@@snutea7505 still probably better than trebs and her boytoy. (eyvazov is the only singer i've ever seen whose performance was IMPROVED by having a cold.)
I really do love Anna, and I’ve seen her on the stage many times. But she is like a gourmet chef who creates a fantastic meal, but burns part of it. Many beautiful phrases, and some scalding ones too.
Reading the comments - I'm with mixed feelings. On the one hand, it's quite refreshing to see the public finally opening their ears and actually hear what's happening. The story of King Midas has been taking place for quite some time. Too much time. Now I feel sorry for Anna - I actually really do. I used to be one of her most stern critics. Now I see things slightly differently - she's been a truly nice artist in the past. A lyric soprano - and quite a nice one. Whoever made her or let her go into drammatic repertoire, didn't do her a favor. Nor to the opera, nor to opera fans. I don't know why this happened - been arguing with her ardent fans from around the globe, who wouldn't hear anything but "she's amazing - she's an angel": sorry, but she isn't. And going blindly behing a disaster on stage, clapping in awe, doesn't make things better. Now there's a sh*tstorm coming for her, the more she ages and looses her main weapons - charm and good looks. But this problem was apparent years and decades ago - and there was noone to stop her ruin her voice and career. And that's really, really sad to me. Bottom low quality of critics and audience.
If this is an example, opera would be better served by remaining in decline. Fortunately however, I don't think it is in decline although some ultra-modern stagings of standard works are not helping.
@@vincec8218 Hi Vince. I just looked for her in TH-cam, but can't find her Tosca rendition. Did you mean Tosca or just anything from her? There's a few clips with popular songs.
....К СОЖАЛЕНИЮ... И ...РАДОСТИ....ИТАЛИЯ ...ИТАЛЬЯНЦЫ ....ЭТОТ ДУЭТ ...НИКОГДА НЕ ПОЙМУТ.... В ИТАЛИИ ЕСТЬ И БЫЛИ ...ЗВОИ ...НАСТОЯЩИЕ ЗВЕЗДЫ...И ...ЭТОМУ ДУЭТУ ...ОЧЕНЬ ДАЛЕКО......ШАГАТЬ....И ШАГАТЬ....🙉
@@HLLTAF there are so many other great great singers, Ponselle, Ruffo, Stracciari, Bastianini, Gigli, Lauri Volpi, Destinn, Schipa, Di Stefano, Granforte, Milanov, etc... All would be ashamed of what operatic singing has become
What appened to this beautiful... business ?... Netrebko & Co. are only that... Art is other...Netreko at this time is not a bad singer, she is ridicoulus and offending the liric art
Apart from Netrebko, whose voice was really good at the beginning and the business she creates around her, I'd like to underline the role of the director: it isn't easy to sing outside, to conduct an orchestra with personal distance more than in the theatre, with the wind (and sudden fireworks) that breaks everything, or simply the fact that's a concert-version...
Tak si myslím, že Anna se teď více věnuje Ysifovi, než sobě.Yusif na sobě zapracoval, výrazně zhubnul, omládl a Anna trošku při něm zestárla. To asi nechtěli. Jemu to prospívá, jí však ne.Škoda. Mám je moc ráda a přeji jim pohodu a úspěch. Anna ja tebja lublju. Zdrastvuj
Danni Adriano Agreed, as a general understanding of the standards of this art form. However, in particular, her vocal delivery, interpretation and overall “transcendence” ranks from bad to nonexistent, making it impossible for me to take this seriously, let alone consider her a justified ambassador of the high standards of this divine art form.
I think this shows perfectly what opera is all about today: nepotism, populism, politics, and opera houses and managements obsessed with making as much money as possible, at any cost. Without great voices, opera is NOTHING.
celibidache : You Speak From "A Wealth of Ignorance" ! Why comment on ( that is apparent) something you really don't like ! Oh, we get it, "attention" !
@@tailor383 Oh gosh, you really got me there with your big brain and clever words. You shall surely go down to history through your marvellous art of stating random facts with utterly nothing to back them. This tantalising way of yours of saying “you are stupid because you are wrong because what you say does not agree with my poor feelings” is just breathtaking. Everybody, give this godly genius a standing ovation - huzzah, huzzah, HUZZAH!🎉
If I were Mr. Yusif Aivasof, I would stop damaging the career of Anna, just step aside, and let her sing as long as she still can..😍 He relies completely on her pushing him..😭Everyone hears..
For that she doesn't need her husband's help anyway. She does a good job of being her own worst enemy and damaging her own career singing Tosca like this. OMG! Montserrat Caballe also got married to a less-than-star tenor (Bernabe Marti), and she pushed him maybe harder than Madame Netrebko pushes this dude. But Caballe was an undisputed star singer of the Century who will go into history - so that promoting hubby couldn't have damaged her career. The great sopranos of the last Century often had to sing next to some poor tenors - try some of Sutherland's tenor partners, especially live performances. If anything, a poor tenor helps puts the soprano in a BETTER light, enhancing her, not damaging her. And if a soprano says "you take me, you take my husband for tenor" then it is the artistic management, not the soprano who makes bad casting decisions and showing poor judgement, not the diva.
