Thank you, Bobby, for sharing all these insightful updates. You’re truly providing a great service to everyone. I understand the security risks associated with TikTok, but if one of the reasons for banning TikTok is its negative impact on young people, then that argument seems hypocritical. The U.S. government should also ban or at least regulate Instagram and Facebook, as they are equally harmful platforms, as is widely recognized.
It's good to know that immersive sound is getting little traction other than film, of course. That info could save people a lot of money. There was a time when I was about to invest heavily into building an immersive studio. Now I'm really glad I didn't! The news about streaming being a bust for income should be just about common knowledge by now, yet I'm still surprised how many upstart musicians are pinning their hopes of making it big on streaming. Peter Frampton made less than $37,000 on "Do You Feel Like We Do" in a year of streaming; hundreds of millions of streams. He'd be broke if he started today! Weird Al made TWELVE dollars from 80 million streams. "Thanks for the sandwich!"
Thank you for sharing this! ❤
Hey Bobby! Always enjoy your year in review. Thanks.
Thank you, Bobby, for sharing all these insightful updates. You’re truly providing a great service to everyone.
I understand the security risks associated with TikTok, but if one of the reasons for banning TikTok is its negative impact on young people, then that argument seems hypocritical. The U.S. government should also ban or at least regulate Instagram and Facebook, as they are equally harmful platforms, as is widely recognized.
I just found your site. No bells and whistles, no click bit, just information shared calmly. I am a fan!
It's good to know that immersive sound is getting little traction other than film, of course. That info could save people a lot of money. There was a time when I was about to invest heavily into building an immersive studio. Now I'm really glad I didn't! The news about streaming being a bust for income should be just about common knowledge by now, yet I'm still surprised how many upstart musicians are pinning their hopes of making it big on streaming. Peter Frampton made less than $37,000 on "Do You Feel Like We Do" in a year of streaming; hundreds of millions of streams. He'd be broke if he started today! Weird Al made TWELVE dollars from 80 million streams. "Thanks for the sandwich!"
Scary