You talked about fade 4.41 into the video. But what if your song already fade/fiter out at the end do I still make a fade at the end or it is alright I didn't do it?
@@inthemix thanks for the answer. I have never used that method with fade because sometimes I think it sounds wird when I make a fade in the beginning, but maybe it is because I over done it. BTW it is nice to get a new view on mastering I have always used ozone8 master assisten and nothing els, so it is nice to know there are so many things to do in the master process.
Great video as always. Interesting info on the dithering i only really dither when i need a 16bit file from say a 24bit file. But never stopped to think whether the distribution houses are dithering when they convert into a multitude of bitrates. Although most distribution places i've used still require 16bit so i've dithered down to 16bit from 24bit anyway. Great tune that, still love it even though i've probably heard it like a thousand times! ;-)
@@craigcrummett9484 he says he wanna get the mix right. Imagine ME, tryna have tthe perfect mix to sound like Carpenter Brut... really tons of brainstorming, and little to no conclusion -_-
You are doing a great job Michael, I'm producing from last year and I started watching your Videos, and I'm really thankful to you, I learned alot from your Videos, Specially Mastering Part, and I love the way you how simply you explain about a Plugin or a Process. You are giving Master Classes for free. I also watched Paid Production Classes by the Pro but they are not able to Clarify the details, I'm not saying that they are not good in Production, but Knowing Something and explaining it both are different things. Teaching someone and clear their doubts is an Art.... Keep Going bro... Wish you the best.....
You really timed all the elements of your video... and your description is SO PERFECT MFG, thank you so much Your videos are so cool, really specific, but not annoying at all.. Keep doing what you do, please !
Whoever you are who can't sleep tonight, is tired or sad, believe that there will be tomorrow that will light up your beautiful days. You just need to endure a little more, a little more, and a little more ... Thank you for being patient, thank you for being able to survive. And as you read this, promise yourself that you will be able to get through your toughest days in the future. Promise to keep smiling, no matter how you are ... You deserve to be happy :)
Love u , still i dont understand everything in my first view , i still learned a lot and hope im getting nearly as good as u in maybe 2-3 years :) Watched nearly every tutorial u made and learned so much , one of the best channel out there to have some good technical tutorial about techniques :D Im german btw , so its not as easy to understand everything
This is the best channel ever. For coming mastering tips. It will be great you can master a bad mix, so you can really go further, so the concepts will be understood much better. Other than bad 10/10
I love setting your videos up on my phone, and opening my daw on my computer, and really following you step by step. You are young to be such a great teacher! Thank you :)
I have watched many mixing and mastering videos , this is definitely a very good one . I am convinced that mix can be fabulous and the mastering can be flawless but if the recording phase isn't done right then it will be an uphill battle trying to get the song to standup against the big boys .
Hello Michael, thanks for you amazing channel, i learned lots here, but mastering for online distribution still killing me, i cant find any right specs for mastering with the lufs and etc, can you an specific video for online distribution mastering for electronic music? thank you! Cheers from Brazil
So I understand how headroom is important, but does it matter how you get there? Example: When I make mixes my master track is usually pretty loud and might go in the red sometimes, but there is no distortion or negative artifacts created by this and the mix sounds fine. To get headroom, I just bring the master fader down so I'm only peaking at -3 to -6 dB. Is that an okay approach to get headroom? Or does everything in the mix need to be turned down individually?
definitely a big help....Even though I've been happy with the sound of what ive been doing, this has shown me a few things I need to improve. So thinks man! Subbed.
Heyyy, Can i have a question please? Before Mastering, we should export the whole mix, include instruments, drums, basses, SFX, and Vocal into a WAV, Is that right? Hope you answer, thanks a lot
If you have UAD gear, you can't go wrong with Manley Massive Passive & Shadow Hills Mastering Comp, but I haven't found anything close outside of Magix Samplitude Pro X.