@@theon9575 Of course, you are right, that it is the decision of the artistic staging/ producing director.. Thats why, understanding this and upon the history of the issue (thank you very much for your example with MCaballe), Mr Aivasow should step aside.. What I dont understand, why are you saying, that she is damaging her career herself?
pininfarina rossa Thank you. 1. Tenors are not known for their modesty, LOL. They are unlikely to say "Look, I just don't think I'm good enough to sing with this star singer, and so I'm stepping aside so you can find a better tenor". 😆 2. I was afraid that you might ask me that about Netrebko. I saw your view of her 😍, but I disagree completely. I thought that this was not a good performance, and her Tosca here leaves me cold. This very famous star soprano seems to divide opinion like this - those who think she is the goddess of the day, and others like me who think she is very ordinary, could use some coaching for developed faults from a strong teacher. She's as good as many in opera houses in Germany, but not a "star". This performance is an example. I don't like to write lots of criticism, and won't here - I already criticised as you see above. But I strongly suggest that you read comments above yours to see examples of criticism. Then do an overview of the many other Netrebko vids here on You Tube and read other criticisms, especially of her vocal technique. It's like claques in an Italian opera house, she's either the greatest soprano star of the moment, or else her singing is bad. And it seems to be a divide between 'oldies' like me who have heard the real stars, and younger people who think she's fantabulous. And the oldies say, that's because younger people have never really heard good singing and don't understand technique (eg breathing technique, Madame Trebenko 😱). And youngers say that we oldies are just being pedantic and technical. It's interesting. But play Callas' version of this aria, and then this ... it's the difference between a genius goddess, and an also-ran (who is not having a good day, as Netrebko is not here.). And seats to a Netrebko performance are amazingly expensive for what you get. I would have sold my mother to hear Callas sing this. That's the difference.
@@theon9575 😄1.its so wonderfull, that we agree, that without any doubt, Mr Aivazov is just awfull😱2.I read some comments and I also disagree, that she put on weight..its very insulting and not true..let them look at MCaballe😝 and at Anna's Instagramm..She is in a great physical form and shape... 3. As regards her musical form I think its her only 3d engagement after the lockdown... With all the difficulties connected to it- no rehearsal, strange stadions to sing in etc..Its very very difficult now... 4. I watched on Instagramm, how she was learning the arias..Have you seen it? I think her "teacher" is to blame...Do you know him? Have a look...
pininfarina rossa Going on about a singer's weight is irrelevant fat shaming which has nothing to do with the point: the singing. Not only Caballe, but a list of fatties, as long as your arm, starting with Pavarotti. So much so, that the expression arose: "The opera's not over until the fat lady sings" 😀. Thanks for the Instagram reference - I certainly will look it up.
Anna is so frustrating to me. She is singing so heavy and dark in her lower and middle voice that it is like a bellows-wobbly and the worst caricature of an opera singer. But then you get to the end and she lightens the sound above the staff, and there are remnants of the glittering voice that made her famous decades ago. It’s still there, and she could use it throughout her voice to extend her career and have a much more beautiful sound. I heard her in SF in Traviata more than a. decade ago, just after she had her baby and before all this heavy wobble started to happen. She filled the hall with her voice amply and easily-so there’s no need for her to sing into her resonances, bellow and manufacture a big sound, it’s already there. It’s sad because she can be captivating on stage.
I totally agree with you. The sense of frustration is so big with Anna. She literally doesn't give a sh*t about singing the correct repertoire for her, as long as they pay her and continue to sell her as this "great diva" that she desperately wants to be. Every time I see one of her new performances I go back to her Traviata in Salzburg and even if she was not perfect (she wasn't a coloratura and she is not now) she really embodied Violetta and managed to capture the attention of the viewer. But where is that Anna? As you said, the light top notes are still there near intact. I just really don't understand why she continuing in ruining her career like this, like, where is your artistic integrity? I don't accept money as an excuse. I even remember an old documentary where she said she is light lyric soprano and she could have not sing big roles like Tosca, but here she is, so apparently she doesn't think like that anymore. In addition to that, why does she push his boyfriend so much? He's not even a real opera singer. And it's all so frustrating knowing that there are many great opera singers out there and she takes all the top spots in the big theatres only for being... Her. Moreover, I know that we were talking about her voice but, how can she not speak a word of Italian after a 20-year career singing prevalently in italian? I don't know but I think that's another point in showing how shallow she really is: how could you even portrait a character if you don't know the language and the meaning of what the character sings!?
Ohh, common! There are critics pavaroti-careras-mingo? There are they? You just only hating this, but forget who made this and bring much worser "singers"! Just listen now cracked tiny "singing" pavaroti "No, pagliacio, non son!", also awful acting and compare with Corelli! It is not a difference it is a lvl of professionalism.
Okay. I thought I was imagining that she once had vast potential. I saw her in Traviata in SF and she was great. This video is "frustrating" just as you said.
I have always had a liking for opera but for reasons I won 't belabor Ms. Netrebko made me fall in love with opera, starting with "I Puritani" at the Met in 2007, later at SF Opera in "La Traviata." Unfortunately, I believe her potential has been undermined by a sort of a paradox, her very own popularity. She sells tickets, can sing pretty much anywhere, and takes on too many roles that don't fit. Early on, I realized she was no Callas or Sutherland, well nobody is, but when I watch a video of a 25-year-old Renata Tebaldi in this very same opera singing "Vissi D'arte" well the difference speaks for itself. Ms. Netrebko doesn't come close. I will always have some affection for her, having seen her in person her voice is rather sizable, when she was younger she performed with zeal and abandon, she made my late terminally ill mother smile. I will always be grateful for that but I wish she took time off, studied, and came back MUCH MORE SELECTIVE!
Chocolate Souljah I understand what you say, but we have a problem here. Netrebko has different ideas about her voice and selections. She has other priorities today......Unfortunately mediocre reigns in most spheres of human life our days. Not only in music. Mass production is killing refinement of taste. But, this is exactly what we should strive for. Real Beauty and aesthetics.
You are right. She was wonderful and needed to stop performing when she started to go down. It is pitiful to hear and see her now. She used to be my favorite. I am a professional musician. SAD.
@@racheloliver17 Yes, I agree with you. I teach youth music; theatre, dance, acting in Northern California. I have students now who have professional careers. I am very musical, can reference musical scores you could say "Vissi D'arte" I live for art! And so I am very sad to see this. She was once on her way, and now the decline is for real before she truly peaked.
Аня едет с ярмонки.. Рановато. Вот-вот Юсиф догонит. Откуда и зачем в лучшей из опер объявились было Гобби-Каллас-Корелли? так высоко закинули планку, что попробуй дотянуться...
