आज उनकी फिल्म तीसरी कसम cbsc हिंदी स्पर्श भाग 2 पाठयपुस्तक में भी बताया गया है वाकई में यह फिल्म बहुत अच्छी फिल्म थीं पता नही लोगो ने इस फिल्म को नही देखा , हमे दुख भी बहुत हुआ की शैलेंद्र जी को इस फिल्म के लिए आर्थिक संकट से जूझना पड़ा।
महान गीतकार शैलेन्द को राष्ट कवि भी कहा जाए तो अतिसयोक्त नही होगी - उनकी कविताऐ जीवन दर्शन से भरपूर होती थी -- "" कुछ लोग जो ज्यादा जानते है इनसान को कम पहचानते है ये पूरब है पूरब वाले हर जान की कीमत जानते है ""--- ( कभी गीतकार राजेन्द क्रष्ण के बारे मे भी जानकारी दे )
एक बेहद रोचक अपलोड हिंदी फिल्म जगत के प्रतिभाशाली गीतकार शैलेंद्र जी के आखिरी दिनों के संघर्ष, दुःख, उपेक्षा के बारे में!निर्माता के रूप में 'तीसरी कसम' ने उन्हें तोड़ कर रख दिया था.. उनके करीबी और सक्षम राज कपूर ने, जैसा कि सुना जाता है, उनसे दूरी बना ली थी और किसी तरह की मदद नहीं की थी.. एक प्रतिभा की असामयिक मृत्यु दुर्भाग्यपूर्ण थी.. शायद यही दुनिया का चलन है.. अशेष धन्यवाद शिशिर शर्मा जी इस अपलोड के लिए!
This is absolutely heartbreaking! One doesn't die of disease and illness as easily as one dies of a broken heart. ShailndraJi was disillusioned on many more counts, and individuals than you have counted. Besides RK, let's not forget SJ, and more. I once watched an interview with Shaily, ShailendraJi's son. Without naming BIG names, he spared no one.... those who had benefitted from ShailendraJi in the past were on the list of those who had betrayed him and mercilessly broken his heart. The Anari song, "Sub kuchh seekha hum ne, na seekhi hoshiyari .... " might have been written a decade earlier but it truly describes his disposition, and his dynamics with those who had claimed to be his near and dear ones, but who ultimately shortchanged him. I am a huge fan of Shalendra Ji ...for his ability to pen the finest of human emotions: love, admiration, adulation, longing, sadness, heartbreak, anger, frustration and disillusionment. Yet, the pathos, anger and despair felt could never compell one to compromise with one's morals, ethics and principles, which were held dear to heart. No temptation in the world is worthy of one's self respect. While feeling all these emotions, ShailendraJi's poetry is not short on romance, longing and hopes and dreams, and even fear and apprehensions during separation from the beloved. I love him as much as I adore Sahir Ludhiyanvi Saheb. They both had uncanny common denominators. Both could pen, with equal ease, a romantic duet as well as cry of a broken heart. Both had a keen sense of empathy and compassion for the plight of the downtrodden common men, and both revolted against social injustice, the status differential and disparity between the classes. And, their lyrics, with beautifully strung words, set to melodious tunes, could reach our heart and soul ... never to leave again. 🙏❤🙏
और शैलेंद्र जी ने गीतों में हिंदी के शब्दों का अत्यधिक उपयोग कर गीतों में अद्भूत ताजगी और मधुरता प्रदान की जो हिंदी सिनेमा में बहुत गिने चुने लोग ही कर पाए हैं ज्यादतर तो उर्दू लफ्जों का इस्तमोल ही करते रहे हैं जिससे की गीतों में एक रूखापन का अहसास होता है ।
@@anitagupta4189 sahi kaha aap ne. Kintu sabhi bhashayein samruddh hain. Gazal aur geet dono me madhurata hai. Kaal, paristhiti, patkatha evam patro ke anusar, niredshak jise uchit samajhe usi madhyam ka upayog karata hai. Yeh chayan vyavasayik drishtikon se prabhavit hue bina nahin rehata. Hindi shabdo ko sundar geeto me pirone ka kaam kuchh ek ne hi kiya hai jaise ki ShailendraJi, Rajendra KrishnJi, Bharat Vyasji aur NurajJi. Prantu "Chitrlekha" ke liye likhe gaano me Urdu ke shair Sahir Ludhiyanvi Saheb ne to kamal hi kar diya. Durbhagy se, aaj ki Hinglish bolanewali peedhi, jo ek Hindi vakya bhi sahi likh-bol nahin sakati, un ke liye ab na to bhasha ka mahatva hi reh gaya hai aur na hi shabo aur alankaro ki pradhanata ka. Un ke liye gadya aur padya ka antar bhi vilupt ho gaya hai.
मेरा आखरी साल बैचलर डिग्री का, सब की नोट बुक में मैंने लिखा; 'तुम्हारी भी जय जय हमारी भी जय जय, ना तुम आगे, न हम आगे। दो साल मास्टर डिग्री करने के बाद, अमरीका आई, सब ने वही कागज़ का पत्ता मुझे भेंट दिया। My fvrt line... ओर कभी हस देना जब हम याद आए। ( I know, I've changed some of the words...) Cheers...❗👍🏼
स्व. शैलेन्द्र के गीत जीवन की सच्चाई और मानवीय सम्वेदनाओं की छाप छोड़ते थे उनकी हृदयस्पर्शी लेखन शैली आत्मा में घर कर जाती है बेशक वो तत्कालीन सर्वश्रष्ठ कवि थे ,उन्होंने फिल्म निर्माण के क्षेत्र में कदम रखा जो उनके लिए उचित सिद्ध नही हुआ फ़िल्म निर्माण के घाटे ने उन्हें झकझोर के रख दिया वो टूट गए। यद्यपि उनके द्वारा निर्मित चित्रपट को राष्ट्रीय पुरस्कार मिला परन्तु ये शैलेन्द्र जी के इस लोक से गमन के बाद। शैलेन्द्र जी की कमी की पूर्ति किसी भी तरह सम्भव नही है ईश्वर उनकी आत्मा को सकुन दे।
मैंने बचपन में यह फिल्म देखी थी तब ज्यादा समझ नहीं थी आज 30 साल बाद यह फिल्म देखी। मुझे लगता है फिल्म में दिलीप कुमार साहब को हीरामन का रोल देना ज्यादा सटीक रहता । उनका अभिनय एक गांव के गाड़ीवान के रूप में बहुत ही नेचुरल लगता जिससे यह ग्रामीण परिवेश में बनी फिल्म और खूबसूरत बनती थी और हिट होती थी ।
Bahut Achi batein Shailendraji ka bare mein. Teesri Kasam bahut hi khoob Soorat film thi. Kya karein har sahityakar kabhi achha paisa kamanewala producer nahim ban sakta. 🤔
शिशिरजी आपके कारण कुछ और महत्वपूर्ण जानकारियाँ मिली जो शैलेंद्रजी के अकाली मृत्यू का कारण बनी! उनकी बेटी अमला शंकर का भी एक व्हिडियो है जिसमें उसने इसमेंसे कई बाते नाम ना लेकर बताई है,.. मनःपूर्वक आभार!