What's the difference between mastering for Streaming Media and CD? Shouldn't mastering a song be for all platforms? (asking this because, for example, Ozone 8 has this feature where it asks you where you'll be using the song)
You'd hope it would be the same but let me try to explain a little more... CD - No volume normalisation and songs have to be 16Bit quality. This means more care must be taken to level out each song on a CD/Album to ensure playback it smooth. A CD doesn't have to change to a different Codec when playing back so you don't need to leave much headroom for encoding to mp3 and you can set your true peak limiting to -0.1 if you want to! Online streaming - Most if not all platforms use loudness normalisation and songs can be uploaded in 24Bit quality. This means you don't -need- to level each song to exactly the same loudness and you can give or take a few dB depending on the material in the song (This is great because some songs sound better when they are more dynamic!) As the Song must be transcoded to a compressed format online, you must leave more headroom (-1.0 to -2.0 dBTP) to avoid bad distortion and audio artefacts. Vinyl Records - If you master super loud with a lot of low-frequency energy, a master to vinyl will sound awful! So careful attention must be given to the audio balance, transient response and pressing/cutting process to ensure the master sounds faithful to the studio version. I really hope that helps :)
Thanks for the video but It's also a little difficult as many of the distributes I've dealt with will only allow you to upload 1 version which will be posted on every platform. Would cost $100s to go through each song for each service correct?
I have a question about gain staging. Majority of plugins were designed to receive a 0vu level or approx -18 full scale signal. Or somthing like that haha, right. Well my question is why does it seem to not matter when we master a track. Input level is around -5 to -8 pretty much every time. What am I missing? I'm not understanding something
I actually have a question. I don't know if its my mixes or my room? but anytime I'm in the process of mixing or even mastering most things oddly sound perfect and than after export i hear parts that sound a lot quieter or more subtle in general. like vocals take a dip after export, bass starts over powering the mastered WAV file and the high end is dropped a lot as well.
Excellent - as always - and quite advanced for me. I have a question: I always import the final mix into Edison for normalisation - does that sound like a bad idea - if Yes - why?
I've heard multiple places that when exporting a final master, the WAV should have a bit depth of 16 with dithering. Would that be incorrect? Also thank you for this video, it's very informative and helpful!!
24 is becoming the new standard but honestly, 16 is also perfect. You'd be really hard-pressed to find many people who can hear the difference between 16 and 24 in a pristine listening environment in a blind test - I know I can't in a blind test!
If you haven't got any mastered tracks of your own to use as a reference, how would you go about finding one? Would audio from youtube be a reliable source?
What if the master target is a sound file, maybe flac or high bitrate mp3? Should you think the same way regarding levels and limiting as for streaming or as "the old way" for CD? (I believe I was taught -0.2 dB ceiling in the brickwall limiter and then push it til the perceived volume matches reference tracks, hopefully without squashing the sound too much.)
A thing that still confuses me over anything is Dither. For example, This should be the last thing you do but your songs are re-encoded by streaming platforms so this isn't the last stage. Also Apple and some others do studio quality so surely we should be exporting 24/48 no dither now?
is it possible to have a video dedicated to just de essing? Your tutorials have been EXTREMELY helpful in my learning of FL but I struggle with this almost every time I try to edit my own vocals, as my voice has a really sharp ess sound
Question! If I've done a little bit of work mastering (saturation, EQ, etc) and get the track sounding good, then compare to the original mix and find that the original sounds very dull and/or muffled by comparison, is it a sensible strategy to go back to the mix and try to adjust it to get it to sound more like the master, then re-do the mastering from there? Or am I a silly man?
I see the TRS EQual have 209ms latency when you use it in the master track, I have seen some waves plugins have the same problem,do you know how to deal with it? thx!
This latency doesn't cause issues when mastering. Linear phase EQ's should only be used when you don't need to perform live or have an immediate response (as a general rule)
u alrite mate don't suppose you got a video or can make one how to nick some ones drum loop out of there track please cause don't know how to do and I like there drum loops and don't know how to make jump up dnb drum loops thanks dan
Hey man, I have some problems with mastering my progressive house songs and that is not with the sound or something but with the waveform. When I compare my waveform with that from my reference tracks in rekordbox for example, my track isn't receiving that full waveform of professional tracks. Do you know how to fix that?