@@user-dy4ps3ke4l Очень поверхностные и пошлые рассуждения. Поиздевался над знаменитыми и вроде как вырос в своих глазах и глазах себе подобных умников. Недостойно как-то, человеки...
Is it just me (I'm not a musician) or the whole thing sounds waaaaay too slow - feels like the opera would be at least 10 minutes longer with this tempo
Irina Hill Товарищ...; Верь! Взойдёт она; Звезда пленительного счастья; весь мир воспрянет ото сна, и на обломках серовластья вновь засверкают Имена. Вот что случилось. Все погрязли в удобной серости своего бытия. Те кто нашли свои ниши в искусстве; театре, кино будут там находиться до «победного конца». Только искусством это уже не назовешь. Есть таланты, есть голоса, но мы о них не знаем, им ходу не дают. А человеческая природа такова что ей всегда мало. Только сильные духом способны принимать правильные решения. А наш век не отличается особой духовной силой в искусстве. Идёт Закат. Во всем. И закулисные интриги. Остаётся только надеяться.
Ирина, как будто я комментарий писала... Так же хочется ей сказать. Очень любила Нетребко раньше. Но она, судя по её личным высказываниям, и не собирается "возвращаться". Её вполне устраивает то, какая она сейчас, она даже гордится этим, старается часто подчеркнуть, что изменилась.
@@pininfarinarossa8112 это не совсем так. Послушайте Эдиту Груберову, например, она в 70 поёт "девушкиным" голосом. Да и Нетребко просто не тянет драматические партии, явно же. А в своём репертуаре она была чудесна.
@@operannamar2883 Все индивидуально! Губерова- исключение, как ММПлисецкая- в балете...Поласски в живом интервью пару лет назад рассказывала как изменялся ее голос, и с ним ее репертур...у Анны голос также меняется- это слышно...Сложно в 50 ждать перформанс 25летней...
the occasion deserved something a bit less mediocre than this. Netrebko used to be charming Zerlina, Norina and Adina in her time. Cannot tell about the tenore even as much of good as this
Ну что мне сказать про эту Тоску? - "Море" с ножом в руках, по поводу Скарпиа, который как тенор поет. Ну а тот, что вроде тенор "Э, лучше вам про Стеллу" тянет. Как то так.
L'exemple meme d'une carriere mal conduite. Au départ trèsjolie voix soprano lyrique, beau timbre, voix facile,, relativement bonne technique, belle femme et très aimée du public. Pourquoi avoir voulu casser tout çà en devenant soprano dramatique, s'être affublée d'un mari nullisime? Ses apparitions sont devenues terribles, la voix detruite, sauf contrairement aux autres imprudentes, l aigu est resté limpide et beau. Et elle manque beaucoup de personnalité dans ses interpretaions. Dommage c'était beau en 2005
Forse al principio aveva delle qualità e doveva coltivarle e restare nel suo repertorio, oggi è un soprano imbarazzante, inascoltabile, cala, stona, non tiene gli acuti, il legato è precario, i passaggi sono fortunosi... insomma nemmeno nel giro di provincia l'avrebbero apprezzata negli anni 60/70... quando i soprani erano davvero grandi voci... Accettiamo la realtà la Netrebko ha distrutto la sua voce... ha incassato tanti dollari... si contenti e non ci massacri più le orecchie...
Il fatto é che fino a quando i maggiori teatri del mondo li chiamano e li pagano, perché dovrebbero cercare lui di migliorarsi (ammesso che sia possibile, cosa che non credo) e lei di correggere il suo evidente decadimento? Io trovo che lui sia inascoltabile e persino imbarazzante, e da quando cantano insieme lei, a mio parere non fa che peggiorare e, continuando in questa collaborazione artistica (??), finirà con l'essere travolta definitivamente.
I used to love Netrebko. Her career began with such promise and passion. Unfortunately, she has crashed and burned like the Hindenburg. What a tragedy!
@@vikatambaeva1369 Infatti negli USA se ne intendono molto di lirica, anche perchè imposta dalla sua casa discografica... siamo seri, è stata un buon soprano, mai la migliore, e comunque ora è sul viale del tramonto e anche molto velocemente...
Soprano calante ,diseguale ,che spinge la voce in avanti con imbarazzanti sonorità ..il tenore non ha impostazione lirica e sposta il fuoco della voce continuamente ..ormai siamo in piena decadenza
Lo dico da una decina di anni che questa sarebbe stata la fine di questo "soprano" e non ha fatto nulla per impedirlo, quindi si prenda oltre ai dollari anche tutte le critiche che merita... tra l'altro la voce ormai balla pericolosamente e quando la voce balla la fine è prossima ...
@@mariateresafissore2196 Direi che se cominciamo a farla sentire così li rendiamo dei pessimi ascoltatori... Pazienza i tre tenori (almeno loro bene o male cantavano) qui siamo di fronte ad un a rappresentazione lirica che sembra un café chantant...
I wish they didn’t record her in HD. She sounds much better in a big house. This is why people scream with joy at her performances. Also she transforms and creates magic on stage.
Penso che ce la ritroveremo ancora quando avrà settant’anni, modello Gruberova o Domingo... se pubblico e teatri continuano ad acclamarla, non smetterà... sicuro non saranno rispetto per l’arte e senso di decenza a fermarla.
Los comentarios tan negativos hacia la cantante hacen que la gente no sepa ni que escuchar, mejor expliquen que es lo que esta mal según ustedes de Netrebko.
La voz de la Netrebko va en declive, el engolamiento se hace más evidente y su sobreesfuerzo en muchos pasajes. Todo esto debido a su mala técnica de canto y el repertorio que no es para ella. De su esposo Eyvazov... ni qué decir. Toda la obra no es para ellos. Esta es la razón. Y sobre todo, sus voces solo se escuchan en las plateas y no al fondo del teatro, que debería oírse. Por ello los que conocen claman a voces vivas voces como Tebaldi, Mario del Monaco, Antonieta Stella, Franco Corelli y compañía, porque sus voces tenían potencia y sin necesidad de esforzar o sobreoscurecer (hasta llegar a engolar) las notas que cantaban. Saludos.
