Man I just _love_ soaking up hard-earned wisdom from old pros who've been around and done it all. So many useful nuggets. Gotta really pay attention; the man doesn't waste a word. Very generous with his knowledge. These no-nonsense master sessions of his are invaluable and very much appreciated.
James, I took lessons from you in the 80s right before going off to NT. I simply cannot thank you enough for your kind words of wisdom and musical insight. You've always have been a class act and this video is a fine example that is extremely helpful to guitar players trying to imitate the music of the 20s-40s. Thanks!
Thanks James. I play with a Big Band (London Jazz Orchestra in London, Canada) and still learning how to get that sparse Freddie Green pulse sound on an electric guitar (I actually use a Telecaster a-la Ed Bickert). Your advice on low volume playing, getting eyes off the music sheet whenever possible, listening to the band is key to this style of play. It's tough to do at times, when you can't hear yourself or might get lost in the form!
I have just found your lessons James. I've played guitar for 20 years. I have played Jazz for four of those years. Your lessons are so insightful, your delivery is perfect and I just your opinion instantly. Thank you for this.
Great master class, intro to 'the' sound and 'how to' I'll definitely be deconstructing this lesson and incorporating some of these techniques into my playing.
He knows what he knows. No doubt about it. Now, I have no use for it whatsoever with the music I play, but that’s why there are different types of music. I appreciate his knowledge.
LOVE THIS. I sang in a big band( The Frankie James Big Band) around 1998-2000. But I also played guitar in my own jazz trio. I had a Guild Artist Award too. David Palizzolo
I agree with everything he says except for his thoughts on amp choice. I have a late 80s Polytone Mini Brute II (no tubes), & I get a really nice, natural jazz rhythm sound with that transistor amp.
Tony Lombardo : I'm using a vintage Fender Ultimate Chorus, which is the solid state cousin to Fender's Twin Reverb, and I do alright as well. Tubes are ok, but if you don't have the cash, solid state can work just as well.
@@marktestoni6483 Ok thanks. That's what I thought. I'm a small guy myself (5,7 feet) and I sometimes refuse to buy some guitars because of their size (or mine 😂)
Wow, this sharp dressed man is going ham on the porkchop. You can literally hear the drums, when he is playing rhythm. I love to see that this tradition is still around.
Amps are so directional, like a laser beam, in large groups I prefer to point an amp backwards, preferably at a wall, or flat on the floor (pointing at the ceiling) so the sound diffuses. This is my own solution developed from working in loud groups but its been most usefull in large halls with unamplified orchestras and jazz orchestras. The point is to make sure that everyone in the room hears the same sound, I's a great relief to know that the contuctor is hearing a similar sound to what you are hearing.
Using your guitar's volume, your amplifier's volume, left and right hand volume, and using reverb as it was designed to use, you will musically defuse that focused sound your ears are telling you are bad.
Most extreme dress styles in music: Metal guitarist: Long hair, chains, tight pants Black metal guitarist: Face make-up, spikes, black clothes Jazz guitarist: Suit, tie and slick shoes
I wish this had a second camera close in on the guitar to see what he’s playing. Still, he drops so much music knowledge in these 12 minutes I’m gonna have to watch it a few more times.
I am a bit confused when he's talking about the tone buttons on the amp, turning them up a little and giving it a little boost. I recently learned elsewhere that the tone knobs are not boosting, but reducing. You start at 10 and then reduce. Can anyone shine a light on my confusion?
Solfege is the way of assigning syllables to the notes of the scale so that you can recognize the pitch relationships: do re mi fa so la ti do. There also alterations for chromatic notes.
Excuse me, what did james chirillo said he studied for his relative pitch ? I am french and don't understand clearly the worlds. Is it moveable do ? what is it ?
He means instead of being in a key,say c,thinking c d e f g a b,you think do re mi fa sol la ti ,I think it is better to think 1 2 3 4 5 6 7 because it is more logical and for me easier.Because when you are thinking of all notes as in relation to the 1 or Root it always applies to the next key and the next.
It's solfège. You (french people) have a great solfège school, as I know. We have too. Our is Kodály method, maybe you heard about it. I've read a story, when somebody went to Kodály and ask him: 'Master we finished your solfage method, all books. Kodály: And the french one??! :)) So, my french friend, you're lucky, because it's easy to find a good teacher, if you want :)
If you're only getting the sound from the pickup. It doesn't matter if it's a floating pickup or part of the guitar top. It would only matter if you're recording it and you want to pick up some of the electric sound and some of the acoustic sound.
