Una voce può piacere o non piacere....ma certi commenti volgari sull'aspetto fisico della cantante in questione sono inamissibili! Una pura maleducazione!!! Per favore abbiate rispetto! Dove andiamo a finire se per certa gente il mondo deve essere solo popolato da esseri umani fisicamente perfetti....🤔☹️
Jo Hig Meade is NO CALLAS. Callas had a voice that maybe was not so pretty but was always on pitch, not wobbly... and well.. she was an assoluta. Meade shouldn’t be singing bel canto.. the wobblyness my god. It’s painful.
It truly is an abomination. Similar in size and sound to an ambulance. I cannot believe this is the quality of singer that you find at the Met these days. No wonder younger people such as myself truly detest opera. This is the sort of vocal malfeasance that most attribute to opera. I thank God every day the vocal triumphs of Joan Sutherland are immortalized by her many recordings. Were it not for singers like Sutherland, I would never have become a fan of opera. 40 years ago, Angela Meade would not even be fit to be an understudy. But she is a Prima Donna today. Just let that sink in.
She wouldn't even get work as a comprimario a few decades earlier. I grew up listening to the broadcasts in the glorious 60's. Every week was Tebaldi or Price or Nilsson or Sutherland and Corelli or Tucker or.Bergonzi. Now I usually have to turn the radio off after ten minutes. So sad!
The problem is that she does not fit this rle at all. It is not just that these days we lack excellent singers, that would make it seem like she is the best we could find for Norma. If you listen to Yoncheva or Rebeka singing this very same role, it becomes clear that Meade simply is not a good Norma and not the best option for this role in an important opera theater, though she could be much better in other roles.
I also agree with the respondent here. I have been attending opera since the early 60'Ts and the great problem that seems to have emerged in the last couple of decades is that conductors seem now to push singers into roles that they should not sing at all [Meade is not a "Norma" although she is making a valiant effort; Levine pushing the post-surgery Voight, possibly the greatest Strauss soprano of the second half of the 20th century into Brunnhilde; Gergiev taking a very fine basic voice in Netrebko and trying to create the impossible [A new Callas]; or directors failing totally to understand the physical demands of singing and pushing singers to do things that are antithetical to great singing. There is also the problem of mediocre listeners who accept Broadway voices in Verdi and Wagner. We need audiences who do not applaud [I do not advocate booing but silence after a poorly done aria or scena conveys the appropriate message]. Singers must also stop trying to sing everything early in their careers. People seem to forget that Sutherland made her debut at Covent Garden nine years before her first Lucia; Sills was a reliable soprano without much acclaim for 10 years before the Cleopatra in Julius Caesar, Flagstad was 34 before she took on the great Wagner roles internationally. There are still great voices out there but there no longer seems to be a system which supports them as they develop and mature.
I think she fits later Romantic roles (later Verdi, Massenet, and so on) way better than Italian bel canto or baroque. Her voice is too wavery, heavy and heterogeneous to sound effortless and seamless in a role that requires these qualities more than anything else. She should consider sticking to her excellent Alice Ford, at most Luisa Miller and Amelia, not much earlier or more higher coloratura than that.
I had the same impression at first listening, about the syrupy thickness of the voice and the wide vibrato. But on second listening, the rich expressive beauty works form me.
@@walkercatenaccio Hoo boy, are you spot on about the wide vibrato. I listened at 0.25x speed, and it varies from a major third to a perfect fifth, but it is never narrower than a major third. That is absolutely unacceptable, unmusical in the extreme.
'Norma' is one of the most demanding operas for a soprano to sing. The quality of Bel Canto is a sure definition to sing this wonderful Bellini opera. Fiata is just not here within her technique. The clean musical line does not hold. Her voice is powerful and perhaps being too eager to stretch repertoire too soon instead of fully developing the 'cover' with a solid support and control of singing 'on the breath?' We old persons have heard many singers from last 50 years. Caballe was quite the legendary of Bel Canto. She never felt ready to sing 'Norma.' Furyher, she didn't even know she could sing Bel Canto until Lucretia. What a gift of sound and command of voice FIRST. When she did sing 'Norma,' she knocked many a performances out of the park. I'm very interested to care of the voice. Tessitura is time decision as voice matures? Best to her.
