Learning from to your videos is as refreshing as the first time i watched them 7 years ago! Thank You so much for keeping us entertained and sharing your knowledge, your a true gentleman in the gypsy jazz spirit ♥👍
My playing has improved more int eh last few months thanks to your videos than in 20 years before that! You have revolutionised my chords forms, rhythm and confidence!! It feels as if I have found a friend to play with! Thank you so much, you are a godsend...
Thanks a lot Sven, for your fantastic tutorials. They are so helpful for the very difficult art og playing gypsy rhythm. My main problem is to get that thight sound with control of muting of all string that you master so fantastic. And secondly my problem is that my thumb is to short to be of any use. So I can't reach around the neck and press the e string with it. This seems to be quite a drawback, and I'm unsure if there's anything to do about it aside from playing some chords with fever deep string notes. If you have the time could you please make a tutorial regarding the "la pompe" technique and plectrum position etc. And getting the right swing/mute technique. Thanks again.
Nice video for extensions and substitutions. At 6:28 Sven plays what he names a Bbdim, but it has an F# on top (#5) instead of barring the index over to the E on the 2nd string (b5). A nice move from the Em7 making a Bb13#5. He plays the traditional Dim shape at 9:51 with the G#Dim. Lots of great ideas in these videos.
Hey Sven, great playing! How do you get such a dry sound on two and four whilst rebounding with the left hand? I think I cracked it but just to make sure so I can rule it out, are you muting with palm of the right hand?
hey, thanks for this i have a question, when im improvising over the parts that are played Em to A and again, i sometimes think Em , but if i try continuing in a A major lick or arpegio it dont sound right...Also, when you do that Csharp dim, you can do any kind of arpeggio in Csharp? or just the dims ones? thanks , im learning by youtube this style because were i live nobody heard this style of music. has been 5 months now and i know like 2 django complete solos, les yeus noirs and ill see you in my dreams, its great help, bu i still feel i lack the correct way to transit betwen chords when improvising, so it dont sound like the same kind of arpeggios all the time :D thanks
Hi, C sharp dim is A7b9. you play the c#dim arpeggio to create the A7b9 Sound. the easiest way of improvising over the changes from part A is thinking only in D major and A Dominant 7. the Em7 is a Grace Chord. it's not essential to the harmonic structure. always learn the arpeggios of each Chord. it's the most important melodic information you can give. if you know the arps and their functional notes all over the fretboard it's getting easier. on the other hand you learn licks and solos to get your phrasing and sound right.
Hi Sven: Can you tell me where I can get a grid of the chords you played with variations added as alternatives in the measures you used them. The choices you make are a little too involved for my old brain. Thanks.
hello, is it a Gitane DG 250M ? i've got the same but it doesn't sound as good as yours. Did you change the bridge or anything? Great instructions videos, thank you.
Yes, i actually changed the bridge to place the big tone pick up. that was done by Henning Doderer and sound really changed in a positive way! greetz Sven
@@SvenJungbeck haha, time to practice again ! :) Jokes aside, I observed benefits into my guitar playing since I practice CrossFit. Better control, more precision and more endurance !
![[Part 1] ทารกน้อยถูกทิ้ง👶 หญิงชราเก็บขวดขายเลี้ยงดูเขาจนโต #โลกการละคร](http://i.ytimg.com/vi/nPTDvFCExks/mqdefault.jpg)
Crisp, bouncy rhythm playing, just great! Thank you!
Learning from to your videos is as refreshing as the first time i watched them 7 years ago! Thank You so much for keeping us entertained and sharing your knowledge, your a true gentleman in the gypsy jazz spirit ♥👍
Sven you are an absolutely AMAZING teacher. Thank you so much for these incredible lessons!
Best gypsy rhythm on the whole Internet, superb playing
Thank you for sharing your knowledge 💚💛❤️ your channel is pure gold!
My playing has improved more int eh last few months thanks to your videos than in 20 years before that! You have revolutionised my chords forms, rhythm and confidence!! It feels as if I have found a friend to play with! Thank you so much, you are a godsend...
Logical and organised - you're a natural teacher, Thanks :-)
super clear instructions for a fabulous song. lots to work on here. thanks!
I am completely blown away 👏👏👏 We’ll see if I can replicate haha
Sven -- Great lesson. Love the way you play rhythm! thx!
Super-High-Quality-Teaching! Thanxalot!
hard to think how you could be more clear. thanks.