A lot of thanks shishir ji. Apnar madyame purano byaktitwa der samparke anek katha jante pari. Shailendra Singh jir jeevan kahini shune khub dukkho pelam. Amar nijer sarbapeksha priyo janer O ek e karane (heart breaking ) mrityu hoye chilo. Vyadhi arthabhav ei samasto bishay er theke o viswasghatakata mrityu r ek bhayabaha karon hote pare. Apnar dirghayu kamona kori.🙏🙏♥️
राजकपूर शैलेन्द्र को कविराज ही कहकर पुकारते थे. बहुत मानी थे शैलेन्द्र! गीत में अपने शब्दोंको बदलने को कभी राजी नहीं होते थे. 'राते दसे दिशाओंसे कहे' इस गीतपंक्ती के दसे दिशाओंसे यह शब्द बदलने के लिए संगीतकार शंकरने उन्हे प्यार से गाली ("काले") तक दी लेकिन शैलेन्द्र माने नहीं. अंग्रेजी में आकलन नाम से एक प्रकार है. पुरे दस लाईनवाले पैरा को तीन या चार लाईन में लिखना. शैलेंद्र ने पुरी भारतीय संस्कृती का आकलन इस प्रकार किया 'मेहमां जो हमारा होता है वो जान से प्यारा होता है, जादा की नहीं लालच हम को थोडे में गुजारा होता है'. मुझे शैलेन्द्र पर इस बात का गुस्सा है की उन्होने अपने हितचिंतकों की भी नहीं सुनी और फिल्म निर्माण में कुद पडे. अगर वो सुनते तो ( कितना स्वार्थी हूँ मैं! ) हमपर अर्थपूर्ण गीतों की बरसात होती.
Haan... Hasrat Jaipuri ji ka ek interview maine padha. Thha... जब शैलेंद्र सर ने उन्हें अपनी फिल्म निर्माण की योजना के सारे में बताया तो हसरत जी ने कहा कि मुझे इस क्षेत्र के बारे में बिल्कुल ज्ञान नहीं है सो मैं इस के आसपास भी नहीं फटकूंगा...
Excellent researched narration ; Dear Krishna . “ An excellent sort of Ode to great Poet - Shailendra jee. Sometimes I feel posthumous recognition is better than antemortem??
Dear Shishir Ji. I am one of your recent subscribers to your excellent channel and seem to be addicted to it due to its excellent contents, in-depth information and your wonderful style of narration. I have lived in England for over 40 years with my wife, our children and grandchildren. Both myself and my wife eagerly watch your fascinating posts on You Tube. I don’t know if you have already written about an author and film director called K A Abbas. Would very much like to hear about him. He seemed to feature regularly in the Indian press in the 60s and 70s. Remember reading one of his books about the shady part of the film industry. It caused a lot of stir in the late 60s when I was a medical student in Patna. With best wishes. Kind regards. Dr Arun Mishra.
kaviraj shailendraji along with sahir sahab and kavi neeraj were the greatest song writers ever in hindi films shailendraji used to stay near my sisters house in khar this bungalaow still remains it is also said shailendraji was hitting the bottle very hard because of the huge financial losses his son dinesh i believe stays in mira road these days thks sharmaji as usual a wonderful episode from you
Mr Naveen Dighe, My Elder brother resides too in Khar...Bandra ( West) I remember seeing Mr Shailendra Bungalow which is named (Rim-Zim :- Flat No 279.) this was after his first Hindi movie ( Barsaat ) R.K Production. became a huge hit ..he was the first lyricist writer who added the Title of the movie in the lyrics of a song sung in the movie...almost 800 + songs a all time record ..but this Bollywood movie Industry never recognize this extraordinary talented writer when he was alive..speaking about his First & ultimately his last produce Hindi movie Teesri Kasam which started in 1961, it took Director Basuji 5 years to complete..the budget was just Two & 1/2 lacs .because Shailendra couldn't afford more then this amount, Changing the Actors after canning almost 8 reels & his Actress not allotting the Director dates also various delays the budget ran up-to 28 lacs .the Film Industry let him down ..Raj Kapoor his best friend was only thinking about his movies. He uses Artist, Lyricist writers, Actress..for his personal gain. The SHOWMEN the Film Industry called him..but then he is not alone ..so many of the Actors are selfish even today. But Raj Kapoor used Actress Nargis in most of his movies without paying her the price ..For two songs which Shailendra wrote for Barsaat he was paid Rupees 500/ for two songs ..one was the Dream sequence..the Musical Album .. His Master Voice. H,M.V Records sold almost 25.000/ Records of Barsaat enough to cover the cost of the full production of the Movie.. Premnath the Actor who was Raj Kapoor friend in this movie worked free of cost as his sister was Raj Kapoor wife. Actress Nargis didn't charge him as she was in love with him..No other Director has used & Mis-used Artist like Raj Kapoor..He suggested to Shailendraji to change the ending part of the movie but he didn't do any changes as what was written in the book story it remain the same.Teesri Kasam was not the title ..the book which inspired Shailendraji was titled Maray Gaya Gulfam..
@@sylvesterjohnfernandes4121 wonderful to know that yeah it is sad to see the forlorn house rim jhim at the junction is the huge norornha house are u related to them the senior noronha was a well known scientist and they were also very wealthy i knew basu bhatacharya he was staying in a huge beautiful bungalow bang opp joggers park carter road he was staying alone his wife and children had left him but he managed to hang on to his father in law bimal roys massive bungalow 😊 shailendra ji,s story was very sad
@@snfab1 My Elder brother resides Opp Dilip Kumar Saab bungalow..but in the last 10 years this land is being redeveloped into a High Tower.. Dilip Kumar Saab is no more bit I heard that they are having properly issues with the landlord & the redeveloper. Opp Joggers Park you informed about Basu Bhatacharya the director I never knew that he states bang Opp Joggers Park.. I go to Carter Road frequently to meet my brother. Thanks for your additional information..I guess you must be around 50 yrs ..