Yo, btw could you maybe make one with soundcloud aswell? Since soundcloud handles music a bit differently compared to for example spotify etc, since in spotify you can leave - 14 lufs headroom and it will be upscaled, soundcloud does not boost the volume
Soundcloud is mostly the same but you don't have to worry about loudness at all. Still set your peaks to -1.0 for the transcoding and then push the loudness to get a balance of commercial, competitive sound and good dynamics :)
I would make it relatively high for electronic music, between -14 and -9 LUFS. But only for SoundCloud! Often if it's not loud there people simply skip over, it's quite a shame. As always, if you are hearing negative things from the excessive limiting just do a little less. Often to get more loudness you might want to use a compressor to gently add volume and then hit the limiter a little less hard. So you are getting compression from both :)
+In The Mix Thank you for the response man! I understand what you’re saying. I have another question too. I master my song for apple music at about -14LuFs and -1dbtp and when I play it back it’s still significantly quieter than every other song? I don’t know what to do. :( I use the Waves L2 limiter to top off my mastering chain and youleans loudness meter, in theory it should be louder than it is. Makes no sense.
Hey there, Mike! Just wanna say I've learned a lot from you and it has essentially made me a better producer with more logical decisions. I don't think a compliment will cut it, but you're an amazingly talented person with lots of reliable knowledge for us rookies out here. Thank you. 🙏
I really do appreciate these kinds of tutorials. It's so difficult to compete with the acclaimed artists' masters on the common streaming platforms in loudness and clarity. This is just one step closer in the right direction.
I could try but I might not be the best person to do it. I don't have a huge experience with it. Owning the copyright and such is very simple, you basically have to create and publish the song. But enforcing the copyright is challenging, it requires a legal team working for you to enforce it
If you are a beginner You should go for Music Distribution websites, like Distrokid, it's a paid service but some of them have free plans like Soundrop and Routenote. Hope this will help you....
I have not read books but there are lots of amazing websites and people who share information. Chatting with producers, mixing engineers and such really goes a long way!
Isn't limiting already done by a compressor? (compression "squishes" the song into defined boundaries, right?) Why does limiting need to be a step of its own? (beginner) ps. I'm starting to learn that a really WIDE audio sounds more sexy than really LOUD audio.
R3bbit interesting, I hate how everyone says edm has to be -6db. I master around the point I feel comfortable with and it still sounds as loud as other songs!
@@imd5363 keep researching and practicing. I used to have zero knowledge, after 1 year I have 3 songs on spotify and apple music, and I gained such a vast knowledge. All in 1 YEAR! And its not that I'm super smart or have a lot of free time , just passion
Mike, it's an amazing tutorial, as always, but I was hoping that you could make a tutorial about LIVE vocal effects in FL Studio, if that's possible, because I couldn't find any decent tutorial and I don't want to purchase Ableton Live.
Overview of all steps - 1:05
Fades - 3:30
EQ - 5:00
Compression - 10:30
Limiting - 15:50
Thnx for all video helps alot if u think same hit like🙂👏
You talked about fade 4.41 into the video. But what if your song already fade/fiter out at the end do I still make a fade at the end or it is alright I didn't do it?
@@eljeysmusic it could be okay but I always like to make even the smallest of fades just to be sure!
@@inthemix thanks for the answer. I have never used that method with fade because sometimes I think it sounds wird when I make a fade in the beginning, but maybe it is because I over done it. BTW it is nice to get a new view on mastering I have always used ozone8 master assisten and nothing els, so it is nice to know there are so many things to do in the master process.
Great video as always. Interesting info on the dithering i only really dither when i need a 16bit file from say a 24bit file. But never stopped to think whether the distribution houses are dithering when they convert into a multitude of bitrates. Although most distribution places i've used still require 16bit so i've dithered down to 16bit from 24bit anyway. Great tune that, still love it even though i've probably heard it like a thousand times! ;-)
the Best channel on TH-cam ♥️
A good TH-cam channel*
Dam true
@@theoriginalcoolkid *a not so cool kid
@@ReplicateReality That's why you need tutorials for shit me and my friends do in 10 minutes ngl
I've literally watched this video 20x. I WILL GET THE MIX RIGHT EVEN IF IT KILLS ME.
did you get it right bro?
