@Nestorgeno: Actually, the prelude is presented in its entirety (the movement effectively prefaces Ciprigna's polacca (11:00)) =). Also, "A meeting in the park" is the title of the painting, rather than the piece of music =B. Still, glad you enjoyed the music =D.
Where can one find a complete recording of this opera? I would loved to have heard the complete overture. I guess I'm just one who doesn't like things chopped up.
Not enough notes? Big deal! Who would really care except maybe a musical snob nose. There are enough notes to make his music pleasing to the ear and satifying to the musical pallet.
Nice editorial work! many thanks. However, I'd challenge your statement that 'there is quite little in Soler's writing of true musicological, critical interest'. Soler still today suffers from an unfair comparison with Mozart. Many people approach Soler's opera expecting to hear Mozart, thus resulting in a certain disappointment. After years following this composer, I believe that Martin had an intrinsic musicological interest while being instrumental to the production of Mozart's masterpieces.
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
Bellissima Bravissima
Al minuto 5:00 sembra di sentire in anticipo Rossini (Il Turco in Italia)...
a real 'hidden treasure' amazing editing
Beautiful work !
I wish you didn't cut the prelude "A meeting in the park". I would have loved listening to the whole thing. It's so beautiful. ;/ But thank you! ;)
@Nestorgeno: Actually, the prelude is presented in its entirety (the movement effectively prefaces Ciprigna's polacca (11:00)) =). Also, "A meeting in the park" is the title of the painting, rather than the piece of music =B. Still, glad you enjoyed the music =D.
Where can one find a complete recording of this opera? I would loved to have heard the complete overture. I guess I'm just one who doesn't like things chopped up.
th-cam.com/video/P4TnFqXBcUA/w-d-xo.html
@LindoroRossini btw, I bought the CD >.>
Not enough notes? Big deal! Who would really care except maybe a musical snob nose. There are enough notes to make his music pleasing to the ear and satifying to the musical pallet.
Nice editorial work! many thanks. However, I'd challenge your statement that 'there is quite little in Soler's writing of true musicological, critical interest'. Soler still today suffers from an unfair comparison with Mozart. Many people approach Soler's opera expecting to hear Mozart, thus resulting in a certain disappointment. After years following this composer, I believe that Martin had an intrinsic musicological interest while being instrumental to the production of Mozart's masterpieces.
@LindoroRossini Oh gee thanks ;)