मैंने तीसरी कसम देखी और बहुत पसंद की परन्तु इस की सबसे बड़ी कमी राजकपूर थे जो एक गंवार की भूमिका में बिल्कुल नहीं जंचे। वे तो रुसी दिखने वाले कलाकार थे
Sir there is another Twist to this film as first Shailendra had signed Mehmood the comedian to play the Male lead in Teesari Kasam.the heroine was Actress Meena Kumari.but I don't know if people remember this that Mehmood was legally married to Meena Kumari younger sister. That time the location was in far off village..interiors to get the rustic feel for the background of the Film..during a shoot heavy floods started at the location & Bimal Roy Asst Basuji had to pack the bags as no shooting took place for almost two weeks..Meena kumari felt sick & her other Film Pakeeza was in the making too..as Kamal Amrohi was her married husband..so she dropped out..later Nutan was signed for the heroine role but Mehmood had other commitments in a south movie which was ready for shooting at Madras. this put a terrible load on Shailendra budget..a period of Six months had passed by .lost a lot of investments..that' year Raj Kapoor Saab started his Movie Sangam. As Shailendra was supposed to write the lyrics for the movie both were traveling to Raj Kapoor farm Loni @ Pune. On the way Raj Kapoor Saab inquired about Shailendra movie.request him to tell him the story or as you say the script.when Raj Saab heard it he volunteered to play the male bullcart driver & offered to sign the movie for One rupee & requested Mr Shailendra to sign Weheedha Rehman as the role was of a Dancer ..as you have mentioned yes it got delayed because Raj too was in Paris for the Sangam shoot ..so another three months passed by..finally the movie was completed. But since it was in Black & white & Eastman Colour was in the Disturbers were reluctant to buy it..with Raj Kapoor Saab influence a few disturbers brought the Film ..only in a few theater it was realized..didn't do much business in Mumbai but was a hit in Uttar Pradesh where the movie ran for almost 12,weeks but sad to say Lyricist Shalindra had a massive heart attack & expired.this Tessra Kasam went to Win the National Award at the Film Festival..
@@ShishirKrishnaSharma Sir, My late Uncle had a Motor Repairs Garage near Bombay Central..where other workshop were situated.. Mehmood owned so many Imported Automobile's almost 20 Imported one's..also own a huge farm in Bangalore..he had a addiction of smoking ( Charas ) a black tar type balls which he used to mix with the cigarette Tobacco & fill the cigarette mix back inside..this I used to watch when I working in mine Uncles Garage as a helper..then Mehmood bhai Jaan that what my Uncle used to call him ordered Milk Tea from a Bori Muslim restaurant nearby ..sometimes I used to sit with him in mine spare time..I was interested in watching Hindi movie's..I was around 12 years-old..I remember he spoke about this Movie ..one thing Mehmood bhai used to pull anyone legs who used to frequently visit the Garage..only the Rich could afford to own Cars at that time..a music director named Pancham used to accompany him sometimes.. Also one tall lanky Gentleman with White Shirt, White trouser & White Sandals used to tag along with Comedian Mehmood bhai.. After years later after I finished my schooling days I realized that this Man was the noted Smuggler Mr Haji Mastan..this Mastan had a Bungalow at Bombay Central too..
Dear, you have revealed very unknown stories relating to Teesri Kasam. For the first time I earned about original cast and later on changes in it. Nobody spoke or wrote about this for years together.
@@ananddeshpande2156 Thanks.. After I finished my high schooling I worked for a film studio @ Dadar( East ) my uncle had a Garage @ Bombay Central Opp the BEST Depot..the Comedian Mr Mehmood bhai Jaan spoke to an Production Asst @ Shree Sound Studios..behind Chitra Cinema( Dadar) East ..another Studio was also there Roop Tara Studios..also an Gupta Restaurant just Opp Shree Sound..so in the canteen the spot boys ..Production guys used to discuss which actor was signed for which Film..this was early sixties..I just came across this episode so I recollected this Teesri Kasam incident..I also personnely met the renowned lyricist writer Mr Shailendra, very humble person, also Raj Kapoor Saab..Raj Kapoor Saab used to drink only Black Label whisky, The bottles were hidden in the trunk of his Car...( Dikki) at that time it was probation period,.the C.M of Bombay was Mr Moraji Desai..
Shailendra ji ,bahut sare gane inhone meri zindagi main jhhank kar kaise likhe abhi tak samajhh nahi aya ; bahut badhe chintak aur geetkar ... Teesari Kasam ke nirmaan aur apnon ki babphai se ' Mare Gaye Gulfam ! '
अक्सर ही, अपनों की बेवफ़ाई का दर्द क़ाबिले-बर्दाश्त नही होता। और एक संवेदनशील व्यक्ति के लिए तो बिल्कुल ही नही। शैलेन्द्र जी भी इस त्रासदी के शिकार हुए, बहुत पीड़ा हो रही है। वैसे मैं कुछ कुछ उनका दर्द समझ सकता हूँ, क्योंकि मैं भी इस phenomena का भुक्तभोगी हूँ, मगर उन जैसे अंजाम से अभी दूर हूँ।
Biggest mistake of his life by producing this film without any experience. The film flopped and took his life. If he had not gone for production, he would have been alive for another 20 to 30 years and we would have enjoyed his songs for quite some time
प्रिय अरविंद, हाँ, शैलेंद्र मागासवर्गीय थे. बिहार के एक मागासवर्गीय नेता श्री. बाबू जगजीवन राम जी ने कहाँ था कि वाल्मिकी मुनी के बाद शायद शैलेंद्र ही मागासवर्गीयों में प्रतिभाशाली और असरदार कवी है. यह मैंने शैलेन्द्र के बारे में एक लेखमें पढा था.
This is very interesting and truthful about the over budget issues and one actress making financial demands. However i think Shailendra ji had perhaps taken to drinking and which may be responsible for his very early demise. And what a loss
His poetry reflected every common man's dreams which is why they touched their chords. Most of his songs resounded with their aspirations and were worded ordinarily yet effective. Truly a ordinary and poor man's writer whose songs resonate even today after five decades of his demise
Shailendra ji ko tisri kasam film ke piche sb saale Gaddaar mile jo apne mante thye unhone daga diya. .......all others friends shaileandr ji ko daga diya
Seems to be an incomplete daastan (story). Can't understand someone close to Raj Kapoor, and himself virtually a part of RK Productions could fall into financial chaos. Over and above, didn't get any advice or help from Raj Kapoor.