Músico Snob muchas gracias la verdad no sabía qué onda porque nomas veía comentarios negativos hacia ella pero toda la publicidad que le hacen es positiva entonces por eso no entendía que pasaba, gracias
@@x9jorge9x La publicidad es marketing. Generalmente solo buscan buenas presencias y que sus voces suenen bien, y eso es todo. Solo venden imagen. Si quieres escuchar cantantes de alto calibre... ahí tienes a la Maria Callas, Renata Tebaldi, Antonietta Stella, Gabriella Tucci, Rosa Ponselle, Anita Cerquetti, Claudia Muzio, y un largo etc. Saludos.
Músico Snob muchas gracias, si lo se, pero no entendía porque Anna Netrebko estaba teniendo críticas tan negativas y con tanta publicidad buena, pero ya lo entiendo.
Esta fue la primera opera que analice y disfrute, en la versión de Calllas y Gobbi , creo que lo peor es intentar que tengamos que soportar a Yusif.🤯🤯🤯🤯🤯🤯🤯🤯🤯
Che pena, negli anni 50/60 non l'avrebbero ammesso neanche in conservatorio. Ma il problema sono gli spettatori che invece di fischiare applaudono. E vogliamo parlare di Tosca e dei tempi del direttore. Pietosi entrambi.
I’m not fan of Opera, but started listen to Opera thanks to Anna Netrebko.
It's time to say goodbye for Netrebko and Eyvazov! Tosca is a bit too difficult for them.
Much too difficult
Анна и Юсиф - наши кумиры. Ты прощайся, а мы не будем. Мы восхищаемся ими.
I am from India and I listen these songs
Tézier's great, as usual.
i always think the second stab compliments the music better than having just a single one.
Tezier is an incredible baryton ! I like Anna's low notes but what about Yusif ? He has nothing to do here, he's not a very good tenor...
Low what? O_o
Well, definitely it's not the worst Vissi d'Arte I've ever listened to but quite close.
out of interest which one IS the worst you've heard?
@@Mousy677 me singing in my bathroom lol
@@snutea7505 still probably better than trebs and her boytoy. (eyvazov is the only singer i've ever seen whose performance was IMPROVED by having a cold.)
@@snutea7505😂😂😂😂😂
I really do love Anna, and I’ve seen her on the stage many times. But she is like a gourmet chef who creates a fantastic meal, but burns part of it. Many beautiful phrases, and some scalding ones too.
What are you trying to say? She is a master soprano...
Agree. Better in her earlier years. Not as stangled
Loved Anna’s voice back in the days of a lighter repertoire! But now 😢
Anyway, who liked this!?
Sad the video opens with stereo sound but the performance clips are in mono. :(
Reading the comments - I'm with mixed feelings. On the one hand, it's quite refreshing to see the public finally opening their ears and actually hear what's happening. The story of King Midas has been taking place for quite some time. Too much time. Now I feel sorry for Anna - I actually really do. I used to be one of her most stern critics. Now I see things slightly differently - she's been a truly nice artist in the past. A lyric soprano - and quite a nice one. Whoever made her or let her go into drammatic repertoire, didn't do her a favor. Nor to the opera, nor to opera fans. I don't know why this happened - been arguing with her ardent fans from around the globe, who wouldn't hear anything but "she's amazing - she's an angel": sorry, but she isn't. And going blindly behing a disaster on stage, clapping in awe, doesn't make things better. Now there's a sh*tstorm coming for her, the more she ages and looses her main weapons - charm and good looks. But this problem was apparent years and decades ago - and there was noone to stop her ruin her voice and career. And that's really, really sad to me. Bottom low quality of critics and audience.
Ну до старения ещё очень далеко. Анна чем старше, тем краше становится.
MARVELOUS. TEARS IN MY EYES. I cannot believe opera is returning.
If this is an example, opera would be better served by remaining in decline. Fortunately however, I don't think it is in decline although some ultra-modern stagings of standard works are not helping.
Check out soprano Kasondra Kazanjian
@@vincec8218 Hi Vince. I just looked for her in TH-cam, but can't find her Tosca rendition. Did you mean Tosca or just anything from her? There's a few clips with popular songs.
BRAVISSIMA!!!👑🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹👑✨🌎🏔
Ah poor Puccini. That dude never ever dreamed of his arias being harassed this much
SNU TEA 🤣🤣🤣🤣
Definitely
God Bless Anna Netrebko!!! I Love her voice and I hope she shall continue to enrich the world with her beautiful voice!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
👍
Also in
Act III the solo clarinet passages are very demanding.
....К СОЖАЛЕНИЮ... И ...РАДОСТИ....ИТАЛИЯ ...ИТАЛЬЯНЦЫ ....ЭТОТ ДУЭТ ...НИКОГДА НЕ ПОЙМУТ.... В ИТАЛИИ ЕСТЬ И БЫЛИ ...ЗВОИ ...НАСТОЯЩИЕ ЗВЕЗДЫ...И ...ЭТОМУ ДУЭТУ ...ОЧЕНЬ ДАЛЕКО......ШАГАТЬ....И ШАГАТЬ....🙉
Были! Но только и в Италии все вышли.
🤢🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮🤮
Franco ! Maria ! Renata ! Mario ! Come back and save us from this insanity !
I shall now seek Renata as I know all the others.
@@HLLTAF there are so many other great great singers, Ponselle, Ruffo, Stracciari, Bastianini, Gigli, Lauri Volpi, Destinn, Schipa, Di Stefano, Granforte, Milanov, etc...
All would be ashamed of what operatic singing has become
@@HLLTAF Renata Tebaldi and Renata Scotto ...
