Thank you for the good video, what about for example in solea playing B aeolian over the E major chord and mixing it with E phrigian mode, and there are a lot of ways to play scales that don't belong to key but still sounds good like playing A harmonic minor over an A aeolian. We don't find this type tips in video, mostly we learn through falsetas or solos. Thank you
Thanks. yes. A aeolian is relative to E phrygian.so when playing E phrygian you are using the same notes as A aeolian. Then when using the E major chord you are including the G sharp note which then makes it A harmonic minor. B aeolian is relative to F sharp phrygian as used in tarantas. However , My musical philosophy has always been that , If you think something sounds good, do it.
Good exercise. Thank you.
Thanks for the very helpful lesson!
Thanks for your interest.
Nice lesson, Pete! Those are really useful patterns for everyone to learn. Good job!
Thanks Bill.
Thank you for the good video, what about for example in solea playing B aeolian over the E major chord and mixing it with E phrigian mode, and there are a lot of ways to play scales that don't belong to key but still sounds good like playing A harmonic minor over an A aeolian. We don't find this type tips in video, mostly we learn through falsetas or solos. Thank you
Thanks. yes. A aeolian is relative to E phrygian.so when playing E phrygian you are using the same notes as A aeolian. Then when using the E major chord you are including the G sharp note which then makes it A harmonic minor. B aeolian is relative to F sharp phrygian as used in tarantas. However , My musical philosophy has always been that , If you think something sounds good, do it.