I loved that you mentioned X-Men lol I keep messaging Tinashe, she needs a SuperHero concept future album. Shes is like the super hero of the music industry, you pretty much got it.
I have never been one who NEEDS an ACTUAL artist to have a fuccn 20 million-dollar production to get their shit off; THEREFORE, I will get my 3 “criticisms” out of the way: - I think it would be even better if, in some way, we could KNOW where the beams of light are coming from, but not SEE where they are coming from (I know there are safety pre-cautions, which is why I didn’t say velvet Black blankets-I always capitalize Black baby); - Maybe I’m slow or just in a different frame of mind, but I am not sure why ole boy was in an invisible vacuum, quick- sand trap of sorts (my best guess is, to put it in the words of Janet speaking to Kyoko: “It was incredible while it lasted but I know, that I can just do So Much Betta”; it looks to me like that state- ment broken into three Clauses: a) The mutual feeling and Agreement (contract, soultie) that “This feeling is incredible” b) The conflict of sustainability “while it lasts”, two different views on and/or approaches to the sustainability of the sit- uation-different calculations (breach) c) Am I going to subtract this person already or am I going to keep with the tacit agreement, the chosen duplicity defraud- ing my better judgment, hackin’ like I don’t know the difference when a mf ain’t adding to that next level-my, “So Much Better”. Not really what I saw for Treason (more of a hybrid of Brandy’s “Full Moon” especial ly the parts away from the party crowd + that Marsha Ambrosious “Fuck N Get It Over With” video + the look on her face as the sky opens for FKA Twigs, when she climbs, AND when she falls. The cool thing though is how Tinashe is showing the way you can use a minimalist approach in meeting cinematic needs. - Talk To Me Nice is a sacred but active vibe to me (net external impact) in the way that Gravity is a sacred but more still vibe to me (net internal impact); therefore I must say the amount of movement at first made me uncomfortable. I said the same thing about the choreo for Company-just too many steps packed into each quarter minute, but, the interpretive approach lends to the overall value and so, as is the case with Company, this will likely grow on me. Those observations aside: I BEEN WAITIIIING, FOR A GIIRL LIKE YOOOOU; to remind and help shift the mere consumer to a paradigm of simple, clean, consummate performance artistry. This kind of shift effects a metamorphosis into the higher echelons of Appreciator and Aficionado. Some vibes and references I can just quickly note include (inpo): - TLC - Janet - Michael - Westside Story - Mojo - Cleopatra - Blackout Britney - Beyonce (Diva) - Uranus - Patra - A A L I Y A H It is time to recognize the junk food or comfort food out here for just that; and not for nuthin’ we are multi-dimensional beings (most of us): we need the Ratchet moments, the angsty moments, the “Fucc deez hatin’ bichiz”, and “I ain’t checkin’ for these dusty xiggas” moments. However, it is the immaterial phenomena, that makes a Joni Mitchell tell us, “….you know the grind is so ungrateful” which creates a cave and a wave all the tapped-in Baes shall ride, as we become ever-increasingly wise. Overall, I receive this is as a sleek, sexy, Hood, Goth, night at the museum. It took me awhile to see Tinashe as a firey energy, when I went backward to moments like the video for Ecstasy then worked my way back to Die A Little Bit and then HMU…., I got it. Now the air that is actually loaded with substance aspect comes in to create a quiet combustion. Beyond Slay, it gives: “PUNALLAH!”
It's great that you mentioned she seems cool, her asktinashe's were goated back then. Plus when she was active on Tumblr she used to like my posts quite often. 🥹🥹 Good times, good times.
Yess glad you reacted to this amazing piece of work!!! Tinashe will always be that girl!!!
facts!!!
@@StiloVino question are u in the la area?
@@jarelanderson1787 nearby
@@jarelanderson1787 im from La tho
@@StiloVino dope yeah I’m from la and live in la
Homeboy you have to see
Cold Sweet, Bet on It, and her
MASTER PIECE. AQUARIUS.
really glad you saw and record your reaction to this major artist
And yes do that creative shit brotha!!!
She did a couple at home concerts throughout COVID performing a lot of her songs
I saw at least couple I’m sure
@@StiloVino which case she performed songs from her mixtapes
I loved that you mentioned X-Men lol I keep messaging Tinashe, she needs a SuperHero concept future album. Shes is like the super hero of the music industry, you pretty much got it.
Great minds think alike !
