@@stevenclarke5606I was a little surprised she didn't bludgeon him to death with the sculpture. I get that she was injured, but she seemed to have the upper hand after she hit him in the head.
The first part of the scene where Jodie plays a Villanelle acting vulnerable, is really reminiscent of her similar character in Thirteen (I just watched that). And then that later switch to a Villanelle who's back in charge with a change in accent, omfg I couldnt stop giggling throughout the scene.
They go to performers who elicit emotional responses. Where's the emotion in this except, 'whoa what a badass'. If that's the criteria for awards then Keanu should win every year
@@norm3844 they go to actors who can demonstrate versatility, in this singular scene, like many others she switches personalities very fast and she made the audience feel and think much more than "wow that's badass", if that's the only think you saw here and through the whole show then I don't know what to tell you. Good day
Nope they go to performers who elicit emotional responses, whether by performances versatile or contained. In that vein, I look at Jodie Comer's performance and wonder where the 'amazing' is...even in recent years we've seen far more capable female Russian/Slav accents from Winslet, Watson, Streep,and Blanchett. Throughout her performance the acting is 'loud' even when she's saying nothing, a fairly prevalent trend in acting nowadays when you compare the 1950s delivery of theatre to nowadays; actors tend to overdo dramatic cues to the extent that their meaning, and certainly any subtlety, is lost. Watch some acting workshops and you'll see this kind of OTT delivery comes out a lot in the early, improvisational stages of developing a piece; the capable director, regardless of stage or screen, would then tone the performance (usually down). But here Comer maintains that bull-in-a-china-shop approach; take 0:36-0:45. I strongly doubt, if you had cast any of the above actresses (when they were Comer's age), that their delivery would be any way near as overzealous. The palpable difference between Comer and the others is that she hasn't deciphered what delivery of the line would build the primary tone of character, in Villanelle's case: mystery. A psycho, a stalker, a pretty face hiding a vengeful aggression, a woman of many accents, a wolf in sheep's clothing: yes, this character is written to intrigue the audience via mystery. And mystery is thrown almost entirely out of the window by Comer's neglect of playing the role down. As Brando and De Niro agreed, and I paraphrase, "it's not what you show. It's what you don't show". Now we're talking about one scene, but nearly every scene Comer is present in - except for a rare few - are held back by these same issues. A good role? Of course. Good writing? Mostly. A good performance? Sure. But a great one? Well, time will tell. And when the world has forgotten about this show, and Jodie, a decade from now, you'll have your answer.
@@norm3844 if you don't see how extraordinary her performance in Killing Eve is then you're blind I'm sorry. She is by far one of the most talented actresses I've seen in years, her facial acting alone is out of this world and even big actresses such as Helen Mirren, Nicole Kidman, Anne Hathaway and filmmakers like Ridley Scott are saying the same thing, not even mentioning the critics and the awards she is starting to get and the ones coming (trust me they are coming) all attest to it. Even without that it is clear as day to me she's a pure talent sorry you're unable to see it :)
That was an amazing and disturbing episode to watch, I never expected to cheer her on so much. I actually felt sorry for her even, during that episode. The irony is that while she had a chance to get away, her escape just before the cops got to her led to something worse.
i love a great fight scene. superheroes and james bond and all that stuff is all well and good , but a seemingly uncoordinated brutal grappling between two desperate people is a pretty damn great watch too
I just watched "Thirteen" .... it was kind of spoiled for me simply because I knew she would do something Villanelle-ish ... something that would have made them choose her for Killing Eve. Sure enough - the final scene was pure Villanelle. (Very similar to this scene in many respects) But if I had never seen Killing Eve, I would have not expected that ending at all. She was brilliant. She's an acting masterclass on legs.
I don't see any reason to have to justify rooting for Villanelle. It's fiction meant to make her character endearing and the kills entertaining, and even funny.
How wonderful and amazing is this series? To think most of us were hoping the cold, amoral killing machine would escape from Adrian. Even if he was a weirdo.
@@xannecorinnex Yes, but last time there was a hook from the beginning. The second episode ending was like the old season, and then back again. I'll watch today to see how it goes. It looks like they announced a third season as well, that doesn't sound good. The show will drag.
I start to feel as if the lack of Phone-Waller Bridge is showing. Don't get me wrong it's still fab but it feels like its trying to hard to be itself - plus the obsession between eve and villanelle: yes I get that's the focus but at the same time I feel as if Villanelle's fundamental character 'fabric' is being forgotten about.
This is EPIC Villanelle. My only issue with this is that earlier, when she was looking for a knife in the kitchen, Julien said, there's nothing sharp in the house, mother might hurt herself. Then, all of a sudden, there is a knitting needle convenient to stab him in the throat? Hmm. Still a great show.
Destroy the enemy core. , this really isn’t an issue for argument, I just stated that Julien said “...mother might HURT herself,” not CUT herself. That being said, mother could hurt herself with knitting needles. Just saying. 🤷🏻♂️
@@Donegal62 I don't think a knitting needle would fall into the category of something with which his mother could hurt herself. It's blunt and only dangerous when used forcefully as a weapon. I think he was talking about blades and sharp objects.
