I really love your artwork and have continued to use it as my inspiration to better myself, the only thing I wish is there were English Subtitles but I still learn the best I can from all your videos
i could give you a rough run-down of the key points in the video! 4 merits of making a colour rough 1. You can picture the finished product You can avoid the feelings of, "the finished picture gives a different vibe to the rough" or "the parts of the rough that gave an illusion of further detail disappeared" It's a very important step especially in a commercial setting where you need to give the client a draft of what they're going to receive. 2. You can reuse the information obtained by drafting the base colours While you can't directly take the messy base colour layers to use for the final rendering, it can give you an idea of how many layers you will need to separate the work into and what order to put the layers in for efficient colouring. It's especially useful for when you are making a piece with a lot of different parts and or colours. 3. You can directly use the adjustment layers made for the rough in the final Copying the adjustment layers from the colour rough means that the atmosphere from the rough can be completely replicated in the final, just placing the adjustment layers over the base colours can instantly increase the appeal of the piece. 4. The line art following the rough will be extremely easy to do When just using the rough line art to do the final, it gets confusing as to in what way the line from the draft should be traced. Should you trace the inside of the line, the outside of the line ..or the middle? After completing a colour rough, it becomes clear to you what purpose the lines serve(eg. should the line be part of the hair or the skin? Is it a cast shadow from the hair or extra dimension on the hair?) This is especially recommended for people which end up thinking that the line art that they did looks off compared to the rough. 5. Motivation for the final product During the stage when the line art is completed and the base colours are placed down, this is the point in time where the illustration looks the absolute worst during the entire process. After spending a lot of time on the piece and realising that it looks really bad, you end up feeling quite discouraged to continue on it and will get lost thinking of where to start with the colouring, but with a colour rough, you will be able to picture how it will transform from the horrible looking base colours, to the finished product. Conclusion: Though the colour rough is a pain to do, it will increase the quality of your works by a very high amount, so please try it!
I'd really like English subtitles, or Japanese ones that can be auto-translated, since I'm curious about the process in detail. I hope there's a high enough demand for it, nice video 👍
i could give you a rough run-down of the key points in the video! 4 merits of making a colour rough 1. You can picture the finished product You can avoid the feelings of, "the finished picture gives a different vibe to the rough" or "the parts of the rough that gave an illusion of further detail disappeared" It's a very important step especially in a commercial setting where you need to give the client a draft of what they're going to receive. 2. You can reuse the information obtained by drafting the base colours While you can't directly take the messy base colour layers to use for the final rendering, it can give you an idea of how many layers you will need to separate the work into and what order to put the layers in for efficient colouring. It's especially useful for when you are making a piece with a lot of different parts and or colours. 3. You can directly use the adjustment layers made for the rough in the final Copying the adjustment layers from the colour rough means that the atmosphere from the rough can be completely replicated in the final, just placing the adjustment layers over the base colours can instantly increase the appeal of the piece. 4. The line art following the rough will be extremely easy to do When just using the rough line art to do the final, it gets confusing as to in what way the line from the draft should be traced. Should you trace the inside of the line, the outside of the line ..or the middle? After completing a colour rough, it becomes clear to you what purpose the lines serve(eg. should the line be part of the hair or the skin? Is it a cast shadow from the hair or extra dimension on the hair?) This is especially recommended for people which end up thinking that the line art that they did looks off compared to the rough. 5. Motivation for the final product During the stage when the line art is completed and the base colours are placed down, this is the point in time where the illustration looks the absolute worst during the entire process. After spending a lot of time on the piece and realising that it looks really bad, you end up feeling quite discouraged to continue on it and will get lost thinking of where to start with the colouring, but with a colour rough, you will be able to picture how it will transform from the horrible looking base colours, to the finished product. Conclusion: Though the colour rough is a pain to do, it will increase the quality of your works by a very high amount, so please try it!
@@shiix4951 This is really helpful, a well organised translation, cheers m8! From glancing at other comments it looks like there's others that will appreciate this too.
私の場合神絵師さんの色ラフの時点で既に完璧すぎる完成
くっそわかるw
イラストメイキングだけじゃなくこういうのもあげてくれるのめっちゃありがたいです！
線画と下塗りが終わった段階が一番面白くないのどうやって打開しようか悩んでたから、凄く助かります
自分はかなり粗めのラフしか描いてなかったので線画にする際も相当苦労してたんですが、ラフにもっと細かい情報を入れて描いた方が楽でモチベも保たれるなと感じました、ありがとうございます！
ラフ生み出すのもしんどいけど、線画起こすのが一番しんどいのでカラーラフから描き起こすは結構助かると思ってます。（だだ下がりのテンションが持ち直す）
個人的には下塗り終わった瞬間は「よし塗るぞおおお！」という感じになるのでモチベに関しては人によるかもしれませんね。（デッサンとかが下手で下書き・線画が一番テンション低い）
すごい助かります！解説本でも触れていた所が分かりやすく深掘りされていてとても良いです！
羽々斬さんは画力は勿論、言語化能力に優れているのですごい需要あると思います！
ここからどう塗ってわからない問題の着彩のみの詰みポイントほんとにわかります...