@@RidleySorrey i'm wondering as well
1 year and we still don't know
@@TachyBunker it killed them.
@@craigcrummett9484 he says he wanna get the mix right. Imagine ME, tryna have tthe perfect mix to sound like Carpenter Brut... really tons of brainstorming, and little to no conclusion -_-
this is great, but have you heard of soundgoodizer?
Soundgoodizer is great, but have you heard of OTT?
@@inthemix OTT is great, but have you heard of 78 soundgoodizers on the master slot?
@@HCXVII 78 soundgoodizers sound great, but have your heard of Fruity Blood Overdrive?
Fruity Blood Overdrive is great, but have you heard of Fruity Balance?
Appltron fruity balance is great but have you heard of 13 Eqo
I'd like to note the free essay in the description breaking everything down. Way above and beyond, thankyou
You are doing a great job Michael, I'm producing from last year and I started watching your Videos, and I'm really thankful to you, I learned alot from your Videos, Specially Mastering Part, and I love the way you how simply you explain about a Plugin or a Process. You are giving Master Classes for free. I also watched Paid Production Classes by the Pro but they are not able to Clarify the details, I'm not saying that they are not good in Production, but Knowing Something and explaining it both are different things. Teaching someone and clear their doubts is an Art.... Keep Going bro... Wish you the best.....
You really timed all the elements of your video... and your description is SO PERFECT MFG, thank you so much
Your videos are so cool, really specific, but not annoying at all.. Keep doing what you do, please !
Whoever you are who can't sleep tonight, is tired or sad, believe that there will be tomorrow that will light up your beautiful days.
You just need to endure a little more, a little more, and a little more ...
Thank you for being patient, thank you for being able to survive. And as you read this, promise yourself that you will be able to get through your toughest days in the future.
Promise to keep smiling, no matter how you are ...
You deserve to be happy :)
Thank you!
Love u , still i dont understand everything in my first view , i still learned a lot and hope im getting nearly as good as u in maybe 2-3 years :) Watched nearly every tutorial u made and learned so much , one of the best channel out there to have some good technical tutorial about techniques :D Im german btw , so its not as easy to understand everything
Best channel I've come across for solid advice.
This is the best channel ever. For coming mastering tips. It will be great you can master a bad mix, so you can really go further, so the concepts will be understood much better. Other than bad 10/10
Watching this 3 years later and ur a fuckin legend
I love setting your videos up on my phone, and opening my daw on my computer, and really following you step by step. You are young to be such a great teacher! Thank you :)
So glad that I discovered your channel! Great resource for me in my mixing/mastering journey.
Clear and concise explanation of how to approach mastering. Really helpful. Thank you.
I really like your vids, you have confirmed a lot for me. Appreciated
I have watched many mixing and mastering videos , this is definitely a very good one . I am convinced that mix can be fabulous and the mastering can be flawless but if the recording phase isn't done right then it will be an uphill battle trying to get the song to standup against the big boys .
Legend mate, been learning a lot from your professional tutorials... keep it up, support coming from Australia.
You rock dude! Thank you so much for putting this information out there in such a comprehensive and straightforward way! :)
We learn alot of you.Thank's for everything!Big support from Montenegro!
A true pro brother 💪🏿💯 thank you
Fantastic video! Thank you so much! :)
Phenomenal video.
Again great video.
Sending deep appreciation from San Diego! Very helpful--thanks!
Great work, thanks
Hello Michael, thanks for you amazing channel, i learned lots here, but mastering for online distribution still killing me, i cant find any right specs for mastering with the lufs and etc, can you an specific video for online distribution mastering for electronic music? thank you! Cheers from Brazil
So I understand how headroom is important, but does it matter how you get there? Example: When I make mixes my master track is usually pretty loud and might go in the red sometimes, but there is no distortion or negative artifacts created by this and the mix sounds fine. To get headroom, I just bring the master fader down so I'm only peaking at -3 to -6 dB. Is that an okay approach to get headroom? Or does everything in the mix need to be turned down individually?
Thanks for this!