My friend, you are a Professional Guitar Player. My hat is off to you. Your rhythm playing swings its ass off. Pardon my language but that's the only way to say it. The fact that you only occasionally *expand* your Freddie chords to include a second voice ... if there is a Zen of jazz guitar, that is it. You know (and play) what Freddie did, i.e. that single-note voicings in that tenor line sound like whole chords -- if you *make* them sound like whole chords. I'd be curious to know the balance/ratio of 3rds vs. 7ths that occurs naturally in your playing over the course of an evening.
Great video, first of all. I always wondered why the guitar is so low (invisible) in the mix with this type of music. The same usually goes for the bass too. I would like to hear more of those instruments in the band mix. They sound great when isolated, so turn up a bit, I say.
Actually there now is a Substitute for the Acoustic Archtop Guitar. The Electric Archtop Guitar was originally supposed to be a good substitute that could compete w/ the horns as the bands became twice as loud
Interesting since the magnetic pickup doesn't pick up sounds from the guitar only the strings so, whether the pickup dampens the acoustic sound is irrelevant.
Music majors will study solfege (pronounced like SOUL fudge, except with an e instead of a u in fudge: fedge). We learn to sing Bach chorales in solfege, for example, or Gregorian chants, etc. Meaning, we set our instrument aside and use our voice, sounding syllables with the different syllables having different pitches. Do re mi fa so la ti (and do again, etc.) are sung as syllables of the major scale. You can try it yourself: try singing a major scale using the solfege syllables. You might next take a familiar simple nursery rhyme, find do (the root of the key it's in), study the pitches of the first 3 notes and match the solfege syllables to their intervals, then move on to the next few notes of the melody, etc. Minor tones have different syllables. (I used to know the chromatic scale in solfege.) The point of singing in solfege is that it teaches you the (pitch) intervals. "Do la" has the sound of the root and (major) 6th - a particular pitch interval. Once you learn that interval (and all the other intervals) by learning to sing melodies in solfege, you learn to hear and recognize those intervals very quickly. It's ear training. Although it is typically studied by classical musicians, it works very well for jazz musicians as well since jazz has a lot of improvisation, which is essentially spontaneous composition - hearing something in your mind and expressing it on your instrument instantly. So the solfege ear training helps your "inner ear" - and knowing the intervals, allows you to play that/those interval/s on your instrument immediately, without delay, without thinking - helping to make your instrument transparent to the musical idea in your mind. The creation of music is rather magical. Solfege is merely a technique, "one of the tools in the tool box," to help that magic along.
Yeah, many rock and blues players probably would just call it "playing by ear". You're not using music sheet, just your instinct. If you practice let's say the pentatonic scale over blues progressions, you eventually develop that skills, the other user above is talking about - you.begin to hear the intervals, and you know where these intervals are on the nect, on each string and each fret... It's not just using your ears, but most people will simplify the whole approach by calling it like that. It's actually using your ears, and many more things like: muscle memory, thinking about chord changes, and knowing right scales, knowing music theory well enough to use right scale/arpeggio/triad or whatever in a right context, etc.
Great information if playing Guitar in an orchestra is what you're looking for. Stay close to that fourth or G string your job is tenor to the Bass player. And stay clear of those treble strings that's the Piano players territory. You don't compete with these instruments in any way. Now you know how to play rhythm Guitar in and Orchestra.
Projection? Forgettable. If you set the knobs right, it will not be as loud as the acoustic, if you set it any louder than that it's too loud. What was the point in this electric guitar amplification frenzy again? (mild sarcasm alert)
Man I just _love_ soaking up hard-earned wisdom from old pros who've been around and done it all. So many useful nuggets. Gotta really pay attention; the man doesn't waste a word. Very generous with his knowledge. These no-nonsense master sessions of his are invaluable and very much appreciated.
I love his solid concept of the role of his guitar in an ensemble.
James, I took lessons from you in the 80s right before going off to NT. I simply cannot thank you enough for your kind words of wisdom and musical insight. You've always have been a class act and this video is a fine example that is extremely helpful to guitar players trying to imitate the music of the 20s-40s. Thanks!
I love his emphasis on how he feels/what he hears "today" when talking about the tone of the amp and the chords he would play.
You know it's jazz when your guitar is as big you, and you're wearing a suit. No shade, just saying.
Yes. Only tube amps allowed.
Wouldn't it be funny if he started blasting some black metal riffs instead?
