Bonjour merveilleux Mr Corelli l incomparable voix sublime unique pour moi le plus grand et quel physique par dessus tout bravos a notre immense beau tenor merci a vous pour ce superbe concert❤❤❤❤❤❤❤❤
Grazie per questo concerto che non ho mai visto prima. Un vero protagonista sul palcoscenico. Ti coinvolge e ti fa partecipe. È questo che lo rende unico e immortale. ❤❤❤❤
My Father interviewed him a number of times lovely man and very gracious, but always had a nervous energy, he said that Del Monaco and Corelli along with Di Stefano certainly were much the best Tenors from 46 till 60, in the Italian Opera sphere, Pavarotti came on the scene and the area of power shifted, for a while although the he had none of the Power of the other three. He also Interviewed Giovanni Martinelli three times and Corelli came up, Martinelli said he was a truly great Spinto Tenor with film star looks and a kindness of heart, I had many conversations and meetings with him and Del Monaco in New York , both were friendly rivals we often talked of Fanciulla and Otello and other roles, also Caruso, this was in 1964 and it was poignant that he talked of Otello with BOTH these great Tenors, Del Monaco knew the role inside out, but always looked for something different, Corelli was more interested in Caruso, Martinelli said I explained that Caruso, was not one Voice but many voices of Colours Shades and with a smoothness that was from God himself. Caruso was capable of making Men and Women cry even Nellie Melba would often cry whilst listening to him, Corelli really understood this, so to Del Monaco because they were around when people who had heard Caruso were still alive. I still believe that the Singers today are really only third rate compared to the Tenors of the post War period and probably the tenors of the age before the last war excluding Caruso were very much better again in their period there were so many truly great Singers from many Countries, even then Caruso was thought to be in another Universe, his like will never be heard again and I doubt we will here a Corelli or Del Monaco again either. Lovely rare film of a beautiful Tenor Voice and Human being.
Adoro Mario Del Monaco! È stato maestro di canto Lirico del mio maestro Marcello Ferraresi! Ed io umilmente vado avanti, ma non al loro Livello ovviamente! Saluti e grazie. Manuel Ferrante.
I swear his voice gets younger throughout the evening. Truly stunning singing. Simplicity with passion. My favourite tenor. Love the random audience tenor at the end on the "ahimè"! 😀
I l direttore d'orchestra e' il compianto Nello Santi, persona straordinaria e umilissima, era veneziano come lo sono io, penso nel 2010 io e mia moglie lo abbiamo riconosciuto in un bar seduto all' aperto a Piazza S. Mrarco, era solo e stava bevendo un caffe',ho aspettato un attimo e andando via mi sono permesso di salutarlo dicendole grazie maestro, mi ha guardato , e incredibilmente ci ha chiesto di sederci e fargli un po' di compagnia, abbiamo parlato 10- 15 minuti in dialetto veneziano...........
Buonasera EJR, da grande estimatore di Corelli, sono contento di vedere finalmente questo concerto a colori. Ho sempre apprezzato il tuo lavoro nel portare alla luce questi capolavori dei grandi cantanti lirici del passato.
Even near the end of his career, Corelli maintained the ability to thrill his listeners. Something that he never lost. Even though his voice is not what it was once, his emotions are incredibly credible.
@@sugarbistBueno Caruso era un lírico que después comenzó a oscurecer la voz. A mi personalmente me gustan otros tenores más. Fué el más mediático y el que comenzó a grabar primero. Fué el Domingo de la época. Existieron tenores de su época para mí gusto mejores pero como dije menos mediáticos y también me gustan más otros tenores posteriores a él. Su canto era demasiado afectado y abusaba del portamento.
Bei tempi!. Corelli,Mario del Monaco, Giacomo Lauri Volpi....Quali voci,quale presenza scenica. Anche oggi non posso lamentarmi. Meli, Kaufmann,Salsi. ...Avanti tutta con la musica lirica. Musica immortale. Fiore Zecchini
Ich war damals im Konzertsaal, unvergleichlicher und unvergessener Sänger! Corelli war mir damals einige Zeit vorher von einem Freund empfohlen worden, der ihn mehrmals an der Met gehört/gesehen hatte! Dieses wunderbare Konzert hatte auch aus anderen Gründen (ein kleiner Störenfried der gelegentlich mit sang - Corelli blieb aber unerschütterlich) Legenden Status! Alle Vergleiche mit heute fallen nur zu Gunsten von Corelli und seiner Sänger Generation aus! Unerreicht für immer!
