Jamie, I was a school band director for 35 years. The quality of saxophones I encountered at every level (5-12) was all over the map and that was a constant factor in achieving a high performance level. As a performing Mark VI player my whole career, I knew what was possible with the right equipment. I can honestly say that if every sax student came through the door with a Better Sax horn, elementary through high school, I would have been ABSOLUTELY ELATED! Jay’s horns are incredible and definitely fill the need in music education for affordable pro-level saxophones!😃🎷
so pleased you presented this BetterSax Classic Tenor. I bought one 3 weeks ago and I love it. I loved it so much I pushed the boat out and bought the BetterSax Burnin' MP and they really work well together. It is hard to believe the quality you get for this price. I think they compare very well to Yamaha, Yanagisawa and the MKVI. Great stuff, love your tutorials too.
I have had mine for 5 months now and I am still loving it. There’s nothing about it I can complain about. As far as your blind comparison, the only reason I guessed correctly was because you can tell by your sound which instrument you are more familiar with. The differences are slight but they are there. 😊. Been waiting for you to get your hands on one of these to see what you think.
I was in the market for a tenor because I was doing more and more gigs with Rock Bands and the alto wasn't giving me the punch I was looking for. I didn't want to spend a ton of money, and I had heard this tenor was much more than a student horn, and at a fair price. I cant wait to get my hands on it in two weeks. Thanks Jamie for the review!!
As a huge fan of both you and Jay, I love to see you two doing things to co-support your work. I do some limited tutoring with beginners and I point them right at you and Jay on all my materials.
I guessed correctly. The difference in my ear was the upper range and altissimo. Thank you for the comparison because I'm anxiously awaiting a Better Sax bari.
I got it right. The more expensive or vintage or whatever sax always is "brighter" not actually brighter but there are more high frequencies present, so there's a bit more clarity or sparkle - every single time. But every pro sounds good on any model - every. time.
listening to the blindfold test, I chose the Better Sax horn as being the best. The timbre on the scale was more equal. I also liked the tone of the Classic mouthpiece more than your Link. The link was louder, actually distorting, and did not have all of the frequencies lined up as equally as the Classic. What can I say? Time marches on! You sound great!
I've been thinking of getting a tenor saxophone. I haven't played one in a very long time. This might be a great one for reintroducing me to the tenor. Thanks for doing this review, Jamie!
I could tell that A was a bit brighter. I actually preferred the sound of B but not a huge difference. The deciding factor would be how they feel to play.
Same here, sound wise I really liked B more, before knowing which one was it, sounded like with a bit more body, fuller, a bit darker, which I liked, the MKVI was brighter, but again, it could be because he felt more comfortable with it and was easier to get his own personal voice over it which is what he may like, more kinda "Brecker" sound...
A sounded a bit brighter than B. Other than that, I couldn't tell too much of a difference. You sure are getting your money's worth with the Better Sax if you are comparing it with the Mark VI. Great video. Thanks.
I went a step further and turned my phone face down so that it was a blind listen. I correctly picked the mark vi but probably because I play one and there was too much familiarity. That said, the Better Sax tenor was really close so much so that I questioned my gut a few times along the way. I’d definitely consider one as a stand by based on your review.
I correctly guessed the Selmer, and always do in all shootouts no matter what the Selmer compares to. But I shudder at the Selmer cost, so I'm looking hard at other makes. This video is impressive, as is the Better Sax horn.
I could tell there was a difference, but both were pleasant to listen to. If cost were no object, I would buy a Selmer Signature or Supreme, but if I were on a budget, I would buy the BetterSax. I would like to hear a comparison of the Selmer Axos with the BetterSax, both alto and tenor.
Those Chinese horns are getting better every day. Looks good for the money. In my opinion, with the stock mouthpiece, it sounded a little ho hum, like you had a sock in the bell. With the Link though, it came alive and sounded great. I picked the MKVI, but largely because of your level of comfort with the Selmer. I think this horn would be great for a beginner to intermediate, but maybe not with the stock mouthpiece. Good video!
I listened via smartphone and the A spoke for me: the sax has more dynamic, more low mids of frequency (possibly due to the metal resonator pads of the bettersax model, just i guess), but sounds good of the model from bettersax
I bought both the alto and tenor. They play amazing well .... big sound, great action, great pitch. I sold my Cannonball saxes because the Better sax plays as well if not better. That said, it is NOT my 1948 Super Balanced action, or for that matter my alto 1936 Balanced action. To me, there is no comparison, BUT they are great back up horns. Far better than many that are much higher priced. Bravo to Jay for a great horn for the price.