Thanks a lot!!! Very helpful, very well explained. Also the changes you show serve for a lot of gypsy pieces.
Man these are so great to see how a real player does it- please keep it up
Wonderful tutorial! Much appreciation for your lessons Sven👍
This video is GOLDEN
Wonderful explanations. I love the theory along with it. Thank you so much
I love how you airpick while talking!
Very helpful. Nice work!
Outstanding lesson.
thanks a lot for your lesson, geat explications and great sound, this inspire me
As usual just right. Cheers.
Tack Sven från Sverige!
Чувак, ты просто el krasavets)!!!
Gorgeous!)
thanks for your channel, it inspires!)
Perfect lesson, thank you very much
Sven for president ! (of the GYPSY JAZZ INTERNATIONAL Association) 🙌😉
Thanks a lot Sven, for your fantastic tutorials. They are so helpful for
the very difficult art og playing gypsy rhythm. My main problem is to
get that thight sound with control of muting of all string that you
master so fantastic. And secondly my problem is that my thumb is to
short to be of any use. So I can't reach around the neck and press the e
string with it. This seems to be quite a drawback, and I'm unsure if
there's anything to do about it aside from playing some chords with
fever deep string notes. If you have the time could you please make a
tutorial regarding the "la pompe" technique and plectrum position etc.
And getting the right swing/mute technique.
Thanks again.
You are an excellent guitarist and teacher, thanks for all your videos. Who made your beautiful guitar? It sounds great.
Thanks Sven!
Nice video for extensions and substitutions. At 6:28 Sven plays what he names a Bbdim, but it has an F# on top (#5) instead of barring the index over to the E on the 2nd string (b5). A nice move from the Em7 making a Bb13#5. He plays the traditional Dim shape at 9:51 with the G#Dim. Lots of great ideas in these videos.
Brilliant
Thanks
Top video....
Third question… Could you please do a video on rhythm embellishments for La Pompe? You are a very inspiring player. Love your style!
th-cam.com/video/PPhGNOp0Z28/w-d-xo.html
lovely stuff! (surprisingly warm sound from that maple bodied - Gitane? it looks like)
Hey Sven, great playing!
How do you get such a dry sound on two and four whilst rebounding with the left hand? I think I cracked it but just to make sure so I can rule it out, are you muting with palm of the right hand?
Geweldig
What brand of guitar are you using? Sounds so damn nice
Second question… Are you playing only down stroke La Pompe or a mixture of downstroke and traditional?
hey, thanks for this
i have a question, when im improvising over the parts that are played Em to A and again, i sometimes think Em , but if i try continuing in a A major lick or arpegio it dont sound right...Also, when you do that Csharp dim, you can do any kind of arpeggio in Csharp? or just the dims ones? thanks , im learning by youtube this style because were i live nobody heard this style of music. has been 5 months now and i know like 2 django complete solos, les yeus noirs and ill see you in my dreams, its great help, bu i still feel i lack the correct way to transit betwen chords when improvising, so it dont sound like the same kind of arpeggios all the time :D thanks
Hi,
C sharp dim is A7b9.
you play the c#dim arpeggio to create the A7b9 Sound.
the easiest way of improvising over the changes from part A is thinking only in D major and A Dominant 7.
the Em7 is a Grace Chord. it's not essential to the harmonic structure. always learn the arpeggios of each Chord. it's the most important melodic information you can give. if you know the arps and their functional notes all over the fretboard it's getting easier. on the other hand you learn licks and solos to get your phrasing and sound right.
Hi Sven: Can you tell me where I can get a grid of the chords you played with variations added as alternatives in the measures you used them. The choices you make are a little too involved for my old brain. Thanks.
hello, is it a Gitane DG 250M ? i've got the same but it doesn't sound as good as yours. Did you change the bridge or anything? Great instructions videos, thank you.
Yes, i actually changed the bridge to place the big tone pick up.
that was done by Henning Doderer
and sound really changed in a positive way!
greetz Sven
When you play the “slap”... are you completely muting the strings or is there any tonality coming out?
That's cool but how many consecutive pull ups can you do ? :)
@@DanielMuyshond back then 20, but now 9 years later and fully arrived on the Gypsy Jazz scene, I struggle with 5 😂
@@SvenJungbeck haha, time to practice again ! :) Jokes aside, I observed benefits into my guitar playing since I practice CrossFit. Better control, more precision and more endurance !
@@DanielMuyshond it’s always better to be fit and in shape, I totally agree!