@@PragueImport It definitely wasn't. Echo is an echo and it doesn't change the original sound. Listen how Corelli cuts the high note short, the "echo" slides down from the high note - that's not how echo works. It was a different singer and that's why Corelli reacted the way he did.
Could you help me understand why a beautiful man with a stunning voice and considerable talent in opera only garners about 30,000 views, whereas a renowned figure, often hailed as the "King of Opera," receives nearly ten times that amount?
This is quite a find. I have never seen this and enjoyed it immensely. There was a little miscommunication between Franco and Nello on the last piece. Thank you.
Chiedo gentilmente di non copiare e riproporre questo materiale così come è nel rispetto del lavoro svolto. Si può condividere con il link. A presto anche il concerto intero in audio. Grazie...EJR
While I very much appreciate this video, I must say that this is valuable as history and biography, and not so much as an example of this tenor's best work. Here, on this 1970 performance he has no phrasing. This is particularly noticable in the first aria. He continued in one long line, with not one sign of the wonderful phrasing of earlier performances. In contrast to the cystal clear diction for which he was known, his wording through this entire performance was muddied. He had the power and control for which he was known. The question would be...why was he singing with such a lack of clarity? Just on the basis of biographies, , I would say that by this time Franco Corelli was experiencing so much nervous anxiety and stage fright, that he could not control his phrasing and pronunciation. It is strange in my opinion, to hear him singing with the strength and power of previous years, in combination with such muddied phrasing. Here was a tenor known for the ability to tell a story with a song. Phrasing...the placement of breaths along the lines of the music ...was key to communication of meaning and emotion. By 1970 Franco Corelli was still a full five years from retirement. This video has me thinking that by 1970 he was already experiencing a loss of confidence. Thank you very much for this video.
@@giulianosalvatori4126 Io ho avuto la fortuna di essere suo allievo. Era un amico di famiglia: mia nonna era anconetana e mia madre giocava con lui ad Ancona quando erano ragazzini. Che tempi quelli! Era ancora vivo Beniamino Gigli...
@@giulianosalvatori4126non so chi ti abbia raccontato queste fesserie, nel 76 Corelli non perdeva proprio nulla, e te lo provano i 2 Concerti del 1981 , cioù 5 anni dopo che non cantava più, ai quali ha partecipato, in omaggio all'addio alle scene di Ferruccio Tagliavini e Virginia Zeani ed a quello di Licia Albanese, dove ha cantato anche il niun mi tema , come non é riuscito mai nessuno , in modo Completo, anche della espressività Romantica , e se canti l'Otello, il fiato lo devi avere per forza ! Tra l'altro anche con la metà del fiato, Corelli era sempre al Top, I suoi fiati , così come tutti i Virtuosismi che metteva bel suo canto, non li ha mai avuti nessuno , in tutta la Storia della lirica di Tutti i tempi !
Да ладно. Благодарение Богу, что эта и другие записи того времени вообще сохранены и доступны. Подозреваю, там много чего кануло в Лету. У певцов уровня Корелли, Дель Монако, Бастианини, Каллас, Тебальди, по-хорошему, надо было записывать если не каждое, то хотя бы, по мере возможности, большинство выступлений. А этого тогда не понимали - или не хотели понимать. Думали, похоже, что такие голоса никогда не кончатся - либо, что их обладатели бессмертны, как боги, и будут петь вечно. А Корелли великолепен в любой записи - всегда и снова.
Corelli, fisicamente e' un bell'uomo; tanto da far girare la testa alla Tebaldi. Ma per voce, potenza e sentimento, l'imbattibile e' Daniele Barioni. Da Fagnano Castello CS
Barioni had very nice voice, but it was a lyric tenor voice. Corelli was a dramatic tenor. People are fooled because Barioni had quite a dark voice for a lyric tenor. But in size it is no match
![⭐️( ลอยกระทง 2024 ) Ver. แดนซ์ Remix BY [ ดีเจกิต รีมิกซ์ ]](http://i.ytimg.com/vi/rMWOLhgXUHc/mqdefault.jpg)
Bonjour merveilleux Mr Corelli l incomparable voix sublime unique pour moi le plus grand et quel physique par dessus tout bravos a notre immense beau tenor merci a vous pour ce superbe concert❤❤❤❤❤❤❤❤
The king in full majesty ❤
Solo grazie per questo preziosissimo filmato; Franco Corelli non basta mai!
Per uno come me che studia lirica questo è un mostro sacro, un esempio...
