The practical points presented in this video are probably the best and most useful things I have seen on staccato in 25 years of playing and learning from multiple teachers.
I've been working on my up bow staccato for many months, although it is better than before, I couldn't really get the technique and mechanics behind the whole thing. I must have watched all the you tube videos there is to see regarding the technique, this is by far the best which actually worked for me instantly. What I realized was, I have used both light and heavy (index and ring finger) together while trying to achieve a steady up bow staccato, which confused my mind and produced an utterly unstable electrocuted sound. Thank you, I can't believed the solution I've long struggled with was resolved by the video!
completely forgot about this video, it helped me so much; now i changed my bow and rediscovered it you can easily put evevrything this guy's saying on a blackboard and keep looking at it
Excellent and practical! I agree with Eyal - don't waste time practicing motions (like at 3:20) to "prepare" for this when the actual technique will be a different motion!
Sir you are excellent. I’ve watched hundreds of videos, because I was interested in how one teaches it. Yours is by far the best and the most productive.
Heifetz way of teaching slur staccato -- When practing arpeggios, practice slur staccato when you do second time. Then double staccato each note. Another words no secret but to practice daily when you do scale practice.
hello, first of all. excellent video with helpfulness information. but i have questions about down bow staccato, and what kind of chin rest is the one you are using.
edwin barreno downbow staccatto is a very different technique, which, to be honest, I rarely use.... but maybe I ll get to show this in another video. my chinrest is handmade, got it by chance too many years ago
For the double tap you started by showing line staccato. When you change to flying staccato, I understand you are using your third finger rather than the first? Are you actually tapping/adding pressure with the third finger it in this exercise? thank you for your help with this. I'm going to watch all of these videos since this is a technique I was never taught, haven't mastered (yet), and have avoided! I had been trying, as you mention here, with impulses from the first finger which is never going to work. So happy I've found your videos!
Also, having watched more of the video now, are you starting the flying staccato from the string or sometimes from above the string? I think it was from on the string but the second exercise made me wonder about this. Thank you for your help with this. Wonderful videos and I'm so pleased to have found them!
Hi,Is a good tutorial your video;This is a very light up staccato ...I work the 3rd mouvement of Saint-saens violin sonate n1 and is not exactly the same staccato up-bow. I think..In a summer course they told me that I should use only fingers-wrist flexibility mouvements and almost without any arm mouvement..How is working for you..?Is a different bow staccato than this you show here?Regards
popi toto many people play differently, especially this technique. It is all about controlled chaos :) that is why we can not just imitate Heifetz and be done with. That said, my technique works for me...
i try up bow staccato for years, and end up with stiff arm! how do you make it so smooth and fast? do you succeed at the very first time while you train it?
![ละลาย (LALALYE) - DAOU PITTAYA ต้าห์อู๋ พิทยา [OFFICIAL MV]](http://i.ytimg.com/vi/wo6r9TgausI/mqdefault.jpg)
The practical points presented in this video are probably the best and most useful things I have seen on staccato in 25 years of playing and learning from multiple teachers.
Thank you
"Don't be afraid to fail" that is 🔑💯
I've been working on my up bow staccato for many months, although it is better than before, I couldn't really get the technique and mechanics behind the whole thing.
I must have watched all the you tube videos there is to see regarding the technique, this is by far the best which actually worked for me instantly. What I realized was, I have used both light and heavy (index and ring finger) together while trying to achieve a steady up bow staccato, which confused my mind and produced an utterly unstable electrocuted sound. Thank you, I can't believed the solution I've long struggled with was resolved by the video!
completely forgot about this video, it helped me so much; now i changed my bow and rediscovered it you can easily put evevrything this guy's saying on a blackboard and keep looking at it
Excellent and practical! I agree with Eyal - don't waste time practicing motions (like at 3:20) to "prepare" for this when the actual technique will be a different motion!
Who else is here for Intro and Rondo Capriccioso?
Me!!!
+1
Sanjana Shriram me totally
me!
hahahaha YES
The quartets with you was very fun and interesting for all of us thanks for the experience 😌
That made my day
Sir you are excellent. I’ve watched hundreds of videos, because I was interested in how one teaches it. Yours is by far the best and the most productive.
Daniela Bisenius thank you so much.
Thank you so much for the clear and helpful teaching of this technique.
Excellent instruction and understanding of the matter! Thank you!
