Started listening to this without reading any notes or comments. During the intro, my first thought was, "Seriously, a piece based on Remington's daily exercises?" After the cadenza at Letter A, I figured it might be helpful to read some notes and see what the story might be on this composition. Cool piece! This work hits home with me as many years ago, as a trombonist, I dealt with my own episode of Bell's Palsy. Mine was not too serious (very little facial droop), but I recovered quickly and was able to play to some degree while recovering. Although I went on to play for another 31 years, I always felt that I was never quite as good as I was before the palsy. Great piece! Thanks!
This is a beautifully written piece. The nods from Morceau, bolero, Wagner, and many others is so clever and tells the story beautifully. This is true art
I know your work from before this piece, mainly Violent Shadows. I listened to this piece performed by Dr. Marks at the UNC Charlotte Trombone Festival and had somehow missed that you had written it. It makes sense now as to how this piece turned out so great.
Wish I was young enough to play it.. Haven't played in years, but yea, if I ever practice enough, it seems like a really good solo to ease into (the accompaniment not withstanding =p) (You might say it's for tenors as well? idk, I don't remember seeing that many notes I'd need 2nd trigger for. (I really don't know how that classification works).
I'm glad you enjoy it! I think it has it's fair share of difficulties, especially in the first movement, but hopefully it's pretty approachable. I think lower trombone parts can come down to preference - The 5th part in this could be played on bass but it's perfectly doable on tenor.
![เปิด อาณาจักร หมื่นล้าน "สาระตั้ม" l [Nickynachat]](http://i.ytimg.com/vi/3XE0nPF4YkQ/mqdefault.jpg)
Thank you for listening! More information about the piece is available here:
hassmusic.com/chamber/resurgence/
I didn't even need the score notes to understand the story told by this piece, the music conveyed it well! Excellent work!!
That’s probably the best comment I could’ve received on this piece! Thank you so much James, hope you’ve been doing well!
the first solo part I recognised almost every melody there
Started listening to this without reading any notes or comments. During the intro, my first thought was, "Seriously, a piece based on Remington's daily exercises?" After the cadenza at Letter A, I figured it might be helpful to read some notes and see what the story might be on this composition. Cool piece! This work hits home with me as many years ago, as a trombonist, I dealt with my own episode of Bell's Palsy. Mine was not too serious (very little facial droop), but I recovered quickly and was able to play to some degree while recovering. Although I went on to play for another 31 years, I always felt that I was never quite as good as I was before the palsy. Great piece! Thanks!
This is a beautifully written piece. The nods from Morceau, bolero, Wagner, and many others is so clever and tells the story beautifully. This is true art
I know your work from before this piece, mainly Violent Shadows. I listened to this piece performed by Dr. Marks at the UNC Charlotte Trombone Festival and had somehow missed that you had written it. It makes sense now as to how this piece turned out so great.
Aw I really appreciate it! Definitely a bit of a stylistic departure from Violent Shadows, so I completely understand not making that connection!
Oh Mr Hass and your lovely odd time signatures. You really know how to make an awesome melody with any time signsture
You know I love me some mixed meter! Glad you enjoyed this tune!
I love your trombone pieces, one of your greatest yet
That’s so kind, thank you so much!
Your work never ceases to inspire. A fantastic listen as always!
You’re too kind! Thanks so much Ethan, I’m glad you enjoyed it!
this could lowkey be a movie soundtrack
This guy looks really nice. I would love to be his friend
YEAHHHH!!!
10:59 don’t think I didn’t hear both Bolero and Concertino in there…
Also… pretty sure I might have heard Wagner in there too…
You are correct!
I swear I hear song of storms in here but I feel Like im wrong. 5:32
Wish I was young enough to play it.. Haven't played in years, but yea, if I ever practice enough, it seems like a really good solo to ease into (the accompaniment not withstanding =p)
(You might say it's for tenors as well? idk, I don't remember seeing that many notes I'd need 2nd trigger for. (I really don't know how that classification works).
I'm glad you enjoy it! I think it has it's fair share of difficulties, especially in the first movement, but hopefully it's pretty approachable. I think lower trombone parts can come down to preference - The 5th part in this could be played on bass but it's perfectly doable on tenor.
00:58 Gordon Jacob quotation
Was that solo supposed to have Bolero, Morceau Symphonique and Ride of the Valkyries or am I just hearing that?
You picked up on most of the references! Check out the program notes in the description for the full story.
1:00 i swear i heard bolero
That whole cadenza is made up of famous trombone excerpts/solo repertoire! Who else can name some of the pieces I quoted?
At 1:00 and 1:21 that 100% David’s Concertino and before that is Wagner(?)
@@cehass11 Grondahl, Bolero, David, Morceau, Valkyrie......
@@faithful__ Almost got them all! I think you’re just missing one reference.
i recognised all of the them i just dont know the names of all of them but i have the sheet music for them i also
This seems more like a septet rather than soloist and sextet.
Cadenza it's a mix of famous solos? Really?
Yep! Check out the program notes in the description for the context!