@@Blueforyou66 Be suspicious of anyone with fond recollections of the Ku Klux Klan. I saw an interview with him in the early 1930s. He fondly recollected about The Klan. He had at least 20 yrs from this movie to examine his earlier opinion. No regret.
Griffith se souvient dès son premier film de ce qu'il doit aux anglais de Brighton, notamment à Cecil Heptworth, ainsi qu'à ses compatriotes, en particulier à E.S. Porter qui l'avait embauché comme acteur dans un film qui raconte l'enlèvement d'un enfant par un aigle (Rescued from an Eagle's Nest 1908). Il emprunte aux anglais la naissance de l'action dans la profondeur de champ (How it feels to be run over 1900 - Heptworth), tandis que Porter lui a appris l'importance du montage alterné pour complexifier la narration et intensifier l'action (The Great Train Robbery -1903). Il est enfin probable qu'il doive aussi à Cecil Heptworth le synopsis de Dolly et le choix de filmer l'essentiel du drame en extérieur après avoir été influencé par Rescued by Rover -1905, un film qui raconte lui aussi l'histoire d'un enfant enlevé par une pauvresse animée d'un désir de vengeance et secouru par un chien. Mais le coup de maître que réussit Griffith avec Dolly, c'est l'invention du suspens (car la fillette est à la merci des éléments), un suspens pur et sans pathos car le cinéaste a eu l'idée géniale de substituer aux traditionnels retours sur les parents éplorés la seule marche du destin : peu nous importe que les parents soient aux quatre cents coups, l'essentiel du temps disponible est rivé aux dés du destin, au verdict de la nature, et aucune sensiblerie ne vient interrompre et hacher inutilement la dérive de la fillette. Nous sommes devenus les parents de cette fillette et nous ne la rendons à sa famille qu'avec un peu de regrets car le cinéma supporte mal l'accalmie finale. The Adventures of Dollie -1908 : fredc.over-blog.com/2023/02/histoire-du-cinema-26-l-invention-du-suspens-les-aventures-de-dolly-1908-d.w.griffith.html
David Wark Griffith (1875-1948), mejor conocido como "D.W" nacio en el seno de una familia sureña arruinada por la guerra civil, en la que su padre peleo en el bando perdedor. Se dedico de lleno al teatro desde la decada de 1890, pero quedo fascinado por el nuevo medio del cine desde los años 1900, entrando a trabajar a los estudios de Thomas Alva Edison como actor en 1907, pero desde el año siguiente se dedico exclusivamente a la direccion. Es considerado el padre del lenguaje cinematografico al que paulatinamente independizo de sus raices teatrales. Antes de crear sus dos mayores obras, El Nacimiento de una Nacion (1915) e Intolerancia (1916) que lo inmortalizarian, rodo mas de 300 cortometrajes y mediometrajes de los que Las Aventuras de Dollie fueron de sus primeras piezas en las que desarrollo su gusto por su tema favorito, el melodrama grandilocuente.
this work is known as the watershed from the cinema of attractions or cinema like circus (primarily George Melies) to the cinema the one we know, that modern (started by the great George Albert Smith whose works unfortunately were limited to only a few minutes, too short to create an exciting story)
hola, los libros aseguran que en esta cinta se mostro el primer flashback cinematografico, pero por mas que la veo no logro identificar donde esta. Gracias
이 시대에도 화면의 구성을 고려했다는 것이 인상적. 음악으로 하여금 감정을 고조시킨다. 돌리는 어머니와 산책을 하던 중, 한 신사와 마주치고 친목을 가진다. 이후 낚시터의 아이들이 떠난 후, 낚시를 하게 되는데 한 도자기 상인과 마주친다. 돌리의 어머니가 도자기를 구매하지 않자 상인은 지갑을 훔치려 하나 신사의 제지로 실패하게 된다. 상인은 돌리를 납치하려는 계획을 세우고 납치에 성공한다. 이후 들키지 않기 위하여 돌리를 드럼통에 넣고 마차로 도망을 간다. 그러던 중 드럼통이 마차에서 떨어지고 돌리가 들어간 드럼통이 강에 빠지게 된다. 이후 낚시터의 소년이 이를 발견하고 돌리는 어머니와 재회한다.
this is not true, untill 1912, french and italian movies were most modern and creative. Only with Griffith and the First World World american cinema become the first in the world
@@iconaus Im doing a "little voyage" through the origin of cinema..let me say that i find french's work a little odd to me compared to english and especially american realism.. I dunno very well about italian cinema before Pastrone..
