Cool arrangement! Since Waltz for Debby is a waltz that usually forgets how to waltz after the first play trough, you might as wel put in in 5. As you tastefully did. Really dig it!
A great improv and I respect your courage for leaping beyond the original BEs performances. Many brilliant artists are afraid to get away from the original composition. Maybe out of fear or perhaps respect. Who can blame them !! Great job on a great standard.
I will swear in this comment, sorry. I've heard like 50 renditions / versions of this song (for a bassoon, ukulele and a typing machine too). But the stiffness, complexity, joy... this is just fcking overwhelming pure awesomeness, it's like Keith Jarret trio changed into Bill Evans trio. I've barely enjoyed any performance like this. Fcking awesome. Thanks for sharing.
Fantastic version of my favorite piano Jazz tune ever! Way to swing Yoshiko, I loved OP too! I couldn't quite play the way he did, but I can enjoy you in his absence.
Wonderful pianist,I loce you,taste,elegance,fantasy,classic tradition,but..I'm so sorry,I do not like the bass..excuse me...he does not give support as he should,always back in time,such a pity.Best regards from Italy-Rome.
Songs like "What a Wonderful World", "Waters of March" and "Waltz for Debbie" don't need to be changed in a single detail. This is really far from the spirit of Evans' creation, it's just a musical joke, for their own amusement.
実に木住野さんらしい演奏。
余裕ある安定感は、心休まる安心感に包まれる。
イントロでのモリコーネのフレーズは遊び心？
very sweet version, lots of sensitivity. Very far from Oscar P's demonstrative version (which I love too). Congrats! :)
I am so glad I clicked onto this pianist Kishino. She is a marvelous improviser with a wonderful tone. I'm a fan of hers already.
エバンスは好きです。 でもこの暗ったるい感じのイメ－ジの
男と曲がが好きだと言っている感じが不思議です。
貴方みたいな大川の水で尻（けつ）を洗ったような下町の良い女
が得てして引っ掛かてしまうタイプの男でしょうか、
まあ仕方ないか。
本家ビルエヴァの演奏には３者の丁々発止の駆け引き（インタープレイっての？があったが、これピアノが王女様。
Bill is listening....I'm sure
Creativity at its best
Cool arrangement! Since Waltz for Debby is a waltz that usually forgets how to waltz after the first play trough, you might as wel put in in 5. As you tastefully did. Really dig it!
If only bill could hear this
It's as if Debbie heard bill Evans and this was her response
Le lopta 1:1 ben. Fjhkkk
木住野佳子さんのピアノ演奏いいな、一日一回は聞きたいです。✨✨( ^^) _U~~(^^♪
忙しい日常を忘れて聴き入ってしまいます。時間を忘れて…トリップしてしまいます☆彡
A great improv and I respect your courage for leaping beyond the original BEs performances. Many brilliant artists are afraid to get away from the original composition. Maybe out of fear or perhaps respect. Who can blame them !! Great job on a great standard.
great version by yoko ono trio
WOW! You are all just superb! You play VERY WELL together!
Wow!...this lady Rocks! BE is happy listening somewhere......
John Murchison 嶌田憲二
A beauty !
Che brava!
Wauuuuuw
Fabulous!
So beautiful..thanks!
Yes this is quite unbelievable, passionate, so many variations and such a sublime touch? A natural talent with sensational power and creativity
Not a bad interpretation but Bill Evans is still the guv'nor!
Whow !!!!
Stunningly beautiful. Great talent. KElwyn TRINIDAD
Beautiful intro. I love this and need to play over so we can become intimately acquainted.
Brava!!!
ライブで聴いてみたいね
Wonderful!!
04:15 OMG goose bumps all over
so true
BRAVO
给我了很多力量
Nice lady play very good!
Terrific. Bass is superb. Bravo to a great trio.
Such a great performance!
Fantastic!
Love it!
this is all out... jam !!!
most excellent
Marvellous!
This is what jazz is all about-improvisation. And yours was beautiful. ❤
It's a great composition, but she played it better than Bill Evans.
that 5/4 section is really interesting, first time ive heard someone play that in 5/4
I will swear in this comment, sorry. I've heard like 50 renditions / versions of this song (for a bassoon, ukulele and a typing machine too). But the stiffness, complexity, joy... this is just fcking overwhelming pure awesomeness, it's like Keith Jarret trio changed into Bill Evans trio. I've barely enjoyed any performance like this. Fcking awesome. Thanks for sharing.
Dopo una partenza in cui l'ombra di Evans incombeva prepotente, la fase improvvisativa è stata più personale. Buona interpretazione.
strange how there are so many great young female japanese jazz pianists. Lovely, lovely performance
I hope she's a good teacher...
Wonderful trio performance. That song is só special and divine, only gifted can play it this way, without a note out in the line. Watch jam
Wonderful. Bravo!
Highly creative, nice interpretation.
That’s awesome!
muy buena version
OMG SO DIVINE IS THIS
空間に音で描いてる感じがいいなぁ。
Highly creative interpretation.
2024.1.4 so glad to hear it in person
Outstanding playing...each "variation" was simply superb...
Really awesome!!! You all three are fantastic! Thank you
Gran sensibilidad y enorme tecnica. Magnifica version de esta gran pianista!!!!!!!!!
Superb!!
I really hope she goes back to her roots!
좋아요
Complimenti una esecuzione meravigliosa
Great song, excellent playing!
Fantastic version of my favorite piano Jazz tune ever! Way to swing Yoshiko, I loved OP too! I couldn't quite play the way he did, but I can enjoy you in his absence.
So beautiful and relaxing
Cuanta sensibilidad, impresionante.
a bloody masterpiece.
Wonderful pianist,I loce you,taste,elegance,fantasy,classic tradition,but..I'm so sorry,I do not like the bass..excuse me...he does not give support as he should,always back in time,such a pity.Best regards from Italy-Rome.
sasuga
!!
Beautiful interpretation, but not as emotionally intense though!
Songs like "What a Wonderful World", "Waters of March" and "Waltz for Debbie" don't need to be changed in a single detail.
This is really far from the spirit of Evans' creation, it's just a musical joke, for their own amusement.
goood god dont play it in 5/4 holy pls