You're the G.O.A.T. fr. :D
Thank you Thank you Thank you so much, stright to the point, plz keep going on as long as you can.
👏👑👍🎹
definitely a big help....Even though I've been happy with the sound of what ive been doing, this has shown me a few things I need to improve. So thinks man! Subbed.
Heyyy, Can i have a question please?
Before Mastering, we should export the whole mix, include instruments, drums, basses, SFX, and Vocal into a WAV, Is that right? Hope you answer, thanks a lot
If you have UAD gear, you can't go wrong with Manley Massive Passive & Shadow Hills Mastering Comp, but I haven't found anything close outside of Magix Samplitude Pro X.
Superb....
Really informative and well presented!! Thanks!!
What's the difference between mastering for Streaming Media and CD? Shouldn't mastering a song be for all platforms? (asking this because, for example, Ozone 8 has this feature where it asks you where you'll be using the song)
You'd hope it would be the same but let me try to explain a little more...
CD -
No volume normalisation and songs have to be 16Bit quality.
This means more care must be taken to level out each song on a CD/Album to ensure playback it smooth.
A CD doesn't have to change to a different Codec when playing back so you don't need to leave much headroom for encoding to mp3 and you can set your true peak limiting to -0.1 if you want to!
Online streaming -
Most if not all platforms use loudness normalisation and songs can be uploaded in 24Bit quality.
This means you don't -need- to level each song to exactly the same loudness and you can give or take a few dB depending on the material in the song (This is great because some songs sound better when they are more dynamic!)
As the Song must be transcoded to a compressed format online, you must leave more headroom (-1.0 to -2.0 dBTP) to avoid bad distortion and audio artefacts.
Vinyl Records -
If you master super loud with a lot of low-frequency energy, a master to vinyl will sound awful! So careful attention must be given to the audio balance, transient response and pressing/cutting process to ensure the master sounds faithful to the studio version.
I really hope that helps :)
Bro I have learnt many things from u. Thanks for everything🥰😘
One thing I like about music production is anyone can be a master
amazing
Huge thanks to you and your tutorial
Thanks for the video but It's also a little difficult as many of the distributes I've dealt with will only allow you to upload 1 version which will be posted on every platform. Would cost $100s to go through each song for each service correct?
I have a question about gain staging.
Majority of plugins were designed to receive a 0vu level or approx -18 full scale signal. Or somthing like that haha, right.
Well my question is why does it seem to not matter when we master a track.
Input level is around -5 to -8 pretty much every time.
What am I missing? I'm not understanding something
dope video (Y)
this video is amazing!
thank you very much, really help me out :)
if you've nver simillar these before Don''t Worry!
The Pleasent thing Only He Says ❤
Why I feel the desire to pay you for these videos. Your very insiprational. Thank you.
is there any alternate of virtual mix rack ?
Gold
I actually have a question. I don't know if its my mixes or my room? but anytime I'm in the process of mixing or even mastering most things oddly sound perfect and than after export i hear parts that sound a lot quieter or more subtle in general. like vocals take a dip after export, bass starts over powering the mastered WAV file and the high end is dropped a lot as well.
do you have video for master for youtube ?
Why do you have to dither even if exporting to 24 bit wav?
What's your take on online mastering services e.g. landr. etc.... Who do you recommend them to? Do you use them at all? Thanks
When I ran my song through the the Loudness meter most of it was Orange, I have no idea what I've done wrong.
Can you make a video on adding many voices for vocals (like a crowd effect) and autotuning?
Excellent - as always - and quite advanced for me. I have a question: I always import the final mix into Edison for normalisation - does that sound like a bad idea - if Yes - why?
🔥🔥🔥🔥❤❤❤❤love it man
I've heard multiple places that when exporting a final master, the WAV should have a bit depth of 16 with dithering. Would that be incorrect? Also thank you for this video, it's very informative and helpful!!
24 is the standard for streaming services like Spotify & Soundcloud. CDs would be 16 bit though
24 is becoming the new standard but honestly, 16 is also perfect. You'd be really hard-pressed to find many people who can hear the difference between 16 and 24 in a pristine listening environment in a blind test - I know I can't in a blind test!