That accent switch was hot
Very very hot
If Villenelle switches to Russian then be afraid be very afraid, your going to die !
IKTR!!!!
I loved her left eyebrow raise right before the accent switch.
@@stevenclarke5606I was a little surprised she didn't bludgeon him to death with the sculpture. I get that she was injured, but she seemed to have the upper hand after she hit him in the head.
The first part of the scene where Jodie plays a Villanelle acting vulnerable, is really reminiscent of her similar character in Thirteen (I just watched that).
And then that later switch to a Villanelle who's back in charge with a change in accent, omfg I couldnt stop giggling throughout the scene.
If Jodie Comer doesn't get an Emmy for this I don't know what Awards are even for
They go to performers who elicit emotional responses. Where's the emotion in this except, 'whoa what a badass'. If that's the criteria for awards then Keanu should win every year
@@norm3844 they go to actors who can demonstrate versatility, in this singular scene, like many others she switches personalities very fast and she made the audience feel and think much more than "wow that's badass", if that's the only think you saw here and through the whole show then I don't know what to tell you. Good day
Nope they go to performers who elicit emotional responses, whether by performances versatile or contained. In that vein, I look at Jodie Comer's performance and wonder where the 'amazing' is...even in recent years we've seen far more capable female Russian/Slav accents from Winslet, Watson, Streep,and Blanchett. Throughout her performance the acting is 'loud' even when she's saying nothing, a fairly prevalent trend in acting nowadays when you compare the 1950s delivery of theatre to nowadays; actors tend to overdo dramatic cues to the extent that their meaning, and certainly any subtlety, is lost. Watch some acting workshops and you'll see this kind of OTT delivery comes out a lot in the early, improvisational stages of developing a piece; the capable director, regardless of stage or screen, would then tone the performance (usually down). But here Comer maintains that bull-in-a-china-shop approach; take 0:36-0:45. I strongly doubt, if you had cast any of the above actresses (when they were Comer's age), that their delivery would be any way near as overzealous. The palpable difference between Comer and the others is that she hasn't deciphered what delivery of the line would build the primary tone of character, in Villanelle's case: mystery. A psycho, a stalker, a pretty face hiding a vengeful aggression, a woman of many accents, a wolf in sheep's clothing: yes, this character is written to intrigue the audience via mystery. And mystery is thrown almost entirely out of the window by Comer's neglect of playing the role down. As Brando and De Niro agreed, and I paraphrase, "it's not what you show. It's what you don't show". Now we're talking about one scene, but nearly every scene Comer is present in - except for a rare few - are held back by these same issues. A good role? Of course. Good writing? Mostly. A good performance? Sure. But a great one? Well, time will tell. And when the world has forgotten about this show, and Jodie, a decade from now, you'll have your answer.
@@norm3844 if you don't see how extraordinary her performance in Killing Eve is then you're blind I'm sorry. She is by far one of the most talented actresses I've seen in years, her facial acting alone is out of this world and even big actresses such as Helen Mirren, Nicole Kidman, Anne Hathaway and filmmakers like Ridley Scott are saying the same thing, not even mentioning the critics and the awards she is starting to get and the ones coming (trust me they are coming) all attest to it. Even without that it is clear as day to me she's a pure talent sorry you're unable to see it :)
I can't believe someone on this earth is actually arguing AGAINST Jodie winning an Emmy for her role.
That was an amazing and disturbing episode to watch, I never expected to cheer her on so much. I actually felt sorry for her even, during that episode. The irony is that while she had a chance to get away, her escape just before the cops got to her led to something worse.
Who was Julian and why she killed him?
@@tamarab.7151 , I do not remember that far back, but he was either sexually abusing her or he was doing that to someone else she cared about.
not many shows where the audiences are rooting for the villain. way to go jodie you're a badass
Ever scene in this show is written so we like her
She's clearly the protagonist
So if Julian aimed at the stomach.. He knew for a while she was wounded. Julian creep this is what you get !
"This is what you get Julian" is my go to mosquito squatting line.
1:10 you can see the exact moment she decides to stop acting sweet and kill him
yes, we all just watched it...
Jodie, is such an amazing actor, I love the different accents that she uses, but for me it’s the facial expressions that she has.
Her facial expressions SO clearly capture every layer of emotion. Her gazes are iconic or even just smaller choices she makes.
The lady on the couch is literally me😂
Her injured fighting level is my goal😂
Anyone else notice how that guys mum is just enjoying the show
Yess 😂😂
Aren't we all?
She tried to warn her, but her mind is too far gone.
i love a great fight scene. superheroes and james bond and all that stuff is all well and good , but a seemingly uncoordinated brutal grappling between two desperate people is a pretty damn great watch too
Jodie Comer is a genius tf 😫
GOD Jodie Comer is good. Wow.
Well, you clearly lied about having nothing sharp in the house Julian.
I love the accent switch
Extraordinary actress. I’ve enjoyed Killing Eve as much as Mad Men, Sopranos and Breaking Bad. ☺️☺️🇬🇧
Julian was super creepy in his own right. He met his match.
That'll teach him. No one messes with Villanell.
