !
Brilliant !
Like finding a new friend and teacher!
Love Eric's dynamics.He really plays beautifully.
The drummer is fantastic! He looks so casual doing super complicated riffs ❤
the drummer is the genius Eric Harland, a modern jazz innovator
@@llenselThanks! 😊
Wow!!!! Everything from musicianship to the recording engineer/studio is next level. Wow again!!!
You all are great! Eric is making me laugh though-not human-wow!
Came for Alex, stayed for John.
This is beautiful, calming, stunning, exciting, thoughtful, meditative, wonderful, music.
Thank you, Alex. Looking forward to hearing more from you!
красота!
This is a very nice tune.
La folie, c'est d'un tel niveau... Merci à ces immenses musiciens !
Uh, time to buy this album -- NOW! Fantastic playing/composition -- thanks for posting!
incredible group on all levels!
Damn!
iLike. Love from dB
Whewwww
Bello/Magnifico.💗✡️✡️✡️✡️✡️✡️
Beautiful all round. awesome stuff
Inspiring music and musicianship. Thank you for posting!
WONDERFUL!!!! RESPECT!!!
Wow! Nice tight group- good stuff!
This is fantastic! Thanks for sharing!
Thank you ❤
This is beautiful 🔥🔥🔥
Le must du must en jazz post modern❤
Anything with Chris Potter is OK with me 👍
nice
Amazing
Beautiful!
Masterpiece.
Holy smokes - that was great! Such fabulous playing by all. Concerning the horn section: I expected Mr Potter’s brilliance, but Mr Sipiagin is new to me and I’m so glad to discover his wonderful writing and playing! And what a compelling composition. It reminded me of an Escher print of a fictional staircase that never ends. Looking forward to more! BTW - where was that synth line coming from? Overdubbed?
Sounds like a guitar.
It’s an overdubbed synth line. You can hear a similar thing on Chris Potter’s solo in the Sipiagin song “Evija Bridge”
Fantastic trumpet player❤
>> Saludos
Fabulosos !
✔✔
Is that synth line on the melody an overdub? Sounds rad!
Chris Potter is so nuts it’s insane
Good example of music coming from the head and not from the heart these days.
The keyboard must have been overdubbed.
I was just looking for him playing that keyboard, thank you!
Loudness penalty +3.6DB No free strikes for the professionals. Needs mastering. When we fix stuff like this, we are not stealing your video.
“When we fix stuff like this, we are not stealing your video.” What?
@@michaelfoxbrassagreed. What?
There’s volume buttons on your phone for a reason. Use them
Todos leyerndo como capullos…jajajaj
Resultado…un coñazo….
This shit is corny as hell
Pauvre vieux , t'es sourd😂 c'est bien triste 😥
Eso de estar improvisando leyendo el cifrado chaval…mal mal ….tu libertad truncada de mala manera…pero bueno..hallá tu….
Technically amazing and harmonically and rhythmically complex. Demonstrably those aspects alone don’t make a piece or a performance musically moving or poignant. While I completely respect the dedication and drive to get this good on one’s instrument, I’d simply say there’s too much head and too little heart in this. Woody Shaw and Freddie Hubbard and Lee Morgan and Randy Brecker and Tom Harrell and Miles and Jack Sheldon and Chet Baker and Joe Henderson and Joe Farrell and Sonny Rollins and Michael Brecker and Pete Christlieb and Stan Getz and many others didn’t let their technic dominate over their soul. Melody and movement are everything to music and the greatest players never get too far away from that fact because they know the result is sterility and arrogance. Without casting aspirations, because I don’t think it’s intentional, this is musical elitism and like cultural elitism, it requires emotional detachment and takes pride in not being
accessible to most.
It allows people to see themselves as more intelligent and more sophisticated than the masses. To be musical snobs in other words. It’s the musical version of the Emperor’s New Clothes. Ultimately it’s divisive and the opposite of what music or any creative art form is about.