This work is well known to organists. Like the C minor Passacaglia, BWV 582, it is unique among Bach's output. Its composition date is unknown (possibly the various movements once had a separate existence before fining their place in this work), but the third resembles the slow movements of Italian concertos that Bach arranged around 1714 in Weimar. The final movement, which echoes the Gigues from the English Suites (c. 1714-1720) may be from c. 1720, as it features Bach's interest in inverting his theme in the second section of the piece (as also in the last four, and later-composed, English Suites, BWV 808-811). Perhaps, as occurred in works like the B Minor Mass, BWV 232, Bach chose movements composed at different times and compiled them to form this unique and very beautiful "nativity" work, with its hypnotic drone effects. In any case, it is an organ work that achieves a new, more intimate dimension when played on the pedal string instruments (harpsichord and clavichord) that were well known to Bach and all German organists of his day. PW
Wunderschöne und detaillierte Interpretation dieser fein komponierten Pastorale in verschiedenen Tempi mit schimmerndem doch warmherzigem Klang des technisch perfekten Cembalos und mit sorgfältig kontrollierter Dynamik. Die Pedaltechnik ist wahrlich ergreifend. Faszinierend vom Anfang bis zum Ende!
There is so much Bach that is not in thestandard reperrtoire . Pedal Harpsichord Amazing ! I must write some Boulez like stuff for it maybe add a bassflute and electric guitar with glockenspiel and alto saxophone!
A fairly unknown piece played on a fairly unknown instrument. Never heard of a Pedal Harpsichord before. But it is a wonder to hear this instrument being used. Curious if this idea was done for the piano. Similar to an organ but still retaining the main elements to a piano.
In Bach's day pedal clavichords and (less commonly, as they were more complex and expensive) pedal harpsichords were used for organ practice at a time when organs had to pumped manually and churches were cold during many months of the year. This pedal harpsichord, designed by Hendrik Broekman, technical director of Hubbard Harpsichords, is based on surviving descriptions by, among others, Jakob Adlung (1699-1762). Though no original pedal harpsichords survive, this one is modelled on the scaling and geometry of an original German harpsichord with 16' register (sub-octave strings) by Johann Hieronymus Hass (1689-1752). The pedalboard instrument has a range of 2 1/2 octaves (C-F) and three sets of strings: 4', 8' and 16'. There are two alternative sets of jacks for the 8' register. In the opening movement of the Pastorale, you hear the 8' register that is further away from the player and, therefore, a rounder and more "hollow" sound, very effective for creating a "pastoral" drone effect in this piece. This same pedal harpsichord is used throughout my complete Bach series, especially in the seven Toccatas (BWV 910-916) and the various Fantasias, preludes and fugues that have all be included online with scores. PW
チェンバロでの演奏最高ですね😊
Even the most unknown pieces from Bach are gems. Great performance!! Thanks
This work is well known to organists. Like the C minor Passacaglia, BWV 582, it is unique among Bach's output. Its composition date is unknown (possibly the various movements once had a separate existence before fining their place in this work), but the third resembles the slow movements of Italian concertos that Bach arranged around 1714 in Weimar. The final movement, which echoes the Gigues from the English Suites (c. 1714-1720) may be from c. 1720, as it features Bach's interest in inverting his theme in the second section of the piece (as also in the last four, and later-composed, English Suites, BWV 808-811). Perhaps, as occurred in works like the B Minor Mass, BWV 232, Bach chose movements composed at different times and compiled them to form this unique and very beautiful "nativity" work, with its hypnotic drone effects. In any case, it is an organ work that achieves a new, more intimate dimension when played on the pedal string instruments (harpsichord and clavichord) that were well known to Bach and all German organists of his day. PW
One of the most beautiful Bach works
Magnificent rendition of this very beautiful work. Thanks !
Wow. -I'd just randomly tuned in on the off chance. - Once again another delightful surprise from you, dear chap. Many thanks. 🙂
Wonderful. Peter Watchorn is a great interpreter.
it's great that you're posting Bach's works that I never heard
Eine wunderbare Interpretation 🎹🎶👍
Wunderschöne und detaillierte Interpretation dieser fein komponierten Pastorale in verschiedenen Tempi mit schimmerndem doch warmherzigem Klang des technisch perfekten Cembalos und mit sorgfältig kontrollierter Dynamik. Die Pedaltechnik ist wahrlich ergreifend. Faszinierend vom Anfang bis zum Ende!
Wow, I didn’t even know about this piece. How lovely!
The siciliana reminds me of bwv 1020 second movement. Thanks, Peter and Bartje.
This our world isfull of sorrow.
Will this music soothe our sorrow？
Is F major the trademark key of all pastoral music?
There is so much Bach that is not in thestandard reperrtoire . Pedal Harpsichord Amazing ! I must write some Boulez like stuff for it maybe add a bassflute and electric guitar with glockenspiel and alto saxophone!
Is this the only pastorale he ever written?
A fairly unknown piece played on a fairly unknown instrument. Never heard of a Pedal Harpsichord before.
But it is a wonder to hear this instrument being used.
Curious if this idea was done for the piano. Similar to an organ but still retaining the main elements to a piano.
In Bach's day pedal clavichords and (less commonly, as they were more complex and expensive) pedal harpsichords were used for organ practice at a time when organs had to pumped manually and churches were cold during many months of the year. This pedal harpsichord, designed by Hendrik Broekman, technical director of Hubbard Harpsichords, is based on surviving descriptions by, among others, Jakob Adlung (1699-1762). Though no original pedal harpsichords survive, this one is modelled on the scaling and geometry of an original German harpsichord with 16' register (sub-octave strings) by Johann Hieronymus Hass (1689-1752). The pedalboard instrument has a range of 2 1/2 octaves (C-F) and three sets of strings: 4', 8' and 16'. There are two alternative sets of jacks for the 8' register. In the opening movement of the Pastorale, you hear the 8' register that is further away from the player and, therefore, a rounder and more "hollow" sound, very effective for creating a "pastoral" drone effect in this piece. This same pedal harpsichord is used throughout my complete Bach series, especially in the seven Toccatas (BWV 910-916) and the various Fantasias, preludes and fugues that have all be included online with scores. PW
@Nana Kwame check this video and google the instrument you will be amazed. th-cam.com/video/vW9mhB5qm70/w-d-xo.html
@@bartjebartmans Thank you for your recommendation!
Pedal pianos do exist😊😊
He ended the first movement in A minor! He's obviously a bad composer, hope he didn't have children. (/jokes)
Because the second movement beings in C major