I dont even play the violin and couldn't stop watching.
This is such a clear and detailed explanation! Very helpful.
thanks
He's a master. This is the best explanation, most helpful video. :) I'll try this today.
(And, unrelated, he's very handsome too.)
Heifetz way of teaching slur staccato -- When practing arpeggios, practice slur staccato when you do second time. Then double staccato each note.
Another words no secret but to practice daily when you do scale practice.
Dear Eyal, just discovered it, it is brillant! Yossi
Thank you sooooo much!!!
I gave up long time ago on this technique but now I do want to try one more time!
Thanks so much! Brilliant advice
Very good. I think if you can upload more videos like this explaining the down bow staccato. Thanks
Awesome. Thank you!
Wow, thank you very much! I'm going to practice like that from now on!
Very good video.
Thank you very much!
Thank you for detailed explanation...I should use your exercises with students starting their familiarity with flying staccato...
Excellent video! Thank you for the lesson!
Paganini 21 anyone?
Thank you for the most detailed description of how to achieve a staccato.
Very good..i you are a good teacher..
this amazing information! thank you!
Really nice explanation and video. Thanks!
Thank you very much for the Lesson!
0:42
1:20
2:04
2:13 solid staccato into the bow ,flying staccato off the bow
3:15 double taps
Thank you. Really very helpful.
very helpful, thank you🙏🏻
You are amazing. Thank you SO MUCH
excellent exercises and video ! :-)
WOW what an excellent vedio and it dose work! Thanks!
i heard u snuck in a tiny passage of zigenerwiesen in there, great video by the way :)
***** yep, snuck away
Excellent Video. Thanks so much.
hello, first of all. excellent video with helpfulness information.
but i have questions about down bow staccato, and what kind of chin rest is the one you are using.
edwin barreno downbow staccatto is a very different technique, which, to be honest, I rarely use.... but maybe I ll get to show this in another video. my chinrest is handmade, got it by chance too many years ago
Thank you very much, sir!
For the double tap you started by showing line staccato. When you change to flying staccato, I understand you are using your third finger rather than the first? Are you actually tapping/adding pressure with the third finger it in this exercise? thank you for your help with this. I'm going to watch all of these videos since this is a technique I was never taught, haven't mastered (yet), and have avoided! I had been trying, as you mention here, with impulses from the first finger which is never going to work. So happy I've found your videos!
Also, having watched more of the video now, are you starting the flying staccato from the string or sometimes from above the string? I think it was from on the string but the second exercise made me wonder about this. Thank you for your help with this. Wonderful videos and I'm so pleased to have found them!
I start the ying from the string, and yes, 3rd finger it is
سپاس ازشما هنرمند گرامی..لطفا درباره پاساژ ها هم ویدئو آموزشی قرار بدهید..
Please make the down bow saccato video! Thanks
Hi,Is a good tutorial your video;This is a very light up staccato ...I work the 3rd mouvement of Saint-saens violin sonate n1 and is not exactly the same staccato up-bow. I think..In a summer course they told me that I should use only fingers-wrist flexibility mouvements and almost without any arm mouvement..How is working for you..?Is a different bow staccato than this you show here?Regards
popi toto many people play differently, especially this technique. It is all about controlled chaos :) that is why we can not just imitate Heifetz and be done with. That said, my technique works for me...
Really useful !!
Thanks man...
Bravo!
Thanks a lot excellent expression.
execelente explicación. ... 👍
Namasthe
very useful. thanks
good tips
תודה רבה
Thanks Paul Rudd! (Its just a joke)
who's here for la capricieuse elgar?
a lot of thanks，
Inb4 paganini
At 3:50 the double-tap. You need to be more specific in HOW to do the double tap. Take us through the motion in detail, and THEN demonstrate it.
In my experience, a lot of people can double top on instinct.
Am I wrong to think that flying staccato is easier than regular staccato?
For me, yes
saint-saens havanaise anyone?
I lost my ability to do staccato due to a medication...
Hora Staccato"Dinicu" Jeyla Seyidova: th-cam.com/video/7f94tpXvQ7s/w-d-xo.html
10:53
i try up bow staccato for years, and end up with stiff arm! how do you make it so smooth and fast? do you succeed at the very first time while you train it?
absolutely
(not)
"
Thats not really up bow staccato tho
It is a practicing technique, and it works for me ;)