These two barely look at each other, it seems, everybody plays for himself, but they play pefectly together! I love the music playad by Oistrach, it sounds so warm and simple
кажется, Моцарт мог легко и непринужденно сочинить миллион таких произведенй, а Ойстрах так же играючи и смачно их исполнять. Высшая лига, что тут скажешь... И пианист-австриец великолепен.
Richter prima descrive la forte personalità di Ojstrach «tra tutti i violinisti che ho potuto ascoltare, per me è sicuramente il più grande. Un suono di una bellezza quasi inimmaginabile e di una forza priva di qualsivoglia tensione"....
Schwindsichtiga der Echte same here. I was learning Bach double in D minor and searching videos online. I saw his rendition (with Menuhin) and instantly fell in love with him. He made those crazy string crossings look so effortless. Hail King David!
Запись датирована 1974 годом. В том же году Давида Ойстраха не стало. Как мало он жил! Музыка Моцарта в исполнении Ойстраха завораживающе легка и прекрасна!!
Who here prefers Oistrakh to Heifetz? By the way, I love both, but I always thought Oistrakh was a bit more musical than Heifetz. Don’t get me wrong, Heifetz is one of the greatest in history, but he has a tendency to play things at lightning speed which works sometimes, but not for everything.
Que Maravilha ter o privilégio de escutar esses músicos fantásticos executando obras de um compositor mais fantástico ainda. Maravilhoso é um adjetivoapropriado para esse momento.
because key names are different in here in Austria/Germany (no idea how far :-)) B = H ; B flat = 'B' (no 'flat' required ;-)) C major: C, D, E, F, G, A, H, C F major: F, G, A, B, C, D, E, F
@@wolfganghollerweger3329 Thank you, Wolfgang. So the actual note names are also different. The note (not just the key) we in the US call B is called H in Austria and Germany. I see.
@@stepaushi 'b' is also the only exception from using '-es' as appenfix whe re you use 'flat Ces = C flat Des = D flat Es, Fes, Ges, As, B Sharp = '-is' Cis, Dis, Eis, Fis, Gis, Ais, His. To add more: We distinguish upper-/lowercase for keys Upper=major lower=minor Symphonie in B = h flat major in cis = c sharp minor
Title page reads as follows: sonatas for Pianoforte with the accompaniment of a violin(or Flute)These are sonatas for the Pianoforte with the accompaniment of a violin as Mozart’s original manuscript indicates. All of these Sonatas are heavily weighted toward the Piano which predominantly carries the musical narrative. They are chamber music display works for the Piano with obligatory violin or flute. It is very misleading for modern musicologists and performers alike to continue confusing audiences by calling these compositions violin sonatas which they are not. It’s a bitter pill to swallow if you’re Anna Sophie Mutter or Hillary Hahn or Maxim Vengerov , three great violinist with Egos to match in realizing their instrument is not the featured instrument in these sonatas. Modern Pianist also don’t realize that this type of sonata was an important genre of keyboard sonata in the 18th and 19th centuries in a addition to the usual solo Keyboard sonata that we’re so used to hearing. This has to be constantly pointed out for these sonatas in particular as people get really confused when listening to them wondering why the pianist is taking a subsidiary subdued role when instructed by his violinist partner to underplay his part when the score clearly indicates otherwise. The violin has an Obligatory role and is subsidiary to the Piano and must yield to keyboard part. The order is very important here. Mozart never wrote sonata for violin and piano. He clearly states sonata for Piano with the accompaniment of a violin. Recording labels and companies have also hugely contributed to mislabeling these sonatas. All of it born out of ignorance if not deliberate. Become educated when listening or performing these compositions in order to do this music justice instead of engaging in historical revisionism.
Oistrakh pathos, which make such a great performer of romantic and modern music, makes his quite heavy when in comes to Mozart. Badura-Skoda, on the other hand is perfectly in style. I am sure Oistrakh knew this, that is why he so much admired the greatest Mozart violin master: Grumiaux.
I AM HORRIFIED THEY PUT COMMERCIALS RIGHT IN THE MIDDLE OF THIS CONCERT! It's outrageous! Before and after NEVER INTERRUPT A CONCERT YOU JERKS YOU ARE GREEDY AND WITHOUT EDUCATION! SORRY/ I lost my temper at YT this demands a class action lawsuits! Music at this level that takes you so far into it cannot be interrupted! I was drifting along. Happily when three commercials started up! That is so low class!