Very nice video sharma ji.. Just one doubt are you sure the photo which you have shown is of basu bhattacharya? I feel it's hrishikesh Mukherjees photo. Otherwise you are the best in your field.
A medium budget film which was launched in 1962 and saw the screen in 1966.. much after release of Sangam. In one of the interview Waheeda Rehman told that Raj Kapoor didn't like the climax of the film.. to which Shailendra ji didn't agree.
शर्मा जी नमस्कार, ये फिल्म इंडस्ट्री तो सदा से ही अपनी बेवफाई के लिए मशहूर है राज कपूर तो इसका क्लाइमेक्स ही बदलवाना चाहते थे लेकिन इसके लिए रेणु और शैलेन्द्र जी राजी नहीं हुए जिसका नुकसान शैलेन्द्र जी को अपने प्राण असमय देकर चुकाना पड़ा
Agar koi doosra puducer hota toe beech mein hi laat mar kar nirman dheen film ko chhod deta.Buisness aik alag cheej hai,Shelenderji poet jaroor thai magar unko ye nahin pata tha ki sabhi swarthi hote hain.
महोदय, इस विडिओ का उद्देश्य शैलेन्द्र जी पर निर्माता बनते ही पड़ने वाले दबावों और परेशानियों से दर्शकों का परिचय कराना है, न कि किसी व्यक्ति को बदनाम करना| माफ़ी चाहूंगा, अगर आप चटपटी, मसालेदार सामग्री अथवा गॉसिप्स की उम्मीद में 'बीते हुए दिन' पर आये हैं, तो आपको निराशा ही हाथ लगेगी| आशा है आप एक फ़िल्म इतिहासकार और एक फ़िल्म पत्रकार के बीच के फ़र्क को समझेंगे, मैं फ़िल्म इतिहासकार हूं, जिसका काम तथ्यों का दस्तावेज़ीकरण करना होता है| और अगर आप इस फ़र्क को समझना नहीं चाहेंगे, तो 'बीते हुए दिन' का प्रत्येक एपिसोड आपको अधूरा ही प्रतीत होगा| सादर|
@@ShishirKrishnaSharma आपने उत्तर दिया, अच्छा लगा, निवेदन है कि व्यक्ति की बायोग्राफी में सब कुछ मिलता है लेकिन व्यक्ति के गुजरने के बाद उनकी फैमली वर्तमान में किन परिस्थितियों में जीवन व्यतीत कर रही है कोई नहीं बताता, सब घिसी पिटी बातें ही बताते हैं,धन्यवाद। कभी शंकर जी के बारे में भी नया कुछ लेकर आने का कष्ट करे।धन्यवाद।
![[UNCUT] เก็บ "สจ.โต้ง" เอี่ยวมาเฟีย รู้ตัวคนบงการ ก่อนสั่งลั่นไก I คนดังนั่งเคลียร์ I 13 ธ.ค.67](http://i.ytimg.com/vi/o-J_p62D40w/mqdefault.jpg)
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मेरी नज़र से शैलेन्द्र साहिब हिंदी सिनेमा के अब तक के सर्वश्रेष्ठ गीतकार हैं, आपने उनके जीवन के अनजाने पहलुओं को बता कर हमें कृतार्थ किया, धन्यवाद 🙏
अप्रतिम शब्दांकन शैलेंन्द्रजीकी जीवनीका.
बिना शक्क शैलेंद्र साब भारतीय हिन्दी सिनेमा के नम्बर एक गीतकार हैं।
बहुत रोचक और अच्छी जानकारी के लिए आपको हार्दिक आभार l यूं ही रोचक किस्से बयां करते रहिए l
‘Wahan Kaun Hai Tera’ is enough to
Confirm Shailendra as
the Ultimate Song Writer Legend of Hindi Cinema.
आज उनकी फिल्म तीसरी कसम cbsc हिंदी स्पर्श भाग 2 पाठयपुस्तक में भी बताया गया है वाकई में यह फिल्म बहुत अच्छी फिल्म थीं पता नही लोगो ने इस फिल्म को नही देखा , हमे दुख भी बहुत हुआ की शैलेंद्र जी को इस फिल्म के लिए आर्थिक संकट से जूझना पड़ा।
महान गीतकार शैलेन्द को राष्ट कवि भी कहा जाए तो अतिसयोक्त नही होगी - उनकी कविताऐ जीवन दर्शन से भरपूर होती थी -- "" कुछ लोग जो ज्यादा जानते है इनसान को कम पहचानते है ये पूरब है पूरब वाले हर जान की कीमत जानते है ""--- ( कभी गीतकार राजेन्द क्रष्ण के बारे मे भी जानकारी दे )
Shalendra ji was not only geetkar truely was a great phylospher. Jeena isi ka naam hai..thanx Shishir ji...
एक बेहद रोचक अपलोड हिंदी फिल्म जगत के प्रतिभाशाली गीतकार शैलेंद्र जी के आखिरी दिनों के संघर्ष, दुःख, उपेक्षा के बारे में!निर्माता के रूप में 'तीसरी कसम' ने उन्हें तोड़ कर रख दिया था.. उनके करीबी और सक्षम राज कपूर ने, जैसा कि सुना जाता है, उनसे दूरी बना ली थी और किसी तरह की मदद नहीं की थी.. एक प्रतिभा की असामयिक मृत्यु दुर्भाग्यपूर्ण थी.. शायद यही दुनिया का चलन है..
अशेष धन्यवाद शिशिर शर्मा जी इस अपलोड के लिए!
Shailendra was and will always remain the best lyricist Bollywood ever had.
This is absolutely heartbreaking! One doesn't die of disease and illness as easily as one dies of a broken heart.
ShailndraJi was disillusioned on many more counts, and individuals than you have counted. Besides RK, let's not forget SJ, and more.
I once watched an interview with Shaily, ShailendraJi's son. Without naming BIG names, he spared no one.... those who had benefitted from ShailendraJi in the past were on the list of those who had betrayed him and mercilessly broken his heart. The Anari song, "Sub kuchh seekha hum ne, na seekhi hoshiyari .... " might have been written a decade earlier but it truly describes his disposition, and his dynamics with those who had claimed to be his near and dear ones, but who ultimately shortchanged him.