The entire instrument has been placed into a squeeze mask technique and her throat is not engaged . This an enormous amount of air is flying through and the chords just waver even more . Throat engagement was seen as dangerous technique in the 1990’s by in the main American teachers. What we have now is hollow and or nasal whinnying and throats which are frankly obnoxious to listen to . Meade well , it’s just warbled in everything she does . It has never been fixed nor dealt with . It’s a huge denial of her entire career .
Povera Norma, povero Bellini, povera Callas, povero pubblico...non sanno, quello che producono, i "direttori artistici (si fa per dire)" di questi teatri...e d'altri. La Callas fece bene a non mettere piede piu' al Metropolitan, allora e' come adesso. Un teatro un tanto al chilo...
Ah! bello a me ritorna Del fido amor primiero, E contro il mondo intiero Difesa a te sarò. Ah! bello a me ritorna Del raggio tuo sereno E vita nel tuo seno E patria e cielo avrò.)
Listening to this performance I can only say Viva Callas, Viva Caballe, Viva Sutherland, Viva Leyla Gencer, Viva Mariella Devia, Viva Beberly Sills From Santiago of Chile South America July 2018
Singers don't own roles, especially since the composer never knew Callas. If we have to talk about ownership, the role will have to be shared w / Christina Deutekom / Montserrat Caballe & Elinor Ross --- especially the latter !!
😮 seriously? I can't stand her wobbly - inverted vibrato. Not to mention her tasteless interpretation, lack of legato and pure registration (chest and head voice)
Her notes sound so effortless!!! Beautiful line and ease, and she carries the emotions so clearly. Seeing a beautiful plus size woman take on this role is so inspiring for me; these are real people portraying human stories, and some real people carry more weight than others and are still healthy! The scale does not reveal your worth or your health level. Brava!!!!
A big voice but this rep is before her and she should’ve waited to do this later or at least controlled that flap bc I’ve heard her at Winspear opera Dallas in Falstaff and she wasn’t flat at all but here she sounds ratchet and tired
That this inconsequential singer passes for "star" at the Met today stands as an indictment against the sorry state of singing and of the artform in general and should qualify as scandal, second only to the Levine and Gelb self-inflicted one going through the motions now.
The standard for bel canto for the last 35 to 45 years was set by Callas, Sutherland, Caballe , Horne, and Sills. I’m a Rodvanofsky but, even though she was better than this, she also had some difficulty with some of the role BUT, the tone was always beautiful, unless she intended otherwise. Meade has a world class voice and when she began singing Seditiose Voci, I thought she was gonna be fine, but I was disappointed with most of the performance.
Just heard Angela Meade last night in Montreal in Verdi’s Requiem. Very sad and bad singing and to your point, she is not so much to blame as the people who hire and promote such low quality of supposedly top notch singers.
This is a terrible shame as already her voice has become harsh and ugly with way too much vibrato above the stave between a G and a B. Interestingly the very top is not so wobbly. She won't last at this rate. Someone needs to have a word and she needs to salvage what was a promising dramatic soprano voice. She is taking on way too many new heavy roles too soon in my view. Also, whilst for me it is not too much of an issue, the weight thing is going to be a problem if she wants to sing decent roles outside US.
Simon Bostic what do you mean too early or too soon? She’s forty, 40, it’s not too soon to be singing these roles. She just has a poor technique which doesn’t convey her voice properly. She has a beautiful instrument but she isn’t using it right or well. Her weight is really a non issue compared to the fluttery mess which is her technique. As far as someone telling her that she needs to focus elsewhere or that she isn’t Joan Sutherland. Good luck from what I know form a friend that spends a lot of time with her she is a DiVA in every derogatory sense of the word. And she has a horrible attitude towards people who think she isn’t the next Adelina Patti.
