m guessing 2 things. Either is Takahashi reimagining Saga's envisioned lore/events into Blade's or there's some strong story and timelines connection lore that we didn't know just yet between Blades and Saga. Could the Earth-of events of Xenoblade affected directly Saga's timelore? But that's impossible. How could they're gonna match Xenosaga's Grimoire Verum Earth/Zohar experiments vs Klaus Earth/Conduit experiments? Also, there's one more thing. It is worth mentioning that KOSMOS database entry on Episode 3 read as follows: "The battle over, KOS-MOS falls into an eternal sleep and drifts, like the passage of time, through the emptiness of space. A BLUE LIGHT penetrates her battered and faded figure. Perhaps that light will be the cause of a new awakening". If it that is our original KOSMOS in FR ending, does that mean that similar events between Saga and Blades are occurring at the same time, but in different timeline and universes? And how will be possible that Saga's Earth (Lost Jerusalem) will be the same as the ne who appears in the final sequence of the merging worlds at Future Redeemed ending?
@@boredgoddesstori6635 Verum is seen as publicly responsible for what happened, but it still could work as it being Klaus all along, but Verum just took the fall
Is it really a coincidence that in Xenosaga we fight a Mech called Omega when we have an entity called Alpha in Xenoblade? One who is about to destroy in order to create when the other is about to create in order to destroy? One who acts out of arrogance when the other acts because it is the only thing it can do?
You mean, a franchise building his symbolics and all his creations, from stories, characters, lore, music, environnements, in spiral almost like... an Ouroboros? :D
@@SnackerWolf People theorized that there is deeper symbolism in Noah throwing his sword away, in the sense that Takahashi himself starts to let go of Perfect Works and continuing the Series beyond that structure.
@@bladerdj3503 I saw that this way too, or atleast I hope so for him, since with the end of the Klaus saga, he finally achieved to end one of his story for good and without having to cut contents. He finally got his perfect work and can move on
That's because they are both references to Deus. Deus is refered to as Alpha and Omega in Xenogears (of course it's also a reference to the bible). Omega's design is literally a carbon copy of the final form of Deus. Omega is also outright implied to be the beta version of Deus in Saga (Gears happens after Saga). Alpha has the weird creepy human face of the original Deus and the colors of final form Deus. Ontos is also one of the computers that originally controlled the Xenoblade equivalent of Deus (Aion). I want to add that Deus' plan was to grow new life on the planet, become one with it, and depart for a new world once he had regained enough power. That's literally Alpha's plan. The Siren Model Kit also explain the Aion system and it's the same as the Deus system in perfect Works. -The Power Source (Zohar/Counduit) -The decision making unit with three personalities (Kadomony/Trinity) -The world obliterating weapon (Deus/Aion) -An autonomous defence system (Diabolos/Artifice) The other funny part is that if we now consider that Klaus' world is lost Jerusalem then it also makes Aion the blueprints for Omega since we know that most of the stupidly powerful artefacts in saga were made using blueprints from a document that was originally decripted by a canadian scientist after being found alongside the Zohar. The Y-Data could have been used to make Aion before being reused 5000 years later to make Omega and then Deus.
@Goddess Shadow I don't think they will. But we know that originally Xenosaga was meant to be 6 games long. And since this boss is very grandiose and we know they tried to fit as much of the plot from all the planned games into one I just suspect that this was meant to be the final boss of 5 (with Zarathustra being the final boss of the 6th.) until they cut down the rest of the plot to fit into just Xenosaga 3.
1:31-1:32 every time I hear parts like this in this theme, I like to imagine that it just suddenly transitions into the intro of XBC's Gaur Plains or the intro of the chorus part in XBC 3's Chain attack
Not less, definitely more. I have been to all kinds of Symphonic Metal shows from Nightwish to Epica to Kamelot. It's literally my favorite genre and has been for over ten years.
So what you're telling me is that this song that plays while fighting Omega and Dimitri Yuriev bears a striking resemblance to: - Zanza the Divine - Redeem the Future Not only is there the obvious Alpha and Omega parallel going on (the beginning and the end, the first and the last), but Klaus and Yuriev were both substantial figures at the Rhadamanthus and Minos beanstalks and both tried to use the Zohar/Conduit to gain the power of a god. Holy shit this series is insane.