D'accordo, ma penso che molti cantanti oggi non sappiano piu cantanti come questo.
@@depressedlarynxIl problema è uno solo: il metodo....oggi "soffiano" una volta CANTAVANO
Grazie per questo concerto che non ho mai visto prima. Un vero protagonista sul palcoscenico. Ti coinvolge e ti fa partecipe. È questo che lo rende unico e immortale. ❤❤❤❤
❤❤❤❤❤ 😊 Magnific !
A 50 anni professionalità,voce e passione immutati
My Father interviewed him a number of times lovely man and very gracious, but always had a nervous energy, he said that Del Monaco and Corelli along with Di Stefano certainly were much the best Tenors from 46 till 60, in the Italian Opera sphere, Pavarotti came on the scene and the area of power shifted, for a while although the he had none of the Power of the other three.
He also Interviewed Giovanni Martinelli three times and Corelli came up, Martinelli said he was a truly great Spinto Tenor with film star looks and a kindness of heart, I had many conversations and meetings with him and Del Monaco in New York , both were friendly rivals we often talked of Fanciulla and Otello and other roles, also Caruso, this was in 1964 and it was poignant that he talked of Otello with BOTH these great Tenors, Del Monaco knew the role inside out, but always looked for something different, Corelli was more interested in Caruso, Martinelli said I explained that Caruso, was not one Voice but many voices of Colours Shades and with a smoothness that was from God himself. Caruso was capable of making Men and Women cry even Nellie Melba would often cry whilst listening to him, Corelli really understood this, so to Del Monaco because they were around when people who had heard Caruso were still alive.
I still believe that the Singers today are really only third rate compared to the Tenors of the post War period and probably the tenors of the age before the last war excluding Caruso were very much better again in their period there were so many truly great Singers from many Countries, even then Caruso was thought to be in another Universe, his like will never be heard again and I doubt we will here a Corelli or Del Monaco again either.
Lovely rare film of a beautiful Tenor Voice and Human being.
Adoro Mario Del Monaco! È stato maestro di canto Lirico del mio maestro Marcello Ferraresi! Ed io umilmente vado avanti, ma non al loro Livello ovviamente! Saluti e grazie. Manuel Ferrante.
E il più grande in assoluto , immenso bello più di un dio , grazie di essere esisto per darci queste emozioni .
grazie per questa pubblicazione||||||UN GIOIELLO!
Unforghettble 💜💙👍👍👍👍😊😊👍👍👍👍👍
I swear his voice gets younger throughout the evening. Truly stunning singing. Simplicity with passion. My favourite tenor.
Love the random audience tenor at the end on the "ahimè"! 😀
Les Dieux de l’art lyrique sublime !!!!♥️
IL MIGLIORE IN ASSOLUTO. NON HA PARI...,NE SI PUÒ PARAGONARE CON NESSUNO ... VOCE BENEDETTA...👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏🌹🌹🌹🌹🌹🌹🌹🌹🌹
En su repertorio si. En otros no.
Božský Franco. Jeho hlas nezná mezí 👋👋👋👏věčné bravo!
I l direttore d'orchestra e' il compianto Nello Santi, persona straordinaria e umilissima, era veneziano come lo sono io, penso nel 2010 io e mia moglie lo abbiamo riconosciuto in un bar seduto all' aperto a Piazza S. Mrarco, era solo e stava bevendo un caffe',ho aspettato un attimo e andando via mi sono permesso di salutarlo dicendole grazie maestro, mi ha guardato , e incredibilmente ci ha chiesto di sederci e fargli un po' di compagnia, abbiamo parlato 10- 15 minuti in dialetto veneziano...........
❤❤❤😊😊😊❤❤❤
Bellissimo, umanissimo e commovente ricordo. Grazie di ❤️
Un verdadero maestro.
Ah Corelli !! definitivamente top 5 of all time
Meraviglioso Corelli, grazie por questo documento 🥰🥰🥰🥰❤❤❤❤
Buonasera EJR, da grande estimatore di Corelli, sono contento di vedere finalmente questo concerto a colori. Ho sempre apprezzato il tuo lavoro nel portare alla luce questi capolavori dei grandi cantanti lirici del passato.
Un Cantante Lirico Di Altissimo Livello,Voce Divina Unica E Meravigliosa Orgoglio Della Lirica Italiana Nel Mondo.Sara'Nei Nostri Cuori Per Sempre.
Único, inolvidable e inigualable!!!! Te extrañamos Franco Corelli.