And when u have ur legs crossed like a chick lol
Agreed
Or blues
This isn't about guitar so much, but about music. Rarely do you find such a packed lesson. Thanks you, and great tone and playing.
Thanks James. I play with a Big Band (London Jazz Orchestra in London, Canada) and still learning how to get that sparse Freddie Green pulse sound on an electric guitar (I actually use a Telecaster a-la Ed Bickert). Your advice on low volume playing, getting eyes off the music sheet whenever possible, listening to the band is key to this style of play. It's tough to do at times, when you can't hear yourself or might get lost in the form!
I’ve heard of electric guitars but I thought only the Beatles used those new fangled things.
@Ricardo Hernández Indeed! Blasphemous.
🤣🤣🤣
Those devil-worshipping don't know a lick about real music! I'll stick with Sinatra, thanks.
Them Beatles. Don’t they know electric guitar groups are on the way out?
Hahahaha
This was excellently presented as his experience was self-evident! Great video!
I agree with Paul even though this video is 9 years old it increases me wanting a hollow body guitar.
@@phillipholt6005 I'm with you, I'm happy i got this vid in my feed.
I have just found your lessons James. I've played guitar for 20 years. I have played Jazz for four of those years. Your lessons are so insightful, your delivery is perfect and I just your opinion instantly. Thank you for this.
Love that guy, the way he is explaining with calm. Great musician !
I don't even listen to big band music but I absolutely love this guy's vibe.
Big band music ? What you listen to Ed sheeran ?
We agree! Acoustic archtop is the way to go - but many students we've found can't afford an extra guitar. This is for those situations
This is slowly getting into my old brain! Thank you sir.
Wish I had a teacher like him
Great master class, intro to 'the' sound and 'how to'
I'll definitely be deconstructing this lesson and incorporating some of these techniques into my playing.
his focus on volume is EXACTLY what an early guitar player should think about
He knows what he knows. No doubt about it. Now, I have no use for it whatsoever with the music I play, but that’s why there are different types of music. I appreciate his knowledge.
LOVE THIS. I sang in a big band( The Frankie James Big Band) around 1998-2000. But I also played guitar in my own jazz trio. I had a Guild Artist Award too. David Palizzolo
Respect man, that's awesome
I agree with everything he says except for his thoughts on amp choice. I have a late 80s Polytone Mini Brute II (no tubes), & I get a really nice, natural jazz rhythm sound with that transistor amp.
Tony Lombardo : I'm using a vintage Fender Ultimate Chorus, which is the solid state cousin to Fender's Twin Reverb, and I do alright as well. Tubes are ok, but if you don't have the cash, solid state can work just as well.
yeah transistors sing really well@@robsgirl6465
Hey hey Charles!!! Thanks mate👍
I too get a rich sound from Roland Cube 30 on the clean channel.
I use a Fender Champion 40. I'm pleased with the sound and the fact it weighs 19 lbs. I can leave a Super Reverb at home.
This guitar thing may be popular one day!
That guitar is freaking huge.
Mr Chrillo is not a big human those models are about the size of a Gibson J200
@@marktestoni6483 Ok thanks. That's what I thought. I'm a small guy myself (5,7 feet) and I sometimes refuse to buy some guitars because of their size (or mine 😂)
This man really just giving away wisdom for free
Wow, this sharp dressed man is going ham on the porkchop. You can literally hear the drums, when he is playing rhythm. I love to see that this tradition is still around.
This guy is such an expert, very cool.
Amps are so directional, like a laser beam, in large groups I prefer to point an amp backwards, preferably at a wall, or flat on the floor (pointing at the ceiling) so the sound diffuses. This is my own solution developed from working in loud groups but its been most usefull in large halls with unamplified orchestras and jazz orchestras. The point is to make sure that everyone in the room hears the same sound, I's a great relief to know that the contuctor is hearing a similar sound to what you are hearing.
Only closed back amps/cabs are. Open back have a wider projection.
Using your guitar's volume, your amplifier's volume, left and right hand volume, and using reverb as it was designed to use, you will musically defuse that focused sound your ears are telling you are bad.
Thanks james... stay awesome
I love @09:47 ff - this is amazing. keep your ears open and don't look every sec on your paper
You are a master of this style
great teacher
My old U. of North Texas homeboy. Hi Jimmy!
So Metal Zone hidden behind the amp in the loop. ☑️
That was incredible. I’d love to hear you play more. I love your approach. 🎶❤️🇦🇺
Is his hair part rt above his left ear? Comb over?