Great demo! Once more proof that 1) at the end of the day it's the performance level of the player that is decisive 2) the still ongoing hype around Mark VI does not make sense. For a fraction of the price the same result. For me ergonomics is also quite crucial and with the modern horns this is mostly better.
Wow Jamie I was completely wrong with the A B comparison results!! Honestly thought you sounded a slight tinge fatter on the Bettersax but u did sound really pristine and clean on the MK VI! Both horns sounded great btw but I’m just blown away that you can get so much sound out of a horn that costs a good 5 times lesser than a solid Mk VI. Bares real testament to a good job well done by Jay and his team. I am now seriously considering one simply because of ur review. Thanks again!
Glad you put your Florida Link cuz I use a 6 Star Florida Link. And considering the Better Sax tenor and hoping to find a rental before buying or getting my old Yamaha YTS 61 out of pawn for $1300
Thanks Jamie, Perhaps you know about long term support? Would a tech service this horn? (most won't touch a Chinese cheap horn) Where would one get new spare parts if it broke? The good thing about big brands is long term support
Came from sax dot co in the uk. Not sure if they looked it over. I believe it’s straight out the box. I know the Bettersax qc is super high. Which is more than can be said for Selmer!
Hi Jamie, I loved your video and I bought the Better Sax classic tenor a couple of days ago. A question I have is I have a Yanagasawa 901 alto sax with a Jodie Jazz HR* 7M mouthpiece. At the moment I am playing the Better Sax tenor with an Otto Link 5* mouthpiece and I’m finding that the top C & D are really sharp in pitch? I haven’t played on a tenor in about 12 years and I’m wondering if it’s because I’m so used to my alto and the great intonation that it’s throwing me out on the tenor. I’ve ordered a Jodie Jazz HR 7 tenor mouthpiece which hopefully will be more akin to what I’m used to. Any thoughts would be much appreciated. Did you find the top C & D in tune on the Better Sax tenor? Great video by the way, you have an excellent channel. Thanks, Anthony
I find some of the palm key notes a LITTLE sharp, yes. Every horn has its intonation issues in my experience though it’s just knowing what they are that matters!
@ Thanks for the advice Jamie. I thought it was the case, good to know it’s not just me. I’m lipping the notes down already, but seems a bit frustrating when I don’t even need to think too hard on my Yani Alto. Thanks, Anthony
I could see the color difference of the saxes, even with the blurring out. The Better Sax is an outstanding instrument. I have the BS alto, but can’t justify getting the tenor, I recently bought a SBA…😮
Wow! The Better Sax had a beefier sound. The Selmer, to me, the sound was similar but noticeably thinner heading towards upper register. I think at the end of the day, although it would be more fun to have a more expensive horn, it's the player, the setup and how well the horn holds up over the years with good care. The musician's intent is a tremendous aspect to this. This is an excellent presentation putting the horns through the paces.
I guessed right but difference in sound is very small. Main question is how Selmer feels to player. One could tell that Jamie feels more at home with sax A. And of course there is Selmer legacy 😊
There was a big difference between your Link mouthpiece and the Better Sax mouthpiece, but the difference between your horn and the Better Sax was minimal. If I buy a tenor this one is definitely on my radar.
Jamie, as always, you sound great! I have the Better Sax Alto and Tenor. These are so much fun to play, and as a returning beginner, having fun is the most important part. That said, I want to comment on how much I enjoy the TH-cam Saxophone community. It's such a positive and supporting group. Jay's channel lead me to this channel (which I love!), Dr Wally, Sir Valorsax, Scott, the London Sax shop channel, and so many more that I probably missed. Big thanks to all the saxophonists out there putting in the work for us to enjoy. ❤
I bought the classic tenor a few weeks ago. For me, while it sounds great, I’m really struggling with the placement of the alt F key in relation to the left hand B key. It’s so tight, that is, there is just a sliver of space between them that I’m constantly either hitting the alt F when not trying to, or getting my left index finger pinched underneath it when releasing the B key. This is my third tenor so it’s not like I don’t have experience with the layout. Anyone have any ideas of how to approach this issue? The Sweetwater tech I’m dealing with said to take it to a tech and have it adjusted. As I look at the hardware I don’t see how that’s practical. BTW, I’m tall and thin so it’s not like I’ve got fat fingers.