I am a huge fan of Shalendra Ji ...for his ability to pen the finest of human emotions: love, admiration, adulation, longing, sadness, heartbreak, anger, frustration and disillusionment. Yet, the pathos, anger and despair felt could never compell one to compromise with one's morals, ethics and principles, which were held dear to heart. No temptation in the world is worthy of one's self respect. While feeling all these emotions, ShailendraJi's poetry is not short on romance, longing and hopes and dreams, and even fear and apprehensions during separation from the beloved.
I love him as much as I adore Sahir Ludhiyanvi Saheb. They both had uncanny common denominators. Both could pen, with equal ease, a romantic duet as well as cry of a broken heart. Both had a keen sense of empathy and compassion for the plight of the downtrodden common men, and both revolted against social injustice, the status differential and disparity between the classes.
And, their lyrics, with beautifully strung words, set to melodious tunes, could reach our heart and soul ... never to leave again.
🙏❤🙏
और शैलेंद्र जी ने गीतों में हिंदी के शब्दों का अत्यधिक उपयोग कर गीतों में अद्भूत ताजगी और मधुरता प्रदान की जो हिंदी सिनेमा में बहुत गिने चुने लोग ही कर पाए हैं ज्यादतर तो उर्दू लफ्जों का इस्तमोल ही करते रहे हैं जिससे की गीतों में एक रूखापन का अहसास होता है ।
@@anitagupta4189 sahi kaha aap ne. Kintu sabhi bhashayein samruddh hain. Gazal aur geet dono me madhurata hai. Kaal, paristhiti, patkatha evam patro ke anusar, niredshak jise uchit samajhe usi madhyam ka upayog karata hai. Yeh chayan vyavasayik drishtikon se prabhavit hue bina nahin rehata. Hindi shabdo ko sundar geeto me pirone ka kaam kuchh ek ne hi kiya hai jaise ki ShailendraJi, Rajendra KrishnJi, Bharat Vyasji aur NurajJi. Prantu "Chitrlekha" ke liye likhe gaano me Urdu ke shair Sahir Ludhiyanvi Saheb ne to kamal hi kar diya.
Durbhagy se, aaj ki Hinglish bolanewali peedhi, jo ek Hindi vakya bhi sahi likh-bol nahin sakati, un ke liye ab na to bhasha ka mahatva hi reh gaya hai aur na hi shabo aur alankaro ki pradhanata ka. Un ke liye gadya aur padya ka antar bhi vilupt ho gaya hai.
Great shailendra ji...Allways Legend.
मेरा आखरी साल बैचलर डिग्री का, सब की नोट बुक में मैंने लिखा; 'तुम्हारी भी जय जय हमारी भी जय जय, ना तुम आगे, न हम आगे। दो साल मास्टर डिग्री करने के बाद, अमरीका आई, सब ने वही कागज़ का पत्ता मुझे भेंट दिया। My fvrt line... ओर कभी हस देना जब हम याद आए। ( I know, I've changed some of the words...) Cheers...❗👍🏼
Teesri Kasam is the best memorable film for me.I always try to see the film many times and it's songs are the best in my view.
स्व. शैलेन्द्र के गीत जीवन की सच्चाई और मानवीय सम्वेदनाओं की छाप छोड़ते थे उनकी हृदयस्पर्शी लेखन शैली आत्मा में घर कर जाती है बेशक वो तत्कालीन सर्वश्रष्ठ कवि थे ,उन्होंने फिल्म निर्माण के क्षेत्र में कदम रखा जो उनके लिए उचित सिद्ध नही हुआ फ़िल्म निर्माण के घाटे ने उन्हें झकझोर के रख दिया वो टूट गए।
यद्यपि उनके द्वारा निर्मित चित्रपट को राष्ट्रीय पुरस्कार मिला परन्तु ये शैलेन्द्र जी के इस लोक से गमन के बाद।
शैलेन्द्र जी की कमी की पूर्ति किसी भी तरह सम्भव नही है ईश्वर उनकी आत्मा को सकुन दे।
I rate Teesri Kasam the best film of Waheeda Rehman. The music was also the soul of the movie. Iftekhar was also at his best.
मैंने बचपन में यह फिल्म देखी थी तब ज्यादा समझ नहीं थी आज 30 साल बाद यह फिल्म देखी। मुझे लगता है फिल्म में दिलीप कुमार साहब को हीरामन का रोल देना ज्यादा सटीक रहता । उनका अभिनय एक गांव के गाड़ीवान के रूप में बहुत ही नेचुरल लगता जिससे यह ग्रामीण परिवेश में बनी फिल्म और खूबसूरत बनती थी और हिट होती थी ।
नहीं. राजकपूर ही ठीक थे.
Very sad. Shailendra ji was an outstanding lyricist.
Bahut Achi batein Shailendraji ka bare mein. Teesri Kasam bahut hi khoob Soorat film thi. Kya karein har sahityakar kabhi achha paisa kamanewala producer nahim ban sakta. 🤔
Teesari quasam ek classic film hai.
शिशिरजी आपके कारण कुछ और महत्वपूर्ण जानकारियाँ मिली जो शैलेंद्रजी के अकाली मृत्यू का कारण बनी! उनकी बेटी अमला शंकर का भी एक व्हिडियो है जिसमें उसने इसमेंसे कई बाते नाम ना लेकर बताई है,.. मनःपूर्वक आभार!
Genius Shailendra ji wrote meaningful lyrics with very simple words.
सर, ये बहुत ही नई जानकारी दी है आपने।
Great Lyrics writer.......Tru
Aapne bahut hi alag jankari di.jo hamne aaj tak nahi auni thi.kitni matlabi dunia he😪
धन्यवाद धन्यवाद धन्यवाद
आभार संजय जी|
Nice informations sir
Shailendra geeton k jadugar the
Unhen dada saheb phalke award milna chahiye
Great.... bilkul sahi .....😢
It's a wonderful information dear sir 🙏
Just remembering the song "Gardshon ke maare hue na dushmanon ke sataye hus hai, jitne bhi zakhm hai mere dil par doston ke lagaye hue hain'
Tesri Kasam is a marvelous movie.
शैलेन्द्र जी महान गीतकार है
A lot of thanks shishir ji. Apnar madyame purano byaktitwa der samparke anek katha jante pari. Shailendra Singh jir jeevan kahini shune khub dukkho pelam.