グリザイユでも同じような感じになりますね
羽々斬先生ほんとうに大好きなので、こうして分かりやすくまとめてくださることに大感謝です…！！個人的にも色ラフはすごく重用してるので参考になります…！
編集お疲れです!
羽々斬さんの声落ち着くなぁ
本当にわかりやすかったです。自分自身の絵ともう一度向き合って、色ラフも丁寧にやってみようと思えました！
この動画を見て凄くモチベーションが上がりました。ありがとうございます！
色ラフは伝えたい部分の情報量を自分なりに整理できるのが良いですよね。線画は本当にしんどいのでラフは結構時間かける派です。レイヤー配置勉強になります、ありがとうございました🙏
羽々斬さんのメイキングを見ながら前々から色ラフについて気になっていたのでめっちゃありがたいです！
ものすんんんんんんんんんごいわかりやすかったです！！！次から色ラフ絶対やろう
先生の編集はとても見やすいし、動画の内容も非常に参考になってます！
カラーラフを作るようになってから着彩時に完成イメージに対するズレが減って大変助かりました！カラーラフの際にもベースカラー、影色やライトの色を丁寧に置く意識が生まれて色選択で迷う時間も減ったと思います！！
長年なんで下塗りが嫌なのか言葉にできなかった理由がわかって目から鱗だった
とても分かりやすく何度も見直したいです！！有料級…
イラストの技術を語るチャンネルも数多くなりましたけど、どの講座もプロ絵師様たちの独特の持論があって新鮮な気持ちで見られます
これからも楽しみにしています
使ってるペンとか参考にしたいのでいつか紹介してくれるのをまってます！
毎回動画とても参考になってます。
デジタル初心者なのでレイヤーをどのように分けたり効果を付けたりしてるのかが知りたいので可能でしたらレイヤーについてまとめた動画を出していただけないでしょうか。
いつも下塗り後詰んでたので色ラフ使ってみたいと思いました
最初ラフって必要？に見えて一瞬フリーズしたw
線画からかき始めるって言うことだと思ったからプライドズッタズタにされるところだったw
モチベーションの部分ですごく腑に落ちました！
下塗りで面倒くさくなって終わっているデータがいくつもあったので、次からは色ラフを作ってみようと思います。
神
色ラフの時点で完成されてね…？
色ラフやったらそれで終わった気になってやる気なくなりそうで心配😭😊
わかりやすい
I really love your artwork and have continued to use it as my inspiration to better myself, the only thing I wish is there were English Subtitles but I still learn the best I can from all your videos
i could give you a rough run-down of the key points in the video!
4 merits of making a colour rough
1. You can picture the finished product
You can avoid the feelings of, "the finished picture gives a different vibe to the rough" or "the parts of the rough that gave an illusion of further detail disappeared"
It's a very important step especially in a commercial setting where you need to give the client a draft of what they're going to receive.
2. You can reuse the information obtained by drafting the base colours
While you can't directly take the messy base colour layers to use for the final rendering, it can give you an idea of how many layers you will need to separate the work into and what order to put the layers in for efficient colouring. It's especially useful for when you are making a piece with a lot of different parts and or colours.
3. You can directly use the adjustment layers made for the rough in the final
Copying the adjustment layers from the colour rough means that the atmosphere from the rough can be completely replicated in the final, just placing the adjustment layers over the base colours can instantly increase the appeal of the piece.
4. The line art following the rough will be extremely easy to do
When just using the rough line art to do the final, it gets confusing as to in what way the line from the draft should be traced. Should you trace the inside of the line, the outside of the line ..or the middle? After completing a colour rough, it becomes clear to you what purpose the lines serve(eg. should the line be part of the hair or the skin? Is it a cast shadow from the hair or extra dimension on the hair?) This is especially recommended for people which end up thinking that the line art that they did looks off compared to the rough.
5. Motivation for the final product
During the stage when the line art is completed and the base colours are placed down, this is the point in time where the illustration looks the absolute worst during the entire process. After spending a lot of time on the piece and realising that it looks really bad, you end up feeling quite discouraged to continue on it and will get lost thinking of where to start with the colouring, but with a colour rough, you will be able to picture how it will transform from the horrible looking base colours, to the finished product.
Conclusion: Though the colour rough is a pain to do, it will increase the quality of your works by a very high amount, so please try it!
@@shiix4951 Thank you so so much for the explanation and take your time to write down every point, helps a lot! ♥️
色ラフやったら満足しちゃって厚塗りで調節して～で終わらせちゃうんですけど、ここから線画やるモチベってどうしたらいいですかね……
I'd really like English subtitles, or Japanese ones that can be auto-translated, since I'm curious about the process in detail. I hope there's a high enough demand for it, nice video 👍
i could give you a rough run-down of the key points in the video!