I took my tenor to a tech who said my tenor had the opposite problem: the front F was too far away. He bent it and my tenor is now more playable. I hadn’t even realized that it had been a problem. I assume it’s a simple matter for a tech to bend the key the opposite way.
Great review, but perhaps more useful real world wise would be how you think it compares to the YTS23 - also a great student sax. Should I keep the 23 I already have, or is worth selling my kidney to buy Jay's sax?
@@GetYourSaxTogether neh sold the family silver instead. and its a great horn. But one odd thing. I loved my SYOS pierces on the 23, which didn't like my Otto Link. Now on the new horn (Better Saxc) it's the opposite. The Otto Link works much better on the BS.
Similar to robfairbrother, the only way I could correctly guess which horn you were playing, was that your blurred figure looked a bit more animated with horn B as you were chasing the high and low notes, meaning that you looked a bit more comfortable with horn A. So, as to be expected, they sounded the same. I actually picked up a BetterSax alto as a spare horn last year and, it plays well; with a bit of setting up on the spring tensions, such as the octave key mech'. But I've been gigging it when I need to play alto. I think I like the cognac colour.
Bit late on this I suppose but picked "A" as the Mark VI and "B" as the Bettersax. In most of the blind playing clips it was a bit hard to distinguish, but once you played the full range scale on both horns it was pretty obvious. In "A" I could hear the almost nasally, focused mid range that 6's have, while "B" sounded like it had brighter highs and warmer lows but not as much of that mid range - almost all modern Asian made horns sound this way to me (not saying this as a criticism or negative, just what I hear). To it's credit, though, the Bettersax horns seem to have more of that characteristic nasally mid sound of a 6 that I find lacking in most other modern horns. Both sounded good and I doubt if I heard them played in a mix I'd know or care what either one was.
It would be more intresting to hear what you think is better, as the player makes up almost 100% of the sound. A goog player can sound on any horn so what the verdict? Better or?
I do not think that comparing saxophones using the tiny speakers on a laptop or cell phone can really be a serious comparison. But using a decent set of headphones or pods might be closer to reality.
What’s the difference between a student horn and a professional horn? Are the producers selling the same saxophone for different prices where the difference is engravings? Everybody will hear a difference, because they expect a difference.
@@GetYourSaxTogether I bought a used '57 VI alto in '82 for £500. I bought a used 'Harrison' student alto last year for $250. Sold the VI and kept the Harrison. Sounded exactly the same but the modern keywork made it a hands down keeper.
Haven't watched the video yet, but if any of yall know, how would it compare to something like a yts-62? Edit: after only watching 5 minutes, it's definitely something I'll be buying when I graduate highschool Edit 2: yall I guessed wrong, guess I need to get it huh
@@maxwellsmith2133 You will love the Better Sax! I was playing alto until last November when my wife s niece leant me her YTS-62 which I played until my Better Sax arrived in February. I really like the Yamaha. It is well built. But it is a student horn. However, between the two, there were two immediate and big differences to me: 1 ) the sound and 2) the ergonomics. When I first played the low end of the Better Sax, I thought the room was going to implode, especially playing the Bb! It sounded not only louder, but a lot fuller than the YTS. As far as ergonomics, I struggled a lot with the transition between C#, B and Bb on the spatula keys of the YTS and there was a noticeable thwump sound caused from the high rollover between Eb/D# and C when those two notes had to be played back to back. I am pretty certain you will love the Better Sax! Jay really put a lot of effort into giving us a professional like horn at a budget price.
The problem with these sound is: 95% of the sound comes from the player, in this case from Jamie. (in terms of technique, idiom, experience, etc.). Find a good mouthpiece, and affordable sax that fits in your hands, after a few months start experimenting with a few reeds and be happy with your instrument. Unless you buy a no-name lowest bidder sax from an anonymous outlet, a bettter sax, jupiter, yahama, etc beginner horn should be plenty to start out. Start working on a full sound first ( Stop Biting !!!) before you worry about tone colour. I recently got an early seventies shooting star Conn to play on. It should have a darker tone colour than my YTS-280 (which is considered "bright"). Well, I don't hear it, and I'm sure that's all on me.