LaBartoliLover That is even more of a shame. However I am not surprised she thinks she's the bees knees if she is being put on such a pedestal by The Met. Why do you think she gets all the work there? Someone somewhere has her back. The same question can be asked about casting at Covent Garden too often although since Pappano that has improved with the exception perhaps if Eva Maria Westbroek whose voice for me is totally wrong in verismo roles.
Why does this aria never get the attention it deserves. Well let me be pretentious and answer my own question, because this opera contains the most overrated aria of all time. They are both still fantastic, no hate for opera here, but come on how many times must we here casta diva?
"Ah! bello a me ritorna' - the actual translation is " the beautiful (man), return to me", not just "return to me, my love". It is very important that she acknowledges his beauty, thus letting us know how he scores such a big success with women and her vain hopes because she does not consider herself his equal in beauty and most likely is not beautiful. This explains a lot in the action, including her desperation and knowledge that he is lost to her forever. Why would the Met smooth this out, this opera is about an infanticidal, suicidal, murderous woman! This soprano is not the most fitting to the demands of the role but passable. Jane Eaglen was far more impressive as Norma.
Henry Carey I like her personality and voice even if this wasn’t the best I’ve heard from her. But there is no reason to be a silly cow and take for granted that everybody share the same taste.
Dear Henry ... I LIKE MEADE ... i really don't care if singers are fat or slim , its not fashion its opera ... i´m really astonished you think my comment is about Meade´s weight ... that would be mean ... and stupid ... im not both !! its where your thoughts and words not mine ... so ... you should work on it ! I follow Meade ´s career since a show about young singers at the MET, and ... as an opera fan I DONT LIKE THIS PERFORMANCE AT ALL... unfortunately , because I LIKE HER ! its only an opinion
I have heard her in Trovatore.. too much vibrato ..really has a tremulo. Sounds like a bleating goat . I do not like her in this. It sounds like work to me. She deleted a whole phrase before the high c at the end.
Che voce armonica, bellissima e dolce come il suono di un violino. Vibrato e coloratura sublime! È vero, non sarà bellissima esteriormente ma tutta la bellezza della sua voce, supera di gran lunga le belle donne delle riviste.
Unfair comparison with Callas, since noone else is Callas... Still, this voice is wobbly, weary, unpleasant... Not as I remember from past performances.
Una voce può piacere o non piacere....ma certi commenti volgari sull'aspetto fisico della cantante in questione sono inamissibili! Una pura maleducazione!!! Per favore abbiate rispetto! Dove andiamo a finire se per certa gente il mondo deve essere solo popolato da esseri umani fisicamente perfetti....🤔☹️
Callas had the perfect answer to critics of her voice: "If you don't like my singing, don't hear me."
Lol
But you are way off in comparing this to the genius that callas was
@@reynazagal2654 completely true
Jo Hig Meade is NO CALLAS. Callas had a voice that maybe was not so pretty but was always on pitch, not wobbly... and well.. she was an assoluta. Meade shouldn’t be singing bel canto.. the wobblyness my god. It’s painful.
@@prosdocimo please check out soprano Kasondra Kazanjian
A wobblefest. Shocking, a travesty. Where is the bel canto vocal line in all of this? Every note sounds like an out-of-control trill.
It truly is an abomination. Similar in size and sound to an ambulance. I cannot believe this is the quality of singer that you find at the Met these days. No wonder younger people such as myself truly detest opera. This is the sort of vocal malfeasance that most attribute to opera. I thank God every day the vocal triumphs of Joan Sutherland are immortalized by her many recordings. Were it not for singers like Sutherland, I would never have become a fan of opera. 40 years ago, Angela Meade would not even be fit to be an understudy. But she is a Prima Donna today. Just let that sink in.
She wouldn't even get work as a comprimario a few decades earlier. I grew up listening to the broadcasts in the glorious 60's. Every week was Tebaldi or Price or Nilsson or Sutherland and Corelli or Tucker or.Bergonzi. Now I usually have to turn the radio off after ten minutes. So sad!
The problem is that she does not fit this rle at all. It is not just that these days we lack excellent singers, that would make it seem like she is the best we could find for Norma. If you listen to Yoncheva or Rebeka singing this very same role, it becomes clear that Meade simply is not a good Norma and not the best option for this role in an important opera theater, though she could be much better in other roles.