Great! Thank you 🙏🏻
If you haven't got any mastered tracks of your own to use as a reference, how would you go about finding one? Would audio from youtube be a reliable source?
can you do something on afro beats like the wizkid and burna boy thing
what if TDR partnered with Ableton and Imageline to make a DAW
Like for part 2
you Are Hero
What if the master target is a sound file, maybe flac or high bitrate mp3? Should you think the same way regarding levels and limiting as for streaming or as "the old way" for CD? (I believe I was taught -0.2 dB ceiling in the brickwall limiter and then push it til the perceived volume matches reference tracks, hopefully without squashing the sound too much.)
better formats will sound better with better masters
Thank you bro so much 😻😻😻
A thing that still confuses me over anything is Dither. For example, This should be the last thing you do but your songs are re-encoded by streaming platforms so this isn't the last stage. Also Apple and some others do studio quality so surely we should be exporting 24/48 no dither now?
Keep up the good work, my number 1 channel for sound production and spread word when I can.
is it possible to have a video dedicated to just de essing? Your tutorials have been EXTREMELY helpful in my learning of FL but I struggle with this almost every time I try to edit my own vocals, as my voice has a really sharp ess sound
Just use waves de easer ! And select the male preset, works every time for me
Definitely will give this a try!! Thanks!
Thank you 🙏🏼
Hello, I have te same version of Youlean and I cannot drag a track into it, how it works?
Do you ave the pro version and have the most recent update?
What is the name of the program
So i can make @17:32 the track more crunchy? 😏👌🏼
A question I have is: how do you get tracks to flow seamlessly from one to another?
Question! If I've done a little bit of work mastering (saturation, EQ, etc) and get the track sounding good, then compare to the original mix and find that the original sounds very dull and/or muffled by comparison, is it a sensible strategy to go back to the mix and try to adjust it to get it to sound more like the master, then re-do the mastering from there? Or am I a silly man?
I see the TRS EQual have 209ms latency when you use it in the master track, I have seen some waves plugins have the same problem,do you know how to deal with it? thx!
This latency doesn't cause issues when mastering. Linear phase EQ's should only be used when you don't need to perform live or have an immediate response (as a general rule)
@@inthemix Got it! Thx!
u alrite mate don't suppose you got a video or can make one how to nick some ones drum loop out of there track please cause don't know how to do and I like there drum loops and don't know how to make jump up dnb drum loops thanks dan
wdy think of the tr5 master match plugin??
Hey man, I have some problems with mastering my progressive house songs and that is not with the sound or something but with the waveform. When I compare my waveform with that from my reference tracks in rekordbox for example, my track isn't receiving that full waveform of professional tracks. Do you know how to fix that?
What headphones do you mix/master in? Do you think you can professionally mix/master in headphones?
headphones don't quiet tell the real story
Yo, btw could you maybe make one with soundcloud aswell? Since soundcloud handles music a bit differently compared to for example spotify etc, since in spotify you can leave - 14 lufs headroom and it will be upscaled, soundcloud does not boost the volume
Soundcloud is mostly the same but you don't have to worry about loudness at all. Still set your peaks to -1.0 for the transcoding and then push the loudness to get a balance of commercial, competitive sound and good dynamics :)
Hey in the mix, what target LUFS should I aim for soundcloud? There’s no volume regulation, so I’m kind of stuck.
I would make it relatively high for electronic music, between -14 and -9 LUFS. But only for SoundCloud! Often if it's not loud there people simply skip over, it's quite a shame. As always, if you are hearing negative things from the excessive limiting just do a little less. Often to get more loudness you might want to use a compressor to gently add volume and then hit the limiter a little less hard. So you are getting compression from both :)
+In The Mix Thank you for the response man! I understand what you’re saying. I have another question too. I master my song for apple music at about -14LuFs and -1dbtp and when I play it back it’s still significantly quieter than every other song? I don’t know what to do. :( I use the Waves L2 limiter to top off my mastering chain and youleans loudness meter, in theory it should be louder than it is. Makes no sense.
SCARY VIDS , Try adding more saturation. Maybe during the mixing stage, not mastering.