Get your free masterclass here 🎷www.getyoursaxtogether.com/masterclass
Jamie, I was a school band director for 35 years. The quality of saxophones I encountered at every level (5-12) was all over the map and that was a constant factor in achieving a high performance level. As a performing Mark VI player my whole career, I knew what was possible with the right equipment. I can honestly say that if every sax student came through the door with a Better Sax horn, elementary through high school, I would have been ABSOLUTELY ELATED! Jay’s horns are incredible and definitely fill the need in music education for affordable pro-level saxophones!😃🎷
Well said.
so pleased you presented this BetterSax Classic Tenor. I bought one 3 weeks ago and I love it. I loved it so much I pushed the boat out and bought the BetterSax Burnin' MP and they really work well together. It is hard to believe the quality you get for this price. I think they compare very well to Yamaha, Yanagisawa and the MKVI. Great stuff, love your tutorials too.
Great to hear!
wow
I have had mine for 5 months now and I am still loving it. There’s nothing about it I can complain about. As far as your blind comparison, the only reason I guessed correctly was because you can tell by your sound which instrument you are more familiar with. The differences are slight but they are there. 😊. Been waiting for you to get your hands on one of these to see what you think.
Well spotted!
I was in the market for a tenor because I was doing more and more gigs with Rock Bands and the alto wasn't giving me the punch I was looking for. I didn't want to spend a ton of money, and I had heard this tenor was much more than a student horn, and at a fair price. I cant wait to get my hands on it in two weeks. Thanks Jamie for the review!!
🙏🏻
As a huge fan of both you and Jay, I love to see you two doing things to co-support your work. I do some limited tutoring with beginners and I point them right at you and Jay on all my materials.
Thanks so much!
I guessed correctly. The difference in my ear was the upper range and altissimo. Thank you for the comparison because I'm anxiously awaiting a Better Sax bari.
Awesome. Have fun with it!
I think this video convinced me! I might purchase one of these in the next couple of days
Fab! Link in description.
Same!
I got it right. The more expensive or vintage or whatever sax always is "brighter" not actually brighter but there are more high frequencies present, so there's a bit more clarity or sparkle - every single time.
But every pro sounds good on any model - every. time.
I make you right on that!
I have the Better Sax Alto. Love it, great intermediate Sax as good as more expensive Saxophones
Good choice!
listening to the blindfold test, I chose the Better Sax horn as being the best. The timbre on the scale was more equal. I also liked the tone of the Classic mouthpiece more than your Link. The link was louder, actually distorting, and did not have all of the frequencies lined up as equally as the Classic. What can I say? Time marches on! You sound great!
Cool, thanks. 🙏🏻
I've been thinking of getting a tenor saxophone. I haven't played one in a very long time. This might be a great one for reintroducing me to the tenor. Thanks for doing this review, Jamie!
Go for it!
I could tell that A was a bit brighter. I actually preferred the sound of B but not a huge difference. The deciding factor would be how they feel to play.
👍🏻
Same here, sound wise I really liked B more, before knowing which one was it, sounded like with a bit more body, fuller, a bit darker, which I liked, the MKVI was brighter, but again, it could be because he felt more comfortable with it and was easier to get his own personal voice over it which is what he may like, more kinda "Brecker" sound...
A sounded a bit brighter than B. Other than that, I couldn't tell too much of a difference. You sure are getting your money's worth with the Better Sax if you are comparing it with the Mark VI. Great video. Thanks.
Cool, thanks!
I went a step further and turned my phone face down so that it was a blind listen. I correctly picked the mark vi but probably because I play one and there was too much familiarity. That said, the Better Sax tenor was really close so much so that I questioned my gut a few times along the way. I’d definitely consider one as a stand by based on your review.
Wow you did well. I could hardly tell the difference! 🤣
I correctly guessed the Selmer, and always do in all shootouts no matter what the Selmer compares to. But I shudder at the Selmer cost, so I'm looking hard at other makes. This video is impressive, as is the Better Sax horn.
Great
I could tell there was a difference, but both were pleasant to listen to. If cost were no object, I would buy a Selmer
Signature or Supreme, but if I were on a budget, I would buy the BetterSax. I would like to hear a comparison of the Selmer Axos with the BetterSax, both alto and tenor.
That would be good.