@@Robotta The time will say it so I'm not in that hurry. If a new Xenoblade game gets announced and this one officialy shares connections with Xenosaga/Xenogears then I will feel the need to play then as they are. Believe me, personally, the experience that the XCDE gave me from the first time is something that the Wii ver. would never have achieved. (Not hating the Wii ver., I love it)
The really weird thing is... I could have -sworn- this was. It's only just now, like almost a decade after I played the game, that I realized it wasn't.
It'll be a great final boss theme for the end of an intermediate episode that's followed up, but doesn't have the "End of The Universe" feel as Promised Pain.
It was not hard, and it should not have been 6 parts. I know they planned 6, but they were too full of themselves. If you read Xenogears Perfect Works (translations online at E-hentai, even), the original plan for what _should_ be "the Xenosaga" in total sometimes spanned millenia between stories. Xenosaga should have been a complete, singular game, and part one of six... Xenogears was part five, and takes place well over ten thousand years later...enough time for a rogue AI to crash land on a planet and grow humans to populate it, that civilization to grow and destroy itself, then most of its greatest technology to be lost/sequestered over the following eight millenia. It's like... this was supposed to be an epic that spanned civilizations, but Monolith got greedy like those .Hack motherfuckers
@@dugtrioramen I always thought that Manami Kiyota's music has a lot of similarities with Yuki Kajiura. Maybe she was inspired by her, or she was chosen as a composer because of their similar styles.
And Xenogears which if you catch it in the end credits of Xenogears it says something along the lines of Episode V or VI followed by a German language title line the three Xenosaga episodes.
@optimumultimaomega the end of Xenogears said Episode V, and the Xenosaga subtitles were books by Friedrich Nietzsche: "Der Wille zur Macht," "Jenseits von Gut und Böse," and "Also Sprach Zarathustra," or "The Will to Power," "Beyond Good and Evil," and "Thus Spoke Zarathustra" in English
This sounds stupid but i thought this was the final boss because this SOUNDED like a final boss theme, i was suprised that the game wasn't done yet and i was happy
i love manami kiyota but Godsibb is literally just better zanza the divine my fucking god this song is a masterpiece. why do E.S. battles have to be so loud i just wanna jam out without having my ears blown out
Man imagine if Ace Plus remixed this. Or maybe if they made a couple battle themes for episode one (the battle theme is great it’s just a shame it’s the only one)
lyrics: Requiem æternam, Dona eis, Domine Libera me, Domine, de morte æterna, In die illa tremenda. in die illa Quando coeli movendi sunt et terra, Dum veneris judicare Sæculum per ignem. Tremens factus sum ego et timeo, Dum discussio venerit atque ventura ira Dies illa, dies iræ, Calamitatis et miseriæ Et lux perpetua luceat eis Soulja Boy off in this, oh Watch me crank it, watch me roll Watch me crank that Soulja Boy Then Superman that, oh Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch Soulja Boy off in this hoe Watch me crank it, watch me roll Watch me crank that Soulja Boy Then Superman that, oh Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch
It's composed by Yuki Kajiura. She's known to use just gibberish for vocals. Reasoning is these themes are usually to draw focus to a particular event or emotion and she doesn't want the listener being distracted by trying to figure out the lyrics.
No, he isn't even the final antagonist of Xenosaga. Wilhelm has orchestrated the entirety of human history since the death of Jesus. Yuriev pretty much exists only because he helped Wilhelm by conveniently bringing all the relics of gods to Michtam when Wilhelm needed them.
Two scientists, driven by divine powers. Klaus and Dmitri.
That Future sure is Connected!
m guessing 2 things. Either is Takahashi reimagining Saga's envisioned lore/events into Blade's or there's some strong story and timelines connection lore that we didn't know just yet between Blades and Saga. Could the Earth-of events of Xenoblade affected directly Saga's timelore? But that's impossible. How could they're gonna match Xenosaga's Grimoire Verum Earth/Zohar experiments vs Klaus Earth/Conduit experiments? Also, there's one more thing. It is worth mentioning that KOSMOS database entry on Episode 3 read as follows:
"The battle over, KOS-MOS falls into an eternal sleep and drifts, like the passage of time, through the emptiness of space. A BLUE LIGHT penetrates her battered and faded figure. Perhaps that light will be the cause of a new awakening". If it that is our original KOSMOS in FR ending, does that mean that similar events between Saga and Blades are occurring at the same time, but in different timeline and universes? And how will be possible that Saga's Earth (Lost Jerusalem) will be the same as the ne who appears in the final sequence of the merging worlds at Future Redeemed ending?
