Logic-on-Mac users just now catching on to the power of iPad production. SO MANY amazing powerful apps on iPadOS that have been around for years. AUM,Audiobus, LoopyPro, etc. - very powerful apps. TONS of amazing synths and plugins available. Welcome to the club!
I doubt Apple expects this to replace Logic for the Mac. This is a slight detour in purpose. It’s aimed less at composers who are doing large works, but more for people on say, Tic Tok and other more immediate need compositions. It’s also great for students who can’t afford, or don’t want to buy the Mac package. By charging either monthly or yearly, a student can turn it in for one month to do a project, and the turn it off again, and not pay until it’s needed again. Much cheaper.
That’s a great question! Probably gonna be a big selling point for people if it does. I didn’t see anything when I was looking into it but I definitely want to check when it releases 👍🏼
1. No way I get into Subscriptions for my music software 2. The only way I would even consider paying a subscription is if I could load the internal Virtual instruments into other DAWs... which i think is NEVER going to happen. So let's go back to point 1 🙂
they need to improve the remote for PRO composers, and the original logic, i am not in love. By pro i mean who has all the skills expected. The Score Editor still sucks in the past, and no integration to remote.
Or sell the base version for £50 with one year's worth of updates. Then have an optional yearly charge for a years worth of upgrades after that. They get an initial amount upfront, followed by continual revenue down the line from those that want new features/fixes etc.
So you suggest recording ideas on guitar on your recorder so that later you have to listen and transfer that performance into your daw from scratch? So how is it ‘crazy’to just record directly into your project on a studio that fits in your backpack?
@@BobbyMitchellMusic If he uses a guitar and a recorder, my guess is he doesn't own and iPad yet. When you have tools at hand that work, you simply get use to them just because they help to save time and improve your workflow. Like the saying recites: "You can't miss what you never had."
👉 Discover Your Music Strengths [FREE Quiz]: bit.ly/composerstrengthsquiz
Logic-on-Mac users just now catching on to the power of iPad production. SO MANY amazing powerful apps on iPadOS that have been around for years. AUM,Audiobus, LoopyPro, etc. - very powerful apps. TONS of amazing synths and plugins available. Welcome to the club!
We need Spitfire Audio IOS compatible !!!
There are amazing AUV3 instruments and FX available for iPad now, so you don’t have to wait for “down the road”.
decent sampler for composers
korg module has some nice sounds too
pianoteq8
@@phneticbeats7068 Pure Synth and iSymphonic too
I did a video years ago on orchestral libraries on the iPad. It’s one of my most watched videos. 😂
I doubt Apple expects this to replace Logic for the Mac. This is a slight detour in purpose. It’s aimed less at composers who are doing large works, but more for people on say, Tic Tok and other more immediate need compositions. It’s also great for students who can’t afford, or don’t want to buy the Mac package. By charging either monthly or yearly, a student can turn it in for one month to do a project, and the turn it off again, and not pay until it’s needed again. Much cheaper.
I totally agree with you. Great video. Thank you
Can anyone tell if it has the Score Editor for music notation?
That’s a great question! Probably gonna be a big selling point for people if it does. I didn’t see anything when I was looking into it but I definitely want to check when it releases 👍🏼
I hope Apple does not change Logic to a subscription model!
1. No way I get into Subscriptions for my music software
2. The only way I would even consider paying a subscription is if I could load the internal Virtual instruments into other DAWs... which i think is NEVER going to happen. So let's go back to point 1 🙂
We need third party plugins...
they need to improve the remote for PRO composers, and the original logic, i am not in love. By pro i mean who has all the skills expected. The Score Editor still sucks in the past, and no integration to remote.
Apple made a mistake. Sell it for 149 and you will make more money than subscribers.
Or sell the base version for £50 with one year's worth of updates. Then have an optional yearly charge for a years worth of upgrades after that. They get an initial amount upfront, followed by continual revenue down the line from those that want new features/fixes etc.
@@Elwaves2925
Something like that. They've gotten a little too stingy.
subscription only - apple won't let you own It - so it's a waste - apple sucks now.
Yes i have a serious problem with companies taking ownership away from consumers
@@Ryanthemusician this is how it starts. soon we will have to subscribe to get hardware
Why compose on the go. How crazy. Take a guitar and a recorder
So you suggest recording ideas on guitar on your recorder so that later you have to listen and transfer that performance into your daw from scratch? So how is it ‘crazy’to just record directly into your project on a studio that fits in your backpack?
Because ideas come anytime?
@@BobbyMitchellMusic I'm going to assume they were being sarcastic but don't realise that sarcasm doesn't always come across in text.
@@BobbyMitchellMusic If he uses a guitar and a recorder, my guess is he doesn't own and iPad yet. When you have tools at hand that work, you simply get use to them just because they help to save time and improve your workflow. Like the saying recites: "You can't miss what you never had."
It won’t be long before AI takes over music composition and creation and us musicians and songwriters will no longer be required.