Beautiful guitars!!
i think the right over left leg cross is very key for Freddie Green... almost yogic in the prerequisite flexibility
It also helps to not mute any sound coming from the back guitar from putting your stomach to it if I’m correct
Essentially Ellington
The Floating Pickup actually allows the top to Vibrate more freely so it becomes an Acoustic-Electric Archtop Guitar.
He does more playing at our Jazz Academy site - you can see the link in the video description
Great info. Thanks!
What about a Marshall amp?
Love that Guild Artist Award!
is he small or are these guitars massive?
Que belleza esas guitarras ...🙏.....saludos de Argentina 👏🇦🇷✌️
Most extreme dress styles in music:
Metal guitarist: Long hair, chains, tight pants
Black metal guitarist: Face make-up, spikes, black clothes
Jazz guitarist: Suit, tie and slick shoes
Where have these videos been all my life?!
I wish this had a second camera close in on the guitar to see what he’s playing. Still, he drops so much music knowledge in these 12 minutes I’m gonna have to watch it a few more times.
I am a bit confused when he's talking about the tone buttons on the amp, turning them up a little and giving it a little boost. I recently learned elsewhere that the tone knobs are not boosting, but reducing. You start at 10 and then reduce. Can anyone shine a light on my confusion?
I think it depends on the style you want. Some players use a darker sound, some prefer a much sharper tone, like this guy.
Solfege is the way of assigning syllables to the notes of the scale so that you can recognize the pitch relationships: do re mi fa so la ti do. There also alterations for chromatic notes.
Wonder how much the guitars cost
You can’t play with someone like Wynton Marsalis and just wing it lol, this guy is like the guitar player’s player’s player.
What is he saying about studying "soul fay jah?"
This is particularly brilliant 🍎
Excuse me, what did james chirillo said he studied for his relative pitch ? I am french and don't understand clearly the worlds. Is it moveable do ? what is it ?
He means instead of being in a key,say c,thinking c d e f g a b,you think do re mi fa sol la ti ,I think it is better to think 1 2 3 4 5 6 7 because it is more logical and for me easier.Because when you are thinking of all notes as in relation to the 1 or Root it always applies to the next key and the next.
thank you.
It's solfège. You (french people) have a great solfège school, as I know. We have too. Our is Kodály method, maybe you heard about it. I've read a story, when somebody went to Kodály and ask him: 'Master we finished your solfage method, all books. Kodály: And the french one??! :)) So, my french friend, you're lucky, because it's easy to find a good teacher, if you want :)
The bear went over the mountain. The bear is a major third.
Some where over the rainbow. Some where is an octave. Do, a deer, a female deer.
You know.
Thank you ... Ate a "terrine of deer" three days ago ... Very good. And we went over the mountain.
Fascinating. Thank you.
What style music is this jazz and blues ?
If you don’t know, this dude is THE MAN.
If you're only getting the sound from the pickup. It doesn't matter if it's a floating pickup or part of the guitar top. It would only matter if you're recording it and you want to pick up some of the electric sound and some of the acoustic sound.
nice guitar and amp I love my palomino solo jazz w floating pick up and bugera v 22 with 212 ext speaker
I’ve had a v22 since they came out. I love it!
NICE STUFF what Speakers are you using in your amp .....Have you tried different ones ?
Thank You
Anybody with the suit on has my respect and attention
My friend, you are a Professional Guitar Player. My hat is off to you. Your rhythm playing swings its ass off. Pardon my language but that's the only way to say it. The fact that you only occasionally *expand* your Freddie chords to include a second voice ... if there is a Zen of jazz guitar, that is it. You know (and play) what Freddie did, i.e. that single-note voicings in that tenor line sound like whole chords -- if you *make* them sound like whole chords. I'd be curious to know the balance/ratio of 3rds vs. 7ths that occurs naturally in your playing over the course of an evening.
Great video, first of all.
I always wondered why the guitar is so low (invisible) in the mix with this type of music. The same usually goes for the bass too. I would like to hear more of those instruments in the band mix. They sound great when isolated, so turn up a bit, I say.
For me, learning Bach by ear (w solmization) is really helpful too (to play better jazz impro). It teach my ears to hear in a 'bigger system'
It’s amazing how universally applicable Bach is.
Actually there now is a Substitute for the Acoustic Archtop Guitar. The Electric Archtop Guitar was originally supposed to be a good substitute that could compete w/ the horns as the bands became twice as loud
very interesting, thanks
Camera needs to be zoomed WAY in.
His set at the Holiday Inn on Thursday during happy hour is good too. Seems down to earth and drinks are half price
😀
This man is dope
Thank you James !!!