Unfassbar welches hohe Niveau an Musikern die Sowjetunion hervorbrachte. Übrigens: Oistrach Rostropwitsch, Horowitz, Gilels stammten alle aus ungefähr der gleichen Gegend, in der vornehmlich Juden wohnten.
Que diferença do som digital. Tem humanidade. Não soa Robotizado. Som não é música. Gravação não é música. MUSICA SÓ AO VIVO. Gravadoras mataram centenas de MUSICOS. E MUSICAS. PIANO E VIOLINO. 👍sintetizador e microfone 👎
![[4K] TREASURE(트레저) “KING KONG” Band LIVE Concert 킹콩은 라이브를 찢어🦍 [it’s KPOP LIVE 잇츠라이브]](http://i.ytimg.com/vi/p8bLLOxPDD8/mqdefault.jpg)
Какой потрясающий
союз двух музыкантов,какое
единение!
И соединил их Моцарт-любовь к нему.
Благодарю их всех!!!
30.05.2024.
1974 год - год ухода Ойстраха. Как жаль! В нём было столько жизни. Спасибо, маэстро за радость слышать и видеть Вас!
RIP Paul Badura-Skoda. Forever in our hearts....Hope they are somewhere playing together again....
These two barely look at each other, it seems, everybody plays for himself, but they play pefectly together! I love the music playad by Oistrach, it sounds so warm and simple
Волшебное исполнение. Моцарт! Божественная музыка.
Великолепныйсдуэт Ойстрах - Бадура-Шкода! Моцарт торжествует!
кажется, Моцарт мог легко и непринужденно сочинить миллион таких произведенй, а Ойстрах так же играючи и смачно их исполнять. Высшая лига, что тут скажешь...
И пианист-австриец великолепен.
perfection!! Oistrach always my favorite, thanks for sharing!
Господи! Какое чудо совершенства Ты создал!
Моцарт, Ойстрах, Бадура-Скода!
Richter prima descrive la forte personalità di Ojstrach
«tra tutti i violinisti che ho potuto ascoltare, per me è sicuramente il più grande. Un suono di una bellezza quasi inimmaginabile e di una forza priva di qualsivoglia tensione"....
King Oistrach!
I am in heaven listening this two genius commposer and performer.
The very very very best of the best
Yes!!
I just found out about Oistrach and I was immediately blown away. His precision is unbelievable.
Schwindsichtiga der Echte same here. I was learning Bach double in D minor and searching videos online. I saw his rendition (with Menuhin) and instantly fell in love with him. He made those crazy string crossings look so effortless. Hail King David!
Спасибо большое за запись. Слушала с удовольствием
Fantastic page turn at 2:40 Bravo !
Check out Maxim Shostakovich's page turning technique on Richter & Oistrakh's Prokofiev Sonata performance. Mindblowing!
And 5:47
Давид Фёдорович- 💓
Best Violinist of the World!!!
Manuel Föhr , the best
Beautiful ! Thank you for posting :)
Запись датирована 1974 годом. В том же году Давида Ойстраха не стало. Как мало он жил! Музыка Моцарта в исполнении Ойстраха завораживающе легка и прекрасна!!
I cannt compaire Oistrakh to anyone else, because his virtuosy is not the main thing he delivers
Arthur Grumiaux
Clarté 🌹🌹🌹🌹🌹 Luminosité 🌹🌹🌹🌹🌹 Beauté 🌹🌹🌹🌹🌹
Who here prefers Oistrakh to Heifetz? By the way, I love both, but I always thought Oistrakh was a bit more musical than Heifetz. Don’t get me wrong, Heifetz is one of the greatest in history, but he has a tendency to play things at lightning speed which works sometimes, but not for everything.
Хейфеца всегда слишком много. Неоспоримо великий Хейфец, но для меня - Ойстрах.
The violin God!
Splendid.
одно из лучших исполнений
Que Maravilha ter o privilégio de escutar esses músicos fantásticos executando obras de um compositor mais fantástico ainda. Maravilhoso é um adjetivoapropriado para esse momento.
So simple, so eloquent-- when the geniuses collaborate ...>)
beautiful ... my love play exactly like him
Maravilloso video
无与伦比的演奏，能留下这珍贵录影是全人类的福气，谢谢
Hermoso!!!!
Perfektion in Reinkultur. Und dabei ein fast desinteressiertes Gesicht.