@@TheBeholderist All they need to do really is retcon the Verum stuff and change it to Klaus activating the Conduit
@@boredgoddesstori6635could also be that both events happen at the same time in tandem
@@boredgoddesstori6635 Verum is seen as publicly responsible for what happened, but it still could work as it being Klaus all along, but Verum just took the fall
Is it really a coincidence that in Xenosaga we fight a Mech called Omega when we have an entity called Alpha in Xenoblade? One who is about to destroy in order to create when the other is about to create in order to destroy? One who acts out of arrogance when the other acts because it is the only thing it can do?
You mean, a franchise building his symbolics and all his creations, from stories, characters, lore, music, environnements, in spiral almost like... an Ouroboros? :D
@@SnackerWolf People theorized that there is deeper symbolism in Noah throwing his sword away, in the sense that Takahashi himself starts to let go of Perfect Works and continuing the Series beyond that structure.
@@bladerdj3503 I saw that this way too, or atleast I hope so for him, since with the end of the Klaus saga, he finally achieved to end one of his story for good and without having to cut contents. He finally got his perfect work and can move on
That's because they are both references to Deus. Deus is refered to as Alpha and Omega in Xenogears (of course it's also a reference to the bible). Omega's design is literally a carbon copy of the final form of Deus. Omega is also outright implied to be the beta version of Deus in Saga (Gears happens after Saga).
Alpha has the weird creepy human face of the original Deus and the colors of final form Deus. Ontos is also one of the computers that originally controlled the Xenoblade equivalent of Deus (Aion). I want to add that Deus' plan was to grow new life on the planet, become one with it, and depart for a new world once he had regained enough power. That's literally Alpha's plan.
The Siren Model Kit also explain the Aion system and it's the same as the Deus system in perfect Works.
-The Power Source (Zohar/Counduit)
-The decision making unit with three personalities (Kadomony/Trinity)
-The world obliterating weapon (Deus/Aion)
-An autonomous defence system (Diabolos/Artifice)
The other funny part is that if we now consider that Klaus' world is lost Jerusalem then it also makes Aion the blueprints for Omega since we know that most of the stupidly powerful artefacts in saga were made using blueprints from a document that was originally decripted by a canadian scientist after being found alongside the Zohar. The Y-Data could have been used to make Aion before being reused 5000 years later to make Omega and then Deus.
@@ghirahimlefabuleux8984 And the last boss of Xenogears is literally Ouroboros (just mistranslated as Urobolos or something like that)
I don't know about anyone else, but I feel like a lot of inspiration for the Xenoblade 3 Future Redeemed final boss theme came from this.
Well, considering this is the boss battle theme of Omega, a meca with divine power... :D
Reminded me more of gears than saga
Considering that a variation called Zanza the Divine is in Xenoblade 1, I think it's more inspired by that
Redeem the FUture being written for the boss battle against Alpha no less@@SnackerWolf
i have no doubt this was originally meant to be the final boss of Xenosaga V if they actually did make all 6 games.
Deus - final boss of Xenogears V
Omega - final boss of Xenosaga V
It makes sense
@Goddess Shadow I don't think they will. But we know that originally Xenosaga was meant to be 6 games long. And since this boss is very grandiose and we know they tried to fit as much of the plot from all the planned games into one I just suspect that this was meant to be the final boss of 5 (with Zarathustra being the final boss of the 6th.) until they cut down the rest of the plot to fit into just Xenosaga 3.
from what it looks like, u-do was originally supposed to take the role of deus before it took the role of the wave existence once they changed plans.
@@owenrendall we're so fucking back
Wasn’t Xenogears itself episode V or VI? It says something about that in the end credits of that game.
BACK FOR MY 15TH LISTEN OF THE DAY 0:44 HITS EVERY TIME THERE MAY NEVER BE A SONG AS GOOD AS GODSIBB EVER AGAIN
back for my first listen after beating the game. take me back. take the trauma back.
@@theswagatron it's all over, there's no going back
Alpha the divine end though
Feels like the final boss theme of FR in xeno 3
That brought me here
That theme is based off Zanza the Divine, which was based off this.