Those Chinese horns are getting better every day. Looks good for the money. In my opinion, with the stock mouthpiece, it sounded a little ho hum, like you had a sock in the bell. With the Link though, it came alive and sounded great. I picked the MKVI, but largely because of your level of comfort with the Selmer. I think this horn would be great for a beginner to intermediate, but maybe not with the stock mouthpiece. Good video!
Good comment thanks. 🙏🏻
Wow! That’s a real BOSS sound on that Better sax with both mouthpieces. Just a question. What was the other mouthpiece you were playing on?
Vintage Link and the mouthpiece that comes with the better tenor. The Classic.
I listened via smartphone and the A spoke for me: the sax has more dynamic, more low mids of frequency (possibly due to the metal resonator pads of the bettersax model, just i guess), but sounds good of the model from bettersax
Cool. 👌🏻
I bought both the alto and tenor. They play amazing well .... big sound, great action, great pitch. I sold my Cannonball saxes because the Better sax plays as well if not better. That said, it is NOT my 1948 Super Balanced action, or for that matter my alto 1936 Balanced action. To me, there is no comparison, BUT they are great back up horns. Far better than many that are much higher priced. Bravo to Jay for a great horn for the price.
Wow! That's great
Great demo! Once more proof that 1) at the end of the day it's the performance level of the player that is decisive 2) the still ongoing hype around Mark VI does not make sense. For a fraction of the price the same result.
For me ergonomics is also quite crucial and with the modern horns this is mostly better.
All good points.
Wow Jamie I was completely wrong with the A B comparison results!! Honestly thought you sounded a slight tinge fatter on the Bettersax but u did sound really pristine and clean on the MK VI! Both horns sounded great btw but I’m just blown away that you can get so much sound out of a horn that costs a good 5 times lesser than a solid Mk VI. Bares real testament to a good job well done by Jay and his team. I am now seriously considering one simply because of ur review. Thanks again!
Awesome!
Glad you put your Florida Link cuz I use a 6 Star Florida Link. And considering the Better Sax tenor and hoping to find a rental before buying or getting my old Yamaha YTS 61 out of pawn for $1300
👍
Thanks Jamie,
Perhaps you know about long term support? Would a tech service this horn? (most won't touch a Chinese cheap horn) Where would one get new spare parts if it broke? The good thing about big brands is long term support
A tech will definitely service this, it’s high quality. No issue with spares. Remember it’s made through Conn/Selmer Bundy.
Jamie: did you have the setup gone over before you demo'd or is it straight out of the box?
Came from sax dot co in the uk. Not sure if they looked it over. I believe it’s straight out the box. I know the Bettersax qc is super high. Which is more than can be said for Selmer!
Hi Jamie, I loved your video and I bought the Better Sax classic tenor a couple of days ago. A question I have is I have a Yanagasawa 901 alto sax with a Jodie Jazz HR* 7M mouthpiece. At the moment I am playing the Better Sax tenor with an Otto Link 5* mouthpiece and I’m finding that the top C & D are really sharp in pitch? I haven’t played on a tenor in about 12 years and I’m wondering if it’s because I’m so used to my alto and the great intonation that it’s throwing me out on the tenor. I’ve ordered a Jodie Jazz HR 7 tenor mouthpiece which hopefully will be more akin to what I’m used to. Any thoughts would be much appreciated. Did you find the top C & D in tune on the Better Sax tenor? Great video by the way, you have an excellent channel. Thanks, Anthony
I find some of the palm key notes a LITTLE sharp, yes. Every horn has its intonation issues in my experience though it’s just knowing what they are that matters!
@ Thanks for the advice Jamie. I thought it was the case, good to know it’s not just me. I’m lipping the notes down already, but seems a bit frustrating when I don’t even need to think too hard on my Yani Alto. Thanks, Anthony
Have a great day Jamie!!!! All the best!!!!!!!!!!!!!!!
Thanks! You too
Love the under-slung neck reminiscent of my Super 20.
Yeah it’s cool. 😎
I could see the color difference of the saxes, even with the blurring out. The Better Sax is an outstanding instrument. I have the BS alto, but can’t justify getting the tenor, I recently bought a SBA…😮
Well spotted.
I'm glad I could tell the difference as a beginner.
Great! 👍
Wow! The Better Sax had a beefier sound. The Selmer, to me, the sound was similar but noticeably thinner heading towards upper register. I think at the end of the day, although it would be more fun to have a more expensive horn, it's the player, the setup and how well the horn holds up over the years with good care. The musician's intent is a tremendous aspect to this. This is an excellent presentation putting the horns through the paces.