😂👍
Heaven!
один из самых разносторонних скрипачей
air tight execution of a very, very difficult piece indeed !
Where was this performance recorded?
16:09
Does anyone know why it's called "B-Dur" (B major) when it is in fact written in b-flat major?
because key names are different in here in Austria/Germany (no idea how far :-))
B = H ; B flat = 'B' (no 'flat' required ;-))
C major: C, D, E, F, G, A, H, C
F major: F, G, A, B, C, D, E, F
@@wolfganghollerweger3329 Thank you, Wolfgang. So the actual note names are also different. The note (not just the key) we in the US call B is called H in Austria and Germany. I see.
@@stepaushi 'b' is also the only exception from using '-es' as appenfix whe re you use 'flat
Ces = C flat
Des = D flat
Es, Fes, Ges, As, B
Sharp = '-is'
Cis, Dis, Eis, Fis, Gis, Ais, His.
To add more:
We distinguish upper-/lowercase for keys
Upper=major
lower=minor
Symphonie in B = h flat major
in cis = c sharp minor
@@wolfganghollerweger3329 Interesting. Thank you for explaining, Wolfgang.
Title page reads as follows: sonatas for Pianoforte with the accompaniment of a violin(or Flute)These are sonatas for the Pianoforte with the accompaniment of a violin as Mozart’s original manuscript indicates. All of these Sonatas are heavily weighted toward the Piano which predominantly carries the musical narrative. They are chamber music display works for the Piano with obligatory violin or flute. It is very misleading for modern musicologists and performers alike to continue confusing audiences by calling these compositions violin sonatas which they are not. It’s a bitter pill to swallow if you’re Anna Sophie Mutter or Hillary Hahn or Maxim Vengerov , three great violinist with Egos to match in realizing their instrument is not the featured instrument in these sonatas. Modern Pianist also don’t realize that this type of sonata was an important genre of keyboard sonata in the 18th and 19th centuries in a addition to the usual solo Keyboard sonata that we’re so used to hearing. This has to be constantly pointed out for these sonatas in particular as people get really confused when listening to them wondering why the pianist is taking a subsidiary subdued role when instructed by his violinist partner to underplay his part when the score clearly indicates otherwise. The violin has an Obligatory role and is subsidiary to the Piano and must yield to keyboard part. The order is very important here. Mozart never wrote sonata for violin and piano. He clearly states sonata for Piano with the accompaniment of a violin. Recording labels and companies have also hugely contributed to mislabeling these sonatas. All of it born out of ignorance if not deliberate. Become educated when listening or performing these compositions in order to do this music justice instead of engaging in historical revisionism.
Hello there. Just curious, are you a concert pianist or musicologist or both ?
Oistrakh pathos, which make such a great performer of romantic and modern music, makes his quite heavy when in comes to Mozart. Badura-Skoda, on the other hand is perfectly in style. I am sure Oistrakh knew this, that is why he so much admired the greatest Mozart violin master: Grumiaux.
Doesn't seem heavy to me. Effortlessly stylish and aristrocratic, maybe, heavy - no. But I agree on Grumiaux, the ultimate Mozart interpreter.
@@nickyork8901 Won´t argue with such a thoughtful remark. Clearly, you really know what you´re talking about.
I agree with you but on this occasion Oistrakh certainly matches Grumiaux’s Mozartian panache.
I AM HORRIFIED THEY PUT COMMERCIALS RIGHT IN THE MIDDLE OF THIS CONCERT! It's outrageous! Before and after NEVER INTERRUPT A CONCERT YOU JERKS YOU ARE GREEDY AND WITHOUT EDUCATION!
SORRY/ I lost my temper at YT this demands a class action lawsuits! Music at this level that takes you so far into it cannot be interrupted! I was drifting along. Happily when three commercials started up! That is so low class!
Unfassbar welches hohe Niveau an Musikern die Sowjetunion hervorbrachte. Übrigens: Oistrach Rostropwitsch, Horowitz, Gilels stammten alle aus ungefähr der gleichen Gegend, in der vornehmlich Juden wohnten.
+ Nathan Milstein
Que diferença do som digital. Tem humanidade. Não soa Robotizado.
Som não é música. Gravação não é música. MUSICA SÓ AO VIVO. Gravadoras mataram centenas de
MUSICOS. E MUSICAS. PIANO E VIOLINO. 👍sintetizador e microfone 👎