Pretty sure the _only_ thing that's similar are the vocalists.
1:31-1:32 every time I hear parts like this in this theme, I like to imagine that it just suddenly transitions into the intro of XBC's Gaur Plains or the intro of the chorus part in XBC 3's Chain attack
now i cant unhear the gaur plains. thanks
Behold this glorious picture!
This was my introduction to Symphonic Metal. Yes, there is a whole genre of this type of music... more or less.
Lacuna Coil and Within Temptation say hello
@@cameronb4099 Nightwish, Epica, Xandria, there are a lot!
xenoblade in a nutshell lol.
Not less, definitely more. I have been to all kinds of Symphonic Metal shows from Nightwish to Epica to Kamelot. It's literally my favorite genre and has been for over ten years.
Literally the best boss battle theme ever created. Nothing I've ever heard comes close, not even Zanza the Divine
Seymour ominis from ffx is up there too but i agree
@yungneil97 it was a terrible design decision on the developers part to not have this as the final boss theme
@yungneil97 promised pain is a great song the boss just is too easy so you never hear it when it actually gets good lol
Is it a crime to say I prefer ZTD even though this song is factually better
@@HollowPurple-if2co Zanza the Divine is better imo
The chances of this song making it into Smash with the new DLC are close to zero...
...but _not_ zero.
I'm sorry bro, but I understand. Cause I too crave any form of content that tangentially has Kos-Mos in it
Dmitri Yuriev gets namedropped in the Xenoblade 3 DLC, so it's not actually impossible for this to return to the series.
I genuinely think she could be in smash 6.
Kajiura makes tracks like these and people still have the audacity to say she recycled her content.
I feel people nitpicking her works are those who barely appreciate her talent or care about the many franchises she has worked on to begin with.
So what you're telling me is that this song that plays while fighting Omega and Dimitri Yuriev bears a striking resemblance to:
- Zanza the Divine
- Redeem the Future
Not only is there the obvious Alpha and Omega parallel going on (the beginning and the end, the first and the last), but Klaus and Yuriev were both substantial figures at the Rhadamanthus and Minos beanstalks and both tried to use the Zohar/Conduit to gain the power of a god.
Holy shit this series is insane.
Yea it is
The only real big substantial contradiction between the two is that there has to be 2 Zohars but their are ways around it.
honestly glad zanza/architect wasn't dimitri yuriev cause even alrest would have suffered
If you want to go a step further Omega is basically Xenosaga's equivalent of Deus from Xenogears, whose design Alpha is very much inspired by
@@GRK_2024 well let’s say directly suffered. Alrest’s issue was from his negligence.
Haven't played Xenosaga, but dang this is so good for the old it is.
Play it.
@@duncanlavalle8689 Yeah, definitely waiting for the rumored remakes/remasters of the trilogy.
@@monadojo I hope for a remake but we can assume a sequel has to happen after Future Redeemed! (or Takahashi is trolling us idk)
@@monadojo Why the wait for an unconfirmed remake? Just play the games on PS2 or emulate them if they are expensive (which I think they are)
@@Robotta The time will say it so I'm not in that hurry. If a new Xenoblade game gets announced and this one officialy shares connections with Xenosaga/Xenogears then I will feel the need to play then as they are.
Believe me, personally, the experience that the XCDE gave me from the first time is something that the Wii ver. would never have achieved. (Not hating the Wii ver., I love it)
The original Zanza the Divine!
Man, it's too bad THIS wasn't the final boss theme, because it'd sure fit as such.
Thankfully Promised Pain is also awesome
The really weird thing is... I could have -sworn- this was. It's only just now, like almost a decade after I played the game, that I realized it wasn't.
It'll be a great final boss theme for the end of an intermediate episode that's followed up, but doesn't have the "End of The Universe" feel as Promised Pain.
This was the final boss to me
Well I’m sure this would have been “a” final boss if they were able to make the planned games. It sure felt like a final boss.
If only Xenosaga was made in 6 parts as they originally planned... anyway, it's still a nice JRPG series to play on the PS2 and it's hard too.
Here's is hoping for a switch collection at one point.
@@JN1306 I wish, the closest we ever got to see Xenosaga again was KOS-MOS appearing in other games as a guest.
@@SammEater True....
It was not hard, and it should not have been 6 parts. I know they planned 6, but they were too full of themselves.