Cool, thanks!
It sounds great! Would you say it's similar to a King Super 20?
Never really played a king super 20 so can’t comment!
I guessed right but difference in sound is very small. Main question is how Selmer feels to player. One could tell that Jamie feels more at home with sax A. And of course there is Selmer legacy 😊
My regular horn felt more comfortable of course. 35 years vs 35 minutes!
The BetterSax sounds fuller! Nuff said.
Fair enough! 👍🏻
Another attempt at begging you to do a break down of the great sax solo in Bad to the bone 🙏🙏
Well, you made me listen to it this time at least. George Thorogood right? Nice raspy solo. I won’t be covering it on the channel though, sorry. 😢
You tried the Signature Raw XS once. How is that campared to the better sax? If you could remember?
Oooh. Hard to remember!!
@@GetYourSaxTogether sorry for my spelling. It would be interesting to campare. The Signature has been a lot more pricy lately
@@ToolTechSoftware probably cos it’s wicked!
What size tip opening does the BetterSax mouthpiece have, and does it have a baffle?
Doesn’t have a baffle - tip opening not listed. I’m gonna guess at 5*???
Awesome stuff
🙏🏻
There was a big difference between your Link mouthpiece and the Better Sax mouthpiece, but the difference between your horn and the Better Sax was minimal. If I buy a tenor this one is definitely on my radar.
Yup. Good comment.
“Before the next bit, you know, the one where I play all the saxophones and you can’t tell the difference” 😂😂😂😂
🤣
Very similar to the Yanagisawa TWO 10. Very nice. The Better sax tone was clearer than your selmer, to my ears.
Cool
Jamie, as always, you sound great! I have the Better Sax Alto and Tenor. These are so much fun to play, and as a returning beginner, having fun is the most important part.
That said, I want to comment on how much I enjoy the TH-cam Saxophone community. It's such a positive and supporting group. Jay's channel lead me to this channel (which I love!), Dr Wally, Sir Valorsax, Scott, the London Sax shop channel, and so many more that I probably missed. Big thanks to all the saxophonists out there putting in the work for us to enjoy. ❤
What a lovely comment. Totally agree! 😎
Looks like you got yourself a cool backup horn for your gigs :)
👍
I got it correct. The Mark VI is tiny bit brighter
Cool. 😎
I have the Better Sax Classic Tenor and LOVE IT!!! ❤
Awesome. 🙌🏻
I bought the classic tenor a few weeks ago. For me, while it sounds great, I’m really struggling with the placement of the alt F key in relation to the left hand B key. It’s so tight, that is, there is just a sliver of space between them that I’m constantly either hitting the alt F when not trying to, or getting my left index finger pinched underneath it when releasing the B key. This is my third tenor so it’s not like I don’t have experience with the layout. Anyone have any ideas of how to approach this issue? The Sweetwater tech I’m dealing with said to take it to a tech and have it adjusted. As I look at the hardware I don’t see how that’s practical. BTW, I’m tall and thin so it’s not like I’ve got fat fingers.
I took my tenor to a tech who said my tenor had the opposite problem: the front F was too far away. He bent it and my tenor is now more playable. I hadn’t even realized that it had been a problem. I assume it’s a simple matter for a tech to bend the key the opposite way.
That’s defo a tech thing. I’m not sure! 🤔
Go Jay Metcalf 🎵🎶🎵🎷
🙏
Great review, but perhaps more useful real world wise would be how you think it compares to the YTS23 - also a great student sax. Should I keep the 23 I already have, or is worth selling my kidney to buy Jay's sax?
Keep your kidney!
@@GetYourSaxTogether neh sold the family silver instead. and its a great horn. But one odd thing. I loved my SYOS pierces on the 23, which didn't like my Otto Link. Now on the new horn (Better Saxc) it's the opposite. The Otto Link works much better on the BS.
@@newscrews11 good intel!
Similar to robfairbrother, the only way I could correctly guess which horn you were playing, was that your blurred figure looked a bit more animated with horn B as you were chasing the high and low notes, meaning that you looked a bit more comfortable with horn A. So, as to be expected, they sounded the same. I actually picked up a BetterSax alto as a spare horn last year and, it plays well; with a bit of setting up on the spring tensions, such as the octave key mech'. But I've been gigging it when I need to play alto. I think I like the cognac colour.