Oh so lack of dithering is why my cymbals sound thin_and_iridescent.mp3 on SoundCloud?
😊😊😊😊😊
I'm sure you get a lot of this, but I love your channel. Friendly, concise tutorials that are easy understand. Thanks for spreading the love, brother
Thank you so much, I really appreciate the kind words :)
I am a music creator just because of @inthemix. He is phenomenal.
1:30am and yes I am going to get back on my laptop and finish my recent project because of this video
Just what I needed right now! Thanks, can't wait to dive in. 😊
Same!
Yea
Mixing engineer: how much low end should we cut on that lead?
Artist: Yes
Mastering engineer: ...
why
Hey there, Mike! Just wanna say I've learned a lot from you and it has essentially made me a better producer with more logical decisions. I don't think a compliment will cut it, but you're an amazingly talented person with lots of reliable knowledge for us rookies out here. Thank you. 🙏
I just made a remix and needed some tutorials for mastering my track. Thank you so much.
I really do appreciate these kinds of tutorials. It's so difficult to compete with the acclaimed artists' masters on the common streaming platforms in loudness and clarity. This is just one step closer in the right direction.
I am at this stage of my first EP production. God sent you to help me ease my brain melting troubles.
Can U do a video about music copy rights and licensing etc?
I could try but I might not be the best person to do it. I don't have a huge experience with it. Owning the copyright and such is very simple, you basically have to create and publish the song. But enforcing the copyright is challenging, it requires a legal team working for you to enforce it
If you are a beginner You should go for Music Distribution websites, like Distrokid, it's a paid service but some of them have free plans like Soundrop and Routenote. Hope this will help you....
Can you please please please share, which all books did you read for music production???????
Btw Love your videos a lotttt
I have not read books but there are lots of amazing websites and people who share information.
Chatting with producers, mixing engineers and such really goes a long way!
@@inthemix Hey Mike! Would you like to share the name of some of these websites?
I mostly post my works on IG. The audio quality drops like by 50%. Please Do a Mastering tutorial for IG.
Sayooj R IG just sucks. Post your work somewhere else my friend.
@@nikkospar4305 I'm kinnda trynna building a fanbase on IG 😅.
Then deal with the shitty quality. @@sayoojr9200
Guys please help! Should I level or eq first ? Im always confuse
Isn't limiting already done by a compressor? (compression "squishes" the song into defined boundaries, right?) Why does limiting need to be a step of its own? (beginner)
ps. I'm starting to learn that a really WIDE audio sounds more sexy than really LOUD audio.
You should make a mixing tutorial, if you haven't done one already.
He has
You shouldn’t be a dumb ass and look at his channel before making stupid comments. 🤦♂️
Stay friendly guys! Yeah I have a few videos covering mixing topics and techniques, search the channel and I hope you find what you're looking for :)
I DONT THINK WE CAN BE... I DONT THINK WE CAN BE FROooooo.....
here first
lol
send lkes
Notifications are working!
@@inthemix yes
@@inthemix hehehehehe
Fun fact: Knife Party (Out of all people) mastered their new Lost Souls EP around -14 LUFS!
R3bbit interesting, I hate how everyone says edm has to be -6db. I master around the point I feel comfortable with and it still sounds as loud as other songs!
I hate the fact that i dont get what you guys r talking about...yet.
@@imd5363 keep researching and practicing. I used to have zero knowledge, after 1 year I have 3 songs on spotify and apple music, and I gained such a vast knowledge. All in 1 YEAR!
And its not that I'm super smart or have a lot of free time , just passion
I want audio monitors .... ☹️
Yamaha hs8
@@ReviewPimpUSA thanks.. I'll check it out.
Mike, it's an amazing tutorial, as always, but I was hoping that you could make a tutorial about LIVE vocal effects in FL Studio, if that's possible, because I couldn't find any decent tutorial and I don't want to purchase Ableton Live.
When you say live vocal effects, do you mean for a live performance (On a Stage etc) or do you mean hearing effects back in real time for recording?
I use Ableton Live - there are no “magic” vocal plugins in either Ableton or Max for Live.