If you read Xenogears Perfect Works (translations online at E-hentai, even), the original plan for what _should_ be "the Xenosaga" in total sometimes spanned millenia between stories. Xenosaga should have been a complete, singular game, and part one of six... Xenogears was part five, and takes place well over ten thousand years later...enough time for a rogue AI to crash land on a planet and grow humans to populate it, that civilization to grow and destroy itself, then most of its greatest technology to be lost/sequestered over the following eight millenia.
It's like... this was supposed to be an epic that spanned civilizations, but Monolith got greedy like those .Hack motherfuckers
@@Virjunior01 Man, dotHack was so cool, too bad greediness destroyed that series.
The original Consul battle theme, literally it's fucking daddy.
This song is tooo dang addicting
This may be the best boss battle music I've ever heard.
I have this on headphones, and OH GOD DOES IT SOUND EPIC.
Abel is a blatant Fei Easter egg! 😁
Totally
XENOGEARS SPOILERS
even more, abel was the name of fei’s first incarnation. i honestly wonder how square didn’t sue namco LMAO
@@twiilit_ I’m guessing that tetsuya takahashi had some form of copyrights for the characters.
This is even my final form theme
This kinda actually reminds me of the track "Zanza" from Xenoblade Chronicles.
Kinda the same structure tbh
@@amauryv1408 Might be where Ace got the influence from for that theme to have a nice tie in with Monolith's previous series.
Zanza is diet godsibb
@@Wexter0083 that's actually made by Manami Kiyota. Pretty surprising but I guess she can make some mean battle music
@@dugtrioramen I always thought that Manami Kiyota's music has a lot of similarities with Yuki Kajiura. Maybe she was inspired by her, or she was chosen as a composer because of their similar styles.
Oh man i remember the battle behind this. it was an epic showdown with an amazing backdrop that resembles to the deus fight in Xenogears
Man its been years since I listened to this!
its official, xenosaga is connected to xenoblade, the name drops on the radio, and bamco being in the credits for future redeemed.
And Xenogears which if you catch it in the end credits of Xenogears it says something along the lines of Episode V or VI followed by a German language title line the three Xenosaga episodes.
@optimumultimaomega the end of Xenogears said Episode V, and the Xenosaga subtitles were books by Friedrich Nietzsche: "Der Wille zur Macht," "Jenseits von Gut und Böse," and "Also Sprach Zarathustra," or "The Will to Power," "Beyond Good and Evil," and "Thus Spoke Zarathustra" in English
Man, if this is for real, I really hope that Xenosaga trilogy can be properly remastered and launched at digital services.
@@optimumultimaomegaXenogears still is its own thing because of Square Enix.
Xenosaga was an attempt to fully tell the six part story of Xenogears
"Fear drives evolution!"
god tier boss music
This sounds stupid but i thought this was the final boss because this SOUNDED like a final boss theme, i was suprised that the game wasn't done yet and i was happy
This is an awesome song for that oh so difficult battle its played on.
I swear to god
If I hear this in any Smash game
I'm gonna cry
There's a Xenosaga 1 Piano Collection's kickstarter up called Across the Kosmos that's officially licensed! Help support it!
Beautifully epic.
It was the final battle with Margulis that had me pulling my hair.
For me this right up there with It has to be this way in terms of banger
To anybody who likes this music, check out the Noir Anime OST, it was also composed by Yuki Kajiura.
Sounds like something from the Fate series, banger
Yuki Kaijura does a lot of OST for Fate's anime adaptations, so it makes sense, since she did a lot of Xenosaga Ep II and ep III ost
Remind me of Battle is to the Strong, from Fate Zero, to be precise
I couldn't imagine what Origa and Yuki Kajiura could do together.
I know, I even (re)played the first one after a long time since I finished the 3rd and I noticed the difference in the difficult level.
CALLING IT NOW!
KOS-MOS IN SMASH ULTIMATE!!
LETS GO BABY
Hasn't happened yet, but I PRAY
i'm behind this 100%
Yes please!! I NEED IT!
But... why? Oh nevermind.
"Are you telling me this is not the final boss theme? Dissapointing ;( "
Classic game amazing ending, this needs a bring back sequel.
Oh boy you're in for some good news
*chanting intensifies*
Hi dad.
greatest video game song ever
Even though the Xeno series lost Yasunori for a bit, this music still kinda slaps.
