She had a beautiful lyric voice, that had a dramatic edge that couldnt be beat, plus she had coloratura too.. She was a handsome woman as well... I love her, very musical.
Her Manon to Domingo's DesGrieux is unforgettably beautiful and thrilling. She was/is beautiful in form and voice. How I wish she had done more with him. She was also an accomplished poet and painter. Mil gracias.
Way too slow tempo. No diction from Sass. Yet stunning phrasing, emotive and glamorous vocal tone and full size and scale. She was a marvel and clearly an unfinished singer.
What a voice ... it could make this aria white hot as I think it should be if the tempo was picked up a bit by the conductor... it's a bit too pedestrian to be exciting... not the sopranos fault though....
100% correct Ghost.. beautiful tone, but loses me with the tempo... this aria is supposed to be dramatic, anxious, paranoid, and full of despair... sung beautifully but lacks the emotional build-up before the last maledizione.
Sorry you may have a problem with italian language. Sass Sylvia with potatoes in her mouth.????? Sorry i can't accept your comment. But Evert body have thé right to their opinions even it' 's make me sad to read but comments about SASS. So best regards
Indeed it’s terrible diction as her vowels are a mess and her lack of chest tones is also nonexistent. What a voice however. She did sound more normal in Hungarian renditions of opera.
Que belleza de interpretación ,desde la primera frase (Pace,pace, pace,Dio mio...)
Hermosa voz. Agudos y graves. Coloratura. Bella mujer.
She had a beautiful lyric voice, that had a dramatic edge that couldnt be beat, plus she had coloratura too.. She was a handsome woman as well... I love her, very musical.
Here in London she was far and away the greatest Norma since Callas. Many thanks for posting this.
Absolutely wonderful!
Che meraviglia❤👍❤👍❤❤
Das geht nicht besser. Absolut perfekt. Eine Göttin!
Her Manon to Domingo's DesGrieux is unforgettably beautiful and thrilling. She was/is beautiful in form and voice. How I wish she had done more with him. She was also an accomplished poet and painter. Mil gracias.
Absolutely wonderful!
How incredibly amazing !!!!!!!!!!!!!!!!!!!!!!!!!!!!1
My favourite one!
Gyönyörű hang,gyönyörű szerzemény,gyönyörű énekes hölgy
Voce molto affascinante, morbida, scura, notevole anche nel registro basso. 🤩💐💐💐
Прекрасно изпълнение! Върховна красота!
My favorite Leonora.
Sylvia, sei un'angelo.
Beautiful lyricism with a dramatic edge. Her rendition of Ernani involami is quite beautifully sung as well.
very good!
Way too slow tempo. No diction from Sass. Yet stunning phrasing, emotive and glamorous vocal tone and full size and scale. She was a marvel and clearly an unfinished singer.
What a voice ... it could make this aria white hot as I think it should be if the tempo was picked up a bit by the conductor... it's a bit too pedestrian to be exciting... not the sopranos fault though....
Awesome. I love this aria . So powerful as Sass re climbs the steps. Memorable stuff
Отлично )) Проникновенно, красивый голос. Не Каллас, конечно, но вполне достойно!
Perfection
我太喜欢她了！
100% correct Ghost.. beautiful tone, but loses me with the tempo... this aria is supposed to be dramatic, anxious, paranoid, and full of despair... sung beautifully but lacks the emotional build-up before the last maledizione.
For me, Sass's greatest problem was her diction, which always sounded like she was singing with a mouthful of mashed potatoes.
Sorry you may have a problem with italian language. Sass Sylvia with potatoes in her mouth.????? Sorry i can't accept your comment. But Evert body have thé right to their opinions even it' 's make me sad to read but comments about SASS. So best regards
@@andrejungels6255 Yes, she had a mush-mouthed way of pronouncing words which wasn't much better than Joan Sutherland's.
Indeed it’s terrible diction as her vowels are a mess and her lack of chest tones is also nonexistent. What a voice however. She did sound more normal in Hungarian renditions of opera.