A guide to Jan van Eyck's confident self portrait | National Gallery

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  • เผยแพร่เมื่อ 30 ก.ย. 2024
  • Emma Capron, Associate Curator of Renaissance Painting, explores what made Jan van Eyck such an extraordinary painter.
    🖌️ Find out more about the artist Jan van Eyck:
    www.nationalga...
    Explore his paintings:
    🎨 Portrait of a Man (Self Portrait?)
    www.nationalga...
    🎨 The Arnolfini Portrait:
    www.nationalga...
    🎨 Portrait of a Man ('Léal Souvenir'):
    www.nationalga...
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    The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
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ความคิดเห็น • 71

  • @elizabeth6154
    @elizabeth6154 3 ปีที่แล้ว +91

    I love these “10-minute Talks.” The production quality is professional but not overly produced. And it is always a pleasure to hear directly from your curators, educators, and members of the conservation department. More of these videos, please! ☺️

  • @artriot4758
    @artriot4758 3 ปีที่แล้ว +34

    I read somewhere, speculation that this was a sort of marketing piece for Van Eyck. It was small and portable and it he could hold it up and say, "Look, this is what I can do," as a live demonstration. It is an extraordinary piece of realism.

  • @rembvanrijn
    @rembvanrijn 3 ปีที่แล้ว +25

    Despite all the achievements of European painting since van Eyck’s death, this self portrait remains an absolutely staggering achievement, not least because of its utterly mesmerising quality. To stand in front of it and actually feel the artist’s piercing gaze is almost chilling. What a man-and he so clearly tells us so. Fascinating to learn of the papal confessor permit-all of a piece with van Eyck’s stature.

  • @that_thing_I_do
    @that_thing_I_do 3 ปีที่แล้ว +22

    Love the curator's enthusiasm and energy.Compelling.

  • @johnnydeleon8210
    @johnnydeleon8210 3 ปีที่แล้ว +18

    The detail on his self portrait is extraordinary for how small it is, youd have to be so close to see the suttle lighting from his stubble just amazing.

  • @StavrosMusic
    @StavrosMusic 3 ปีที่แล้ว +13

    Great lecture, very informative; I learned a lot in this. Thank you Miss Emma.

  • @anarchobuddhist
    @anarchobuddhist 3 ปีที่แล้ว +10

    His piercing gaze captures the metaphysical essence of his being

  • @susanhepburn6040
    @susanhepburn6040 3 ปีที่แล้ว +9

    Thank you very much, Emma - I really enjoyed your talk, and your enthusiasm! I was staggered to notice that stubble!

  • @jasmin0930
    @jasmin0930 3 ปีที่แล้ว +4

    I truly enjoyed this video. The speaker was excellent and provided wonderful information in a clear voice. I love the short format; so much detail but never boring or long winded. I look forward to seeing more of these. Thank you for posting that’s very interesting video on Van Eyck 🙏🏻

  • @favouritemoon4133
    @favouritemoon4133 2 ปีที่แล้ว +3

    What a great talk by Emma. Great camera work, too. I was transfixed!

  • @matthew-jy5jp
    @matthew-jy5jp 3 ปีที่แล้ว +5

    Thank you for sharing with us 😊 love this channel and the passion all of you feel for the work you do.

  • @geoffreykeane4072
    @geoffreykeane4072 3 ปีที่แล้ว +3

    Wonderful talk, thank you.
    That hat does look like he put a live chicken in a red bag and stuck it on his head. Perhaps just a passing fashion..

  • @cstz
    @cstz 3 ปีที่แล้ว +4

    Great video as always. I loved to know more about van Eyck, and to see the close-up details as the explanations about each bit were given. So good, too, to see Emma's genuine enthusiasm when she talked about the new discovery! Thank you!

  • @Divertedflight
    @Divertedflight 3 ปีที่แล้ว +3

    Thank you Emma. There does seem to be a nice contrast between his cool steely gaze and his devil may care head wear.

  • @LariLesque
    @LariLesque 3 ปีที่แล้ว +2

    Such an interesting talk. I didn't know about the Vatican manuscript. I love Netherlandish Art.

  • @ArtHistorywithAlder
    @ArtHistorywithAlder 3 ปีที่แล้ว +1

    Great video, packed with so much info about Jan van Eyck. I love this portrait and the mysteriousness of van Eyck's life. Thanks!

  • @robertpawlsoky2910
    @robertpawlsoky2910 3 หลายเดือนก่อน

    You have to wonder if the artist gave any thought to considering that people six hundred years into the future would be astonishing at his ability to capture so much in his rendering. At the time he painted yes surely, but six hundred years later. He was creating something immortal.