I feel the same way
I also agree with the respondent here. I have been attending opera since the early 60'Ts and the great problem that seems to have emerged in the last couple of decades is that conductors seem now to push singers into roles that they should not sing at all [Meade is not a "Norma" although she is making a valiant effort; Levine pushing the post-surgery Voight, possibly the greatest Strauss soprano of the second half of the 20th century into Brunnhilde; Gergiev taking a very fine basic voice in Netrebko and trying to create the impossible [A new Callas]; or directors failing totally to understand the physical demands of singing and pushing singers to do things that are antithetical to great singing. There is also the problem of mediocre listeners who accept Broadway voices in Verdi and Wagner. We need audiences who do not applaud [I do not advocate booing but silence after a poorly done aria or scena conveys the appropriate message]. Singers must also stop trying to sing everything early in their careers. People seem to forget that Sutherland made her debut at Covent Garden nine years before her first Lucia; Sills was a reliable soprano without much acclaim for 10 years before the Cleopatra in Julius Caesar, Flagstad was 34 before she took on the great Wagner roles internationally. There are still great voices out there but there no longer seems to be a system which supports them as they develop and mature.
ВсЕ ВЫ СТАРЫЕ МУДАКИ!
Good, do you want a medal?
映画キャラクターの船越一家（一番最初に殺された家族）で流れてた曲はこれですか？ 間違っていたらすいません🙇🏼♀
もし、違っていれば流れていた曲わかる方教えてください🙇🏼♀🙇🏼♀
Had the pleasure of hearing her live at the met , this woman’s voice is out of this world i felt like the whole theater was vibrating - PERFECTION!
Big voice?
@@mugrad25 huge!
I've heard her live at the MET several times. Not only is the voice huge the timbre is bright and thrilling.
@@babachlovari4782 please check out soprano Kasondra Kazanjian
@@Muttonchop_USA please check out soprano Kasondra Kazanjian
She reminds the alarm of my car
Exactly!
Perhaps she gets the royalties.
What is THIS ? This is MET's QUALITY??? OMG !!!...Povero Bellini... Povera NORMA... POVERA OPERA...
Penny Altiparmaki is absolute correct. I can appreciate that she sings MUCH better than average but this is horrible for a performance at the Met.
POVERA CALLAS!
Penny, так и прёт от твоего коммента плебейством,ряжущимся под снобизм!
@@VogelnMick Jagger could sing this better than she does.
Please?!!Did someone say her coloratura is good? It’s a smudge. My image is a giant bee who can’t quite maneuver onto the bloom
@Bravo Luca they're nasty they're true
I think she fits later Romantic roles (later Verdi, Massenet, and so on) way better than Italian bel canto or baroque. Her voice is too wavery, heavy and heterogeneous to sound effortless and seamless in a role that requires these qualities more than anything else. She should consider sticking to her excellent Alice Ford, at most Luisa Miller and Amelia, not much earlier or more higher coloratura than that.
this, exactly this
Absolutely I agree. Galloping through is definitely to be commended but really. Meade is a trooper. But really a voice is what it is.
I had the same impression at first listening, about the syrupy thickness of the voice and the wide vibrato. But on second listening, the rich expressive beauty works form me.
Her voice is much more Pamina (but she is to fat for Pamina etc)
@@walkercatenaccio Hoo boy, are you spot on about the wide vibrato. I listened at 0.25x speed, and it varies from a major third to a perfect fifth, but it is never narrower than a major third. That is absolutely unacceptable, unmusical in the extreme.
Her Vibrato is out of control.
Goaty vibrato is annoying.
Maravillosa !
'Norma' is one of the most demanding operas for a soprano to sing. The quality of Bel Canto is a sure definition to sing this wonderful Bellini opera. Fiata is just not here within her technique. The clean musical line does not hold. Her voice is powerful and perhaps being too eager to stretch repertoire too soon instead of fully developing the 'cover' with a solid support and control of singing 'on the breath?' We old persons have heard many singers from last 50 years. Caballe was quite the legendary of Bel Canto. She never felt ready to sing 'Norma.' Furyher, she didn't even know she could sing Bel Canto until Lucretia. What a gift of sound and command of voice FIRST. When she did sing 'Norma,' she knocked many a performances out of the park. I'm very interested to care of the voice. Tessitura is time decision as voice matures? Best to her.
