Luca & Lorraine Baricchi - Balance in Movement

[@rogelee-TW]

25:00 Not fully articulated joints will cause unbalance and tension. So the warm up and oily joints is important.

[@rogelee-TW]

39:00 No stress in the frame, no push and pull to the lady, use and manipulate the feeling of fingers and core to the multiple spheres of lady’s body and get the correct respond.

[@rogelee-TW]

31:00 3 planes of Shaping is not cosmetic, it’s for balance and for the angle of compression. it’s swaying/shaping down,focus on the compressing side.

[@rogelee-TW]

18:00 The correct compression angle is toward the partner’s groins for not knocking over partner. the power is in the lower body.

[@rogelee-TW]

11:30 Double Compression, keep the angle for overlapping the sanding and receive leg. For longer range and fuller movement whenever it’s needed for the interpretation of the music or the mood, not everywhere.

[@rogelee-TW]

32:30 Compression starts from back and down, power into the groin.

[@rogelee-TW]

35:00 One arm practice, be Very aware of the right side and all the spine and joints articulation, without the involve of the both Hands. It’s impossible to do pivot with one hand for the reason of centrifugal force.

[@rogelee-TW]

Thanks for sharing this Wonderful lecture. 🙏🙏🙏🙏🙏

[@coolmint9970]

Thanks

[@dancearchivehub]

It will grow from time to time :)

[@rogelee-TW]

43:00 Bending the lady, not stretching the lady. All joints must be free.

[@danielsalomon7163]

Good capture of the lesson too bad you can’t hear him over the translation

[@d0maene]

This is fuckin' crazy. Excuse my language. But there is just no different way to say it