3:45 Agree with Jacob. The key of Latch is F minor. Even now just hearing the tune in my head it's quite evident. The melody is what determines the key. The tonal center where the melody would resolve. BTW, when they say that it never plays the Fm chord that's not true. Here's the whole harmonic breakdown: Key: F-minor. intro: Bbm9 - Fm9 - Eb(add2)/G - GbMaj9 (sometimes it sounds like Ebm11, they're interchangeable) chorus/drop: Bbm9 - Fm9 - Eb(add2) - GbMaj9 over weird C, Db, C, B bass movement, which can really be analyzed as passing notes leading into Bb again. What they did with the GbMaj9 chord and the bass is genius. It works because the bass is playing very short percussive notes. Genius. This song started my love affair with Disclosure.
@@Savvier I know that video. He analyzes it incorrectly. I forget exactly what he said, but I remember seeing it. I think he said it's in Bb-minor. Bb minor is the 4 chord of this song. I've seen a lot of incorrect chord progressions for this song online, believe me. A lot of people don't hear the last chord correctly. I've seen a lot of DbMaj7, whereas the chord from the record is GbMaj7. Just go to the piano, play these chords and tell me what you hear. These are the chords from the record. Edit: Just scanned through that video and yea. 2 mistakes: 1) he says it's in Bbminor, which it's not. You always have to consider the melody. The melody is what tells you what key the song is in. Sometimes songs never even hit the 1 chord. But the melody will tell you where the 1 is. The melody of Latch clearly outlines F minor pentatonic, NOT Bb minor. 2) Second mistake is the last chord is Db according to that guy. The last chord is in fact GbMaj9, NOT DbMaj9. Sucks to make a whole video presentation on this awesome song and get so much of it wrong.
I watch a lot of twitch, these have been by far my favorite. I fucking love the atmosphere, its so chill and chat is so normal and undemanding. I hope the chat keeps this vibe and doesn't start screaming "XXX TYPE BEAT LOL" every 2 fucking seconds.
Saw Discourse live in Las Vegas 2016 & it was by far the best DJ set I experienced out there. Front row in the Pitt soaking up the vibrations, broke up a fight, & chugged Grey Goose with the opener in the VIP...every time I hear a cut from *Caracal* it teleports me right back
can someone explain if you send the bounce to the mastering with all the plugins enabled on the mixbus or do you disable the limiter and limit it during the mastering?
You should send track for mastering without any plugins on the master bus. You can keep the plugins on the mixbus's as they will be balancing the mixdown. If you choose not to mix yourself and to send stems for a professional mixdown then the mix engineer will tell you what plugins to disable (stereo effects and other things which mess with the phase)
While of course they're very knowledgable and have released some good tracks over the last decade, to me almost every project they do either on these streams of as a proper release sounds like a slightly different version of the same track. Each stream they effectively run on autopilot, turning to the same kind of chords, bass sounds, shakers and claps. Obviously everyone has their 'signature' sound that just comes from instinct but it's like they're following a Disclosure instruction manual each time. Just my opinion of course.
Ryan Gosling and Daniel Radcliffe make music
😂😂😂😂😂😂😂😂😂
Yooo lol
Underrated comment😂
GOSLING HAHAHAHA
They are brothers as well, can you believe that?
It's insanely impressive how knowledgeable he is about producing
Been dying to see them do something like this for years, amazing seeing a track like this come together 👌
This helps me see where I go wrong or get stumped while making a track. Great insight!
3:45 Agree with Jacob. The key of Latch is F minor. Even now just hearing the tune in my head it's quite evident. The melody is what determines the key. The tonal center where the melody would resolve. BTW, when they say that it never plays the Fm chord that's not true. Here's the whole harmonic breakdown:
Key: F-minor.
intro: Bbm9 - Fm9 - Eb(add2)/G - GbMaj9 (sometimes it sounds like Ebm11, they're interchangeable)
chorus/drop: Bbm9 - Fm9 - Eb(add2) - GbMaj9 over weird C, Db, C, B bass movement, which can really be analyzed as passing notes leading into Bb again.
What they did with the GbMaj9 chord and the bass is genius. It works because the bass is playing very short percussive notes. Genius. This song started my love affair with Disclosure.
th-cam.com/video/P7CaPlajXcw/w-d-xo.html
@@Savvier I know that video. He analyzes it incorrectly. I forget exactly what he said, but I remember seeing it. I think he said it's in Bb-minor. Bb minor is the 4 chord of this song. I've seen a lot of incorrect chord progressions for this song online, believe me. A lot of people don't hear the last chord correctly. I've seen a lot of DbMaj7, whereas the chord from the record is GbMaj7. Just go to the piano, play these chords and tell me what you hear. These are the chords from the record.
Edit: Just scanned through that video and yea. 2 mistakes:
1) he says it's in Bbminor, which it's not. You always have to consider the melody. The melody is what tells you what key the song is in. Sometimes songs never even hit the 1 chord. But the melody will tell you where the 1 is. The melody of Latch clearly outlines F minor pentatonic, NOT Bb minor.
2) Second mistake is the last chord is Db according to that guy. The last chord is in fact GbMaj9, NOT DbMaj9.
Sucks to make a whole video presentation on this awesome song and get so much of it wrong.
@@musicbyexale yeah, he also asked the brother to contact him if he is wrong ))
I think it’s technically in Bb Dorian which is just a variation of Fm/Gb with Bb minor being the root chord.