Uh. No. Does nobody else hear how out of tune it is a lot of time and how that wild a vibrato gets in the way of actual pitches a lot of the time?
Her voice is only vibrating , can not sing a note properly. Must to sing exactly as it is written on the score.
yang masa do you know anything about vocal technique? Angela has perfect technique
Look the score. She did not sing the several passages (fast passages) exactly. She sang like trills or vibrating.
Look the score. She did not sing the several passages (fast passages) exactly. She sang like trills or vibrating.
The entire instrument has been placed into a squeeze mask technique and her throat is not engaged . This an enormous amount of air is flying through and the chords just waver even more . Throat engagement was seen as dangerous technique in the 1990’s by in the main American teachers. What we have now is hollow and or nasal whinnying and throats which are frankly obnoxious to listen to . Meade well , it’s just warbled in everything she does . It has never been fixed nor dealt with . It’s a huge denial of her entire career .
@@llemmeier Exactly what about her technique do you find perfect?
0:45
Me ha sorprendido gratamente la Meade, en un rol que solo se puede escuchar en muy pocas cantantes. Gracias por compartir
bravissima !!!!
Please check out soprano Kasondra Kazanjian
Strong voice but gosh vibrato is way too much
I think her voice is not strong enough though, agree with the vibrato is too much. I think her voice is a bit light to this role
I like a slow wobbly vibrato hahaha.
@@morganchan2465 please check out soprano Kasondra Kazanjian
Dio mio...
Such a small, colourless voice... And a bad vibrato. I could see her possibly being good in certain roles but norma is so far from that list
Please check out soprano Kasondra Kazanjian
She did well!
another production the Mets DH streaming has relegated to "audio only" instead of streaming the actual video.
absurd!
Another example of weak casting in the last 10 years at the MET.
Povera Norma, povero Bellini, povera Callas, povero pubblico...non sanno, quello che producono, i "direttori artistici (si fa per dire)" di questi teatri...e d'altri. La Callas fece bene a non mettere piede piu' al Metropolitan, allora e' come adesso. Un teatro un tanto al chilo...
Ah! bello a me ritorna
Del fido amor primiero,
E contro il mondo intiero
Difesa a te sarò.
Ah! bello a me ritorna
Del raggio tuo sereno
E vita nel tuo seno
E patria e cielo avrò.)
Listening to this performance I can only say Viva Callas, Viva Caballe, Viva Sutherland, Viva Leyla Gencer, Viva Mariella Devia, Viva Beberly Sills
From Santiago of Chile
South America
July 2018
Meade is boring & for my opinion a Mozartvoice .... This is 🐦
RIGHT? I can't understand how anyone likes this @@Come-Dians
a singing ambulance
Is she alternating with Sondra Radvanovsky?
Ok, she should stick to Strauss. You can't the tell difference between her semiquavers and the monochrome vibrato.
Desmond P T Yes she is alternating vibrato with Radvanovsky (-:
Maria Callas still owns this
Forever and ever.
Singers don't own roles, especially since the composer never knew Callas.
If we have to talk about ownership, the role will have to be shared w / Christina Deutekom / Montserrat Caballe & Elinor Ross --- especially the latter !!
One word, bad!
Soprano. Ah Bello a me ritorna. Norma. Bellini. Romanticismo
😮 seriously? I can't stand her wobbly - inverted vibrato. Not to mention her tasteless interpretation, lack of legato and pure registration (chest and head voice)
Puah
:S
No too screetchy.. not a Norma..
Her notes sound so effortless!!! Beautiful line and ease, and she carries the emotions so clearly. Seeing a beautiful plus size woman take on this role is so inspiring for me; these are real people portraying human stories, and some real people carry more weight than others and are still healthy! The scale does not reveal your worth or your health level. Brava!!!!
