And the oboe soloist is Kurt Hausmann. Thanks Kurt, you are amaising ! you played a lote with my Dad all over the world and in Hamburg, Fritz Henker. Thanks
@leandrusi Really? Well that it's my opinion, I have sung all the alto parts from this mass(the Agnus Dei it's even harder) and are probably the hardest intonation pieces I have ever sung, and also i belive that the instrumentation can change a lot the performance of a particular piece,if you are a singer you can check diferent scores and see how the ones that are composed for heavy orchestration have less complicated vocals...of course there are exceptions like Wagner.
I believe that the problem here is not really the singer,Is the orchestration very big,the piece is very hard in the intonation part beacuse it has a huge amount of half tones and the musical phrases a terribly long,now if the singer also needs to fight with a huger orchestra it is almost imposible! this was composed with small instrumentation,for a medium volume voice and very intimate PRAYER feeling,definetively not Verdi's requiem
Fascinating how fashions change re:playing baroque music. This is played so 'romantically' with loads of vibrato, quite unlike the versions popular now with sparse orchestration/choir and less full sound. I have to confess I don't like her interpretation anyway - quite dull.
![[UNCUT]“ฅนตื่นธรรม”ปะทะ“หมอปลา-ปู่มหามุนี-อั๋นโอกิ”สะเทือนกระทรวงเวทมนตร์ Iคนดังนั่งเคลียร์I10 ตค.67](http://i.ytimg.com/vi/peMD_SAkwNc/mqdefault.jpg)
This Oboe Player is Kurt Housemann my father's tutuor in Germany in the 50's. my father has soooooooooooo much respect for him.
And the oboe soloist is Kurt Hausmann. Thanks Kurt, you are amaising ! you played a lote with my Dad all over the world and in Hamburg, Fritz Henker. Thanks
this is as hight as ever classic music may reach...from antiquity to today...
B R A V O
the right tempo
Bach should never be played too fast
thanx so much for posting i have to sing this for my exam in november!!!
guaaaaaaaaaau!! QUE PEINADO!!! BRAVA VOZ!!
@leandrusi Really? Well that it's my opinion, I have sung all the alto parts from this mass(the Agnus Dei it's even harder) and are probably the hardest intonation pieces I have ever sung, and also i belive that the instrumentation can change a lot the performance of a particular piece,if you are a singer you can check diferent scores and see how the ones that are composed for heavy orchestration have less complicated vocals...of course there are exceptions like Wagner.
I believe that the problem here is not really the singer,Is the orchestration very big,the piece is very hard in the intonation part beacuse it has a huge amount of half tones and the musical phrases a terribly long,now if the singer also needs to fight with a huger orchestra it is almost imposible! this was composed with small instrumentation,for a medium volume voice and very intimate PRAYER feeling,definetively not Verdi's requiem
toll
Is that an oboe or an english horn?
Fascinating how fashions change re:playing baroque music. This is played so 'romantically' with loads of vibrato, quite unlike the versions popular now with sparse orchestration/choir and less full sound. I have to confess I don't like her interpretation anyway - quite dull.
what is the form of this piece? is it binary?
6/8