Damn Villanelle, you a real badass, girl!!!!
This scene reminded me a lot of 'Thirteen', which Jodie Comer is also in
Yeh I agree. Thirteen was very good. Pushed her as an actress, liked Killing Eve does. ☺️
everyone needs to see Thirteen! she was so amazing in it
Y Es omg I watched that a few years ago and that’s all I could think about
I just watched "Thirteen" .... it was kind of spoiled for me simply because I knew she would do something Villanelle-ish ... something that would have made them choose her for Killing Eve.
Sure enough - the final scene was pure Villanelle. (Very similar to this scene in many respects)
But if I had never seen Killing Eve, I would have not expected that ending at all.
She was brilliant. She's an acting masterclass on legs.
R I noticed that as well
2:33 watching it on repeat!
lol me too
The only reason I'm actually watching the clip. 🤧👌🏾
same
What I've learned over the course of my life is that most people see rapists and sexual predators as a greater evil than murderers.
There are people who murder you quickly and then there's those who keep you to torture you. The latter one are always much much more sinister.
I don't see any reason to have to justify rooting for Villanelle. It's fiction meant to make her character endearing and the kills entertaining, and even funny.
because.. they… are?
Is it me or this entire episode a reference to thirteen the show Jodie was in when she's been kidnapped and locked in a house for thirteen years
How wonderful and amazing is this series? To think most of us were hoping the cold, amoral killing machine would escape from Adrian. Even if he was a weirdo.
That was parfait
Excellent editing and sound puts you right in the fight psychologically
Love that julian barratt is in this, he's so good!
"the exorcist" outfit here
She could be the next James Bond.
'This is what you get Julian " clank! go's the knitting needle.
I LOVE THIS SCENE
damn this was so well deserved.
I never imagine myself supporting a kill 😂😂
Fun fact Julian is actually called Julian in real life snd he had his own show called the mighty boosh a while back
As a psychopath, Julian was a 6 maybe 7...Villanelle is a 10 =))
Punching her where she’s wounded what a cheap shot
it's about saving y our life. He knew he was in trouble
@@KindCountsDeb3773 Because he trapped her xD
@@KindCountsDeb3773 it's about controlling her, actually. he wanted to hurt her and keep her there instead of hurting her to get away. big difference.
This is what you get Julian SAVAGE
Villanelle 💕💕
Jodie is great actress😍❤
What's the song at 2:48
I feel sorry for the grandma
Is that Howard Moon?
Yeah, Bollo and Naboo take him away on the flying carpet to get urgent medical attention from Old Gregg later in the episode.
I thought it was a ghost. I hate ghosts.
Psychopath vs psychopath.. the winner Villanelle 🚛😵👻👍
🤣👍🏼
I think I love her
Villanelle meets the West family?
Is anybody else not finding this second season as good as the first?
Can’t say that since episode 4 is coming out today, and we’re only half way through this season.
@@xannecorinnex Yes, but last time there was a hook from the beginning. The second episode ending was like the old season, and then back again. I'll watch today to see how it goes. It looks like they announced a third season as well, that doesn't sound good. The show will drag.
I start to feel as if the lack of Phone-Waller Bridge is showing. Don't get me wrong it's still fab but it feels like its trying to hard to be itself - plus the obsession between eve and villanelle: yes I get that's the focus but at the same time I feel as if Villanelle's fundamental character 'fabric' is being forgotten about.
I do
That's my girl
This is EPIC Villanelle. My only issue with this is that earlier, when she was looking for a knife in the kitchen, Julien said, there's nothing sharp in the house, mother might hurt herself. Then, all of a sudden, there is a knitting needle convenient to stab him in the throat? Hmm. Still a great show.
Yeah those are sharp, but thsy arent shadp enough to the point shere you might cut ypurself with it
Destroy the enemy core. , this really isn’t an issue for argument, I just stated that Julien said “...mother might HURT herself,” not CUT herself. That being said, mother could hurt herself with knitting needles. Just saying. 🤷🏻♂️
@@Donegal62 I don't think a knitting needle would fall into the category of something with which his mother could hurt herself. It's blunt and only dangerous when used forcefully as a weapon. I think he was talking about blades and sharp objects.
@@Donegal62 what the other guy said
@@TomRipley7350 aahm... no. you can hurt pretty bad with a knitting needle that big.
Poor Howard.
That grandma: -_-
I hate seeing Julian barrat being a creep
When Vince leaves 😂
Howard Moon should have stuck to playing jazz
Howard fricking moon!
Does switching to RP come easily for northern Brits? This is great.
It’s a lot easier for us northerners to do RP than the other way round.
Was he hurt at all ?
He’s ok, just a wounded ego
Seems reasonable.
이때 처음으로 빌라넬이 불쌍했음....
This was a Norman Bates situation.
Who was Julian and why she killed him?
holy fuck
The only British accent that matters
cute,badass,and blond perfect
Wowww
*chokes in Russian*
ahhh the russians
He wasn’t wrong at what he was saying at the beginning
Jeez I know it's a year on but I hope you've touched grass in that time. He literally kept her against her will and then demanded she thank him for it