Holy shit this looks really good!!! The great thing about making facility supervisors these moderately in-depth bosses is that it closes the skill gap by slowly guiding players towards harder gameplay. Instead of throwing them straight into the deep end wuth just FOs coming off of the standard gameplay of CEO, this is going to give players a taste of strategic, thoughtful gameplay as soon as Daisy Gardens
I think it's based on the amount of sound damage people do because I remember seeing someone using foghorn and it dealing 50 to them, not as bad as it seems
@@exterminator9676Mouthpiece is a manager from corporate clash. Her whole gimmick revolves around if you hit her or the other cogs you get a damage penalty for it. She can also hit two toons at once as well as a second attack. Pretty similar to what we see here actually.
@@exterminator9676 yeah that's a common theme in other manager fights as well. Pacesetter forces you to hit certain cogs with different gags and restricts certain levels, litigator retaliates against squirt, featherbedder retaliates when sound is used depending on how many napping cogs there are, and stenographer bans gag levels and applies sanctions that heavily reduce damage. I mean even the counter part to this gal would be our own head attorney in clash which punishes combo damage with a power trip. Pretty similar gimmicks that revolve around restricting gags or forcing certain hits and punishing those that don't comply.
I'll be honest, here. I think Clash handles mgrs a bit better, due to the many rebalences to gags. Not only that, but the mgrs just oose personality, and from what I've seen with the supervisors, that's just not the case with their static, out of place, heads. Then there's also the fact that the way they balanced sound for this fight, wasn't to make it a more balanced gag overall, but instead to make it hurt or even potentially kill you. Overall, TTR's supervisors thus far just seem like watered down versions of Clash's mgrs, and I hope they improve upon them in the coming months before release. I know TTR can do better, and I scencerly hope they do.
I think the sound ban in this fight is intended to push her interaction with her adds. You can't kill adds while dealing any meaningful damage to the boss herself because you can't use sound at all, so just focus on the boss until she buffs her adds
@@_ZeroSum_ Even if that is the case, I still think Clash does it better with mangers like Prethinker, Deepdiver, Major Player, and Pacesetter. They do it too, without punishing you for using specific gags (with small exceptions for Pace, as Rush Job exists, in which you need to used a specific Gag on a specific Cog).
@@AkumuVids I agree that those are more interesting variations of the same idea, but they all point towards the same pattern of gameplay. Saying directly to not use sound will get the idea across more clearly than creating a situation where sound is suboptimal. Plus, sound is great in pacesetter specifically for cheating rush jobs, and like a necessity in prethinker to open him up, especially turn 1. What I think is really interesting is that featherbedder basically does the same thing, but zap existing means that in featherbedder's case, the sound ban promotes a playstyle of quickly zapping two to three tanky adds at a time. Idk if that's relevant to the conversation, I just think feather is a really cool fight lol
Big disagree. Clash Cogs feel more like a Toon's idealized silly versions of a Cog and if these bosses were super difficult then it would make suit grind even more tedious. I respect TTR for keeping it accurate to TTO and actually making them Cogs.
@@exterminator9676 I really like what clash has done with cog designs. For a cartoony game, TTO went really gross-out with its enemy design, making them all really ugly and off-putting. Every cog is wrinkly, uncanny with their smiles, or even a little racist with stuff like Name Dropper. The best cog designs are the ones that aren't like that, like Flunky, Big Cheese, Legal Eagle. Clash changed the art direction to make cogs distinctly evil and un-toony, cartoonish villains. They're exaggerated in ways that are appealing to look at, but still aren't like toons at all. A lot of them incorporate creepiness or inorganic concepts into their designs, like Spin Doctor, Bottom Feeder, Shyster. The managers who don't follow this trend and look more toony or humanoid than not have good, plot-important reasons to do so, and their being the exception is something that's special in-game. Duck Shuffler is really toony because he's a weak cog, Rainmaker is really appealing because she's supposed to have this connection to toons. That's all to say that, I think Clash took the idea of cartoon robots to a really good place. It makes playing through bosses with these designs a lot more visually interesting than TTO, in my opinion
to be fair all you have to do is just not use sound. they used it on purpose to show off what the retaliation would do/how strong it would be, all of them would have lived pretty easily otherwise
@@tenshinara Plus, it retaliates with the equal damage which was put into using Sound. Don’t expect it to always be like 90 if you’re smart enough, gosh… You have to learn to be dynamic, people.
The reason why those 2 insta saddened was because they used sound, the simple solution, DONT use sound. :'). this is not her regular attack, it is a retalitation that you can avoid, it's even readable on one of her status effects.
![CAMPปลิ้น | EP.83[1/2] เปิดแคมป์หลอนต้อนรับ 2 ตัวพ่อแห่งวงการผี!](http://i.ytimg.com/vi/2uPuHYHgwiI/mqdefault.jpg)
So moral of the story: Do not sound
Me as a soundless: *happy noises*
@@prim16you should delete your toon
@@cdubz462 Oh yeah no, let me just go delete my first and only maxed toon which I poured my heart and soul into
Holy shit this looks really good!!! The great thing about making facility supervisors these moderately in-depth bosses is that it closes the skill gap by slowly guiding players towards harder gameplay. Instead of throwing them straight into the deep end wuth just FOs coming off of the standard gameplay of CEO, this is going to give players a taste of strategic, thoughtful gameplay as soon as Daisy Gardens
“Sound will result retaliation??? Alright uhh, Imana use opera.”
classic stuck
Finally the sweaty people that don’t let us soundless into fights have to deal with something like this lmao
The new play test is out, once it comes you can face all 4 Supervisors; we also had info on designs for the Factory Foreman and the Mint Auditor
1:11 That looks just as brutal as pre-Maypril Toons Head Attorney's Objection cheat.