My friends as aspiring tenors we must rebuild opera!!!
@@numetutelare scotto is largely inferior to Tebaldi though, I was talking about Tebaldi ^^
Thanks.
Oh lord. This is at the San Carlo? What happened to this beautiful art?
What appened to this beautiful... business ?... Netrebko & Co. are only that... Art is other...Netreko at this time is not a bad singer, she is ridicoulus and offending the liric art
Apart from Netrebko, whose voice was really good at the beginning and the business she creates around her, I'd like to underline the role of the director: it isn't easy to sing outside, to conduct an orchestra with personal distance more than in the theatre, with the wind (and sudden fireworks) that breaks everything, or simply the fact that's a concert-version...
Isso é Espetacular! Pucinni, seu criador; os personagens e o elenco que o representa. Amo muito tudo isso!🎶💞😊
The online one good is Ludovic Tezier!
only it is
Totalement d'accord
Tak si myslím, že Anna se teď více věnuje Ysifovi, než sobě.Yusif na sobě zapracoval, výrazně zhubnul, omládl a Anna trošku při něm zestárla. To asi nechtěli. Jemu to prospívá, jí však ne.Škoda. Mám je moc ráda a přeji jim pohodu a úspěch. Anna ja tebja lublju. Zdrastvuj
What a power couple. Excellent tenor and fantastic soprano.
Are you serious? Screaming soprano and bleating tenor. 😢
Maybe they should have stayed in quarantine?
🤣🤣🤣
Make that forever
They are insane. The theater administration is insane, the audacity of the singers is off the charts.
You are insane
Красавица, умница, гений
Thank you for your comment. If possible, please comment in English next time so that more people can follow the discussion. All the best!
C'est mon opéra préféré, magnifique !!
My favorit couple
And to think some people take her seriously, or even worse, consider what she’s doing “high art”.
Danni Adriano Agreed, as a general understanding of the standards of this art form. However, in particular, her vocal delivery, interpretation and overall
“transcendence” ranks from bad to nonexistent, making it impossible for me to take this seriously, let alone consider her a justified ambassador of the high standards of this divine art form.
I think this shows perfectly what opera is all about today: nepotism, populism, politics, and opera houses and managements obsessed with making as much money as possible, at any cost.
Without great voices, opera is NOTHING.
celibidache : You Speak From "A Wealth of Ignorance" ! Why comment on ( that is apparent) something you really don't like ! Oh, we get it, "attention" !
@@tailor383 Oh gosh, you really got me there with your big brain and clever words. You shall surely go down to history through your marvellous art of stating random facts with utterly nothing to back them. This tantalising way of yours of saying “you are stupid because you are wrong because what you say does not agree with my poor feelings” is just breathtaking. Everybody, give this godly genius a standing ovation - huzzah, huzzah, HUZZAH!🎉
Bravissima.😘
A fare soldi col marito... certo ormai è quello che le riesce meglio...
ANNA, cantas como los ángeles. Que la SALUT te acompañe para poder escucharte eternamente te❤❤❤❤❤🎉🎉🎉🎉
Opera singing is difficult. Everyone hears and watches you and then, they are recording it .. damn ! 😂
Бедная Аня! Её уже почти не узнать... Боже мой, что время делает с людьми, что время делает с нами!
I'm sorry one of my friends shared this. It will give me nightmares.
Poor critics 😄 Bravo, Anna👏🏻
0:36 "after quarantine" Half of Europe in January 2021 "huh, must be nice" 😏
Yikes, the wobbling!
Check out soprano Kasondra Kazanjian
Bravi!!!!!
I want to share this video on Facebook, Ich kann nicht? Warum, bitte?
You should be able to post a link to the video on Facebook.
@@DWClassicalMusic Unfortunately not possible! and the link, and the link set by the youtube guidelines, don’t show up on Facebook.
Bravo Anna
Should be: Brava, Anna. Unless you know something we don't.
Bravo!!!
If I were Mr. Yusif Aivasof, I would stop damaging the career of Anna, just step aside, and let her sing as long as she still can..😍 He relies completely on her pushing him..😭Everyone hears..
For that she doesn't need her husband's help anyway. She does a good job of being her own worst enemy and damaging her own career singing Tosca like this. OMG! Montserrat Caballe also got married to a less-than-star tenor (Bernabe Marti), and she pushed him maybe harder than Madame Netrebko pushes this dude. But Caballe was an undisputed star singer of the Century who will go into history - so that promoting hubby couldn't have damaged her career. The great sopranos of the last Century often had to sing next to some poor tenors - try some of Sutherland's tenor partners, especially live performances. If anything, a poor tenor helps puts the soprano in a BETTER light, enhancing her, not damaging her. And if a soprano says "you take me, you take my husband for tenor" then it is the artistic management, not the soprano who makes bad casting decisions and showing poor judgement, not the diva.
@@theon9575 Of course, you are right, that it is the decision of the artistic staging/ producing director.. Thats why, understanding this and upon the history of the issue (thank you very much for your example with MCaballe), Mr Aivasow should step aside..
What I dont understand, why are you saying, that she is damaging her career herself?
pininfarina rossa Thank you. 1. Tenors are not known for their modesty, LOL. They are unlikely to say "Look, I just don't think I'm good enough to sing with this star singer, and so I'm stepping aside so you can find a better tenor". 😆
2. I was afraid that you might ask me that about Netrebko. I saw your view of her 😍, but I disagree completely. I thought that this was not a good performance, and her Tosca here leaves me cold. This very famous star soprano seems to divide opinion like this - those who think she is the goddess of the day, and others like me who think she is very ordinary, could use some coaching for developed faults from a strong teacher. She's as good as many in opera houses in Germany, but not a "star". This performance is an example. I don't like to write lots of criticism, and won't here - I already criticised as you see above. But I strongly suggest that you read comments above yours to see examples of criticism. Then do an overview of the many other Netrebko vids here on You Tube and read other criticisms, especially of her vocal technique. It's like claques in an Italian opera house, she's either the greatest soprano star of the moment, or else her singing is bad. And it seems to be a divide between 'oldies' like me who have heard the real stars, and younger people who think she's fantabulous. And the oldies say, that's because younger people have never really heard good singing and don't understand technique (eg breathing technique, Madame Trebenko 😱). And youngers say that we oldies are just being pedantic and technical. It's interesting. But play Callas' version of this aria, and then this ... it's the difference between a genius goddess, and an also-ran (who is not having a good day, as Netrebko is not here.). And seats to a Netrebko performance are amazingly expensive for what you get. I would have sold my mother to hear Callas sing this. That's the difference.