Amar nijer sarbapeksha priyo janer O ek e karane (heart breaking ) mrityu hoye chilo. Vyadhi arthabhav ei samasto bishay er theke o viswasghatakata mrityu r ek bhayabaha karon hote pare. Apnar dirghayu kamona kori.🙏🙏♥️
Thanks for sharing
बहुत सुंदर विश्लेषण ।
राजकपूर शैलेन्द्र को कविराज ही कहकर पुकारते थे. बहुत मानी थे शैलेन्द्र! गीत में अपने शब्दोंको बदलने को कभी राजी नहीं होते थे. 'राते दसे दिशाओंसे कहे' इस गीतपंक्ती के दसे दिशाओंसे यह शब्द बदलने के लिए संगीतकार शंकरने उन्हे प्यार से गाली ("काले") तक दी लेकिन शैलेन्द्र माने नहीं.
अंग्रेजी में आकलन नाम से एक प्रकार है. पुरे दस लाईनवाले पैरा को तीन या चार लाईन में लिखना. शैलेंद्र ने पुरी भारतीय संस्कृती का आकलन इस प्रकार किया 'मेहमां जो हमारा होता है वो जान से प्यारा होता है, जादा की नहीं लालच हम को थोडे में गुजारा होता है'.
मुझे शैलेन्द्र पर इस बात का गुस्सा है की उन्होने अपने हितचिंतकों की भी नहीं सुनी और फिल्म निर्माण में कुद पडे. अगर वो सुनते तो ( कितना स्वार्थी हूँ मैं! ) हमपर अर्थपूर्ण गीतों की बरसात होती.
सही काह आपने
Haan... Hasrat Jaipuri ji ka ek interview maine padha. Thha...
जब शैलेंद्र सर ने उन्हें अपनी फिल्म निर्माण की योजना के सारे में बताया तो हसरत जी ने कहा कि मुझे इस क्षेत्र के बारे में बिल्कुल ज्ञान नहीं है सो मैं इस के आसपास भी नहीं फटकूंगा...
Shalinder ji the great poet
Shailendra ji aur music director Shankar Jaikishan ki jodi ne bht hi achche geet diye hain 🙏
🕉🙏Itna kuchh apne ko pta nhi tha unke bare me. His lyrics are most amazing, coming from depth of heart.
Excellent researched narration ;
Dear Krishna .
“ An excellent sort of Ode to great
Poet - Shailendra jee.
Sometimes I feel posthumous recognition is better than antemortem??
सलाम शैलेन्द्र तुझे अनगिनत सलाम
Shailendra was great poet
I must say this is so touchingly revealing. The presentation and script are remarkable too.
Dear Shishir Ji. I am one of your recent subscribers to your excellent channel and seem to be addicted to it due to its excellent contents, in-depth information and your wonderful style of narration. I have lived in England for over 40 years with my wife, our children and grandchildren. Both myself and my wife eagerly watch your fascinating posts on You Tube. I don’t know if you have already written about an author and film director called K A Abbas. Would very much like to hear about him. He seemed to feature regularly in the Indian press in the 60s and 70s. Remember reading one of his books about the shady part of the film industry. It caused a lot of stir in the late 60s when I was a medical student in Patna. With best wishes. Kind regards. Dr Arun Mishra.
माननीय, कृपया kabban मिर्जा पर वीडियो बनाएं
शैलेंद्र को राजकपूर से मिलवाने वाले इप्टा के संस्थापक सदस्य राजेंन्द्र सिंह रघुवंशी का जिक्र न करना दुखद है।
जीवन गाथा कई बार नजर से गुजरी है हर बार बहुत दुःख हुआ जो रच राखा
सहमत हूं रावत जी|
Mahaan geetkaar ❤
सहमत|
kaviraj shailendraji along with sahir sahab and kavi neeraj were the greatest song writers ever in hindi films shailendraji used to stay near my sisters house in khar this bungalaow still remains it is also said shailendraji was hitting the bottle very hard because of the huge financial losses his son dinesh i believe stays in mira road these days thks sharmaji as usual a wonderful episode from you
Mr Naveen Dighe, My Elder brother resides too in Khar...Bandra ( West) I remember seeing Mr Shailendra Bungalow which is named (Rim-Zim :- Flat No 279.) this was after his first Hindi movie ( Barsaat ) R.K Production. became a huge hit ..he was the first lyricist writer who added the Title of the movie in the lyrics of a song sung in the movie...almost 800 + songs a all time record ..but this Bollywood movie Industry never recognize this extraordinary talented writer when he was alive..speaking about his First & ultimately his last produce Hindi movie Teesri Kasam which started in 1961, it took Director Basuji 5 years to complete..the budget was just Two & 1/2 lacs .because Shailendra couldn't afford more then this amount, Changing the Actors after canning almost 8 reels & his Actress not allotting the Director dates also various delays the budget ran up-to 28 lacs .the Film Industry let him down ..Raj Kapoor his best friend was only thinking about his movies. He uses Artist, Lyricist writers, Actress..for his personal gain.
The SHOWMEN the Film Industry called him..but then he is not alone ..so many of the Actors are selfish even today. But Raj Kapoor used Actress Nargis in most of his movies without paying her the price ..For two songs which Shailendra wrote for Barsaat he was paid Rupees 500/ for two songs ..one was the Dream sequence..the Musical Album ..
His Master Voice. H,M.V Records sold almost 25.000/ Records of Barsaat enough to cover the cost of the full production of the Movie..
Premnath the Actor who was Raj Kapoor friend in this movie worked free of cost as his sister was Raj Kapoor wife. Actress Nargis didn't charge him as she was in love with him..No other Director has used & Mis-used Artist like Raj Kapoor..He suggested to Shailendraji to change the ending part of the movie but he didn't do any changes as what was written in the book story it remain the same.Teesri Kasam was not the title ..the book which inspired Shailendraji was titled Maray Gaya Gulfam..
@@sylvesterjohnfernandes4121 wonderful to know that yeah it is sad to see the forlorn house rim jhim at the junction is the huge norornha house are u related to them the senior noronha was a well known scientist and they were also very wealthy i knew basu bhatacharya he was staying in a huge beautiful bungalow bang opp joggers park carter road he was staying alone his wife and children had left him but he managed to hang on to his father in law bimal roys massive bungalow 😊 shailendra ji,s story was very sad
@@snfab1 My Elder brother resides Opp Dilip Kumar Saab bungalow..but in the last 10 years this land is being redeveloped into a High Tower..
Dilip Kumar Saab is no more bit I heard that they are having properly issues with the landlord & the redeveloper.
Opp Joggers Park you informed about Basu Bhatacharya the director I never knew that he states bang Opp Joggers Park..
I go to Carter Road frequently to meet my brother.
Thanks for your additional information..I guess you must be around 50 yrs ..
Yes
Very nice video.