Good detective work!
Bit late on this I suppose but picked "A" as the Mark VI and "B" as the Bettersax. In most of the blind playing clips it was a bit hard to distinguish, but once you played the full range scale on both horns it was pretty obvious. In "A" I could hear the almost nasally, focused mid range that 6's have, while "B" sounded like it had brighter highs and warmer lows but not as much of that mid range - almost all modern Asian made horns sound this way to me (not saying this as a criticism or negative, just what I hear). To it's credit, though, the Bettersax horns seem to have more of that characteristic nasally mid sound of a 6 that I find lacking in most other modern horns. Both sounded good and I doubt if I heard them played in a mix I'd know or care what either one was.
Cool! Thanks for the comment
“B” sounded so much better! Nuff said.
👍🏻
Wow!
🙏
It would be more intresting to hear what you think is better, as the player makes up almost 100% of the sound. A goog player can sound on any horn so what the verdict? Better or?
The bettersax is a lovely horn, but I’d be unlikely to ever give up my mk Vi!
I do not think that comparing saxophones using the tiny speakers on a laptop or cell phone can really be a serious comparison. But using a decent set of headphones or pods might be closer to reality.
👍
I have the Better Sax alto, it is fantastic. But I have 5 tenors, I cannot stuff another horn into my closet. I wish I could…
Nice!
It’s how you make your money folks☮️🎶🎵🎷
🤷♀️
What’s the difference between a student horn and a professional horn? Are the producers selling the same saxophone for different prices where the difference is engravings? Everybody will hear a difference, because they expect a difference.
Build quality mainly I guess. Few other things.
@ £1,390 a steal!
👍
"I didn't notice any difference at all."
👍
They’re a nice Yany clone and for the price it’s a good deal.
👍🏻
Given the improved manufacturing techniques only a fool would throw
$$$ at buying a horn they stopped making 50 years ago.
Me. Fool.
@@GetYourSaxTogether I bought a used '57 VI alto in '82 for £500.
I bought a used 'Harrison' student alto last year
for $250. Sold the VI and kept the Harrison.
Sounded exactly the same but the modern keywork
made it a hands down keeper.
Haven't watched the video yet, but if any of yall know, how would it compare to something like a yts-62?
Edit: after only watching 5 minutes, it's definitely something I'll be buying when I graduate highschool
Edit 2: yall I guessed wrong, guess I need to get it huh
👍🏻
@@maxwellsmith2133 You will love the Better Sax! I was playing alto until last November when my wife s niece leant me her YTS-62 which I played until my Better Sax arrived in February. I really like the Yamaha. It is well built. But it is a student horn. However, between the two, there were two immediate and big differences to me: 1 ) the sound and 2) the ergonomics. When I first played the low end of the Better Sax, I thought the room was going to implode, especially playing the Bb! It sounded not only louder, but a lot fuller than the YTS. As far as ergonomics, I struggled a lot with the transition between C#, B and Bb on the spatula keys of the YTS and there was a noticeable thwump sound caused from the high rollover between Eb/D# and C when those two notes had to be played back to back. I am pretty certain you will love the Better Sax! Jay really put a lot of effort into giving us a professional like horn at a budget price.
I failed to guess the A - B test. And I would have lost the bet if I had one...
You gave it a good advertisement... I am selling my Yanagisawa t990μ with bronze neck if anyone is interested?
There you go!
Selmer tunes better, Better sax has a bassier, warmer sound.
👍🏻
The problem with these sound is: 95% of the sound comes from the player, in this case from Jamie. (in terms of technique, idiom, experience, etc.).
Find a good mouthpiece, and affordable sax that fits in your hands, after a few months start experimenting with a few reeds and be happy with your instrument. Unless you buy a no-name lowest bidder sax from an anonymous outlet, a bettter sax, jupiter, yahama, etc beginner horn should be plenty to start out.
Start working on a full sound first ( Stop Biting !!!) before you worry about tone colour.
I recently got an early seventies shooting star Conn to play on. It should have a darker tone colour than my YTS-280 (which is considered "bright"). Well, I don't hear it, and I'm sure that's all on me.
Sure thing.
first :D
👍
is made in china !
So what? Almost every sax is.
@@GetYourSaxTogether juste question !bye bye
@@drope-wx5ho sorry wasn’t trying to be short! 😬
i still wouldnt be happy with it , selmer all day for me
Fair enough