  • @LockportDan
    @LockportDan ปีที่แล้ว

    Wonderful, informative presentation. I find your nearly constant hand movements a bit distracting.

  • @paulmdt1
    @paulmdt1 2 ปีที่แล้ว

    What is the word at 3:46? Apparently the Italian word "sprezzatura" can have this sense ("studied carelessness"), but it sounds as if she's saying something else.

  • @davidrocheQuantumStrategy
    @davidrocheQuantumStrategy 2 ปีที่แล้ว +1

    Fabulous little presentation this. I love also the concise format of 10 min talks. Thank you.

  • @MrDelvoye
    @MrDelvoye 3 ปีที่แล้ว +1

    Great presentation. Love early Netherlandish art period

  • @pelicanus2197
    @pelicanus2197 3 ปีที่แล้ว +1

    Great presentation by Ms. Capron. Concise but complete. Look forward to more by her.

  • @pamparker4047
    @pamparker4047 3 ปีที่แล้ว +2

    Looks a little like charles dance

    • @jennyruth5620
      @jennyruth5620 3 ปีที่แล้ว +1

      I saw that too! How Fab to have him play the artist in a biopic?!

  • @CarmineGroe
    @CarmineGroe 3 ปีที่แล้ว +1

    Thank you Emma. Beautiful and educational.

  • @michaeljohnangel6359
    @michaeljohnangel6359 ปีที่แล้ว

    An excellent presentation, as always. Thanks!!
    A thought: "As I can" can be interpreted two different ways. "As [only] I can" or "This is the best I can do." The former (and most probable, I suppose) fits his personality of being sure of himself; the latter fits the personality of a modest diplomat.

  • @altpear
    @altpear 3 ปีที่แล้ว +1

    This was really great

  • @colleenkochman9656
    @colleenkochman9656 2 ปีที่แล้ว

    could he have been genetically related to his patron?

  • @michaeldarby3503
    @michaeldarby3503 3 ปีที่แล้ว +2

    Ive always loved the Arnolfini portrait, I think its the little dog that does it for me

    • @jennyruth5620
      @jennyruth5620 3 ปีที่แล้ว +1

      It's my favorite! I think it's the green that's so stunning. I even have this as my phone case!

    • @lairx
      @lairx 2 ปีที่แล้ว

      @@jennyruth5620 It is one of my alltime favourites as well, returning to it time and again.
      I love everything about this piece - it is totally enigmatic with lots and lots of tiny details, e.g. the shoes, the oranges, the cherries, the single candle...
      Also interesting is the relation between the Arnolfini painting and the self portrait of this video: there exists a portrait of Giovanni Arnolfini by van Eyck, where Arnolfini wears exactly the same red head gear as van Eyck does in his own self portrait.

  • @romulusbuta9318
    @romulusbuta9318 2 ปีที่แล้ว

    It's very seductive to belive that van Eyck made "his portrait" for us...for us to see

  • @stickshifter8
    @stickshifter8 ปีที่แล้ว +1

    Excellent presentation!

  • @piros44
    @piros44 3 ปีที่แล้ว

    A great follow up for this is the Amolfini episode #2 of A Stitch in Time with Amber Butchert where they reproduce the green gown.

  • @v.g.r.l.4072
    @v.g.r.l.4072 2 ปีที่แล้ว

    Very interesting. Although one knows the information, it is always amusing to be reminded of it, above all through such a nice hostess.

  • @MegaLivingIt
    @MegaLivingIt 3 ปีที่แล้ว

    My fave high precision painter. But why the outlandish red head gear. You say it was the fashion but it's a bit much. But a lot of his stuff was unusual and interesting.

  • @carolynl1424
    @carolynl1424 3 ปีที่แล้ว

    Thank you - I really enjoyed this talk. You know, never noticed the stubble before!

  • @brrrogers
    @brrrogers 3 ปีที่แล้ว

    Thank you for this amazing analysis.
    one thing I might say is the comment about light at 4:16 I think might be incorrect. Could it be that its grey hair growing intermittently? which he certainly is of the right age. Equally brilliant!

  • @someartist2938
    @someartist2938 3 ปีที่แล้ว

    but show me what his palette was, what colors he uses, how he mixes the colors, ow he painted, how he used his technique, how he prepared the surface before painting, how he made his sketches!!!