Aap mahan hain shalendar jee ka jivnee sunaaya 🎉 ❤
Feel so good to hear about connection with KV's. I am part of KV too
proud KVites, we all are...
I'm also
Proud to be a kvian
मैंने तीसरी कसम देखी और बहुत पसंद की परन्तु इस की सबसे बड़ी कमी राजकपूर थे जो एक गंवार की भूमिका में बिल्कुल नहीं जंचे। वे तो रुसी दिखने वाले कलाकार थे
महान गीतकार शैलेन्द
Said story
Thanks
Moni Chatterjee,Shivraaj, Rashid khan.,Tarun Bose, Abhi Bhattachary.
Sir there is another Twist to this film as first Shailendra had signed Mehmood the comedian to play the Male lead in Teesari Kasam.the heroine was Actress Meena Kumari.but I don't know if people remember this that Mehmood was legally married to Meena Kumari younger sister. That time the location was in far off village..interiors to get the rustic feel for the background of the Film..during a shoot heavy floods started at the location & Bimal Roy Asst Basuji had to pack the bags as no shooting took place for almost two weeks..Meena kumari felt sick & her other Film Pakeeza was in the making too..as Kamal Amrohi was her married husband..so she dropped out..later Nutan was signed for the heroine role but Mehmood had other commitments in a south movie which was ready for shooting at Madras. this put a terrible load on Shailendra budget..a period of Six months had passed by .lost a lot of investments..that' year Raj Kapoor Saab started his Movie Sangam. As Shailendra was supposed to write the lyrics for the movie both were traveling to Raj Kapoor farm Loni @ Pune. On the way Raj Kapoor Saab inquired about Shailendra movie.request him to tell him the story or as you say the script.when Raj Saab heard it he volunteered to play the male bullcart driver & offered to sign the movie for One rupee & requested Mr Shailendra to sign Weheedha Rehman as the role was of a Dancer ..as you have mentioned yes it got delayed because Raj too was in Paris for the Sangam shoot ..so another three months passed by..finally the movie was completed. But since it was in Black & white & Eastman Colour was in the Disturbers were reluctant to buy it..with Raj Kapoor Saab influence a few disturbers brought the Film ..only in a few theater it was realized..didn't do much business in Mumbai but was a hit in Uttar Pradesh where the movie ran for almost 12,weeks but sad to say Lyricist Shalindra had a massive heart attack & expired.this Tessra Kasam went to Win the National Award at the Film Festival..
thanks a lot. i never knew this.
@@ShishirKrishnaSharma Sir, My late Uncle had a Motor Repairs Garage near Bombay Central..where other workshop were situated..
Mehmood owned so many Imported Automobile's almost 20 Imported one's..also own a huge farm in Bangalore..he had a addiction of smoking ( Charas ) a black tar type balls which he used to mix with the cigarette Tobacco & fill the cigarette mix back inside..this I used to watch when I working in mine Uncles Garage as a helper..then Mehmood bhai Jaan that what my Uncle used to call him ordered Milk Tea from a Bori Muslim restaurant nearby ..sometimes I used to sit with him in mine spare time..I was interested in watching Hindi movie's..I was around 12 years-old..I remember he spoke about this Movie ..one thing Mehmood bhai used to pull anyone legs who used to frequently visit the Garage..only the Rich could afford to own Cars at that time..a music director named Pancham used to accompany him sometimes..
Also one tall lanky Gentleman with White Shirt, White trouser & White Sandals used to tag along with Comedian Mehmood bhai..
After years later after I finished my schooling days I realized that this Man was the noted Smuggler Mr Haji Mastan..this Mastan had a Bungalow at Bombay Central too..
Thank you Thank you Thank you for sharing this wonderful & important information
Dear, you have revealed very unknown stories relating to Teesri Kasam. For the first time I earned about original cast and later on changes in it. Nobody spoke or wrote about this for years together.
@@ananddeshpande2156 Thanks..
After I finished my high schooling I worked for a film studio @ Dadar( East ) my uncle had a Garage @ Bombay Central Opp the BEST Depot..the Comedian Mr Mehmood bhai Jaan spoke to an Production Asst @ Shree Sound Studios..behind Chitra Cinema( Dadar) East ..another Studio was also there Roop Tara Studios..also an Gupta Restaurant just Opp Shree Sound..so in the canteen the spot boys ..Production guys used to discuss which actor was signed for which Film..this was early sixties..I just came across this episode so I recollected this Teesri Kasam incident..I also personnely met the renowned lyricist writer Mr Shailendra, very humble person, also Raj Kapoor Saab..Raj Kapoor Saab used to drink only Black Label whisky, The bottles were hidden in the trunk of his Car...( Dikki) at that time it was probation period,.the C.M of Bombay was Mr Moraji Desai..
Shailendra ji ,bahut sare gane inhone meri zindagi main jhhank kar kaise likhe abhi tak samajhh nahi aya ; bahut badhe chintak aur geetkar ... Teesari Kasam ke nirmaan aur apnon ki babphai se ' Mare Gaye Gulfam ! '
Dil ke sahaj bhole insaan ko duniyadaari ki samaj nahi hoti aur chhal ke shikaar hote hai.
Namaskar jee.
Kaviraj sri sri saliender jee mere pasand ke geetkar hain.
महान गीतकार शैलेन्द्रजी को नमन् है ⚘⚘⚘
हमेँ गरीबोँ ने लूटा अमीरोँ मेँ कहाँ दम था।।
महान संगीतकार रवि जी पर भी एक एपिसोड बनाईए
Sat sat naman
सरलशबदोमेगानालीखनेवालेशैलेनदरबेहतरीनगीतकारशराबकेआदीबनचुकेथे🌷😯🙏🌹😯🙏
शायदयहीवजहसेजदगीकेक्इसालकमहोगये🙏😯🌹👍😶😯🌹
Sir ji I want to meet you is it possible . I can come to Mumbai I have been watching beete hua din .
Yes we can. but currently am out of mumbai for last one year. BTW are you there on instagram? n which place are you based at?