Lumière invented cinema, Méliès invented special effects and showed how cinema could tell stories. English filmmakers invented the first narrative editing techniques, which Porter and Griffith copied, as they copied Méliès's special effects. The Italians specialized in the production of feature films, epic films with large sets and rich costumes that were sold all over the world. Until 1912, because of the patent war unleashed by Edison, it was not possible to produce feature films in the U.S. like the Italians or the French. Only when this issue was resolved could Griffith make his great masterpieces and go beyond what he had learned from the Europeans. The cinema of origins ended, classical cinema began. But meanwhile, war had broken out in Europe....
@@iconaus Meliès invented special effects, Brighton School invented the narrative techniques, fine with that, but Porter with train robbbery almost invented the narrative cinema, so the way to the classic cinema..the first film to show real narrative plot, letting alone "china mission", was the great train robbery, after that, another step was Griffith's "the adventure of dollie". Im only saying that when it comes to the classic cinema americans were the best from the beginning, i mean 1903, even without doing "feature films". I could say that they invented the cinema we know today. For me narrative cinema is the best form of cinema.
To think that this is the man who would eventually make the VERY racist and bigoted film "Birth of a Nation" Nonetheless, a revolutionary filmmaker of his time, no doubt about it I mean, the racist views already start here, considering the sinti and roma (gypsies) are portrayed as the villains
I agree. You can say the same things about both films. Griffith is a talented artist and most scenes are strikingly beautiful. But his stories are full of an unnerving 'casual' racism. There's an element of cruelty in this insouncience.
great early Griffith drama, searched for that - thanks for uploading !!
@@Blueforyou66 Be suspicious of anyone with fond recollections of the Ku Klux Klan. I saw an interview with him in the early 1930s. He fondly recollected about The Klan. He had at least 20 yrs from this movie to examine his earlier opinion. No regret.
Simply wonderful!!
Griffith se souvient dès son premier film de ce qu'il doit aux anglais de Brighton, notamment à Cecil Heptworth, ainsi qu'à ses compatriotes, en particulier à E.S. Porter qui l'avait embauché comme acteur dans un film qui raconte l'enlèvement d'un enfant par un aigle (Rescued from an Eagle's Nest 1908). Il emprunte aux anglais la naissance de l'action dans la profondeur de champ (How it feels to be run over 1900 - Heptworth), tandis que Porter lui a appris l'importance du montage alterné pour complexifier la narration et intensifier l'action (The Great Train Robbery -1903). Il est enfin probable qu'il doive aussi à Cecil Heptworth le synopsis de Dolly et le choix de filmer l'essentiel du drame en extérieur après avoir été influencé par Rescued by Rover -1905, un film qui raconte lui aussi l'histoire d'un enfant enlevé par une pauvresse animée d'un désir de vengeance et secouru par un chien. Mais le coup de maître que réussit Griffith avec Dolly, c'est l'invention du suspens (car la fillette est à la merci des éléments), un suspens pur et sans pathos car le cinéaste a eu l'idée géniale de substituer aux traditionnels retours sur les parents éplorés la seule marche du destin : peu nous importe que les parents soient aux quatre cents coups, l'essentiel du temps disponible est rivé aux dés du destin, au verdict de la nature, et aucune sensiblerie ne vient interrompre et hacher inutilement la dérive de la fillette. Nous sommes devenus les parents de cette fillette et nous ne la rendons à sa famille qu'avec un peu de regrets car le cinéma supporte mal l'accalmie finale.
The Adventures of Dollie -1908 : fredc.over-blog.com/2023/02/histoire-du-cinema-26-l-invention-du-suspens-les-aventures-de-dolly-1908-d.w.griffith.html
Très belle analyse, d'une grande justesse.🙏Découvrant ce film à l'instant je dois avouer que "le coup de maître" m'a profondément ému.
Better than any film of the last 25 years.
C'est vrai !
1908 - 1912 is the best period of Griffith. Some many littlw cinema jewels 🙂
@@Bigbadwhitecracker i agree.
Es muy buena de la manera que te tensiona, cuando no la encuentren y todo sin sonido 🤣. Que impresionante el director, gracias por subirlo.