  • @splodge5714
    @splodge5714 3 ปีที่แล้ว

    Van Eyck's image is in the mirror of the Arnolfini portrait. Is the detail not clear enough to see a likeness?

  • @аннаиванова-м4ь
    @аннаиванова-м4ь 3 ปีที่แล้ว

    if you attached the text in the commentary to the video, foreigners who do not know the language could then use the translation.

  • @myboibill
    @myboibill 3 ปีที่แล้ว

    I am wondering what the relationship was between the king and the painter. It seems very personal.

  • @JayGideon-7
    @JayGideon-7 3 ปีที่แล้ว

    I think I would listen to whatever Emma chose to say -- so charming.

  • @mikederby9055
    @mikederby9055 3 ปีที่แล้ว

    Very well stated presentation. I did not know the gallery had those paintings. Hope to visit again and see them myself. The wedding portrait has always been a marvel to me

  • @Daniel-xg9fm
    @Daniel-xg9fm 3 ปีที่แล้ว +1

    Brilliant work Emma!!

  • @duncanselvester1045
    @duncanselvester1045 3 ปีที่แล้ว +3

    Thank you National Gallery and Emma, another fascinating talk. Emma you are as beautiful as the painting!

  • @lynnblack6493
    @lynnblack6493 2 ปีที่แล้ว

    Love this. I have seen and admired these works. Knowing more makes them even more precious!

  • @melaniemetcalfe3354
    @melaniemetcalfe3354 2 ปีที่แล้ว

    Thanks , now I know Van Eyck a d his paintings and a little about him.

  • @zapatavive8957
    @zapatavive8957 3 ปีที่แล้ว

    Very informative and I like that it was less than 10 minutes long.

  • @AmandaLamy82
    @AmandaLamy82 3 ปีที่แล้ว

    One could argue that “as I can” means “Here is my best.”

  • @atomsmurf
    @atomsmurf 3 ปีที่แล้ว

    Thank you! That was great, looking forward to more :)

  • @birukhailu7113
    @birukhailu7113 6 หลายเดือนก่อน

    Thank you

  • @ajmittendorf
    @ajmittendorf 3 ปีที่แล้ว

    Bravo. Wonderful! Thank you!

  • @deewhitcha6014
    @deewhitcha6014 3 ปีที่แล้ว

    great job! very informative and well presented!

  • @rosavella7548
    @rosavella7548 3 ปีที่แล้ว

    Thank you. Very interesting. 👍😀

  • @algernonwolfwhistle6351
    @algernonwolfwhistle6351 3 ปีที่แล้ว

    Very good. Thanks for posting.

  • @docmccoy95
    @docmccoy95 2 ปีที่แล้ว

    That was wonderful, thanks.

  • @cassior7460
    @cassior7460 3 ปีที่แล้ว

    Emma, great! Thankyou.

  • @crimony3054
    @crimony3054 3 ปีที่แล้ว

    The way the light interacts with the sclera is unique.

  • @JORIS1234HOTMAIL
    @JORIS1234HOTMAIL 2 ปีที่แล้ว +1

    One of the greatest Flemish painters if not the greatest

  • @johnmartin4650
    @johnmartin4650 2 ปีที่แล้ว

    Excellent……..real art…..thank you

  • @brylorbs69
    @brylorbs69 3 ปีที่แล้ว

    Great way to start my morning. Thank you!

  • @veyaai
    @veyaai 3 ปีที่แล้ว

    Wonderful !
    Thanks..

  • @dantethunderstone5766
    @dantethunderstone5766 3 ปีที่แล้ว

    Nicely presented. An interesting talk 🙂

  • @michaelbookout7561
    @michaelbookout7561 3 ปีที่แล้ว

    Excellent presentation!

  • @kevingodding9316
    @kevingodding9316 3 ปีที่แล้ว

    Great video 😊

  • @marthas8108
    @marthas8108 3 ปีที่แล้ว

    Thank you! I learned a lot.

  • @henrycastle1
    @henrycastle1 3 ปีที่แล้ว

    ❤️

  • @garysmith3173
    @garysmith3173 3 ปีที่แล้ว

    Wonderful.

  • @raymondcorremans851
    @raymondcorremans851 3 ปีที่แล้ว +1

    I don't buy it that this is a self-portrait; if you look at the man closely you a certain resemblance with the wife of Jan Van Eyck, namely Margret; so for me, this is a portrait of his father-in-law, a present to him from the painter because he could marry his daughter; in fact, the so-called Arnolfini is his self-portrait, but that's another story I can explain with arguments.