I think it's based on the amount of sound damage people do because I remember seeing someone using foghorn and it dealing 50 to them, not as bad as it seems
They should add lvl 18 cogs anywhere besides field offices promotion from boiler for sleuth badge task
This is how I imagine my Bookkeeper OC would look like, ironically.
So new strategy, Don't Sound, but use Lure, Throw, Squirt, and Drop if you have it
Ah yes
Bootleg Featherbedder/Laborious
The Chad Mouthpiece Vs The Virgin Clerk Supervisor.
idk I didnt see it
I like that he overlayed the video of the music for the clerk boss over the video
It's illegal to assault senior citizens, Stuck. I'm calling the police.
OH they did the level cap removal like they did for Field Offices.
YOOOO This looks sick! Awesome that you got to try this one out.
Lol this is like the Bookkeeper OC I came up with!
The Chad Mouthpiece Vs The Virgin Clerk Supervisor.
what
@@exterminator9676Mouthpiece is a manager from corporate clash. Her whole gimmick revolves around if you hit her or the other cogs you get a damage penalty for it. She can also hit two toons at once as well as a second attack. Pretty similar to what we see here actually.
@@somekindofforcedpunonnikki2775 yeah she also restricts gag types tho
@@exterminator9676 yeah that's a common theme in other manager fights as well. Pacesetter forces you to hit certain cogs with different gags and restricts certain levels, litigator retaliates against squirt, featherbedder retaliates when sound is used depending on how many napping cogs there are, and stenographer bans gag levels and applies sanctions that heavily reduce damage. I mean even the counter part to this gal would be our own head attorney in clash which punishes combo damage with a power trip. Pretty similar gimmicks that revolve around restricting gags or forcing certain hits and punishing those that don't comply.
@@somekindofforcedpunonnikki2775 the club president is interesting that she steps away from the battle though i hope they do more with that
Damn your stacked with SOS lol
These are insane!!
3:21 LOOOOOOOOOOOL
I'll be honest, here. I think Clash handles mgrs a bit better, due to the many rebalences to gags. Not only that, but the mgrs just oose personality, and from what I've seen with the supervisors, that's just not the case with their static, out of place, heads. Then there's also the fact that the way they balanced sound for this fight, wasn't to make it a more balanced gag overall, but instead to make it hurt or even potentially kill you. Overall, TTR's supervisors thus far just seem like watered down versions of Clash's mgrs, and I hope they improve upon them in the coming months before release. I know TTR can do better, and I scencerly hope they do.
I think the sound ban in this fight is intended to push her interaction with her adds. You can't kill adds while dealing any meaningful damage to the boss herself because you can't use sound at all, so just focus on the boss until she buffs her adds
@@_ZeroSum_ Even if that is the case, I still think Clash does it better with mangers like Prethinker, Deepdiver, Major Player, and Pacesetter. They do it too, without punishing you for using specific gags (with small exceptions for Pace, as Rush Job exists, in which you need to used a specific Gag on a specific Cog).
@@AkumuVids I agree that those are more interesting variations of the same idea, but they all point towards the same pattern of gameplay. Saying directly to not use sound will get the idea across more clearly than creating a situation where sound is suboptimal.
Plus, sound is great in pacesetter specifically for cheating rush jobs, and like a necessity in prethinker to open him up, especially turn 1.
What I think is really interesting is that featherbedder basically does the same thing, but zap existing means that in featherbedder's case, the sound ban promotes a playstyle of quickly zapping two to three tanky adds at a time. Idk if that's relevant to the conversation, I just think feather is a really cool fight lol
Big disagree. Clash Cogs feel more like a Toon's idealized silly versions of a Cog and if these bosses were super difficult then it would make suit grind even more tedious. I respect TTR for keeping it accurate to TTO and actually making them Cogs.
@@exterminator9676 I really like what clash has done with cog designs. For a cartoony game, TTO went really gross-out with its enemy design, making them all really ugly and off-putting. Every cog is wrinkly, uncanny with their smiles, or even a little racist with stuff like Name Dropper. The best cog designs are the ones that aren't like that, like Flunky, Big Cheese, Legal Eagle.
Clash changed the art direction to make cogs distinctly evil and un-toony, cartoonish villains. They're exaggerated in ways that are appealing to look at, but still aren't like toons at all. A lot of them incorporate creepiness or inorganic concepts into their designs, like Spin Doctor, Bottom Feeder, Shyster. The managers who don't follow this trend and look more toony or humanoid than not have good, plot-important reasons to do so, and their being the exception is something that's special in-game. Duck Shuffler is really toony because he's a weak cog, Rainmaker is really appealing because she's supposed to have this connection to toons.
That's all to say that, I think Clash took the idea of cartoon robots to a really good place. It makes playing through bosses with these designs a lot more visually interesting than TTO, in my opinion
Siiting duch
1:11 yeeeeeaaahhhh imma stick to the skelecog attorney, this fight looks awful with those insta sads
to be fair all you have to do is just not use sound. they used it on purpose to show off what the retaliation would do/how strong it would be, all of them would have lived pretty easily otherwise
average toontown player ignoring context. 6 likes lmao
Toontown player attempts to use any gag besides sound (impossible)
@@tenshinara Plus, it retaliates with the equal damage which was put into using Sound. Don’t expect it to always be like 90 if you’re smart enough, gosh… You have to learn to be dynamic, people.
The reason why those 2 insta saddened was because they used sound, the simple solution, DONT use sound. :'). this is not her regular attack, it is a retalitation that you can avoid, it's even readable on one of her status effects.