@@Solo-vh9fm Listen to the melody. The melody is in F minor. F is tonal center/root. That is all :)
Amazing to see how the chords from the beginning are being disclosured
I see what you did there 👀
Disclosure are actually genius! So inspiring to watch these guys work..😍👏
2:47:30 full song
I have the rip if anyone wants!
andres salvatierra yeah bro come thru!
@@djskribbl3 hmu with it bruvv
@@djskribbl3 do you still have it?
@@Steelmack yes
I think i just found a great channel where someone is making like dance floor ready jams... YES!!! THANK YOU. Pleasure to experience the making of
its disclosure
How are you not getting any latency on the mic when monitoring with all these plugins? Or am I mistaken? What interface are you using?
I watch a lot of twitch, these have been by far my favorite. I fucking love the atmosphere, its so chill and chat is so normal and undemanding. I hope the chat keeps this vibe and doesn't start screaming "XXX TYPE BEAT LOL" every 2 fucking seconds.
Kenny beats twitch streams be like...
The fanbase is a reflection of an artist... Which is why Disclosure pulls such chill people!
I wouldn’t be mad if Howard branched off and made R&B music, the harmonies
Saw Discourse live in Las Vegas 2016 & it was by far the best DJ set I experienced out there. Front row in the Pitt soaking up the vibrations, broke up a fight, & chugged Grey Goose with the opener in the VIP...every time I hear a cut from *Caracal* it teleports me right back
Absolutely love these guys, both are true gents and a credit to the world ;-)
Your amazing man, thank you so much !!!
music making starts at 34:10
the vocal processing was great to watch
i love these guys
The beat though 🙌
Is the audio file of this tune available anywhere?
that's what i wanna know
Had to rip it the Livestream and put a 2db gain for it to BUMP
Man, this song is dope
Anyone know where that granola shaker loop is from? The name file is FF_05_Granola_Shaker. Soo good can’t find it anywhere
Haha you already found it
Morrissey Garcia can’t find it on splice or on google 😔
I'm going to guess they recorded it themselves and it's just some granola in a tin/jar being shaken. Would make sense.
Type in FF_OS_Granola_Shaker on splice, by Office Percussion. there ya go :)
Could be loopcloud?
lmao "if Jacob Collier says it's in F minor... it must be"
Hey guys, was this song ever released?
What a flex "nah don't wanna go to glastonbury if we aren't playing cause that meant we played the year before"
“Yeah our mom had a cat named after J Dilla… I think he was eaten by a fox or something.” - Howard 😂
2021 you guys please bless us with some tracks, nothing better than you gives for that vibe 🧊
You guys totally very talented!
Thank you, great video !
can someone explain if you send the bounce to the mastering with all the plugins enabled on the mixbus or do you disable the limiter and limit it during the mastering?
You should send track for mastering without any plugins on the master bus. You can keep the plugins on the mixbus's as they will be balancing the mixdown. If you choose not to mix yourself and to send stems for a professional mixdown then the mix engineer will tell you what plugins to disable (stereo effects and other things which mess with the phase)
GREAT JOB!!!WHAT IS THE NAME OF A TRACK?
Yo! So inspiring! Got me feeling creative.
Can someone give me a run down of what big kick is exactly? Need some new tools
get a berhinger tb 303, nothing better than " touch "' a instrument
Nice, like this come together.. track look very beautiful.. 👍
don't mean to bug you but here's a live beat critiques
What DAWS do u use?
2:31:02 'best lyrics we've ever made'' I agree hahahaa
What synth is the midi feeding into , anyone have an exact name?
Briiliant🥁🥁🥁🥁🥁🎹🎹🎹🎹🎹🎧🎧🎧🎧🎧
How does one join these chats? Would love to join the next one. Looks super.
Twitch, my dude
quick work!
Does anyone know the shortcut he uses to select a region by clicking and dragging and then deletes it?
the marquee tool
These are a good watch but some of the questions are so inane
Did i miss something or are there pre-transients on the kick?
are you talking about the metronome click things he uses to sidechain?
Keystrokes no, the kick felt like it had some transients before the initial hit, but i realized it was just the kickdrum itself who sounded like it
Edm beat makers must hate their songs afterwards with how many times they must have to listen to it before its finished.
That's true, we usually finish them as fast as we could
Do yout think you can possibly put some of theses streams in playlist by genre?
I don't think by genres, but by performers yes
I've made one for Disclosure - th-cam.com/play/PLIzKGcsldjUQ984fDdHfnW-crY699cOkH.html
Anyone know what key this song is in?
WASD#
magic!
41:13 🤩🤩🤩🤩🤩
soundcloud.com/plowhorseunited/burial-four-tet-moth
skip to like 0:40 of this song
Lol at people still asking about 44.1 vs 48...
That first note in the second half of the melody is like a 32nd note off and it's bothering meeeee
Harry kane and Harry potter make a riddim
just "making beats" lol
They should win a dundie
why is thre so much backseat producing?
🦕
35:50
shortcut at 42:58 anyone?
1. Select all 2. Hold Shift \
@@FuzzekeTrailerMusic 🙌🏻
48:00
While of course they're very knowledgable and have released some good tracks over the last decade, to me almost every project they do either on these streams of as a proper release sounds like a slightly different version of the same track. Each stream they effectively run on autopilot, turning to the same kind of chords, bass sounds, shakers and claps. Obviously everyone has their 'signature' sound that just comes from instinct but it's like they're following a Disclosure instruction manual each time. Just my opinion of course.
Has a bit of an Atjazz vibe :)
1:13:07
Please!
48:00 80’s AF
Black and Gold was a bit of an inspiration for Latch? Lol. It's a complete ripoff. Come on guys. Call it what it is. You completely ripped Sam off.
Leonardo Daknobend