अक्सर ही, अपनों की बेवफ़ाई का दर्द क़ाबिले-बर्दाश्त नही होता। और एक संवेदनशील व्यक्ति के लिए तो बिल्कुल ही नही। शैलेन्द्र जी भी इस त्रासदी के शिकार हुए, बहुत पीड़ा हो रही है। वैसे मैं कुछ कुछ उनका दर्द समझ सकता हूँ, क्योंकि मैं भी इस phenomena का भुक्तभोगी हूँ, मगर उन जैसे अंजाम से अभी दूर हूँ।
Plz bataye Raj kapoor ne ka kiya
❤❤❤❤❤❤❤❤❤
मथुरा रेलवे-स्टेशन के पास धौली प्याऊ area में रहते थे
Badi afsos ki baat hai
Biggest mistake of his life by producing this film without any experience. The film flopped and took his life. If he had not gone for production, he would have been alive for another 20 to 30 years and we would have enjoyed his songs for quite some time
शर्माजी क्या शैलेन्द्र दलित थे। मैंने कहीं पढा है कि शैलेन्द्र हिन्द सिनेमा के पहले दलित गीतकार थे। माहिती दिजीयेगा।
प्रिय अरविंद,
हाँ, शैलेंद्र मागासवर्गीय थे. बिहार के एक मागासवर्गीय नेता श्री. बाबू जगजीवन राम जी ने कहाँ था कि वाल्मिकी मुनी के बाद शायद शैलेंद्र ही मागासवर्गीयों में प्रतिभाशाली और असरदार कवी है. यह मैंने शैलेन्द्र के बारे में एक लेखमें पढा था.
सही है.
This is very interesting and truthful about the over budget issues and one actress making financial demands. However i think Shailendra ji had perhaps taken to drinking and which may be responsible for his very early demise. And what a loss
महान कवि श्री शैलेन्द्र हमेशा आदरणीय है, लेकिन उनके करीबी लोग, राज कपूर साहेब, sj, और भी कई लोगो ने क्या किया! जब वोह तकलीफ में थे?
यही तो सबसे बड़ा सवाल है कि क्या किया? और क्यों नहीं किया? फ़िल्मी दुनिया का चरित्र यही है|
His poetry reflected every common man's dreams which is why they touched their chords. Most of his songs resounded with their aspirations and were worded ordinarily yet effective. Truly a ordinary and poor man's writer whose songs resonate even today after five decades of his demise
India missing shailendra badly.no match to this great writer.
Shailendra ji ko tisri kasam film ke piche sb saale Gaddaar mile jo apne mante thye unhone daga diya. .......all others friends shaileandr ji ko daga diya
Seems to be an incomplete daastan (story). Can't understand someone close to Raj Kapoor, and himself virtually a part of RK Productions could fall into financial chaos. Over and above, didn't get any advice or help from Raj Kapoor.
Very nice video sharma ji.. Just one doubt are you sure the photo which you have shown is of basu bhattacharya? I feel it's hrishikesh Mukherjees photo. Otherwise you are the best in your field.
Yes it is...Hrishikesh Mukerjee looks entirely different.
Thanks for clarification..
Shallendra jee was geetkar , no doubt.But he was more a poet. And great poet. I am of the opinion that if he would have continued as a POET....
Rajkapoor has made blunder by making mera naam joker and Shailendra by Teesri kasam.
आपकी बात काफ़ी हद तक सही है| लेकिन सवाल ये, कि अगर ये दोनों फिल्में हिट हो जातीं तब भी क्या इन्हें निर्माताओं की गलती माना जाता?
कुमुद छुगानी अँड राजकिरान के बारे मे बताये यह कलाकार कहा गई
Youth of Bollywood
Mahan the
शर्मा जी, फिल्मी जगत के सुनहरे अतीत से मोती चुन कर लाते हैं, लेकिन वे जीवन के नकारात्मक पक्ष को ही रेखांकित करते हैं।
Raj Kapoor deliberately delayed the movie...
A medium budget film which was launched in 1962 and saw the screen in 1966.. much after release of Sangam. In one of the interview Waheeda Rehman told that Raj Kapoor didn't like the climax of the film.. to which Shailendra ji didn't agree.
Raj Kapoor asked him to change it.
Raj kapoor may help him a lot
But the music was a hit.... paan khaye.
Shailendra ki Saale ne production ka jimmedari leke bahut financial nuksani ki thi.
Raj Kapoor was not a right choice for the film. He looked not at all suitable.
शर्मा जी नमस्कार, ये फिल्म इंडस्ट्री तो सदा से ही अपनी बेवफाई के लिए मशहूर है राज कपूर तो इसका क्लाइमेक्स ही बदलवाना चाहते थे लेकिन इसके लिए रेणु और शैलेन्द्र जी राजी नहीं हुए जिसका नुकसान शैलेन्द्र जी को अपने प्राण असमय देकर चुकाना पड़ा
etni kum umar me Jana bada dukhad
Agar koi doosra puducer hota toe beech mein hi laat mar kar nirman dheen film ko chhod deta.Buisness aik alag cheej hai,Shelenderji poet jaroor thai magar unko ye nahin pata tha ki sabhi swarthi hote hain.
Shishir jii मक्खी numa दाढ़ी आप ऐसे शानदार personality पर suit नहीं करती आशा है आप ध्यान देंगे
तो यह है असलियत
कवि शैलेन्द्र की अकाल-मृत्यु की 🤔
आपने उन करीबी रिश्तेदार का नाम नहीं बताया, नाम के बगैर आपका यह एपिसोड अधूरा है।
महोदय, इस विडिओ का उद्देश्य शैलेन्द्र जी पर निर्माता बनते ही पड़ने वाले दबावों और परेशानियों से दर्शकों का परिचय कराना है, न कि किसी व्यक्ति को बदनाम करना| माफ़ी चाहूंगा, अगर आप चटपटी, मसालेदार सामग्री अथवा गॉसिप्स की उम्मीद में 'बीते हुए दिन' पर आये हैं, तो आपको निराशा ही हाथ लगेगी| आशा है आप एक फ़िल्म इतिहासकार और एक फ़िल्म पत्रकार के बीच के फ़र्क को समझेंगे, मैं फ़िल्म इतिहासकार हूं, जिसका काम तथ्यों का दस्तावेज़ीकरण करना होता है| और अगर आप इस फ़र्क को समझना नहीं चाहेंगे, तो 'बीते हुए दिन' का प्रत्येक एपिसोड आपको अधूरा ही प्रतीत होगा|
सादर|
@@ShishirKrishnaSharma आपने उत्तर दिया, अच्छा लगा, निवेदन है कि व्यक्ति की बायोग्राफी में सब कुछ मिलता है लेकिन व्यक्ति के गुजरने के बाद उनकी फैमली वर्तमान में किन परिस्थितियों में जीवन व्यतीत कर रही है कोई नहीं बताता, सब घिसी पिटी बातें ही बताते हैं,धन्यवाद।
कभी शंकर जी के बारे में भी नया कुछ लेकर आने का कष्ट करे।धन्यवाद।