Respect. Thankyou
Interesting since the magnetic pickup doesn't pick up sounds from the guitar only the strings so, whether the pickup dampens the acoustic sound is irrelevant.
Where are you getting the 75% number from? Was it the same fella who told you that hair piece looked good? 😂
Ask no questions. Start the video at 5:58.
.....as you were.
I was looking for that...
Chirillo actually smiles at about 4:10. Didn’t think he could.
What is he saying at 11:02? Study what? So-fage? I don't understand what he's saying... Can someone please clarify?
solfege
Music majors will study solfege (pronounced like SOUL fudge, except with an e instead of a u in fudge: fedge). We learn to sing Bach chorales in solfege, for example, or Gregorian chants, etc. Meaning, we set our instrument aside and use our voice, sounding syllables with the different syllables having different pitches. Do re mi fa so la ti (and do again, etc.) are sung as syllables of the major scale. You can try it yourself: try singing a major scale using the solfege syllables. You might next take a familiar simple nursery rhyme, find do (the root of the key it's in), study the pitches of the first 3 notes and match the solfege syllables to their intervals, then move on to the next few notes of the melody, etc. Minor tones have different syllables. (I used to know the chromatic scale in solfege.) The point of singing in solfege is that it teaches you the (pitch) intervals. "Do la" has the sound of the root and (major) 6th - a particular pitch interval. Once you learn that interval (and all the other intervals) by learning to sing melodies in solfege, you learn to hear and recognize those intervals very quickly. It's ear training. Although it is typically studied by classical musicians, it works very well for jazz musicians as well since jazz has a lot of improvisation, which is essentially spontaneous composition - hearing something in your mind and expressing it on your instrument instantly. So the solfege ear training helps your "inner ear" - and knowing the intervals, allows you to play that/those interval/s on your instrument immediately, without delay, without thinking - helping to make your instrument transparent to the musical idea in your mind. The creation of music is rather magical. Solfege is merely a technique, "one of the tools in the tool box," to help that magic along.
Yeah, many rock and blues players probably would just call it "playing by ear". You're not using music sheet, just your instinct. If you practice let's say the pentatonic scale over blues progressions, you eventually develop that skills, the other user above is talking about - you.begin to hear the intervals, and you know where these intervals are on the nect, on each string and each fret... It's not just using your ears, but most people will simplify the whole approach by calling it like that. It's actually using your ears, and many more things like: muscle memory, thinking about chord changes, and knowing right scales, knowing music theory well enough to use right scale/arpeggio/triad or whatever in a right context, etc.
awesome! thanks for these video series, best of youtube on this topic! hats off to you Sir!
Would love to him play metal or rock music . Just to see his approach
omg - you are awesome!
yep
That thing is EXPENSIVE!! BELIEVE THAT, WISH I HAD ONE. Also, is that fun to play like that for you?
What amp stand is James using?
Twin Reverb has tilt-back legs
thank you sir
this guy is slick as hell
crushing golf balls lmao
If this is about guitar, why is he holding a double bass?
10:00 Best Advice
100th comment.
Ty to all the aspiring musicians. Stay humble.
Every time I've seen guitar players and big bands you can never hear them play. Why is that?
Thats very true i think they just need them to carry the piano
Im imagining he's holding a Jackson Tiger Striped guitar and theres an Ibanez 8 string in the stand , and this is Called Clean Shirt Metal
Tubes are gonna be pretty scarce soon.
Can you play a guitar like that acoustically
No. It will explode.
Cool
Great information if playing Guitar in an orchestra is what you're looking for. Stay close to that fourth or G string your job is tenor to the Bass player. And stay clear of those treble strings that's the Piano players territory. You don't compete with these instruments in any way. Now you know how to play rhythm Guitar in and Orchestra.
Projection? Forgettable. If you set the knobs right, it will not be as loud as the acoustic, if you set it any louder than that it's too loud. What was the point in this electric guitar amplification frenzy again? (mild sarcasm alert)
If you have a pickup you don't need "acoustic projection."
People really disrespecting James Chirillo in the comment section
"People really disrespecting (insert person's name relating to specific video) in the comment section." TH-cam comments in a nutshell.
Who here likes Exodus?
would have recorded the guitar with an ambient mic, not directly close to the speaker, that way the guitar sounds boxed, restrained.
Awesome video, but can you play a bit, too? I'd love to hear your!
🎵🎶 I’m a soul fedge 🎵🎶 I’m a soul fedge