Very nice transcription. Wonderfully performed. There is actually an official transcription by Liszt himself. Originally presented to Liszt by his student Klauser, Liszt took the score and completely rewrote it. He then allowed it to be published under the name of his student. The official catalogue has been updated to show that most of this work is by Liszt himself, and an excellent recording of it was made by Leslie Howard on Hyperion. This recording of it is also nice: th-cam.com/video/vNMEJlpXemg/w-d-xo.html
These Stradal arrangements of Liszt’s orchestral works really are found to work astonishingly well when played by a virtuoso. This seems to indicate that Liszt’s compositions were fundamentally pianistic even when in orchestral guise.
Oh wow. What am epic transcription! Liszt would have approved of that whole-heartedly! Thanks for the discovery! I see Stradal studied with Liszt. He really has Liszt's vocab in that arrangement. I wonder if Liszt heard it.
@@darkstudios001 actually transcription has nothing to do with what instrument, it just refers to the concept of bringing a piece to be performable on differentiating instruments
These adjustments are quite calm and deliberated, not just 'liberties'. For example, he takes closed chords several times at the lowest 2 octaves, but the touching is prudent and selective. I don't find any of them self-indulgent or 'banging', actually I think they make good use of the modern piano and the recording setting. Some other changes have structural concerns, instead, like 15:07, 15:13, etc.
0:08 - вступ
2:25 - ГП
3:14 - связка
4:32 - ПП
7:12 - нач. Разраб.
7:51 - 1 разд. Разраб
9:26 - пастораль. Эпизод
14:34 - связка в Репризе
15:08 - ПП в Репризе
What a jewel i've met up with!! I appreciate Liszt!
Very nice transcription. Wonderfully performed. There is actually an official transcription by Liszt himself. Originally presented to Liszt by his student Klauser, Liszt took the score and completely rewrote it. He then allowed it to be published under the name of his student. The official catalogue has been updated to show that most of this work is by Liszt himself, and an excellent recording of it was made by Leslie Howard on Hyperion. This recording of it is also nice: th-cam.com/video/vNMEJlpXemg/w-d-xo.html
Nice!
I really love the pianist! Wise pedalling and note pressure!!
These Stradal arrangements of Liszt’s orchestral works really are found to work astonishingly well when played by a virtuoso. This seems to indicate that Liszt’s compositions were fundamentally pianistic even when in orchestral guise.
0:06 вступление
2:26 - главная партия
3:10 - связующая
4:34 - побочная
8:44 - первый раздел разработки
10:23 - эпизод в разработке
Just fantastic! Beautiful playing of a piece by a genius composer, Franz Liszt.!!
Formidabile canale! Grazie di cuore per l’impegno nella divulgazione di tutti questi documenti.
Oh wow. What am epic transcription! Liszt would have approved of that whole-heartedly! Thanks for the discovery! I see Stradal studied with Liszt. He really has Liszt's vocab in that arrangement. I wonder if Liszt heard it.
@@darkstudios001 actually transcription has nothing to do with what instrument, it just refers to the concept of bringing a piece to be performable on differentiating instruments
Magnifique final !
Perfect transcription and a brilliant rendering. Really beautiful!
Wonderful transcription! Almost as interesting as the orchestral version, with a bit of added fun for the listener for the virtuosic piano playing.
OMG what a difficult piece played so well! Kudos!
Wonderful.
Beautiful ! Thank you for posting !
Gonna learn this
Great!
Hmm, starts out similar to the Sonata in B minor, wonder if that was a coincidence.
❤❤❤
WOW!
Would you be so kind to upload any other Liszts poems for piano solo?
It may be a few months, but I do plan to create more videos of some of the Symphonic Poems for solo piano. Thank you for watching!
wow wow wow
that's all
🤯 AMAZING!!!
nIce
omg
тГП - 02:25
тПП - 04:31
Вводный раздел разработки - 07:11
Allegro Pastorale - 10:18
2:25
Where‘s the Wochenschau Part?
Haha, just like b sonata
the piece Hitler listened to while ordering the invasion of Russia
Более того, финал "Прелюдий" использовался в заставке Die Deutsche Wochenschau
I wish Marin would not take as many liberties with the text.
Ah, but _someone_ has to keep Liszt's style alive
These adjustments are quite calm and deliberated, not just 'liberties'. For example, he takes closed chords several times at the lowest 2 octaves, but the touching is prudent and selective. I don't find any of them self-indulgent or 'banging', actually I think they make good use of the modern piano and the recording setting. Some other changes have structural concerns, instead, like 15:07, 15:13, etc.