@@theon9575 😄1.its so wonderfull, that we agree, that without any doubt, Mr Aivazov is just awfull😱2.I read some comments and I also disagree, that she put on weight..its very insulting and not true..let them look at MCaballe😝 and at Anna's Instagramm..She is in a great physical form and shape...
3. As regards her musical form I think its her only 3d engagement after the lockdown...
With all the difficulties connected to it- no rehearsal, strange stadions to sing in etc..Its very very difficult now...
4. I watched on Instagramm, how she was learning the arias..Have you seen it? I think her "teacher" is to blame...Do you know him?
Have a look...
pininfarina rossa Going on about a singer's weight is irrelevant fat shaming which has nothing to do with the point: the singing. Not only Caballe, but a list of fatties, as long as your arm, starting with Pavarotti. So much so, that the expression arose: "The opera's not over until the fat lady sings" 😀. Thanks for the Instagram reference - I certainly will look it up.
Самая жесткая Тоска из всех Тосок..
Anna is so frustrating to me. She is singing so heavy and dark in her lower and middle voice that it is like a bellows-wobbly and the worst caricature of an opera singer. But then you get to the end and she lightens the sound above the staff, and there are remnants of the glittering voice that made her famous decades ago. It’s still there, and she could use it throughout her voice to extend her career and have a much more beautiful sound. I heard her in SF in Traviata more than a. decade ago, just after she had her baby and before all this heavy wobble started to happen. She filled the hall with her voice amply and easily-so there’s no need for her to sing into her resonances, bellow and manufacture a big sound, it’s already there. It’s sad because she can be captivating on stage.
I totally agree with you. The sense of frustration is so big with Anna. She literally doesn't give a sh*t about singing the correct repertoire for her, as long as they pay her and continue to sell her as this "great diva" that she desperately wants to be. Every time I see one of her new performances I go back to her Traviata in Salzburg and even if she was not perfect (she wasn't a coloratura and she is not now) she really embodied Violetta and managed to capture the attention of the viewer. But where is that Anna? As you said, the light top notes are still there near intact. I just really don't understand why she continuing in ruining her career like this, like, where is your artistic integrity? I don't accept money as an excuse. I even remember an old documentary where she said she is light lyric soprano and she could have not sing big roles like Tosca, but here she is, so apparently she doesn't think like that anymore. In addition to that, why does she push his boyfriend so much? He's not even a real opera singer. And it's all so frustrating knowing that there are many great opera singers out there and she takes all the top spots in the big theatres only for being... Her.
Moreover, I know that we were talking about her voice but, how can she not speak a word of Italian after a 20-year career singing prevalently in italian? I don't know but I think that's another point in showing how shallow she really is: how could you even portrait a character if you don't know the language and the meaning of what the character sings!?
Ohh, common! There are critics pavaroti-careras-mingo? There are they? You just only hating this, but forget who made this and bring much worser "singers"! Just listen now cracked tiny "singing" pavaroti "No, pagliacio, non son!", also awful acting and compare with Corelli! It is not a difference it is a lvl of professionalism.
Check out soprano Kasondra Kazanjian
Check out soprano Kasondra Kazanjian
Okay. I thought I was imagining that she once had vast potential. I saw her in Traviata in SF and she was great. This video is "frustrating" just as you said.
Oh my dear Anna Netrebko, voice of Angel and very very beautiful Woman
There is no Netrebko anymore. Netrebko has gone. 😞
I have always had a liking for opera but for reasons I won 't belabor Ms. Netrebko made me fall in love with opera, starting with "I Puritani" at the Met in 2007, later at SF Opera in "La Traviata." Unfortunately, I believe her potential has been undermined by a sort of a paradox, her very own popularity. She sells tickets, can sing pretty much anywhere, and takes on too many roles that don't fit. Early on, I realized she was no Callas or Sutherland, well nobody is, but when I watch a video of a 25-year-old Renata Tebaldi in this very same opera singing "Vissi D'arte" well the difference speaks for itself. Ms. Netrebko doesn't come close. I will always have some affection for her, having seen her in person her voice is rather sizable, when she was younger she performed with zeal and abandon, she made my late terminally ill mother smile. I will always be grateful for that but I wish she took time off, studied, and came back MUCH MORE SELECTIVE!
Chocolate Souljah
I understand what you say, but we have a problem here. Netrebko has different ideas about her voice and selections. She has other priorities today......Unfortunately mediocre reigns in most spheres of human life our days. Not only in music. Mass production is killing refinement of taste. But, this is exactly what we should strive for. Real Beauty and aesthetics.
You are right. She was wonderful and needed to stop performing when she started to go down. It is pitiful to hear and see her now. She used to be my favorite. I am a professional musician. SAD.
@@atagadol Yes, real beauty!
@@racheloliver17 Yes, I agree with you. I teach youth music; theatre, dance, acting in Northern California. I have students now who have professional careers. I am very musical, can reference musical scores you could say "Vissi D'arte" I live for art! And so I am very sad to see this. She was once on her way, and now the decline is for real before she truly peaked.
Аня едет с ярмонки.. Рановато. Вот-вот Юсиф догонит.
Откуда и зачем в лучшей из опер объявились было Гобби-Каллас-Корелли? так высоко закинули планку, что попробуй дотянуться...
