Demonstration of Different Styles of Playing Sitar & Surbahar
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- เผยแพร่เมื่อ 22 ส.ค. 2024
- Surbahar and Sitar become the center of discussion as Pt. Santosh Banerjee takes us deep into the Instruments. Smt. Sahana Banerjee, his daughter and eminent Sitar player, demonstrates the two different styles of playing Surbahar before taking us back in history to the creation and evolution of Sitar.
She also debunks a famous myth about the father of Sitar in the process.
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That bilaskhani Alap was absolutely sick!! The two older people in the video seem so humble and down to earth. What a great family!
This was an amazing interview!
Sahana is so fortunate to have two accomplished, renowned musicians for parents. She is an incredible musician with a beautiful soul
So good to hear the Amir Kushrau situation properly addressed and to see the comparison between the Persian "setar" and the sitar (both words meaning 3-string). Wonderful to hear this playing as well!
Happy to see you and your loving family sir. You were very kind to me when I was reading for M.A.at R.B.U.from 1984 to 1987.Greetings from Sri Lanka.-Ranjith Fernando.
Thanks. We'll definitely convey this to them.
Beautiful Demonstration with love and respect , My Salute to you and your family !
thanks for subtitles .it was very helpful. I am learning dhrupad vocal.
Anek Kichu Ajana Tottho Jante Parlam ,Akkta Bepar Bujhte Parlam Na Didi Rampur Seni Gharana Ullekh Korlen Sune! Rampur To Sompurno Separate Gharana Bole Jantam Ato Din J Gharanar Gaia Ustad Rashid Khan , Pandit Tushar Dutta Etc Jakk Khube Upojogi Video, Valo laglo, Sokol k Amar Shardha, Pranam Janalam, Sustho Mongolmoy Valo Thakben, God bless All of you, Thanks 💐👌👏👍🤗🙏
Hats off... Beautifully explained... Waiting for more 🙏
অনেক অনেক ধন্যবাদ রেকর্ডটার জন্য।
Very interesting..fact about indian classical music, 🙏🏿
Very nice presentation but during discussion on various styles there was no mention of Vilayat Khan who completely changed the Tantrakari style played by Ravi Shankar or for that matter Sahanajis father and introduced pure Khayal Gayaki ang in sitar which was adopted by Nikhil Banerjee only a good human being can become a good artist classical music will only come to pure souls jealousy can never take us anywhere to discuss sitar but without mentioning the name of Vilayat Khan is like performing a Puja without the idol of God Vilayat Khan was is and will always rrmain the greatest sitarist of the world whatever any body may say only it is their misfortune who coulf not enjoy his Gof gifted music
I think it was all said without taking names.
I agree in parts with you.
@@Prof_Hazra_IIT Thanx Sir
Nice alap in Bilaskhani but at about 6:00 she goes low, plays on the jora string and knocks it out ot tune. She never tunes it back up. I comes back to haunt her several times. Pls tune the Sa
Thanks a lot.
Thanks for your comment ..one point I should tell you that I have played in this interview with my father's sitar and it is almost 60 yrs old ..and for last 4years it is kept almost unused.I repaired this sitar just one day before of this interview to give brief demonstration , what ever I have played it was just for the need of our interview.It was v difficult to to set the string within oneday ,as it was getting low after single meed..some how I managed briefly.It is not my full-fledged performance with my own sitar..Hope you understand..
.
@@mallhar2007
I can understand your situation . You played it beautifully despite of the difficulties.
@@mallhar2007 You have done justice to the interview...No worries. God Bless you and your wonderful parents.
@Sahaba Banerjee
I love the sound of this instrument and I listen to it a lot. You play so beautifully. I have watched your TH-cam videos. It’s unfortunate we don’t get to come to your concerts in the USA. I am sure a live concert is much different than watching a TH-cam video. Thank you so much for sharing your music.
PRONAM JANAI.
nice demonstration.....
অসাধারণ
Wow
Abhutopoorwa❤️🙏
i can sometimes hear blowing of the shankh or conch shelle in the background, are they located near a temple or some thing? or are they performing some rituals next door? just curious.
Yes, you are absolutely in the right track. His house is very close to famous Kalighat temple in Kolkata. The puja sound came from there only. Thanks for watching our video so minutely. Wish to get your kind attention towards our other videos as well. Feed us more...
@@kaahonkommunications sure and yay! i was right! 1- 0 to me! i won! woooooooooooooooow! i finaly answered the right question!. thanks, guys!
Dear Lord what a rich cultural heritage!?! Had to google so many words from this...exposure? (is the word I would use). Loosing traditions like these ones is a crime and a sin. Merciless march of the mainstream is just walking over these artists. Indian state should certainly sponsor them. Treasures such is this one must be saved from oblivion.
veena er opor ekta documentry korun plz
Rudra Veena niye khub boro documentary korar icche aamader achhe. Rudra Veena toirir process niye ekta kaaj aamra korechhi. Dekhun...
th-cam.com/video/tVYTynGJlAk/w-d-xo.html
Aro ekta kaaj korechhi Banglai Dhrupap chorchha niye. Setao dekhun. th-cam.com/video/Hj9ZnkCyoNA/w-d-xo.html
Janaben aapnar poramorsho. Jogajog thakuk.
💓💓💓
I am interested in learning the Rudraveena but hearing these kind of tales makes me apprehensive!
Is it really so that veenas and their players are doomed and plagued with misfortune?
Few stories and myths always remain with the age-old practices all over the world and subsequently Indian classical music stands in the same bracket for sure. Veena as a musical instrument demands certain amount of physical and emotional strength for learning and playing. I think, the stories related to Veena have been derived from this 'strength factor' only. Although, myths are and will be always there in our cultural life and the individuals play the key roles in living with it.
Its silly superstition. Learn
No, unless you make it happen. I play it, never had any doom.
Bilaskhani Todi... Such beautiful raga; lovely gats also.
Something sounds out of tune the second time she picks up the sitar, though. It might be me, since...you know... I am no Shahana Banerjee... but I couldn't help to hear that all the time
Yes, one string got out of tune on this special sitar. She explained the situation in response to another comment below, in case you haven't already seen it. :)
Ami apnader sathe dekha krte chai.. Ami rampur -seni ghore sangeetacharya Buddhadev Chatterjee r chatro.. Dhrupad anger bajna tai ashol r seta aaj Kaloati r jonno samne aste parche na.. apnader moto guni manush der shonge chai bhobishyote..
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