Beautiful woman
As much appetite as a plus menu at a fast food chain.
Are you her mother? Because nobody but her mother could like this disgusting mess.
I prefer a Norma that doesn't have to waddle across the stage.
A big voice but this rep is before her and she should’ve waited to do this later or at least controlled that flap bc I’ve heard her at Winspear opera Dallas in Falstaff and she wasn’t flat at all but here she sounds ratchet and tired
That this inconsequential singer passes for "star" at the Met today stands as an indictment against the sorry state of singing and of the artform in general and should qualify as scandal, second only to the Levine and Gelb self-inflicted one going through the motions now.
The standard for bel canto for the last 35 to 45 years was set by Callas, Sutherland, Caballe , Horne, and Sills. I’m a Rodvanofsky but, even though she was better than this, she also had some difficulty with some of the role BUT, the tone was always beautiful, unless she intended otherwise. Meade has a world class voice and when she began singing Seditiose Voci, I thought she was gonna be fine, but I was disappointed with most of the performance.
David Goulet True. The standards you write about have long left the station.
Bravo Luca Faint praise in an era of severe artistic drought.
@Bravo Luca: Yes, they are all wrong for hiring her.
Just heard Angela Meade last night in Montreal in Verdi’s Requiem. Very sad and bad singing and to your point, she is not so much to blame as the people who hire and promote such low quality of supposedly top notch singers.
Maria Callas war eindeutig besser!!Sie war NORMA mit ❤️ Herz,Seele und Geist!! Also nicht so gut interpretiert!Leider! 2:57
🤣🤣🤣🤣😳😳😳😳😳
Very Impressive!
She ate Pollione, Adalgisa and the kids.
Preferisco la nostra Anna Pirozzi 🥰
Awful...these kind of people can perform in MET...
The only thing to like here is the plissee of the dress!
Jochem B. Lol
Norma murió con esta puesta en escena. Horrible....
Bartoli is easily the worst caricature of Norma I've ever heard, but damn, this one comes pretty close. What a horrid mess of a voice.
Please check out soprano Kasondra Kazanjian
Don't be so boxed in with various voices.
This is a terrible shame as already her voice has become harsh and ugly with way too much vibrato above the stave between a G and a B. Interestingly the very top is not so wobbly. She won't last at this rate. Someone needs to have a word and she needs to salvage what was a promising dramatic soprano voice. She is taking on way too many new heavy roles too soon in my view. Also, whilst for me it is not too much of an issue, the weight thing is going to be a problem if she wants to sing decent roles outside US.
Simon Bostic what do you mean too early or too soon? She’s forty, 40, it’s not too soon to be singing these roles. She just has a poor technique which doesn’t convey her voice properly. She has a beautiful instrument but she isn’t using it right or well. Her weight is really a non issue compared to the fluttery mess which is her technique. As far as someone telling her that she needs to focus elsewhere or that she isn’t Joan Sutherland. Good luck from what I know form a friend that spends a lot of time with her she is a DiVA in every derogatory sense of the word. And she has a horrible attitude towards people who think she isn’t the next Adelina Patti.
LaBartoliLover
That is even more of a shame. However I am not surprised she thinks she's the bees knees if she is being put on such a pedestal by The Met. Why do you think she gets all the work there? Someone somewhere has her back.
The same question can be asked about casting at Covent Garden too often although since Pappano that has improved with the exception perhaps if Eva Maria Westbroek whose voice for me is totally wrong in verismo roles.
@@SimonBostic please check out soprano Kasondra Kazanjian
All of these keyboard critics never mention Caballe's shape and weight.
Damn painful to listen to...just goaty vibrato...horrible
Correct!
@@ms.chaewon9231 please check out soprano Kasondra Kazanjian
Pretty bad.
Why does this aria never get the attention it deserves.
Well let me be pretentious and answer my own question, because this opera contains the most overrated aria of all time. They are both still fantastic, no hate for opera here, but come on how many times must we here casta diva?
Because it's not an aria.
It's the same aria. This is the second part (cabaletta) of Casta diva.