согласен, а это смешно слушать)))
@@user-dy4ps3ke4l уже не смешно, а стыдно. Прогуляла всё и вся.
А что надо было делать?
@@user-we1cj2pk4c работать над собой!
@@user-dy4ps3ke4l
Очень поверхностные и пошлые рассуждения. Поиздевался над знаменитыми и вроде как вырос в своих глазах и глазах себе подобных умников. Недостойно как-то, человеки...
Нетребко с мужем уже не тянут, но дорогу перекрывают талантам основательно
Да иди лесом лузер , они лучшие 😍
Уж не Вам ли ?..
Они никогда не тянули. Вот и кремлеботы подскочили.
@@maximus1295
Это надо же так торкнуться на политике...
Так 500 евро в Берлине стоит послушать эту похабщину -разве ж они от бешенного бабла откажутся?
Brava Anna!
Fantastique NETREBKO❤️❤️❤️🇫🇷
Is it just me (I'm not a musician) or the whole thing sounds waaaaay too slow - feels like the opera would be at least 10 minutes longer with this tempo
exactly, me too i'm not a musician either, but I noticed music in my head playing faster comparing to Anna singing
Aнна, я так скучаю по Вам прежней, так жаль, что нет больше того филигранного и полного страсти исполнения, что случилось?
Irina Hill
Товарищ...; Верь! Взойдёт она; Звезда пленительного счастья; весь мир воспрянет ото сна, и на обломках серовластья вновь засверкают Имена.
Вот что случилось. Все погрязли в удобной серости своего бытия. Те кто нашли свои ниши в искусстве; театре, кино будут там находиться до «победного конца». Только искусством это уже не назовешь. Есть таланты, есть голоса, но мы о них не знаем, им ходу не дают. А человеческая природа такова что ей всегда мало. Только сильные духом способны принимать правильные решения. А наш век не отличается особой духовной силой в искусстве. Идёт Закат. Во всем. И закулисные интриги. Остаётся только надеяться.
Ирина, как будто я комментарий писала... Так же хочется ей сказать. Очень любила Нетребко раньше.
Но она, судя по её личным высказываниям, и не собирается "возвращаться". Её вполне устраивает то, какая она сейчас, она даже гордится этим, старается часто подчеркнуть, что изменилась.
Но голос же естесственно меняется с возрастом? У каждой сопрано..понятно, что не будет девушкиного сопрано более, есть ниже, шире, меццо...
@@pininfarinarossa8112 это не совсем так. Послушайте Эдиту Груберову, например, она в 70 поёт "девушкиным" голосом. Да и Нетребко просто не тянет драматические партии, явно же. А в своём репертуаре она была чудесна.
@@operannamar2883 Все индивидуально! Губерова- исключение, как ММПлисецкая- в балете...Поласски в живом интервью пару лет назад рассказывала как изменялся ее голос, и с ним ее репертур...у Анны голос также меняется- это слышно...Сложно в 50 ждать перформанс 25летней...
the occasion deserved something a bit less mediocre than this. Netrebko used to be charming Zerlina, Norina and Adina in her time. Cannot tell about the tenore even as much of good as this
Ma perché mi devo trovare nella home queste porcherie?...
Спасибо вам за прекрасную музыку.
👏👏👏👏👏👏👏
MARAVILLOSOS
Наистина фантастично и божествено.
Brava!
😳 um that’s terrific
Посещать ваш концерт--это моя мечта.
Grab one, hit the other.
Ну что мне сказать про эту Тоску? - "Море" с ножом в руках, по поводу Скарпиа, который как тенор поет. Ну а тот, что вроде тенор "Э, лучше вам про Стеллу" тянет. Как то так.
Bravissimi tutti
Анна, послушаете и посмотрите себя... Вы сами поймете,что это плохо.
She behaves as if she doesn't care any more.
Не поймет она. И Юсиф тем более.
Согласен, им насрать. Как и хворьку тоже было накласть на его металлическое, немузыкальное пение
@@olgaovod
Не вам судить!!!
@@laralara3247 а кому? вам?
Respect to them they keep this art alive, it's normal due to technology the low performance in all aspects of music
SCREAMING DIVA(S) !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
In effetti grida e strilla dovunque... acuti mai controllati...una pena ascoltarla
Ніколи не бачила в ній те, що бачили інші. Не то.
Не То, это то самое, что называют золотым тельцом. С самого начала всё шло к этому - деньги и слава
L'exemple meme d'une carriere mal conduite. Au départ trèsjolie voix soprano lyrique, beau timbre, voix facile,, relativement bonne technique, belle femme et très aimée du public. Pourquoi avoir voulu casser tout çà en devenant soprano dramatique, s'être affublée d'un mari nullisime?
Ses apparitions sont devenues terribles, la voix detruite, sauf contrairement aux autres imprudentes, l aigu est resté limpide et beau. Et elle manque beaucoup de personnalité dans ses interpretaions. Dommage c'était beau en 2005
Beau? 🤣 pavaroti-careras-mingo thanks to that fake names, they bring a commercial.
Forse al principio aveva delle qualità e doveva coltivarle e restare nel suo repertorio, oggi è un soprano imbarazzante, inascoltabile, cala, stona, non tiene gli acuti, il legato è precario, i passaggi sono fortunosi... insomma nemmeno nel giro di provincia l'avrebbero apprezzata negli anni 60/70... quando i soprani erano davvero grandi voci... Accettiamo la realtà la Netrebko ha distrutto la sua voce... ha incassato tanti dollari... si contenti e non ci massacri più le orecchie...
What a dream
They both can do better than on that day,that was simply horrible!
Anna Netrebko wie immer sehr schön - ihr Ehemann das Gegentei. Leider.