Felicitaciones y gracias por compartir esta joya del arte lírico.🇨🇱⚓️🇨🇱
Thank you for this brilliant historical video!
Even near the end of his career, Corelli maintained the ability to thrill his listeners. Something that he never lost. Even though his voice is not what it was once, his emotions are incredibly credible.
No era tan mayor
@@Mariano-ge6de Dear Mariano, Corelli at 50 was still impressive, but had trouble holding a steady vocal line
@@sugarbistLo sé perfectamente, para mi ha sido el mejor tenor Spinto de la historia.
@@Mariano-ge6de I think Caruso was the best spinto tenor in history
@@sugarbistBueno Caruso era un lírico que después comenzó a oscurecer la voz. A mi personalmente me gustan otros tenores más. Fué el más mediático y el que comenzó a grabar primero. Fué el Domingo de la época. Existieron tenores de su época para mí gusto mejores pero como dije menos mediáticos y también me gustan más otros tenores posteriores a él. Su canto era demasiado afectado y abusaba del portamento.
Sumptuous voice and looks make up up the ultimate italian tenor.
Semplicemente emozionante e meraviglioso...grazie Franco ovunque tu sia.♥
Absolutely fantastic. I love this.
franco mio maestro!
Stupefacente!
❤❤❤❤❤❤❤.
L’idolo di mio Papà
❤ Corelli è sempre unico🎉
Oltre alla forza viva,della splendida vocalità,la chiara dizione interpretativa,colma tutto ciò che c'è da dire.
Nadie como Franco!!!
Dazzling Corelli, in voice and looks in 1970! God, I'm enjoying this, in Duca's aria bravissimo Franco! Conqueror!
Leone nobile ma pur sempre un vero LEONE 🦁
Voce benedetta indeed!
What an artist he was! Incomparable. 💫🥲
Bei tempi!. Corelli,Mario del Monaco, Giacomo Lauri Volpi....Quali voci,quale presenza scenica. Anche oggi non posso lamentarmi. Meli, Kaufmann,Salsi. ...Avanti tutta con la musica lirica. Musica immortale. Fiore Zecchini
Beniamino Gigli Aureliano Pertile Tito Schipa Galliano Masini Francesco Merli..
x carita quelli di oggi sono mezze calzette... .
Confronto impietoso per quelli di oggi...
Oggi si che potresti lamentarti invece... E pure tanto
Ma che, davvero davvero?!
Ich war damals im Konzertsaal, unvergleichlicher und unvergessener Sänger! Corelli war mir damals einige Zeit vorher von einem Freund empfohlen worden, der ihn mehrmals an der Met gehört/gesehen hatte! Dieses wunderbare Konzert hatte auch aus anderen Gründen (ein kleiner Störenfried der gelegentlich mit sang - Corelli blieb aber unerschütterlich) Legenden Status! Alle Vergleiche mit heute fallen nur zu Gunsten von Corelli und seiner Sänger Generation aus! Unerreicht für immer!
un incanto
raro concerto ...fenomenal
oh such wonderful remembering on old singing.
Grazie ❤️
Grande Francone!
It always cracks me up how there is a tenor in the audience also singing the final high note in 'O Paradiso' that evokes a "wtf" glare from Corelli.
wtf!! 18:15
It was his voice's echo!
@@PragueImport It definitely wasn't. Echo is an echo and it doesn't change the original sound. Listen how Corelli cuts the high note short, the "echo" slides down from the high note - that's not how echo works. It was a different singer and that's why Corelli reacted the way he did.
You are correct. It was not an echo. His reaction and that of the conductor upon completion of the piece confirms it.
Maestoso !
Più potente del grandissimo Mario del Monaco.
Ed è tutto dire...
Ottimo!
The best!
Immenso!!
Grazie mille!!!
Il più grande!
Maagnifico.!!
Could you help me understand why a beautiful man with a stunning voice and considerable talent in opera only garners about 30,000 views, whereas a renowned figure, often hailed as the "King of Opera," receives nearly ten times that amount?
V
Чудо!!!
Невероятно! Сила, объем, тембр, мощь💪🏻
Sin palabras
This is quite a find. I have never seen this and enjoyed it immensely. There was a little miscommunication between Franco and Nello on the last piece. Thank you.
There was a tenor in the audience singing with him and that explains the glances that Corelli casts towards the left side of the hall.
Franco Corelli the best!
17'05 miracle
Божественно!
Неповторно!
Можна слухати вічно!
