Beautiful. Less extreme than op 6 where he had already abandoned any split reference to tonality. We still see glimmers of "Scriabin-ism" here and there, although language clearly goes beyond Scriabin exploring multiple harmonic solutions targeting atonality and microtonality he would devote himself later
Wonderful piano pieces.
Tremendo desarrollo
Beautiful. Less extreme than op 6 where he had already abandoned any split reference to tonality. We still see glimmers of "Scriabin-ism" here and there, although language clearly goes beyond Scriabin exploring multiple harmonic solutions targeting atonality and microtonality he would devote himself later
Love this song❤️💕tks for sharing
Interesting I have not heard his pre micro tonal piano pieces. It seems like Wyschnegradsky he slowly broke away from 12 tone