Pretty much all composers of the past 150+ years also separate the cello and bass parts. He definitely should’ve mentioned that, since the basses doubling the cello line is a very archaic practice
Wonderful! What's cool about the tonal quality of the strings is the sound has more depth and range when the cello and bass starts. You can almost hear the same notes stretched on the bass line.
Amazing. Can't wait for the next episodes
Another great video. Thank you Sir.
I love your content! Keep up the good work!
I LOVE ORCHESTRAS!!!!!!!!
Btw when I compose I don’t double the basses in the cello line, I just separate them.
Pretty much all composers of the past 150+ years also separate the cello and bass parts. He definitely should’ve mentioned that, since the basses doubling the cello line is a very archaic practice
Wonderful! What's cool about the tonal quality of the strings is the sound has more depth and range when the cello and bass starts. You can almost hear the same notes stretched on the bass line.
Very good strings. The strings of the Law.
that's my comment
great explanation, thank you
amazing as always
Enjoyed this
Thanks
thank you
Next time definitely use Rachmaninoff as an example, especially for double bass and viola.
I've always found it difficult to identify the violas but normally they sound almost like a fiddle (folky drone sound)
Surprisingly I did pretty bad on the second test (I didn't even hear some parts), but pretty fine on the last one.
First!!!!!
rip harp
isn't the harp also considered a string instrument?
What's the piece at 0:42?
Hi it's from the finale of Tchaikovsky's 6th symphony. It's pathetique...
@@enjoyclassicalmusic6006 Thanks!
What's the Mozart piece?
I find the double bass is hard to hear, maybe that’s just me
I have a terrible musical ear, I can hear nothing 🤣
Even the Beethoven 5th?