Wheeewww this was EVERYTHING
!!!!!
Stilo! My man knew you would come through ❤❤❤❤
:)
Tinashe needs to be bigger man this goes to show pretty privilege doesn’t always work
Independent grind is tough.
Yass
I was just thinking the other day I want my daughter to be just like her one day, if/when i have one
You see the vision!!!
that’s mother
Stilo bruh get the songs is right! Lol
It’s cool you still A stan cause you know a lot about Tinashe
lmaoooo i was struggling!
I have never been one who NEEDS an ACTUAL artist to have a fuccn 20 million-dollar production to get their shit off; THEREFORE, I will get my 3 “criticisms” out of the way:
- I think it would be even better
if, in some way, we could
KNOW where the beams of
light are coming from, but
not
SEE where they are coming
from (I know there are safety
pre-cautions, which is why I
didn’t say velvet Black
blankets-I always
capitalize
Black baby);
- Maybe I’m slow or just in a
different frame of mind, but I
am not sure why ole boy was
in an invisible vacuum, quick-
sand trap of sorts
(my best guess is, to put it in
the words of Janet speaking
to Kyoko: “It was incredible
while it lasted but I know,
that
I can just do So Much Betta”;
it looks to me like that state-
ment broken into three
Clauses:
a) The mutual feeling and
Agreement (contract, soultie)
that “This feeling is incredible”
b) The conflict of sustainability
“while it lasts”, two different
views on and/or approaches
to the sustainability of the sit-
uation-different calculations
(breach)
c) Am I going to subtract this
person already or am I going
to keep with the tacit
agreement,
the chosen duplicity defraud-
ing my better judgment,
hackin’ like I don’t know the
difference when a mf ain’t
adding to that next
level-my, “So Much Better”.
Not really what I saw for
Treason (more of a hybrid of
Brandy’s “Full Moon”
especial ly the parts away
from the party crowd + that
Marsha Ambrosious “Fuck N
Get It Over With” video + the
look on her face as the sky
opens for FKA Twigs, when
she climbs, AND when she
falls. The cool thing though is
how Tinashe is showing the
way you can use a minimalist
approach in meeting
cinematic needs.
- Talk To Me Nice is a sacred
but active vibe to me
(net external impact) in the
way that Gravity is a sacred
but more still vibe to
me (net internal impact);
therefore I must say the
amount of movement at first
made me uncomfortable.
I said the same thing about
the choreo for Company-just
too many steps packed into
each quarter minute, but, the
interpretive approach lends
to the overall value and so, as
is the case with Company,
this will likely grow on me.
Those observations aside: I BEEN WAITIIIING, FOR A GIIRL LIKE YOOOOU; to remind and help shift the mere consumer to a paradigm of simple, clean, consummate performance artistry. This kind of shift effects a metamorphosis into the higher echelons of Appreciator and Aficionado.
Some vibes and references I can just quickly note include (inpo):
- TLC - Janet
- Michael - Westside Story
- Mojo - Cleopatra
- Blackout Britney - Beyonce (Diva)
- Uranus - Patra
- A A L I Y A H
It is time to recognize the junk food or comfort food out here for just that; and not for nuthin’ we are multi-dimensional beings (most of us): we need the Ratchet moments, the angsty moments, the “Fucc deez hatin’ bichiz”, and “I ain’t checkin’ for these dusty xiggas” moments. However, it is the immaterial phenomena, that makes a Joni Mitchell tell us, “….you know the grind is so ungrateful” which creates a cave and a wave all the tapped-in Baes shall ride, as we become ever-increasingly wise.
Overall, I receive this is as a sleek, sexy, Hood, Goth, night at the museum. It took me awhile to see Tinashe as a firey energy, when I went backward to moments like the video for Ecstasy then worked my way back to Die A Little Bit and then HMU…., I got it. Now the air that is actually loaded with substance aspect comes in to create a quiet combustion.
Beyond Slay, it gives:
“PUNALLAH!”
No shadee you talk a lot but period
you know what... my response didnt even matter. I hope you have a wonderful day.
It's great that you mentioned she seems cool, her asktinashe's were goated back then. Plus when she was active on Tumblr she used to like my posts quite often. 🥹🥹 Good times, good times.
I missed the tumblr wave man. Had I got on around 2009 I’d probably have really loved it I got on when it was dying like around 2011
@@StiloVino nah Tumblr died when the owner sold it, it was pretty active until 2014-15ish I think.