Il fatto é che fino a quando i maggiori teatri del mondo li chiamano e li pagano, perché dovrebbero cercare lui di migliorarsi (ammesso che sia possibile, cosa che non credo) e lei di correggere il suo evidente decadimento? Io trovo che lui sia inascoltabile e persino imbarazzante, e da quando cantano insieme lei, a mio parere non fa che peggiorare e, continuando in questa collaborazione artistica (??), finirà con l'essere travolta definitivamente.
И ещё раз- DIVA!!!
I used to love Netrebko. Her career began with such promise and passion. Unfortunately, she has crashed and burned like the Hindenburg. What a tragedy!
What are you talking about? As of today she is the best world soprano and the super star of the MET!
@@vikatambaeva1369 Infatti negli USA se ne intendono molto di lirica, anche perchè imposta dalla sua casa discografica... siamo seri, è stata un buon soprano, mai la migliore, e comunque ora è sul viale del tramonto e anche molto velocemente...
Anna was excellent in bellcanto. Dramatic parts are not for her. Besides who dressed her? Who made her hair? Awful. She is such a beautiful woman!
Soprano calante ,diseguale ,che spinge la voce in avanti con imbarazzanti sonorità ..il tenore non ha impostazione lirica e sposta il fuoco della voce continuamente ..ormai siamo in piena decadenza
Check out soprano Kasondra Kazanjian
Lo dico da una decina di anni che questa sarebbe stata la fine di questo "soprano" e non ha fatto nulla per impedirlo, quindi si prenda oltre ai dollari anche tutte le critiche che merita... tra l'altro la voce ormai balla pericolosamente e quando la voce balla la fine è prossima ...
I don't think Puccini envisioned staging in front of the orchrstra.
Anna maravillosa!!!!..como siempre👏👏👏🌷🌷
It's not opera. It's coca-cola
pepsi xD
ma forse l obiettivo e quello di far conoscere l opera ai giovani
Please check out soprano Kasondra Kazanjian
@@mariateresafissore2196 Direi che se cominciamo a farla sentire così li rendiamo dei pessimi ascoltatori... Pazienza i tre tenori (almeno loro bene o male cantavano) qui siamo di fronte ad un a rappresentazione lirica che sembra un café chantant...
Maria Teresa Fissore il problema è che questo è repellente. E poi la gente accusa i giovani di non avere interessi culturali...
exquisita
Anna ha mejorado estos últimos años en su técnica..👏👏
Прекрасные голоса! Концертное исполнение - это, конечно, насмешка над оперой.
Sublime tout simplement !
I wish they didn’t record her in HD. She sounds much better in a big house. This is why people scream with joy at her performances. Also she transforms and creates magic on stage.
Questa prima smette di cantare e meglio è per la lirica...
Penso che ce la ritroveremo ancora quando avrà settant’anni, modello Gruberova o Domingo... se pubblico e teatri continuano ad acclamarla, non smetterà... sicuro non saranno rispetto per l’arte e senso di decenza a fermarla.
Il marito e' pure peggio.
Love Netrebko.
Los comentarios tan negativos hacia la cantante hacen que la gente no sepa ni que escuchar, mejor expliquen que es lo que esta mal según ustedes de Netrebko.
La voz de la Netrebko va en declive, el engolamiento se hace más evidente y su sobreesfuerzo en muchos pasajes. Todo esto debido a su mala técnica de canto y el repertorio que no es para ella. De su esposo Eyvazov... ni qué decir. Toda la obra no es para ellos. Esta es la razón. Y sobre todo, sus voces solo se escuchan en las plateas y no al fondo del teatro, que debería oírse.
Por ello los que conocen claman a voces vivas voces como Tebaldi, Mario del Monaco, Antonieta Stella, Franco Corelli y compañía, porque sus voces tenían potencia y sin necesidad de esforzar o sobreoscurecer (hasta llegar a engolar) las notas que cantaban.
Saludos.
Músico Snob muchas gracias la verdad no sabía qué onda porque nomas veía comentarios negativos hacia ella pero toda la publicidad que le hacen es positiva entonces por eso no entendía que pasaba, gracias
@@x9jorge9x La publicidad es marketing. Generalmente solo buscan buenas presencias y que sus voces suenen bien, y eso es todo. Solo venden imagen.
Si quieres escuchar cantantes de alto calibre... ahí tienes a la Maria Callas, Renata Tebaldi, Antonietta Stella, Gabriella Tucci, Rosa Ponselle, Anita Cerquetti, Claudia Muzio, y un largo etc.
Saludos.
Músico Snob muchas gracias, si lo se, pero no entendía porque Anna Netrebko estaba teniendo críticas tan negativas y con tanta publicidad buena, pero ya lo entiendo.
Por favor escucha a la soprano Kasondra Kazanjian
Анну Нетребко очень люблю прекрасный голос красивая женщина как чувственно поет
This is a tutorial on how to destroy Puccini in 12 minutes. Poor composer...
What happened to Anna?
Mask singing since 1999. You are surprised??
Esta fue la primera opera que analice y disfrute, en la versión de Calllas y Gobbi , creo que lo peor es intentar que tengamos que soportar a Yusif.🤯🤯🤯🤯🤯🤯🤯🤯🤯
⭐️⭐️⭐️⭐️⭐️ Keep singing Anna, you’re the best!!!
Анна не драматич. сопрано ! И партия Тоски ( как и леди Макбек не ее ) поет ( вернее пытается петь ) потому что платят ...
Che pena, negli anni 50/60 non l'avrebbero ammesso neanche in conservatorio. Ma il problema sono gli spettatori che invece di fischiare applaudono. E vogliamo parlare di Tosca e dei tempi del direttore. Pietosi entrambi.
Check out soprano Kasondra Kazanjian
lei non mi sembra proprio un gran tenore ..
@@pepper6331 Sempre meglio di un soprano bolso e sfiatato... e strapagato
Giusto pietosi e... offensivi per un pubblico che conosce la lirica...
Anna was very beautiful till e few years ago. And a better singer.
Check out soprano Kasondra Kazanjian