4 merits of making a colour rough
1. You can picture the finished product
You can avoid the feelings of, "the finished picture gives a different vibe to the rough" or "the parts of the rough that gave an illusion of further detail disappeared"
It's a very important step especially in a commercial setting where you need to give the client a draft of what they're going to receive.
2. You can reuse the information obtained by drafting the base colours
While you can't directly take the messy base colour layers to use for the final rendering, it can give you an idea of how many layers you will need to separate the work into and what order to put the layers in for efficient colouring. It's especially useful for when you are making a piece with a lot of different parts and or colours.
3. You can directly use the adjustment layers made for the rough in the final
Copying the adjustment layers from the colour rough means that the atmosphere from the rough can be completely replicated in the final, just placing the adjustment layers over the base colours can instantly increase the appeal of the piece.
4. The line art following the rough will be extremely easy to do
When just using the rough line art to do the final, it gets confusing as to in what way the line from the draft should be traced. Should you trace the inside of the line, the outside of the line ..or the middle? After completing a colour rough, it becomes clear to you what purpose the lines serve(eg. should the line be part of the hair or the skin? Is it a cast shadow from the hair or extra dimension on the hair?) This is especially recommended for people which end up thinking that the line art that they did looks off compared to the rough.
5. Motivation for the final product
During the stage when the line art is completed and the base colours are placed down, this is the point in time where the illustration looks the absolute worst during the entire process. After spending a lot of time on the piece and realising that it looks really bad, you end up feeling quite discouraged to continue on it and will get lost thinking of where to start with the colouring, but with a colour rough, you will be able to picture how it will transform from the horrible looking base colours, to the finished product.
Conclusion: Though the colour rough is a pain to do, it will increase the quality of your works by a very high amount, so please try it!
@@shiix4951 This is really helpful, a well organised translation, cheers m8! From glancing at other comments it looks like there's others that will appreciate this too.
When you enable subtitles, there is an option that pops up (in the subtitle settings), where you can auto translate into any language.
@@Kongor3nnk4nikl If u read my comment u can see that I know about the auto-translate feature. Problem is they're autogenerated subtitles, pretty iffy
ラフの時点での線画(？)の線があまりにも綺麗なので、自分もそこまで線をきれいにして描かないといけないのか…と落ち込んでいます。色ラフを描く段階での線はどういう風に描くべきなんでしょうか？
ここはこう描くとわかる程度であれば大丈夫ですよ。ただ線を重ねて描きすぎても色ラフから線画に移る時点で線画の線が細ければ、どこに線を入れればいいかが分かりずらく、完成系より遠ざかる、又思っていたのと違うものになってしまうことがあるので注意ですね
なるほど…確かに必要なのかなぁ、って思ってたので勉強になりました！_φ(･_･ホント分かりやすい…！
いつもありがとうございます！
まだその良さが分かるレベルに達していない自分が情けないのですが、これとは別にキャラ全体像のマスキングを作られる理由が知りたいです！
色塗りって彩度込みだと陰影表現と色選びをどうすれば良いのかわからないので
モノクロの影塗りからグリザイユで仕上げる事が多いんですが
やはり色ラフを描いた方が良いんでしょうか？
とても参考になりました！
ありがとうございますヽ(^^)ﾉ
so true
Terimakasih
こんにちは、あなたのビデオに英語の翻訳を入れようと考えたことはありますか?
クライアントに見せるとき以外の利点が自分にはほぼないので辛い…
上記理由だけでやるべき理由にはなるんだけどストレスが溜まりすぎる
色が乗ってる方が、目がチラチラして線画が書きづらい（ラフをカラーで書いても、レイヤーカラー変更して一色にして描く）
線画を先にきちんと作らないとレイヤー分けが面倒（参照レイヤー指定してきっちり塗りつぶすのはラフ段階では難しい）
影を全体に入れるのが難しい（パーツごとに影入れるためにパーツ分けしてるし）
カラーラフの時点で満足＆疲れてしまって仕上げをしたくなくなる（羽々斬さんの絵、ラフでも仕上げでも対して違わないじゃん…）
色に迷うタイミングが違うだけでいつ試行錯誤しても手間は変わらない（むしろ最後の仕上げで試行錯誤するのが楽しい）
なんでメリット紹介してる動画に自分の愚痴書き込んでるんですか？カラーラフしたくないなら好きに描けばいいと思いますが…。
それからカラーラフと完成したもの違わないってちゃんとよく見てますか？
@@ubuge
もちろん見てますよ
ラフででやめても全く問題ないくらいハイレベルですよね
この動画でカラーラフのメリットを
ひとつ以外肯定できないという「意見」を、理由付きで挙げてすみませんでした
（もちろん感じたメリットも最初に記載しています）
色塗り苦手な自分から見ると、画面だけだと「通過レイヤーフォルダとは？」「仕上げに流用」がどういう事なのか全然分からず説明が全然入ってこないです…