David Wark Griffith (1875-1948), mejor conocido como "D.W" nacio en el seno de una familia sureña arruinada por la guerra civil, en la que su padre peleo en el bando perdedor. Se dedico de lleno al teatro desde la decada de 1890, pero quedo fascinado por el nuevo medio del cine desde los años 1900, entrando a trabajar a los estudios de Thomas Alva Edison como actor en 1907, pero desde el año siguiente se dedico exclusivamente a la direccion. Es considerado el padre del lenguaje cinematografico al que paulatinamente independizo de sus raices teatrales. Antes de crear sus dos mayores obras, El Nacimiento de una Nacion (1915) e Intolerancia (1916) que lo inmortalizarian, rodo mas de 300 cortometrajes y mediometrajes de los que Las Aventuras de Dollie fueron de sus primeras piezas en las que desarrollo su gusto por su tema favorito, el melodrama grandilocuente.
a me fa emozionare, stupendo!!!
contento di sapere che ti piaccia
“Adventures”
Her parents didn’t know that Dollie would soon be partin’
this work is known as the watershed from the cinema of attractions or cinema like circus (primarily George Melies) to the cinema the one we know, that modern (started by the great George Albert Smith whose works unfortunately were limited to only a few minutes, too short to create an exciting story)
hola, los libros aseguran que en esta cinta se mostro el primer flashback cinematografico, pero por mas que la veo no logro identificar donde esta. Gracias
Estoy en la misma situación. Encontraste algo a día de hoy?
4:41 the first appearence of Bob .... 🙁 (I'm afraid David Lynch is influenced on this issue by his namesake Griffith)
이 시대에도 화면의 구성을 고려했다는 것이 인상적. 음악으로 하여금 감정을 고조시킨다.
돌리는 어머니와 산책을 하던 중, 한 신사와 마주치고 친목을 가진다. 이후 낚시터의 아이들이 떠난 후, 낚시를 하게 되는데 한 도자기 상인과 마주친다. 돌리의 어머니가 도자기를 구매하지 않자 상인은 지갑을 훔치려 하나 신사의 제지로 실패하게 된다. 상인은 돌리를 납치하려는 계획을 세우고 납치에 성공한다. 이후 들키지 않기 위하여 돌리를 드럼통에 넣고 마차로 도망을 간다. 그러던 중 드럼통이 마차에서 떨어지고 돌리가 들어간 드럼통이 강에 빠지게 된다. 이후 낚시터의 소년이 이를 발견하고 돌리는 어머니와 재회한다.
Could you help in translating the video description in corean?
thriller
USA its always been the top with movies since the beginning of narrative era..simply they invented narrative cinema
this is not true, untill 1912, french and italian movies were most modern and creative. Only with Griffith and the First World World american cinema become the first in the world
@@iconaus Im doing a "little voyage" through the origin of cinema..let me say that i find french's work a little odd to me compared to english and especially american realism.. I dunno very well about italian cinema before Pastrone..
Lumière invented cinema, Méliès invented special effects and showed how cinema could tell stories. English filmmakers invented the first narrative editing techniques, which Porter and Griffith copied, as they copied Méliès's special effects. The Italians specialized in the production of feature films, epic films with large sets and rich costumes that were sold all over the world. Until 1912, because of the patent war unleashed by Edison, it was not possible to produce feature films in the U.S. like the Italians or the French. Only when this issue was resolved could Griffith make his great masterpieces and go beyond what he had learned from the Europeans. The cinema of origins ended, classical cinema began. But meanwhile, war had broken out in Europe....
@@iconaus Meliès invented special effects, Brighton School invented the narrative techniques, fine with that, but Porter with train robbbery almost invented the narrative cinema, so the way to the classic cinema..the first film to show real narrative plot, letting alone "china mission", was the great train robbery, after that, another step was Griffith's "the adventure of dollie". Im only saying that when it comes to the classic cinema americans were the best from the beginning, i mean 1903, even without doing "feature films". I could say that they invented the cinema we know today. For me narrative cinema is the best form of cinema.
@@iconaus uuuuhhhhhhh, Alice Guy???
Uzun bir 13 dk
To think that this is the man who would eventually make the VERY racist and bigoted film "Birth of a Nation"
Nonetheless, a revolutionary filmmaker of his time, no doubt about it
I mean, the racist views already start here, considering the sinti and roma (gypsies) are portrayed as the villains
I agree. You can say the same things about both films. Griffith is a talented artist and most scenes are strikingly beautiful. But his stories are full of an unnerving 'casual' racism. There's an element of cruelty in this insouncience.
色は無い。音は無い。短時間でここまでの内容ですか。
色がある、音もある。１００年以上前の映画だけれど現在のユーチューバーよりもコンテンツがある😂
@@saboruchan infatti