You definitely did too much. I listened on a phone speaker and the high end was ducking itself really badly. It's a good trick, but as always, we should use it carefully.
He maybe did it on purpose so most people on their phones will hear the difference clearly. Also fixing issues in the mastering process is always a compromise. You could get the same result with soothe (hard mode, medium settings and fast attack and release) without ducking - it‘s more transparent than the Ozone :)
@@UncleBenjs Yes I completely agree with you! Read my comment again. A well mixes track doesn‘t need a lot of processing on the master. If you‘re lucky, just a limiter with the right settings is enough. Same opinion :)
😂 These people saying too much are so full of it hahaha just wanna tell the pro what to do. He’s showing you people a tool and a method, that’s the point.
Pfffff still sounds horrible sorry. Don’t you think a tape saturator Hw or SW on those specific frequencies only, would sound way way way more Natural? Just Load ATR tape from UAD into BM-7 mixer from Bluecat audio and use the crossover to affect only the problem area. 😊 Cheers
Destroyed the high end
You definitely did too much. I listened on a phone speaker and the high end was ducking itself really badly. It's a good trick, but as always, we should use it carefully.
Yep and it was too bright alongside the ducking. Didn't sound like the problem was fixed, just sounded like extra problems were added
Ever since I saw u do this I do it. Every day
100% been battling with soothe for a while now but this really is a cheat code
My God……you are the best
Thanks mate
When recorded from the right position with the right mic for the right voice and compressed right there is no need for deessing and removing harshness
Love using ozone cut mode with soothe and spiff to cut more
Is it possible to just go back and tell the mix engineer to fix the sibilance before sending a new wav file over?
Hell yes! That’s the first step ;)
Genius
Yeah getting mixes like that sucks lol keep the videos man!
I think you removed maybe a bit to much, i feel like it sounds a bit unnatural
Yeah I agree, I think the idea is great, but gotta turn it down. It’s unnatural, and it’s causing a bit of ducking
He maybe did it on purpose so most people on their phones will hear the difference clearly. Also fixing issues in the mastering process is always a compromise. You could get the same result with soothe (hard mode, medium settings and fast attack and release) without ducking - it‘s more transparent than the Ozone :)
He's just making it obvious for the video?
@@Trintixmastering is meant to fix problems, this video only demonstrated replacing one problem with another. That doesn't make sense.
@@UncleBenjs Yes I completely agree with you! Read my comment again. A well mixes track doesn‘t need a lot of processing on the master. If you‘re lucky, just a limiter with the right settings is enough. Same opinion :)
😂 These people saying too much are so full of it hahaha just wanna tell the pro what to do. He’s showing you people a tool and a method, that’s the point.
Gullfoss can do this
Moved a bit too much my g. Doesn’t cut through.
try soothe 2
Pfffff still sounds horrible sorry. Don’t you think a tape saturator Hw or SW on those specific frequencies only, would sound way way way more Natural? Just Load ATR tape from UAD into BM-7 mixer from Bluecat audio and use the crossover to affect only the problem area. 😊 Cheers
listened to several small speakers, you’ve absolutely ruined the track haha