Chiedo gentilmente di non copiare e riproporre questo materiale così come è nel rispetto del lavoro svolto. Si può condividere con il link. A presto anche il concerto intero in audio. Grazie...EJR
Bravo, 👏👏👏👍❤👋🇲🇽
내가 이태리 여행을 가게 된다면 코렐리의 무덤에 꽃을 놓고 기도하고 오리다!
사랑해요 코렐리!!
gia passato 30anni fa ho imparato con lui casa di ancona
❤❤❤❤❤
❤
While I very much appreciate this video, I must say that this is valuable as history and biography, and not so much as an example of this tenor's best work. Here, on this 1970 performance he has no phrasing. This is particularly noticable in the first aria. He continued in one long line, with not one sign of the wonderful phrasing of earlier performances. In contrast to the cystal clear diction for which he was known, his wording through this entire performance was muddied. He had the power and control for which he was known. The question would be...why was he singing with such a lack of clarity? Just on the basis of biographies, , I would say that by this time Franco Corelli was experiencing so much nervous anxiety and stage fright, that he could not control his phrasing and pronunciation. It is strange in my opinion, to hear him singing with the strength and power of previous years, in combination with such muddied phrasing. Here was a tenor known for the ability to tell a story with a song. Phrasing...the placement of breaths along the lines of the music ...was key to communication of meaning and emotion. By 1970 Franco Corelli was still a full five years from retirement. This video has me thinking that by 1970 he was already experiencing a loss of confidence. Thank you very much for this video.
quanti anni aveva qui il grande Corelli?
49 anni
Corelli pour toujours immense indetronable ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️ ♥️
목젖이 안올라간 상태에서 고음내는게 너무 신기합니다. 조금만 음이 올라가도 목젖이 따라 올라가던데 .
Un paio d'anni dopo si sarebbe ritirato, perché stava perdendo i fiati. Ma ce ne fosse mezzo che oggi canta come lui o Mario...
@tompussina Nel 1976 nella Boheme con Kabaivanska a Torre del Lago Puccini la penultima apparizione in un opera , Io c'ero !!!!!!
@@giulianosalvatori4126 Io ho avuto la fortuna di essere suo allievo. Era un amico di famiglia: mia nonna era anconetana e mia madre giocava con lui ad Ancona quando erano ragazzini.
Che tempi quelli! Era ancora vivo Beniamino Gigli...
@@giulianosalvatori4126non so chi ti abbia raccontato queste fesserie, nel 76 Corelli non perdeva proprio nulla, e te lo provano i 2 Concerti del 1981 , cioù 5 anni dopo che non cantava più, ai quali ha partecipato, in omaggio all'addio alle scene di Ferruccio Tagliavini e Virginia Zeani ed a quello di Licia Albanese, dove ha cantato anche il niun mi tema , come non é riuscito mai nessuno , in modo Completo, anche della espressività Romantica , e se canti l'Otello, il fiato lo devi avere per forza ! Tra l'altro anche con la metà del fiato, Corelli era sempre al Top, I suoi fiati , così come tutti i Virtuosismi che metteva bel suo canto, non li ha mai avuti nessuno , in tutta la Storia della lirica di Tutti i tempi !
Later in his career but he's 49 here, not 60 or above, still had strength. Just not as supple. Perhaps from over singing.
Это раскрашенное видео? Зачем это делать? Выглядит пошло.
Ну а исполнитель, как обычно- великолепен. Жалко, что он так рано перестал выступать!
Да ладно. Благодарение Богу, что эта и другие записи того времени вообще сохранены и доступны. Подозреваю, там много чего кануло в Лету. У певцов уровня Корелли, Дель Монако, Бастианини, Каллас, Тебальди, по-хорошему, надо было записывать если не каждое, то хотя бы, по мере возможности, большинство выступлений. А этого тогда не понимали - или не хотели понимать. Думали, похоже, что такие голоса никогда не кончатся - либо, что их обладатели бессмертны, как боги, и будут петь вечно. А Корелли великолепен в любой записи - всегда и снова.
Looks emaciated.
Corelli, fisicamente e' un bell'uomo; tanto da far girare la testa alla Tebaldi. Ma per voce, potenza e sentimento, l'imbattibile e' Daniele Barioni. Da Fagnano Castello CS
@lucianotarsitano5298 Barioni bella voce ma nulla a che vedere con Corelli !!!
Barioni had very nice voice, but it was a lyric tenor voice. Corelli was a dramatic tenor. People are fooled because Barioni had quite a dark voice for a lyric tenor. But in size it is no match
Спасибо
You have to say wow don't you!
❤