Ma è vergognoso....
Декорации на высшем уровне, браво Мет! Хор сильный! А вот исполнение кабалетты мягко говоря странное. Беллини наверное в гробу перевернулся.
She sounds like Pilar Lorengar. (not a good thing)
"Ah! bello a me ritorna' - the actual translation is " the beautiful (man), return to me", not just "return to me, my love". It is very important that she acknowledges his beauty, thus letting us know how he scores such a big success with women and her vain hopes because she does not consider herself his equal in beauty and most likely is not beautiful. This explains a lot in the action, including her desperation and knowledge that he is lost to her forever. Why would the Met smooth this out, this opera is about an infanticidal, suicidal, murderous woman!
This soprano is not the most fitting to the demands of the role but passable. Jane Eaglen was far more impressive as Norma.
I am madly obsessed with THE ANGELA MEADE.
HORRIBLE, is too kind a word for this dumpster fire mess. Insulting.
Please check out soprano Kasondra Kazanjian
Great voice! I'm seeing her as Norma at the next matinee. I can't wait.
Ella es horrible 🤦🏼♂️
Bring ear plugs.
Ghastly
Horrendous
Great performance, coloraturas and high notes are perfect, but her vibrato is not to nice, it is too deep
WTF!!!!!
CRAZY COW What?
really??? isnt it obvious???
CRAZY COW It was just a question
Henry Carey I like her personality and voice even if this wasn’t the best I’ve heard from her. But there is no reason to be a silly cow and take for granted that everybody share the same taste.
Dear Henry ... I LIKE MEADE ... i really don't care if singers are fat or slim , its not fashion its opera ... i´m really astonished you think my comment is about Meade´s weight ... that would be mean ... and stupid ... im not both !! its where your thoughts and words not mine ... so ... you should work on it ! I follow Meade ´s career since a show about young singers at the MET, and ... as an opera fan I DONT LIKE THIS PERFORMANCE AT ALL... unfortunately , because I LIKE HER ! its only an opinion
🐽🐖🐷
Horror !
I have heard her in Trovatore.. too much vibrato ..really has a tremulo. Sounds like a bleating goat . I do not like her in this. It sounds like work to me. She deleted a whole phrase before the high c at the end.
Une très belle voix !
Che voce armonica, bellissima e dolce come il suono di un violino. Vibrato e coloratura sublime!
È vero, non sarà bellissima esteriormente ma tutta la bellezza della sua voce, supera di gran lunga le belle donne delle riviste.
Ma dice sul serio ?
Tutti bravi a fare i maestri con le voci altrue
@@konan123 please check out soprano Kasondra Kazanjian
@@pietroterranova8357 please check out soprano Kasondra Kazanjian
@@vincec8218 no!
Terrible! sounds like the late Beverly Sills on a bad night.
Please check out soprano Kasondra Kazanjian
good vibrato
Too much
That's not a vibrato. It's a two note tremolo over a third.
"Enorma"
💀
After having seen this video, I know now, how the virgin Norma managed to hide two pregnancies 😱😱😱
Unfair comparison with Callas, since noone else is Callas... Still, this voice is wobbly, weary, unpleasant... Not as I remember from past performances.
Please check out soprano Kasondra Kazanjian
Mon dieu, quelle baleine!!! Quelle horreur!!! On devrait lui interdire d'apparaître sur la scène tant qu'elle pèse plus de 100 kilos.
Si on devait supprimer de ce monde tous les êtres qui "ne rentrent pas dans le moule", il n'y aurait plus personne, les cons en premier !!!
Roselyne Jollet Decent people try to write in a language which more than french ignorant people can understand.
Phillippe says that 'we should forbid people over 100kg to go onstage', I actually propose to forbid ignorant people to express their minds so openly
Wotan123456789 Angela Meade seems to be such a nice person and it’s never ok with body shaming.
Bravo Luca Because opera is about voices not catwalks.
At least WAS...
The tempo is so slow because she does not have coloratura skills. All the notes are sticky and she sounds like a broken car.
Sorry but, no
🐋 🐳