Yes, you can use the classique "IBK Stack technique" where you can stack multiple IBKs, but it's heavier, that's why I used the gizmo I'm showing. BUT this is outdated, since I recorded this video I found a better way using the "Inpaint" node that is built-in Nuke.. faster and better... If I have time I'll do a video talking about this fantastic node (my new favorite one)
O homem é bravo nos VFX,👏👏👏👏👏👏👏👏👏👏👏👏. Você é fera demias, também vi seu portifólio você é uma compositor de Flmes de Hollywood, por isso você é tão fera a ssim... Saudações do Brasil...
@@theagsway Hello, I would like to download this device called Extend IBK by Johannes Masanz, I click on the link but I can't find it, I don't know where to find it exactly, can you help?
Hey @@eliaslimapro you can download it here : masanz.gumroad.com/l/nukescripts Unfortunately it's not free anymore (it was when I recorded the video). However, I use the inpaint node now (which I didn't know back then) and which is already available in Nuke 👍
There's something I don't really understand. If you're essentially making a matte to replace the uneven greenscreen with a green constant, then what is the benefit in continuing and replacing the background with green? you already have a matte to use. I've been keying all week on a show and unless they want the background to be a smooth greenscreen, I can't see the use of smoothing out the green to make things easier in keylight, when you have something you can already shuffle into the right place.
It depends on how you key your shot. If you just do one keylight and you are happy... then it won't be super useful. But if you do an additive key later in the process you will need a cleanplate. Doing the cleanplate, you can use it to even the greenscreen. Cleaning your screen will prevent the need of doing several patches of different keys because everything is already evened out. Plus if you have a sequence of several shots to key, you just need to do the keying process once. As soon as you prepared your cleanplate for the other shots everything will follow. You won't have super nice greenscreen everytime... most of the time you will get uneven color (several shades of green or blue), folds, light changes... if you don't take care of this, your key will fail (I mean if you do it without the cleaning of the screen). So, if you have to do it, then it's not a lack of time and you reuse this cleanplate several time in your key. I'm doing this for years and it helped me everytime with the most complicated keys as with the easiest one. I'm showing an example of the benefit of doing this in the regrain video (Class 06-05) at around 36 min
@@brandosbucket Oh, and I'm re-reading the message... in this video I don't do a matte to be used, I'm doing it to explain the process... but in reality the thing that you need to do is only the cleanplate... the reste is taken care by the tool PXF Clean Screen... the matte created is no good for a keying purpose... it's just a despill matte. So once again, it's just a step to make everything easier, but it's not, in my opinion, a lack of time. In my process I reuse the cleanplate created at several steps
@@theagsway Thanks, no my point was rather that I couldn't understand why, if you are doing the work to pull some kind of background separation, using IBKcol, then that's doing the work needed for pulling a matte. I obviously got the wrong end of the stick. :)
Hi, the link was indeed dead since a long time. I was waiting for the creator to fix his website. Apparently he did and I updated the link on the description. Unfortunately, it seems that the tool is no longer free.
thank you so much I had a hard time Keying hair because of the non-uniform GS ! It helped me a lot thank you !!
I'm glad to read that my video helped you for this tricky task :)
Can we stack the chroma without you the gizmo not every time we get same gizmo in all studio
Yes, you can use the classique "IBK Stack technique" where you can stack multiple IBKs, but it's heavier, that's why I used the gizmo I'm showing. BUT this is outdated, since I recorded this video I found a better way using the "Inpaint" node that is built-in Nuke.. faster and better... If I have time I'll do a video talking about this fantastic node (my new favorite one)
The link of Extend IBK is not working.
Unfortunatelly, it seems that Johannes Masanz website (the creator of this gizmo) is down :(
@@theagsway Yeah ok thx.
The link is finally updated, but it seems that the tool is no longer free
O homem é bravo nos VFX,👏👏👏👏👏👏👏👏👏👏👏👏. Você é fera demias, também vi seu portifólio você é uma compositor de Flmes de Hollywood, por isso você é tão fera a ssim... Saudações do Brasil...
Muito obrigado 🙏
@@theagsway Hello, I would like to download this device called Extend IBK by Johannes Masanz, I click on the link but I can't find it, I don't know where to find it exactly, can you help?
Hey @@eliaslimapro you can download it here : masanz.gumroad.com/l/nukescripts Unfortunately it's not free anymore (it was when I recorded the video). However, I use the inpaint node now (which I didn't know back then) and which is already available in Nuke 👍
@@theagsway Thanks You very much
There's something I don't really understand. If you're essentially making a matte to replace the uneven greenscreen with a green constant, then what is the benefit in continuing and replacing the background with green? you already have a matte to use. I've been keying all week on a show and unless they want the background to be a smooth greenscreen, I can't see the use of smoothing out the green to make things easier in keylight, when you have something you can already shuffle into the right place.
It depends on how you key your shot. If you just do one keylight and you are happy... then it won't be super useful. But if you do an additive key later in the process you will need a cleanplate. Doing the cleanplate, you can use it to even the greenscreen. Cleaning your screen will prevent the need of doing several patches of different keys because everything is already evened out. Plus if you have a sequence of several shots to key, you just need to do the keying process once. As soon as you prepared your cleanplate for the other shots everything will follow. You won't have super nice greenscreen everytime... most of the time you will get uneven color (several shades of green or blue), folds, light changes... if you don't take care of this, your key will fail (I mean if you do it without the cleaning of the screen). So, if you have to do it, then it's not a lack of time and you reuse this cleanplate several time in your key. I'm doing this for years and it helped me everytime with the most complicated keys as with the easiest one. I'm showing an example of the benefit of doing this in the regrain video (Class 06-05) at around 36 min
@@theagsway Thank you.
@@brandosbucket Oh, and I'm re-reading the message... in this video I don't do a matte to be used, I'm doing it to explain the process... but in reality the thing that you need to do is only the cleanplate... the reste is taken care by the tool PXF Clean Screen... the matte created is no good for a keying purpose... it's just a despill matte. So once again, it's just a step to make everything easier, but it's not, in my opinion, a lack of time. In my process I reuse the cleanplate created at several steps
@@theagsway Thanks, no my point was rather that I couldn't understand why, if you are doing the work to pull some kind of background separation, using IBKcol, then that's doing the work needed for pulling a matte. I obviously got the wrong end of the stick. :)
As always amazing!
Thank you for your tutorial. It helps a lot.
I'm happy to read that these videos have been useful for you ☺
Make more tutorials 😫 🛐
Nice! well explained. Thanks
Thank you for the message, and thanks for watching 😉☺
Has the link extend gone?
Hi, the link was indeed dead since a long time. I was waiting for the creator to fix his website. Apparently he did and I updated the link on the description. Unfortunately, it seems that the tool is no longer free.
Nicely explained..
nicely explained bro
Thank you