That fucking violin man
Same composer. Her songs are super distinctive, too.
greatest boss theme ever fucking created
*Senator Armstrong would like to know your location*
I remeber when this was new.
the "fuck you dad" theme
I remember this moment
NO ONE lasts long with Erde Kaiser Sigma. Even Zarathustra was a joke. :[
Why does 1:47 hit so hard I don't get it
i love manami kiyota but Godsibb is literally just better zanza the divine my fucking god this song is a masterpiece. why do E.S. battles have to be so loud i just wanna jam out without having my ears blown out
THIS IS THE BEST FUCKING SONG IVE HEARD IN MY LIFE AHHHHHHHHHHHHHHHH
@@theswagatron Livin' that tenth term to the fullest!
The song I hear when I eat Taco Bell and have to go to the bathroom
The main singer reminds me of FFX’s Bahamut in the best way possible.
1:51 the false queens (climax)
the music is too quit in the game, this too good to be silent
Yeah I'd love this track even more if I could hear it over all the sound effects obliterating my eardrums.
tough chance due to how japanese copyright laws work, but this would be hella dope in smash. Perhaps with pyra and mythra
I wanna know who titled this song and why
This song’s atmosphere reminds me of Inside the Fire by Disturbed. Am I the only person here who feels that way?
Man imagine if Ace Plus remixed this. Or maybe if they made a couple battle themes for episode one (the battle theme is great it’s just a shame it’s the only one)
Check out future redeemed final boss song
PICO DA FICÇÃO
It'd be cool if these games would be coming to the PSN.
This song always reminds me of .hack
Yuki Kajiura composed for the anime .hack//Sign, maybe that's the reason
This fucking theme is fire!
Epic!
beginning of song sounds like sound from Rome total war when you end a move in campaign
what a bagner
it sounds like some of the songs from Tsubasa Reservoir Chronicle anime
nope bro, we understand :)
日本人で聞いてる人居るのかしら
いる
Will anyone blame if this song makes me cry?
0:45
@BaggysAnime awesome trilogy, then follow it up with Xenogears
NO MERCY
A game, but it definitely has an anime vibe to it.
there is a anime of xenosaga
its not good@@Kryonet
so that's way it sounds similiar
♥
@BaggysAnime GameS. Pick them up sometime.
def epic. 9.75 out of 10.
Jojo?
Xenosaga Appeared Crossers:
Namco X Capcom
Project X Zone 1.2
SEGA X Bandai Namco
Multiple Dimensions Worlds
Mixed Worlds Corrupted
i feel a more madoka magica buzz
Same composer (Kajiura Yuki)
Lyrics?
lyrics:
Requiem æternam, Dona eis, Domine
Libera me, Domine, de morte æterna,
In die illa tremenda. in die illa
Quando coeli movendi sunt et terra,
Dum veneris judicare
Sæculum per ignem.
Tremens factus sum ego et timeo,
Dum discussio venerit atque ventura ira
Dies illa, dies iræ,
Calamitatis et miseriæ
Et lux perpetua luceat eis
Soulja Boy off in this, oh
Watch me crank it, watch me roll
Watch me crank that Soulja Boy
Then Superman that, oh
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch
Soulja Boy off in this hoe
Watch me crank it, watch me roll
Watch me crank that Soulja Boy
Then Superman that, oh
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch
@@Pivot___ Thanks for the good laugh, made my day
No Problem Brother/Sister. Wishing you a happy 2021 and hope your dreams go well. Cheers from Toronto!
@@Pivot___ You too lol
It's composed by Yuki Kajiura. She's known to use just gibberish for vocals. Reasoning is these themes are usually to draw focus to a particular event or emotion and she doesn't want the listener being distracted by trying to figure out the lyrics.
I'm seriously getting some Higurashi vibes... MAJOR Higurashi vibes... I'm feeling kinda scared right now.
Soo... Is it official now? That Yuriev is the biggest bad in all of Xeno?
No, he isn't even the final antagonist of Xenosaga. Wilhelm has orchestrated the entirety of human history since the death of Jesus. Yuriev pretty much exists only because he helped Wilhelm by conveniently bringing all the relics of gods to Michtam when Wilhelm needed them.
can he really be the biggest bad if he dies way before the final area?
@@markasscop he almost succeeded in hijacking the plot.